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Saturday Night at the Movies

Page 23

by Jenny Nelson


  Page 194, ‘The best directors . . . a musical art.’

  Irwin Bazelon, Knowing the Score: Notes on Film Music (Van Nostrand Reinhold, New York, 1975), p. 199.

  Page 196, ‘because I found the score so inspirational’

  Jaws, 25th Anniversary Collector’s Edition soundtrack, sleeve notes (Decca, 2000).

  Page 197, ‘To this day . . . the film.’

  Steven Spielberg interviewed by Laurent Bouzereau, Jaws soundtrack sleeve notes.

  Page 197, ‘At first I began to laugh . . . the entire score.’

  ibid.

  Page 198, ‘Suddenly, . . . dramatic outline.’

  John Williams interviewed by Laurent Bouzereau, Jaws soundtrack sleeve notes.

  Page 198, ‘even before . . . about Close Encounters’

  Mitch Tuchman, ‘Close Encounter with Steven Spielberg’, Film Comment, 1978, p. 51; Lester D. Friedman and Brent Notbohm (eds), Steven Spielberg: Interviews.

  Page 199, ‘Close Encounters is . . . than Star Wars.’

  Derek Ellis, ‘The Film Composer: John Williams’, Films and Filming, vol. 24 no. 10 (July 1978), p. 22.

  Page 200, They kept returning to one particular sequence . . .

  ibid., pp. 22–3.

  Page 202, I’m a great rewriter . . . probably do.’

  ibid., p. 24.

  Page 202, ‘I’d rather go . . . the film itself.’

  ibid., p. 23.

  Page 202, ‘a doctor trying to diagnose somebody’s physical condition’

  Interview with John Williams, E.T. the Extra-Terrestrial 20th Anniversary Edition soundtrack sleeve notes (MCA/Universal Studios, 2002).

  Page 203, ‘we talk about tempo . . . emotions, texture.’

  ibid.

  Page 203, ‘Once Johnny sits . . . a super-imposition.’

  Mitch Tuchman, ‘Close Encounter with Steven Spielberg’.

  Page 203, ‘I’ll play two . . . they’re hearing.’

  Interview with John Williams, E.T. the Extra-Terrestrial 20th Anniversary Edition soundtrack sleeve notes.

  Page 203, ‘I’ve always felt . . . just uplift it.’

  ibid.

  Page 204, ‘What makes them . . . as compared to Close Encounters.’

  ibid.

  Page 205, ‘That sequence involved . . . mathematics and measurement.”’

  ibid.

  Page 208, ‘restraint was John Williams’ primary objective’

  Interview with Steven Spielberg, Saving Private Ryan soundtrack sleeve notes (DreamWorks Records, 2000).

  Page 209, ‘He did not want . . . breathe and remember’

  ibid.

  Page 210, ‘a stand-alone experience and it affected me deeply’

  Commentary by Steven Spielberg from the War Horse film soundtrack sleeve notes (DreamWorks Records, 2011).

  Page 211, ‘the grandparent of the score’

  Emilio Audissino, John Williams’s Film Music: Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style (University of Wisconsin Press, Madison WI, 2014), p. 218.

  Page 212, ‘When I first heard . . . a youngster again.’

  Commentary by Steven Spielberg from The Adventures of Tintin: The Secret of the Unicorn soundtrack sleeve notes (Sony Music, 2011).

  Page 213, ‘musical tapestry’

  emanuellevy.com/comment/lincoln-john-williams-music/

  Page 213, ‘I don’t think . . . an uncanny way.’

  John Burlingame, ‘Spielberg and Lucas on Williams: Directors Reminisce about Collaborating with Hollywood’s Greatest Composer’, interview for the Film Music Society, February 2012: http://www.filmmusicsociety.org/news_events/features/2012/020812.html

  Page 213, ‘I call him Max . . . calling him Max.’

  ibid.

  Page 213, ‘Working with Steven . . . improve the world.’

  Interview with John Williams, Jaws 25th Anniversary Collector’s Edition soundtrack sleeve notes.

  12: Hans Zimmer and Christopher Nolan

  Page 226, ‘the combination of the two of us has become the voice of the score’

  Interview with Hans Zimmer and James Newton Howard, 2009, KCRW; transcript, kcrw.com.

