Fleming, Leah - The Captain's Daughter

by The Captain's Daughter (mobi)

  She found herself wandering around the cathedral again, looking up at it with tired cynical eyes. It never disappointed, with its lofty arching roof, its gargoyles and brass wall plaques. Unlike some of the vaster cathedrals, Lichfield was intimate, quirky, so much a part of her younger life. She sat down on a chair, wanting to weep for all that she’d lost, but here was not the place, not in front of people passing by, chattering so excitedly. Ella forced herself up and wandered round to the Lady Chapel at the rear, her eyes alighting on the marble ef-figy of The Sleeping Children. Despite herself, she was moved to see it again. Not through the eyes of a child all those years ago but as a woman bereft and bewildered by who she’d become.

  Her professional eye roamed over its contours, the romance of its curves, the perfection of line and execution. The detail of the mattress caught her eye, so real and soft she could lie on it herself. Yet she knew even in its perfection Francis Chantrey had left his mark: a small block of marble under a foot was uncarved, solid, a reminder that this was only a piece of art, flawed by this deliberate omission. How beautiful it was. No wonder it had caused such a sensation when first exhibited.

  Death did not always come peacefully and she knew one of those children died as a result of a fire, burned, choked, like so many of the Blitz victims. The blow of death has to be softened with effigies and monuments, she mused. How many memorials had there been erected to the victims and crew of the Titanic across the globe? How many after the war? The world had to know and remember such terrible losses and try to make some meaning out of such tragedy.

  The thought of how Anthony had faced his end, fighting his engine, trying to keep it afloat, was torture. There was no body to mourn and no goodbyes, no grave. This must have been how May had felt too. No wonder they had come here to Smith’s statue in the park. Her own parents had no grave but the ocean bed and she had given them so little heed over the years, but seeing this effigy again had stirred something inside her. Who were they and where did they come from?

  Don’t think about that now, she thought, turning away. It’ll drag you down even further. Life must go on. Even though there was no grave to stand over, Anthony’s life must be cel-ebrated. Clare must have something to remember her father by, something tangible, more than just his letter.

  This effigy had been made to comfort the parents of those two little girls, so she must make something to comfort herself, something only she could do, something permanent, beautiful and meaningful for Clare and herself.

  Suddenly she felt a flood of excitement rush through her body like a current of electri-city; an idea, a feeling of certainty rose in her mind’s eye. How strange after she had walked into the cathedral with leaden shoes. Now she strode briskly out into the crowd. It was time to go home and face her studio.

  The studio was damp and musty, full of clay shards from the explosion that had shattered her plasterwork. There were dead flies on the shelves and a pervading smell of neglect and abandonment. But this June morning was sunny and it was time to brush the cobwebs from the dirty windowpanes and spring-clean the place.

  She needed light – strong northern light – fresh air and space to work her ideas into drawings capturing all she felt about her husband. First she must clear out all the dross for a fresh start. Ella picked up the drawing board and smiled.

  Anthony, I’m back home and this is where I’ll begin again. 119

  1946

  Roddy hung over the side of the troopship taking him home. He felt like an old man, so different from the guy who’d followed the flag in 1942. His head was full of memories he wanted to forget: the grim fighting north from Italy and on into Germany sights of horror they’d encountered there, the forced marches of the dispossessed, exhausted troops, the camp prisoners. He never wanted to see another bombsite again. He’d joined another unit of the Fifth Army. There was nothing left of his old troop. He was a stranger among strangers who soon melded into a band of fighting brothers.

  He would never forget the kindness of the Italian peasant farmers, those contadini who’d given him another chance to join the Allies. Those strange months in the foothills would stay with him for the rest of his life.

  It was halfway through the journey that he found himself at the officers’ dining table with two chaplains, one Jewish and one Catholic, judging from their insignia. He recognized the look of exhausted men, their eyes sunk deep with tiredness. The priest had an insistent twitch on his cheek. They got into conversation and he told him about his friend and chaplain Frank Bartolini in the camp near Arezzo, how the priest had helped get him out to his own family, and asked them if they’d heard where he was.

