Legacy

by Mary Stewart

  He bit off the word. In the queer little silence that followed I looked at the floor.

  "Forgive me." He spoke quietly, equal to equal. "I spoke without thought. For so long a time I have been used to the idea that I had no son."

  I looked up. "It's still the truth, in the sense you mean. And it's certainly the truth as Uther will see it."

  "Then if you see it the same way, my path is the smoother."

  I laughed. "I don't see myself as a king. Half a king, perhaps, or more likely a quarter — the little bit that sees and thinks, but can't do. Perhaps Uther and I between us might make one, if you go? He's larger than life already, wouldn't you say?"

  But he didn't smile. His eyes had narrowed, with an arrested look. "This is how I have been thinking, or something like it. Did you guess?"

  "No sir, how could I?" I sat up straight as it broke on me: "Is this how you thought you might use me? Of course I realize now why you kept me here, in your house, and treated me so royally, but I've wanted to believe you had plans for me — that I could be of use to you. Belasius told me you used every man according to his capacity, and that even if I were no use as a soldier, you would still use me somehow. This is true?"

  "Quite true. I knew it straight away, before I even thought you might be my son, when I saw how you faced Uther that night in the field, with the visions still in your eyes, and the power all over you like a shining skin. No, Merlin, you will never make a king, or even a prince as the world sees it, but when you are grown I believe you will be such a man that, if a king had you beside him, he could rule the world. Now do you begin to understand why I sent you to Belasius?"

  "He is a very learned man," I said cautiously.

  "He is a corrupt and a dangerous man," said Ambrosius directly. "But he is a sophisticated and clever man who has traveled a good deal and who has skills you will not have had the chance to master in Wales. Learn from him. I don't say follow him, because there are places where you must not follow him, but learn all you can."

  I looked up, then nodded. "You know about him." It was a conclusion, not a question. "I know he is a priest of the old religion. Yes." "You don't mind this?" "I cannot yet afford to throw aside valuable tools because I don't like their design," he said.

  "He is useful, so I use him. You will do the same, if you are wise."

  "He wants to take me to the next meeting."

  He raised his brows but said nothing.

  "Will you forbid this?" I asked.

  "No. Will you go?"

  "Yes." I said slowly, and very seriously, searching for the words:

  "My lord, when you are looking for...what I am looking for, you have to look in strange places. Men can never look at the sun, except downwards, at his reflection in things of earth. If he is reflected in a dirty puddle, he is still the sun. There is nowhere I will not look, to find him."

  He was smiling. "You see? You need no guarding, except what Cadal can do." He leaned back against the edge of the table, half sitting, relaxed now and easy. "Emrys, she called you. Child of the light. Of the immortals. Divine. You knew that's what it meant?"

  "Yes."

  "Didn't you know it was the same as mine?"

  "My name?" I asked, stupidly.

  He nodded. "Emrys...Ambrosius; it's the same word. Merlinus Ambrosius — she called you after me."

  I stared at him. "I — yes, of course. It never occurred to me." I laughed.

  "Why do you laugh?"

  "Because of our names. Ambrosius, prince of light...She told everyone that my father was the prince of darkness. I've even heard a song about it. We make songs of everything, in Wales."

  "Some day you must sing it to me." Then he sobered suddenly. His voice deepened. "Merlinus Ambrosius, child of the light, look at the fire now, and tell me what you see." Then, as I looked up at him, startled, he said urgently: "Now, tonight, before the fire dies, while you are weary and there is sleep in your face. Look at the brazier, and talk to me. What will come to Britain ? What will come to me, and to Uther? Look now, work for me, my son, and tell me."

  It was no use; I was awake, and the flames were dying in the brazier; the power had gone, leaving only a room with rapidly cooling shadows, and a man and a boy talking. But because I loved him, I turned my eyes to the embers. There was utter silence, except for the hiss of ash settling, and the tick of the cooling metal.

  I said: "I see nothing but the fire dying down in the brazier, and a burning cave of coal." "Go on looking." I could feel the sweat starting on my body, the drops trickling down beside my nose, under my arms, into my groin till my thighs stuck together. My hands worked on one another, tight between my knees till the bones hurt. My temples ached. I shook my head sharply to clear it, and looked up. "My lord, it's no use. I'm sorry, but it's no use. I don't command the god, he commands me. Some day it may be I shall see at will, or when you command me, but now it comes itself, or not at all." I spread my hands, trying to explain. "It's like waiting below a cover of cloud, then suddenly a wind shifts it and it breaks, and the light stabs down and catches me, sometimes full, sometimes only the flying edge of the pillars of sunlight. One day I shall be free of the whole temple. But not yet. I can see nothing." Exhaustion dragged at me. I could hear it in my voice. "I'm sorry, my lord. I'm no use to you. You haven't got your prophet yet."

  "No," said Ambrosius. He put a hand down, and as I stood, drew me to him and kissed me. "Only a son, who has had no supper and who is tired out. Go to bed, Merlin, and sleep the rest of the night without dreaming. There is plenty of time for visions. Good night."

  I had no more visions that night, but I did have a dream. I never told Ambrosius. I saw again the cave on the hillside, and the girl Niniane coming through the mist, and the man who waited for her beside the cave. But the face of Niniane was not the face of my mother, and the man by the cave was not the young Ambrosius. He was an old man, and his face was mine.

  BOOK III THE WOLF 1

  I was five years with Ambrosius in Brittany. Looking back now, I see that much of what happened has been changed in my memory, like a smashed mosaic which is mended in later years by a man who has almost forgotten the first picture. Certain things come back to me plain, in all their colors and details; others — perhaps more important — come hazy, as if the picture had been dusted over by what has happened since, death, sorrow, changes of the heart. Places I always remember well, some of them so clearly that I feel even now as if I could walk into them, and that if I had the strength to concentrate, and the power that once fitted me like my robe, I might even now rebuild them here in the dark as I rebuilt the Giants' Dance for Ambrosius, all those years ago.

  Places are clear, and ideas, which came to me so new and shining then, but not always the people: sometimes now as I search my memory I wonder if here and there I have confused them one with another, Belasius with Galapas, Cadal with Cerdic, the Breton officer whose name I forget now with my grandfather's captain in Maridunum who once tried to make me into the kind of swordsman that he thought even a bastard prince should want to be.

  But as I write of Ambrosius, it is as if he were here with me now, lit against this darkness as the man with the cap was lit on that first frost-enchanted night inBrittany. Even without my robe of power I can conjure up against the darkness his eyes, steady under frowning brows, the heavy lines of his body, the face (which seems so young to me now) engraved into hardness by the devouring, goading will that had kept his eyes turned westward to his closed kingdom for the twenty-odd years it took him to grow from child to Comes and build, against all the odds of poverty and weakness, the striking force that grew with him, waiting for the time.

  It is harder to write of Uther. Or rather it is hard to write of Uther as if he were in the past, part of a story that has been over these many years. Even more vividly than Ambrosius he is here with me; not here in the darkness — it is the part of me that was Myrddin that is here in the darkness. The part that was Uther is out there in the sunlight, keeping the
coasts of Britain whole, following the design I made for him, the design that Galapas showed to me on a summer's day in Wales.

  But there, of course, it is no longer Uther of whom I write. It is the man who was the sum of us, who was all of us — Ambrosius, who made me; Uther, who worked with me; myself, who used him, as I used every man who came to my hand, to make Arthur for Britain.

  From time to time news came from Britain, and occasionally with it — through Gorlois of Cornwall — news of my home.

  It seemed that after my grandfather's death, Camlach had not immediately deserted the old alliance with his kinsman Vortigern. He had to feel himself more secure before he would dare break away to support the "young men's party," as Vortimer's faction was called. Indeed, Vortimer himself had stopped short of open rebellion, but it seemed clear that this must come eventually. King Vortigern was back between the landslide and the flood; if he was to stay King of the British he must call on his Saxon wife's countrymen for help, and the Saxon mercenaries year by year increased their demands till the country was split and bleeding under what men openly called the Saxon Terror, and — in the West especially, where men were still free — rebellion only waited for a leader of leaders. And so desperate was Vortigern's situation becoming that he was forced against his better judgment to entrust the armed forces in the West more and more to Vortimer and his brothers, whose blood at least carried none of the Saxon taint.

  Of my mother there was no news, except that she was safe in St. Peter's. Ambrosius sent her no message. If it came to her ears that a certain Merlinus Ambrosius was with the Count of Brittany, she would know what to think, but a letter or message direct from the King's enemy would endanger her unnecessarily. She would know, said Ambrosius, soon enough.

  In fact it was five years before the break came, but the time went by like a tide-race. With the possibility of an opening developing in Wales and Cornwall, Ambrosius' preparations accelerated. If the men of the West wanted a leader he had every intention that it should be, not Vortimer, but himself. He would bide his time and let Vortimer be the wedge, but he and Uther would be the hammer that drove after it into the crack. Meanwhile hope in Less Britain ran high; offers of troops and alliances poured in, the countryside shook to the tramp of horses and marching feet, and the streets of the engineers and armorers rang far into the night as men redoubled their efforts to make two weapons in the time that before it had taken to make one. Now at last the break was coming, and when it came Ambrosius must be ready, and with no chance of failure. One does not wait half a lifetime gathering the material to make a killing spear, and then loose it at random in the dark. Not only men and materials, but time and spirit and the very wind of heaven must be right for him, and the gods themselves must open the gate. And for this, he said, they had sent me to him. It was my coming just at such a time with words of victory, and full of the vision of the unconquered god, which persuaded him (and even more important, the soldiers with him) that the time was at last approaching when he could strike with the certainty of victory. So — I found to my fear — he rated me.

  Be sure I had never asked him again how he intended to use me. He made it clear enough, and between pride and fear and longing I fought to learn all that I could be taught, and to open myself for the power which was all I could give him. If he had wanted a prophet ready to hand he must have been disappointed; I saw nothing of importance during this time. Knowledge, I suppose, blocked the gates of vision. But this was the time for knowledge; I studied with Belasius till I outran him, learning, as he had never done, how to apply the calculations which to him were as much an art as songs were to me; even songs, indeed, I was to use. I spent long hours in the street of the engineers, and had frequently to be dragged by a grumbling Cadal from some oily piece of practical work which unfitted me, as he said, for any company but a bath-slave's. I wrote down, too, all I could remember of Galapas' medical teaching, and added practical experience by helping the army doctors whenever I could. I had the freedom of the camp and the town, and with Ambrosius' name to back me I took to this freedom like a hungry young wolf to his first full meal. I learned all the time, from every man or woman I met. I looked, as I had promised, in the light and the dark, at the sunshine and at the stale pool. I went with Ambrosius to the shrine of Mithras below the farmstead, and with Belasius to the gatherings in the forest. I was even allowed to sit silently at meetings between the Count and his captains, though nobody pretended that I would ever be much use in the field, "unless," said Uther once, half amused, half malicious, "he is to stand above us like Joshua holding the sun back, to give us more time to do the real work. Though joking apart, he might do worse...the men seem to think of him as something halfway between a Courier of Mithras and a splinter of the

  True Cross — saving your presence, brother — and I'm damned certain he'd be more use stuck up on a hill like a lucky charm where they can see him, than down in the field where he wouldn't last five minutes." He had even more to say when, at the age of sixteen, I gave up the daily sword practice which gave a man the minimum training in self-defense; but my father merely laughed and said nothing. I think he knew, though as yet I did not, that I had my own kind of protection.

  So I learned from everyone; the old women who gathered plants and cobwebs and seaweeds for healing; the traveling peddlers and quack healers; the horse doctors, the soothsayers, the priests. I listened to the soldiers' talk outside the taverns, and the officers' talk in my father's house, and the boys' talk in the streets. But there was one thing about which I learned nothing: by the time I left Brittany at seventeen, I was still ignorant of women. When I thought about them — which happened often enough — I told myself that I had no time, that there was a lifetime still ahead of me for such things, and that now I had work to do which mattered more. But I suppose the plain truth is that I was afraid of them. So I lost my desires in work, and indeed, I believe now that the fear came from the god.

  So I waited, and minded my own business, which — as I saw it then — was to fit myself to serve my father.

  One day I was in Tremorinus' workshop. Tremorinus, the master engineer, was a pleasant man who allowed me to learn all I could from him, gave me space in the workshops, and material to experiment with. This particular day I remember how when he came into the workshop and saw me busy over a model at my corner bench, he came over to have a look at it. When he saw what I was doing he laughed.

  "I'd have thought there were plenty of those around without troubling to put up any more."

  "I was interested in how they got them there." I tilted the scale model of the standing stone back into place.

  He looked surprised. I knew why. He had lived in Less Britain all his life, and the landscape there is so seamed with the stones that men do not see them any more. One walks daily through a forest of stone, and to most men it seems dead stone...But not to me. To me they still said something, and I had to find out what; but I did not tell Tremorinus this. I added, merely: "I was trying to work it out to scale."

  "I can tell you something straight away: that's been tried, and it doesn't work." He was looking at the pulley I had rigged to lift the model. "That might do for the uprights, but only the lighter ones, and it doesn't work at all for the cap-stones."

  "No. I'd found that out. But I'd had an idea...I was going to tackle it another way."

  "You're wasting your time. Let's see you getting down to something practical, something we need and can use. Now, that idea of yours for a light mobile crane might be worth developing..."

  A few minutes later he was called away. I dismantled the model, and sat down to my new calculations. I had not told Tremorinus about them; he had more important things to think about, and in any case he would have laughed if I had told him I had learned from a poet how to lift the standing stones.

  It had happened this way. One day about a week before this, as I walked by the water that guarded the town walls, I heard a man singing. The voice was old and wavering, and hoarse with ov
er-use — the voice of a professional singer who has strained it above the noise of the crowd, and through singing with the winter cold in his throat. What caught my attention was neither the voice nor the tune, which could hardly be picked out, but the sound of my own name.

  Merlin, Merlin, where art thou going

  He was sitting by the bridge, with a bowl for begging. I saw that he was blind, but the remnant of his voice was true, and he made no gesture with his bowl as he heard me stop near him, but sat as one sits at a harp, head bent, listening to what the strings say, with fingers stirring as if they felt the notes. He had sung, I would judge, in kings' halls.

  Merlin, Merlin, where art thou going

  So early in the day with thy black dog? I have been searching for the egg, The red egg of the sea-serpent, Which lies by the shore in the hollow stone. And I go to gather cresses in the meadow, The green cress and the golden grasses, The golden moss that gives sleep, And the mistletoe high on the oak, the druids' bough That grows deep in the woods by the running water. Merlin, Merlin, came back from the wood and the fountain! Leave the oak and the golden grasses Leave the cress in the water-meadow, And the red egg of the sea-serpent In the foam by the hollow stone! Merlin, Merlin, leave thy seeking! There is no diviner but God.

  Nowadays this song is as well known as the one of Mary the Maiden, or the King and the Grey Seal, but it was the first time I had heard it. When he knew who it was who had stopped to listen, he seemed pleased that I should sit beside him on the bank, and ask questions. I remember that on that first morning we talked mostly of the song, then of himself; I found he had been as a young man on Mona, the druids' isle, and knew Caer'n-ar-Von and had walked on Snowdon. It was in the druids' isle that he had lost his sight; he never told me how, but when I told him that the sea-weeds and cresses that I hunted along the shore were only plants for healing, not for magic, he smiled and sang a verse I had heard my mother sing, which, he said, would be a shield. Against what, he did not say, nor did I ask him. I put money into his bowl, which he accepted with dignity, but when I promised to find a harp for him he went silent, staring with those empty eye-sockets, and I could see he did not believe me. I brought the harp next day; my father was generous, and I had no need even to tell him what the money was for. When I put the harp into the old singer's hands he wept, then took my hands and kissed them.