Collected Works of Gaston Leroux

by Gaston Leroux

  The voice of the young wife was her greatest charm although the grace of her entire being was perfect. At the introductions which were, of course, performed by her husband, she greeted us in the simplest and sweetest fashion imaginable — the fashion of the ideal hostess. Rouletabille and myself made an effort to tell her that we had intended to look for a stopping place in the village instead of trespassing upon her hospitality. She made a delicious little grimace, lifted her shoulders with a gesture that was almost childish, said that our rooms were all ready for us and changed the subject.

  “Come, come! You haven’t seen the château. You must see it — all of you. Oh, I will show you ‘la Louve’ another time. It is the only gloomy corner in the place. It is horrible — so cold and dismal. It makes me shiver. But, do you know I love to shiver! Oh, M. Rouletabille, you’ll tell me stories that will make me shiver some day, won’t you?”

  And chattering thus, she glided in front of us in her white gown. She walked like an actress. She made a singularly pretty picture in this garden of the Orient, between the threatening old tower and the carved stone flowers of the ruined chapel. The vast court which we were crossing was so completely covered on every side with grass, shrubs and foliage plants, with cactus and aloes, mountain laurel, wild roses and marguerites that one might have sworn that an eternal spring had found its habitation in this enclosure, formerly the drilling ground of the château when the soldiers assembled in time of war. This court, through the help of the winds of heaven and the neglect of man had naturally become a garden, a beautiful wild garden in which one saw that the chatelaine had interfered as little as possible and which she had in no way attempted to restore to the beaten track. Behind all this verdure and this wealth of bloom one could see the most exquisite sight which could be imagined in dead architecture. Figure to yourself the perfect arches of gothic brought up to the doors of the old Roman chapel; the pillars twined with climbing plants, rose geranium and vervain uniting their sweet perfume and raising to the azure heavens their broken arch, which nothing seems to support. There is no longer a roof on the chapel. And there are no more walls. There remains of it only the bit of lace work in stone, which a miracle of equilibrium keeps suspended in the air.

  And at our left is the immense tower of the Twelfth Century, which, Mme. Edith tells us, the natives call “la Louve” and which nothing — neither time, nor man, nor peace, nor war, nor cannon, nor tempest has ever been able to destroy. It is just as it appeared in 1107, when the Saracens, who sowed devastation in their wake, were able to make no headway in their attacks upon the château of Hercules, — just as it was seen by Salageri and his corsairs of Genoa, when, after they had seized the fort and the Square Tower and even the castle itself, it resisted attack and its defenders held it until the arrival of the troops of the Princes of Provence, who delivered them. It was there that Mme. Edith had chosen to have her own rooms.

  But while she spoke to us in her sweet, clear voice, I stopped looking at the objects around us to look at the people. Arthur Rance was gazing at Mme. Darzac, when my eyes fell upon them, and Rouletabille seemed to be lost in thought, and far, far away from us all. M. Darzac and M. Stangerson were talking in low tones. The same thought was filling the minds of each one of these people — both those who kept silence and those who, if they spoke, were careful to say nothing which could give a clue to the thoughts. We reached the postern.

  “This is what we call the Gardener’s Tower,” said Edith, childishly. “From this gate one may see all the fort, and all the castle, both north and south. See!”

  And she stretched her arms wide to emphasize her words.

  “Every stone has its history. I’ll tell them to you some day, if you are good.”

  “How gay Edith is!” murmured her husband. I thought to myself that she was the only one who was gay in the party.

  We had passed through the postern and found ourselves in another court. Opposite us was the old donjon. Its appearance was more than impressive. It was high and square, and it was on account of its shape that it was known as the Square Tower. And, as this tower occupies the most important corner of the fortification, it was also known as the Corner Tower. It was the most extraordinary and the most important part of this agglomeration of defensive works. The walls were heavier and higher than those anywhere else, and half way up they were still sealed with the Roman cement with which Cæsar’s own columns had welded together the stones.

  “That tower yonder, in the opposite corner,” went on Edith, “is the Tower of Charles the Bold, so called because he was the Duke who furnished the plans when it became necessary to transform the defenses of the château, so as to make them resist the attacks of the artillery. Don’t you think I am very learned? Old Bob has made this tower his study. It is too bad, for we might have a magnificent dining hall there. But I have never been able to refuse Old Bob anything he wanted. Old Bob,” she added, with a charming smile, “is my uncle — that is the name he taught me to call him by when I was a little thing. He is not here just now. He went to Paris on the five o’clock train, but he will be back to-morrow. He is going to compare some of the anatomical specimens which he found at Rochers Rouges with those in the Museum of Natural History in Paris. Ah — here is an oubliette!”

  And she showed us in the centre part of the second court a small shaft, which she called, romantically, an oubliette, and above which a eucalyptus tree, with its white blossoms and its leafless limbs, leaned like a woman over a fountain.