  The priest, a Jesuit brother, Paul, looked at him with interest. ‘Francesco Bartolini? He was in my training group at Harvard, a little dark chap. He was . .’ He paused, peering over his rimless glasses at him. ‘Didn’t you know?’

  Roddy felt his heart skip a beat as he shook his head. ‘You’ve seen him?’ Paul shook his head. ‘I’m afraid he was shot. We heard on the grapevine. They’ve awar-

  ded him a Purple Heart, posthumously.’

  ‘When? Where?’ Roddy was shaking. He couldn’t comprehend what he was hearing. ‘Many chaplains lost their lives in the front lines. I just recall his name in prayers, know-

  ing we’d met somewhere.’

  ‘But he was a prisoner when I last saw him in Italy. How do I find out more?’ ‘The Chaplains Corps will have all the details. I am sorry. He was a friend?’

  Roddy nodded. ‘I owe that man so much.’ He was no longer hungry, just in need of fresh air.

  Later, walking on deck, Roddy was troubled by an instinct that Frank’s death might have had something to do with his own escape. What about his poor family? Oh God, what about those kids he’d met. Were they safe? He just had to find out more. He couldn’t go back to Akron and his old life without discovering exactly what had happened to his dear friend. He’d been so looking forward to meeting him again.

  Then he recalled a conversation with Frank about the new church in New Jersey, one that was built as a replica of a church in Italy. That wouldn’t be difficult to find. It took only a few phone calls to find St Rocco’s on Hunterton Street and the address of Frank’s family in New York. He wrote a short note introducing himself, asking for a visit of condolence before he headed back to Ohio. He told them he owed Father Frank his life.

  Two days later he found himself knocking on the door of a brownstone apartment in the Italian quarter of Lower Manhattan. A grey-haired woman opened it, smiling. ‘Please come in, Captain. I’m Kathleen Bartolini.’

  Roddy found he was shaking at the thought of meeting Frank’s parents. He would just say his piece and leave. They wouldn’t want reminders of him and the consequences of Frank helping him.

  ‘You must be Roderick Parkes. Frank wrote about you. You joined his choir. His “Eng-lish choirboy”, he called you,’ she said, immediately putting him at ease with her Irish lilt. He followed her into the parlour full of pictures and ornaments and Holy Statues of the Madonna and Child. Sitting on the sofa was an old man and the most stunning girl he’d ever seen, with a head of glorious wavy auburn hair and green eyes. She stood up, tall and slender, as her mother introduced them. ‘This is my husband, Angelo, and our daughter,

  Patricia.’

  The old man made to struggle to his feet. ‘No sit, please, sir,’ Roddy insisted. ‘My husband has not been well for many months,’ his wife offered. Roddy was struck

  by his dark piercing eyes, the same as those of his boys, Frank and Jack, who peered across the room from their photograph on the shelf.

  ‘Please call me, Patti,’ said the vision in a green silk blouse, stretching out her hand. ‘Sit down, Captain.’

  ‘Thanks, ma’am. I must tell you, I saw a picture of you all in your grandmother’s house,’ he said. ‘But you were only this high.’ He smiled and Patti smiled back. He knew he was already lost in the loveliness of her smile.

  The old man stared at
him. ‘You met my family, the Bartolinis? When?’ ‘I did, but please tell me first what happened to Frank.’ He looked across again to his

  portrait. He’d not looked so smart in the camp, none of them did. ‘I only heard on the ship that he died.’

  ‘He was shot and left to die. They say he was trying to escape. That’s all we were told.’ They all stared in Frank’s direction as if expecting the portrait to chip in and give his side of the story.

  Roddy shook his head vehemently, holding his hands up in horror. ‘That’s not true. He was going back to camp to be with the men. Frank helped me escape. Your family sheltered me. I saw him leave in the truck with the priest to return before curfew. That’s all I know. He was offered a chance to escape but he didn’t accept. He wouldn’t go. I was there. You must believe me.’ He found to his horror he was crying. ‘He was a good man, my friend. If I had known what risk he was taking . . .’