  Page 230, ‘play into the resonance of the piano’

  www.indiewire.com/2013/11/hans-zimmer-feels-horrible-when-his-inception-bramms-are-used-in-movie-trailers-92087/

  ABOUT CLASSIC FM

  Classic FM is the UK’s biggest single commercial radio station and the most popular classical music brand, reaching 5.4 million listeners every week. Classic FM’s programmes are hosted by a mix of classical music experts and household names including John Suchet, Alexander Armstrong, Myleene Klass, Bill Turnbull, Alan Titchmarsh, Charlotte Hawkins, Aled Jones, Margherita Taylor and Nicholas Owen. Since its launch in 1992, Classic FM has aimed to make classical music accessible and relevant to everyone and in doing so, introduce an entirely new audience to the genre. ClassicFM.com is the UK’s biggest classical music website and has 1.7 million unique monthly web and app users. Classic FM is owned by Global. It is available across the UK on 100-102 FM, on DAB digital radio and TV, at ClassicFM.com and on the Classic FM app.

  Source: RAJAR/Ipsos-MORI/RSMB, period ending 17 September 2017.

  ACKNOWLEDGEMENTS

  Huge thanks, first and foremost, to all of the directors and composers featured here. I am particularly grateful to those who took the time to speak to me specifically for this book: Carter Burwell, Patrick Doyle, Sam Mendes, Howard Shore and Alan Silvestri. Thanks also to Sara Horner and Howard Goodall for their contributions, to NPR journalist Tim Greiving, and to Charlotte Green, Anne-Marie Minhall and Tommy Pearson, whose archive Classic FM interviews are cited here. I am very grateful to the staff and research resources at the BFI Reuben library, to Caeshia St Paul in the Global Enterprises team, to Olivia, Pippa, Jennie and Lorne at Elliott & Thompson, and to Sam Jackson and the entire Classic FM programming family.

  A special thanks goes to Andrew Collins, not just for being a joy to work with on Saturday Night at the Movies and for the use of his archive Classic FM interviews, but for his advice throughout the research and writing process.

  Finally, my thanks to the Saturday Night at the Movies listeners for sharing our passion for film scores – and to you for reading this book.

  INDEX

  Illustrations are denoted by the use of italic page numbers.

  49th Parallel 117

  1941 177

  2001: A Space Odyssey 221

  A

  Abrams, J.J. 57–73, 63, 207

  Abyss, The 102, 176

  Adams, Doug 160

  Addinsell, Richard 118

  Addison, John 92

  Adventures of Tintin: The Secret of the Unicorn 211–12

  A.I. Artificial Intelligence 210

  Alexander, Jesse 60

  Alfred Hitchcock Presents (TV show) 40, 79, 81

  Alias (TV Series) 57, 60–1

  Alice in Wonderland 52

  Alice Through the Looking Glass 35

  Aliens 97, 100–1

  All That Money Can Buy 77

  Allied 175, 187

  Altman, Robert 29

  Amblin’ 195

  American Beauty 135, 138–42, 143

  An Unexpected Journey 168

  Anderson, J. Todd 4

  Andrews, Julie 90

  Angélil, René 107

  Apollo 13 104, 109

  Armageddon 60

  Arnold, Malcolm 118, 119–20, 147

  Artist, The 93

  As You Like It (2006) 26

  Asante, Amma 29

  Avatar 97, 107, 103, 109–12

  B

  Back to the Future trilogy 175

  Part I 178–80, 189

  Part II 179

  Part III 180

  Bad Taste 156

  Bale, Christian 22

  Balestrero, Christopher Emmanuel 83

  Balfe, Lorne 220

  Ballard, Glen 185

/>   Bardem, Javier 14, 148

  Barrie, J.M. 84

  Barry, John 92, 146, 147

  Bartek, Steve 39

  Bass, Saul 84

  Batman 35, 40, 42

  Batman and Robin 223

  Batman Begins 218, 222, 223, 225, 226

  Batman Returns 42–3, 45, 48

  Batman v Superman: Dawn of Justice 229

  Battle Beyond the Stars 99

  Battle of Five Armies, The 168, 171

  Beautiful Mind, A 109

  Beetlejuice 40–1, 46

  Being John Malkovich 5

  Belafonte, Harry 40

  Ben-Hur 106

  Benedetti, Nicola 167

  Benjamin, Arthur 82

  Beowulf 185

  Bernstein, Elmer 7, 93, 195

  BFG, The 212

  Big Eyes 52–3

  Big Fish 37

  Big Lebowski, The 1, 12–13

  Big Top Pee-wee 40

  Bigelow, Kathryn 112

  Bird, Brad 58

  Birds, The 75, 88–9

  Black Rain 221–2

  Bladerunner 222

  Blithe Spirit 118

  Blob, The 177

  Blood Simple 2, 4

  Bolt, Robert 121, 124, 129

  Bonham Carter, Helena 52

  Bouzereau, Laurent 200

  Box, John 124

  Boyens, Philippa 154, 158, 161, 170, 171

  Brabourne, Lord 130

  Bragg, Melvyn 117

  Braindead 153, 156

  Branagh, Kenneth 19–33, 23

  Brandon, Maryann 58

  Brave 28

  Bridge of Spies 193

  Bridge on the River Kwai, The 118–19

  Bridges, Jeff 7

  Brief Encounter 116, 118

  Britten, Benjamin 120

  Brolin, Josh 12

  Brown, Royal S. 78

  Bullock, Sandra 98

  Burk, Bryan 58

  Burn After Reading 13–14

  Burnett, T Bone 2

  Burton, Tim 35–55, 41

  Burwell, Carter 2–17, 3

  Buscemi, Steve 5

  Butterworth, Jez 136

  C

  Cabaret 22

  Caine, Michael 27

  Cameron, James 97–114, 103

  Cannes film festival 9

  Cape Fear (1991) 93

  Carlito’s Way 29

  Carol 2, 10

  Cast Away 184–5, 189

  Catch Me If You Can 211

  Chariots of Fire 222

  Charlie and the Chocolate Factory 35, 51–2

  CHiPs (TV show) 176

  Christie, Julie 24

  Christmas Carol, A 183, 185

  Cinderella (2015) 19, 23, 29–30

  Citizen Kane 77, 83

  Clooney, George 12, 13

  Close Encounters of the Third Kind 69, 198–9, 204

  Coates, Anne V. 119

  Cocoon 100, 107

  Coen, Ethan 1–17, 11

  Coen, Joel 1–17, 11

  Coleman, Ornette 167

  Collector, The 125

  Color Purple, The 193

  Columbo (TV show) 196

  Condon, Bill 5

  Connery, Sean 89

  Contact 185

  Cooke, Tricia 4

  Coppola, Francis Ford 98

  Corman, Roger 53, 98–9

  Corpse Bride 43, 50, 51

  Courage, Alexander 66

  Coward, Noël 118

  Cowboys, The 195

  Crash 153, 157

  Crime Classics (radio series) 80

  Crimson Tide 220

  Cronenberg, David 153, 157, 166–7

  Cruz, Penelope 30

  Cuarón, Alfonso 29

  Cundey, Dean 189

  Curse of the Gravewalker 155

  D

  Dafoe, Willem 30

  Dalton, Phyllis 124

  Dangerous Method, A 167

  Dark Knight, The trilogy 218, 224

  Batman Begins 218, 222, 223, 225, 226

  Dark Knight, The 218, 219, 223, 224, 226–7

  Dark Knight Rises, The 218, 227–8

  Dasent, Peter 156

  David Lean: A Life in Film 117

  Dawn of the Planet of the Apes 65

  Day, Doris 82

  Day the Earth Stood Still, The 50, 78

  Dead Again 22–3

  Deakins, Roger 4, 146

  Death Becomes Her 181, 189

  Deer Hunter, The 219

  De Palma, Brian 29, 92

  del Toro, Guillermo 169

  Dench, Judi 21, 30, 32, 148

  Depp, Johnny 30, 43, 51, 52

  Der Rosenkavalier (Strauss) 211

  Desolation of Smaug, The 168

  Deutsch, Adolph 211

  Devil and Daniel Webster, The 77

  DeVito, Danny 43

  Dial M for Murder 80

  DiCaprio, Leonardo 144

  Dion, Céline 107

  District 9 230

  Djawadi, Ramin 220

  Dobermans, The 176

  Docter, Pete 58

  Doctor Zhivago 90, 123–7

  Doodlebug 223

  Douglas, Michael 177

  Doyle, Patrick 19–33, 23

  Duel (TV movie) 196

  Dumbo (2019) 35, 53

  Dunkirk 217, 218, 221, 223, 235–7

  Dylan, Bob 13

  E

  Earthquake 195

  Eastern Promises 167

  Ed Wood 36, 47

  Edward Scissorhands 35, 38, 43–5

  Elfman, Danny 35–55, 41, 64, 93, 181

  Elfman, Richard 37

  Elgar, Edward 236

  Enya 161

  E.T. the Extra-Terrestrial 69, 70, 193, 204–6

  F

  Family Plot 79, 93

  Fargo 1, 9–11, 11

  Felicity 60

  Fellini, Federico 39

  Fellowship of the Ring, The 153–5, 157–8, 162, 164, 165

  Ferryman, The 136

  Fiddler on the Roof 195

  Fiedel, Brad 103

  Field of Honor 177

  Filofax 60

  Fincher, David 166

  Firelight 195

  Fisher, Michael 141, 143

  Fleming, Ian 85

  Fleming, Renée 165

  Flight 175, 187

  Fly, The 153, 157, 162

  Following 222

  Fonda, Henry 83

  Forbidden Zone, The 37

  Ford, Harrison 181, 201

  Forrest Gump 175, 182–4, 189

  Forster, E. M. 130

  Fox and the Hound, The 38

  Franju, Georges 116

  Frankenweenie 38, 50

  Fraser, Elizabeth 161

  Frenzy 93

  Frighteners, The 156

  Fringe (TV show) 57

  G

  Gale, Bob 177, 178, 179

  Galway, Sir James 165

  Game of Thrones 220

  Gassmann, Remi 88

  Gassner, Dennis 4

  Gershwin, George 25, 86

  Ghost and Mrs Muir, The 78

  Giacchino, Michael 57–73, 63

  Gibson, Mel 98, 104

  Gilliam, Terry 181

  Gladiator 218, 219

  Godfather, The trilogy 155

  Gods and Monsters 5

  Going for Gold (TV show) 219

  Goldsmith, Jerry 50, 65

  Gone with the Wind 124, 208

  Good Will Hunting 37

  Goodman, John 5

  Goodwin, Ron 93

  Gosford Park 28–9

  Goyer, David S. 227

  Grant, Cary 85

  Great Expectations 29, 116, 118

  Green Mile, The 139

  Gregson-Williams, Harry 220

  Gregson-Williams, Rupert 220

  Grunberg, Greg 58

  H

  Haigh, Nancy 4

  Hail, Caesar! 12

  Hamlet (1996) 20, 24–5

  Hanks, Tom 107, 139, 142, 182, 185

  Harry Potter
and the Goblet of Fire 26

  Harry Potter series 154, 194

  Harryhausen, Ray 155

  Hathaway, Anne 52

  Hawn, Goldie 182

  Haynes, Todd 2, 5

  Hayton, Lennie 137

  Heavenly Creatures 153, 156

  Hedren, Tippi 89

  Hello Dolly! 137

  Hemsey, Zack 230

  Henry V (1989) 19, 20, 21–2

  Herrmann, Bernard 75–95

  and Hitchcock 47

  influence 39, 40, 50, 181, 211

  photo of 81

  and Williams 195

  Herrmann, Norma 92

  Higham, Mike 53

  Hitchcock 93

  Hitchcock, Alfred 47, 75–95, 81, 133

  Hobbit, The trilogy 153, 154, 160, 163, 168–70

  Hobson’s Choice 118

  Holdridge, Lee 108

  Holkenborg, Tom 229

  Horner, James 66, 97–114, 103

  Horner, Sara 99, 111

  Hoskins, Bob 181

  How to Train Your Dragon 220

  Howard, Ron 98, 99, 100, 103, 107–9, 219

  Howe, John 159

  Hurt Locker, The 112

  Huston, John 133

  I

  I Confess 79

  I Miss You, Hugs and Kisses 156

  I Wanna Hold Your Hand 177

  In Bruges 5

  In Which We Serve 118

  Inception 218, 227, 229–30, 231

  Incredibles, The 58, 64

  Indiana Jones franchise 202

  Kingdom of the Crystal Skull 202

  Last Crusade, The 201

  Raiders of the Lost Ark 70, 200, 201

  Temple of Doom 201

  Inside Llewyn Davis 2

  Interstellar 218, 219, 230–5

  J

  Jackson, Peter 153–72, 163, 211

  Jacobi, Derek 21, 24, 30, 32

  James Bond series 155

  Jane Eyre 77

  Jarhead 135, 142, 143–4

  Jarre, Maurice 90, 93, 115–33, 123

  Jaws 87, 193, 194, 197–8, 211

  Jennings, Will 107

  Jonze, Spike 5

  Julyan, David 223

  Jurassic Park 193, 207, 208

  Jurassic World 60, 65

  Jurassic World: Fallen Kingdom 66

  K

  Keaton, Michael 23, 40, 42

  Khachaturian, Aram 120

  Kill Bill 93

  King and I, The 120, 121

  King Kong (1933) 155

 

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