  Since we had entered the second court, we understood better — or at least I did, for Rouletabille, every moment more deeply lost in his own thoughts, seemed neither to see nor to hear — the topographical plan of the Fort of Hercules. As this plan is of the greatest importance in the proper understanding of the incredible events which were to occur so soon after our arrival at Rochers Rouges, I shall place at once before the eves of the reader the general scheme of the buildings as it was traced later by Rouletabille and myself.

  The castle had been built in 1140 by the Seigneurs of Mortola. In order to isolate it completely from the land, they had not hesitated to make an island of the peninsula by cutting away the narrow isthmus which connected it with the mainland. Upon the mainland itself, they had built a barricade in the form of a semicircular fortification, designed to protect the approaches to the drawbridge and the two entrance towers. Not a trace of this fortification was left. And the isthmus, in the course of the centuries, had again resumed its old form, the drawbridge had been thrown down and the trenches had filled up. The walls of the Château of Hercules followed the outline of the peninsula, which was that of an irregular hexagon. The walls were built upon the rocks, and the latter, in some places, extended over the waters in such a manner that a little ship might have taken shelter beneath them, fearing no enemy, while it was protected by this natural ceiling. This design of building was marvellously well adapted for defense, and gave the inmates of the fortress little reason to fear an attack, no matter from what quarter it might come.

  The fort was entered by way of the north gate, which guarded the two towers, A and A’, connected by a passageway. These towers which had suffered greatly during the last sieges of the Genoese, had been repaired to some slight extent some time afterward, and had, shortly before we came to Rochers Rouges, been made habitable by Mrs. Rance, who used them as servants’ quarters. The front of the tower A served as the keeper’s lodge. A little door opened in the side of the tower upon the passageway, and enabled anyone looking out to observe all those who came or went. A heavy double door of oak, with bands of iron, was no longer in use, its twin portals having stood for uncounted years open against the inner walls of the two towers, on account of the difficulty which had been experienced in managing them; and the entrance to the castle was only closed by a little gate, which anyone might open at will. This entrance was the only one by which it was possible to get into the château. As I have said, in passing through this gate, one found himself in the first cour
t, closed in on all sides by the walls and the towers. These walls were by no means as high as when they were built. The old high courtyards which connected the towers had been razed to the ground and replaced by a sort of circular boulevard, from which one mounted toward the first court by means of a little terrace. The boulevards were still crowned by a parapet. For the changes which I have described took place in the Fifteenth Century, at the time when every lord of the manor was obliged to consider the possibility of being obliged to meet an attack of artillery. As to the towers B, B’ and B”, which had for a considerable time longer preserved their uniformity and their first height, and the pointed roofs of which had been replaced by a platform designed to support the artillery, they had later been razed to the height of the boulevard parapets, and their shape seemed almost like that of a half moon. These alterations had taken place in the Seventeenth Century, at the time of the construction of a modern castle, still known as the New Castle, although it had been in ruins for years when we first saw it. The New Castle on the plan is at C C’.

  Upon the flat platform roofs of these old towers — roofs which were surrounded by a parapet — palm trees had been planted, which had thriven ill, swept as they were by the sea winds and burned by the sun. When one leaned over the circular parapet which surrounded the whole domain, it seemed to him as though the château were still as completely closed in as it was in the days when the courtyards reached to the second stories of the old towers. “La Louve,” as I have said, had not been changed at all, but still reared its dark hulk against the blue waters of the Mediterranean, a strange, weird figure, looking thousands of years old. I have spoken also of the ruins of the chapel. The ancient commons (shown on the map by W), near the parapet between B and B’, had been transformed into the stables and the kitchens.

  I am describing now all the anterior portion of the Château of Hercules. One could only penetrate into the second enclosure through the postern (indicated by H), which Mrs. Arthur Rance called “the tower of the gardener,” and which was actually only a pavilion, formerly defended by the tower B”, and by another tower situated at C, and which had entirely disappeared at the time of the erection of the New Castle (shown at C C’). A moat and a wall started from B” to abut on I at the Tower of Charles the Bold, advancing at C in the form of a spur to the midst of the first court, and entirely isolating the court, which they completely closed in. The moat still exists, wide and deep, but the walls had been torn down all the length of the New Castle and replaced by the walls of the castle itself. A central door at D, now condemned, opened upon a bridge, which had been thrown over the moat, and which formerly permitted direct communication with the outer court. But this bridge had been torn down or was swallowed up in the waters, and as the windows of the castle, rising high above the moat, were still guarded by their heavy iron bars, one might readily believe that the inner court still remained as impenetrable as when it was entirely shut in by its enclosing walls at the time when the New Castle did not exist.

  The pavement of the inner court — the Court of Charles the Bold, as the old guide books of the country call it still — was a little higher than that of the outer court. The rocks formed there a very high seat, a natural pedestal of that colossal black column, the Old Castle, standing square and erect, as though it had been carved from a single block of stone, stretching its awesome shadow over the blue waters. One could only penetrate into the Old Castle (designated by F) by a little door, K. The old inhabitants of the country never spoke of it except as the Square Tower, to distinguish it from the Round Tower, or the Tower of Charles the Bold, as they sometimes called the latter. A parapet similar to the one which closed in the outer court was built between the towers B”, F and L, closing the inner court as firmly as the outer.