  The family stared at him in amazement. ‘You were with him near Anghiari?’ ‘To be honest, I never knew where I was, but Frank made contact through the Church

  with his father’s family. That I do know. They took me in and gave me my freedom. Are they safe?’

  ‘We’ve not heard anything. Maybe we can write now the war is over. You went there with my son and you saw him leave?’ Kathleen looked at him again.

  Roddy told them every detail he could remember of the secret visit, even the story of the little shoe and what had happened when they showed it to the old grandma.

  ‘Alessia’s shoe?’ gasped the old man.

  ‘I don’t know any Alessia but when he showed it to them, the old lady knew it was you who had sent it, proof that the young priest was Frank and not a spy. She did say something about the lacework but I’m afraid one piece of lace looks much like any other to me,’ he offered, seeing the reaction on their faces.

  Kathleen crossed herself. ‘Oh, Angelo, you were right to give it to him. My husband had a daughter and wife who died.’

  Roddy knew what was to come next. ‘On the Titanic , Frank told me. My mother was on that ship too but she lived. What a strange coincidence.’

  ‘Did he tell you my sister drowned also?’ said Kathleen. ‘All three us connected by that terrible disaster . you say he gave the shoe to the family as proof. When he gave away his talisman, his sister’s shoe, he gave away his luck,’ Kathleen cried, and Patti folded her into her arms.

  ‘This is too much to take in, but thank you,’ Patti said. ‘You were sent to us for comfort,’ she wept.

  Roddy jumped up, not wanting to intrude any longer. ‘I’d better go now,’ he said. ‘No, please stay, we have so many questions for you. You’ve brought us strange news

  and talking about Frank helps bring him alive again. I’ll make us something to eat.’ Kath-leen disappeared.

  ‘I’ll have to go soon.’ Patti wiped the tears from her eyes. ‘I’ve got a show tonight.’ ‘My daughter’s in the chorus on Broadway as an understudy: Patti Barr is her stage

  name,’ Angelo smiled with pride.

  Roddy eyed her again. He wouldn’t have been surprised if she was on the silver screen. ‘Which show is that?’

  ‘Annie Get Your Gun. I can always get you tickets.’ ‘You bet,’ he answered with just a little bit too much enthusiasm. ‘I’m sorry, I didn’t

  mean to offend at such a time.’

  ‘No, no, we’ve gotten used to the idea of Frank not coming home. He’s not our first loss. Our other son, Jack, was killed in the Pacific,’ Angelo explained.

  ‘Frank told me. I saw the letter. Both your sons, I’m so sorry.’ Roddy didn’t know what to say. The old man shrugged and held up his hands.

  ‘Frank would say, it’s God’s will, He gives and He takes. It’s a test of faith but here you come and bring him back to us with your news. Please stay and tell us everything you know. You were sent to us for a reason. Now tell me about my famiglia. Were they well? It is so long since I was there.’

  Roddy pondered that question for many weeks afterwards as he conducted a cross-coun-try courtship of the beautiful Patti Bartolini. He had never believed in love at first sight, but one glimpse of that face and he had been lost. Roddy had always known what he was looking for but had never found it until that moment in New York.

  He hadn’t walked through Italy and fought his way through Europe to fall at those first hurdles of distance, of different faiths and backgrounds. What was more amazing was that Patti responded to him just as enthusiastically.

  So what if their union would mean taking instructions in her faith, Frank’s faith? That was good enough for him if it had made men like his friend. Where would they live? It didn’t matter. What was important was that Frank had brought them together in the strangest of ways. Roddy would be forever in his debt.

  All that was left was to write to his mom and tell her this good news. He’d found his match. He’d found his wife and life was just beginning. Angelo couldn’t sleep that night, not because of the usual ache in his legs but for a strange feeling of joy. The shoe had done its work again. Lost, found, given, taken, received, a curious journey it had had. Now a stranger comes and claims his daughter. He had seen the thunderclap of recognition between them; a half-English Protestant soldier had stolen his daughter’s heart from under his nose. He should forbid such a match, but this was the very last man to see his son alive, a good man with good prospects. No, it was all a mystery. Here they were, battered, bruised and tossed on the rocks of life, and now there was talk of weddings and celebrations to come.

  None of it would bring his children back but these young ones might bring others into this world for him to love.

  Part 5

  A NIGHT TO REMEMBER 1958–1959

  120

  England

  ‘They’re making a film about the Titanic,’ said Clare, scouring the latest issue of Picturegoer magazine. ‘A big one in London, starring Kenneth More.’

  ‘Oh, yes, dear?’ said Ella, who was hard at work on her latest commission and didn’t want to be distracted.

  ‘No, really, it says here, it’s going to be an epic tale: a true story based on a true book.’ ‘I very much doubt it,’ Ella replied. ‘In all honesty, who knows what really happened that

  night?’

  ‘Oh, don’t be such a stickler, you know what they mean,’ Clare snapped, flouncing off, not waiting for her explanation.

  Ella sighed, wondering if she had been so touchy at that age. Clare was home from her boarding school near York. It always took them time to get back into their comfortable rap-port. It wasn’t easy bringing up a girl on her own, not one as sparky and bright as Clare, who played rock ’n’ roll records on her Dansette, driving Ella out into the studio for peace and quiet.

  An artist needed uninterrupted hours, and the school holidays were always a chaotic time for both of them. Clare wanted attention, outings, one-to-one time with her mother, but Ella’s work piled up, holidays or not. Since that first exhibition after the war when she’d presen-ted a series of sculptures of airmen, aviators, weary figures dragging jackets over slumped shoulders, and the bust of Anthony, alongside a series of studies of war-ravaged faces, she’d never been out of work: monuments, memorial plaques and private commissions for busts of lost men and women from the war.

  She had been part of the Festival of Britain artistic exhibition representing the figurative side of modern sculpture rather than the startling abstract sculptures of Henry Moore and Barbara Hepworth. Their avant-garde work had stolen the show at the Battersea Exhibition Centre in 1951.

  Sometimes Ella was so busy, it was hard to settle to anything else. Her private life was Clare, work and the Foresters. She still lived at Red House with Selwyn. It suited them, shar-

  ing the expenses. He was older and frail now, his old war wounds weakening his constitu-tion, his drinking ravaging his liver.

  She had never found anyone to replace Anthony. He was her one true love and besides, she was content to put all her passi
on into her work. There were men who’d taken her out, offered romantic interludes, but Clare and work were her priorities.

  She’d fallen in love with her art all over again after those fallow wartime years when all she had done was copy, repair, teach and learn to breathe. Now it was as if all that pent-up energy had been released. Poor Clare was feeling neglected so she must make time to take her out for lunch.

  Clare knew about her Titanic past in a vague disinterested way. She’d found the suitcase full of baby clothes in the linen cupboard after the war, played with the bonnet for her doll and one day Ella had come home to find the lace border cut off the nightdress and sewn onto a little underslip for her tennis dress.

  Ella hadn’t minded about the lace. What was the point of letting it all moulder in the top of the airing cupboard, slowly turning yellow? But the rest of her baby layette she kept in a suitcase for old times’ sake. It would all get thrown out if she ever moved house.

  There was a real story in there, one this new film would not be telling, but she was curi-ous. She didn’t know what to make of another Titanic film. How could they make such a story on a film set? She’d like to see them try. It was funny how Walter Lord’s book had become a bestseller. A Night to Remember , it was called. A night to forget, more like.

  Renewed interest in the ship had led to articles about the great disaster in the paper, sur-vivors telling their stories. No one would ever believe her story and she couldn’t recall a single memory of the event. She wondered what Mrs Russell-Cooke would make of someone playing her father. They’d kept in touch after the war, linked forever by the loss of their airmen. Her companion now was an artist and she’d seen them in London across the room at an art gallery cocktail party. She hadn’t wanted to intrude as they were deep in conversation with the owner. When she turned to catch up with them they’d disappeared.