  We have seen that the Round Tower had been in years past torn down to half its former height, as it had been built by the Mortola, according to plans drawn by Charles the Bold himself, to whom the Seigneur had been of some service in the Helvetian war. This tower had a number of tiny chambers above, and an immense octagon chamber below. One descended into this chamber by a steep and narrow stairway. The ceiling of the octagon room was supported by four great cylindrical pillars, and from its walls opened three enormous embrasures for three enormous cannons. It was of this room that Mme. Edith had wished to make a dining room, for it was in an admirable state of preservation, on account of the thickness of the walls, and the light could still penetrate through the great windows, which had been enlarged and made square, although they, too, were still guarded by barriers of iron. This tower (shown on the map at L) was the spot chosen by Mme. Edith’s uncle for a workshop, and the abiding place of his collection. Its roof was a beautiful little garden, to which the mistress of the domain had had transported fertile soil and wonderful plants and flowers. I have marked upon the map in gray all the portions of the buildings which Mme. Edith had restored, improved and put in shape for habitation.

  Of the château of the Seventeenth Century, known as the New Castle, they had only repaired two bed chambers on the first floor and a little sitting room for guests. It was to these that Rouletabille and myself were assigned, while M. and Mme. Robert Darzac were lodged in the Square Tower, of which I shall have to give a more special description.

  Two rooms, the windows of which opened upon the balcony, were reserved in this Square Tower for “Old Bob,” who slept there. M. Stangerson was upon the first floor of “la Louve,” in the rear of the suite occupied by the Rances.

  Mme. Edith herself showed us to our rooms. She made us cross over the sunken ceilings of ruined apartments, over broken railings and tumble-down walls; but here and there some mouldy hangings, a broken statue or a ragged bit of tapestry, bore witness to the ancient splendors of the New Castle, born of the fantasies of some Mortola of the wonderful Seventeenth Century. But when we reached them, our little rooms recalled to us nothing of that magnificent past. They had been swept and garnished with a care that was almost touching. Clean and hygienic, without carpets, hangings or upholstered chairs, furnished in the simplest of modern styles, they pleased us very much. As I have already said, the two sleeping rooms were separated by a little parlor.

  As I tied my cravat, after dressing for dinner, I called Rouletabille to ask him if he were ready. There was no answer. I went into his room and discovered with surprise that he had already gone out. I went to the window of his room, which opened like my own upon the court of Charles the Bold. The court was empty, inhabited only by a large eucalyptus, the fragrance of which mounted to my nostrils. Above the parapet of the boulevard I saw the vast stretch of the silent waters. The blue of the sea had grown dark at the fall of evening, and the shades of night were visible on the horizon of the Italian shore, reaching already to the pointe d’Ospedaletti. Not a sound, not a breath on the land or in the heavens! I have never yet noticed such a silence and such a complete repose of nature except at the moment which precedes the most violent storms and the unchaining of the elements. But now I felt that we had nothing of the sort to fear. The whole appearance of the night was of the calmest, most serene beauty —

  But what was that dark shadow? From whence had come that spectre which glided over the waters? Standing erect at the prow of a little boat which a fisherman was rowing, keeping rhythmic time with the two oars, I recognized the form of Larsan. Why should I try to deceive myself by saying even for one moment that I was wrong? He was only too easily to be recognized. And if those who beheld him should have had the slightest doubt as to his identity, he seemed to desire to set it entirely at rest by this open display of himself, utterly without disguise, as entirely convincing as though he had shouted aloud, “It is I!”

  Oh, yes! it was he! It was “the great Fred,” as we used to call him when we looked upon him only as the wonderfully resourceful and brilliant Secret Service agent. The boat, silent, with its motionless statue at the prow, rowed completely around the peninsula. It passed beneath the windows of the Square Tower and the
n directed its course to the shores of the Pointe de Garibaldi. And the man still stood erect, his arms folded, his face turned toward the tower, a diabolical apparition on the threshold of the night, which slowly crept up behind him, enveloped him in its shades and carried him away.

  When he had vanished, I lowered my eyes and beheld two figures in the court of Charles the Bold. They were at the corner of the railing near the little door of the Square Tower. One of these forms — the taller — was supporting the other and speaking in tones of entreaty. The smaller attempted to break away — one would have said that it wished to throw itself into the sea. And I heard the voice of Mme. Darzac say:

  “Be careful. It is a gage of defiance which he has thrown down. You shall not leave me this evening.”

  And then came Rouletabille’s voice answering:

  “He must land upon the bank! Let me hurry to the bank.”

  “What will you do there?” moaned Mathilde.

  “Whatever may be necessary.”

  And then Mathilde spoke again, and her voice was terrible to hear.

  “I forbid you to touch that man!”

  And I heard no more.

  I descended to the court, where I found Rouletabille alone, seated upon the edge of the oubliette. I spoke to him, but he did not answer. I felt no surprise, for this had often happened of late. I went on into the outer court, and I saw M. Darzac coming toward me, evidently in the greatest excitement. Before I came up to him, he called out: