The Return of Santiago: A Myth of the Far Future

by Mike Resnick

  As he fell, the figure of a woman was revealed. She was standing behind him, a burner in her hand.

  Dante stood motionless, finding it difficult to believe he was still alive.

  The woman approached him. "I believe you were looking for me," she said. "I'm September Morn."

  34.

  She sings, she dances, she writes novels too.

  There's nothing that she isn't able to do.

  Just set her a task that all have foresworn:

  Of course she can do it—she's September Morn.

  They were sitting in the restaurant, which management had closed to all other customers. A lone waiter stood in the most distant corner, awaiting their pleasure.

  September Morn poured Dante a stiff drink. "Take this," she said. "You look like you need it."

  "Thank you," said Dante, swallowing it in a single gulp, then watching as she poured him another. "I owe you my life. If there's ever anything I can do for you . . ."

  "You can tell me why he came here to kill me," said September Morn.

  "I will," said Dante, looking out the window where medical crews were removing the two corpses from the blood-stained street. Finally the last vehicle raced away, bearing the Bandit's body, and he turned back to her. "But shouldn't we be expecting a visit from the authorities any minute now? I mean, you did kill him out there in broad daylight. I'll testify that you were saving my life, but surely they're going to want to ask us both some questions."

  She shook her head. "Don't worry," she said. "They won't bother us."

  Dante downed a second drink, and felt the tension finally ease.

  "Why not? There are two dead men out there."

  "It's very complicated," replied September Morn. "Let simply say that I'm not without a certain amount of cachet here on Hadrian."

  "Oh?" He stared at her, waiting for her to continue, and finally she did.

  "I'm the only native who ever won a major award for anything, and they're very proud of that. When I considered moving to the Binder system, they passed a law declaring me a Living Monument. My mortgage was cancelled, all my outstanding debts were paid, and by definition I cannot break the law—within reason, of course." She grimaced. "All that's on the one side. On the other is that I can't leave the system without a military escort whose sole purpose is to see that I return."

  "So no one's going to hassle you for shooting the Bandit?" he said.

  "Was he a bandit?"

  "No. That was just his name—the One-Armed Bandit. He lost his left arm years ago. You saw just a minor demonstration of what his prosthetic replacement could do."

  "He called himself Santiago," she said.

  "I know."

  "There has to be a connection. I wrote about Santiago, and he thought he was Santiago." She paused. The waiter mistook it for a signal and instantly walked over to their table. She glanced at him and gestured him away. "But even if he was delusional, what did that have to do with me?"

  "It's a long story." Dante leaned back, and his chair changed shape to accommodate him. He realized that he could no longer reach the table and eat his food comfortably, and he moved forward again.

  "I've got all the time we need," said September Morn. "And it's about my two favorite subjects—Santiago and me."

  "All right," he said, sampling a mouthful of mutated shellfish in a cream sauce, and deciding she had good taste in restaurants. "But let me begin with a question. When did Santiago die?"

  "No one knows." She learned forward confidentially. "But do you know what I think? I didn't even put it in my poem, but I think there were two Santiagos!"

  "Do you really?"

  "And I'm almost certain the second was a bounty hunter named Sylvester Cain."

  "Sebastian Cain," he corrected her, taking a sip of Belarban wine from a crystal goblet. "And he was the fourth, not the second."

  "How do you know?" she demanded sharply.

  "I've read Black Orpheus's original manuscript."

  Her eyes widened with excitement as she considered his revelation. "You've actually seen it?"

  "I own it."

  "How do you know it's authentic?"

  "First, because the style of the verses that no one's seen match those that we all know. Second, because everything he says in those verses checks out."

  "Checks out how?"

  "I know his great-granddaughter. She's verified a lot of it. Others have verified other parts. And my ship's computer tells me the paper is more than a century old."

  She was silent for a long moment.

  "So the Songbird was the fourth Santiago!" She looked directly into his eyes. "Do you want to repay me for saving your life? Let me see the poem!"

  "It's on Valhalla."

  "So what? We'll go to Valhalla."

  "I thought you couldn't leave the planet without a bodyguard. Santiago's people will blow them out of the sky if they approach Valhalla."

  "For this I'll find a way to leave them behind," she said. "Now tell me everything you know about Santiago. There were four, you say?"

  "No, I didn't say that," replied the poet. "I said Cain was the fourth. There were actually five. The last one died in 3301 G.E."

  "Five?"

  "That's right."

  "There couldn't have been that many!"

  "I can give you names and dates of death for the last three, and I can prove to you that none of them can possibly have been the original Santiago."

  "And only you know it?" exclaimed September Morn, her face and her voice reflecting her excitement. "We've got to find a way to make the poem public. All the lost verses, the apocrypha, everything!"

  "There's thousands of pages."

  "All the better."

  "We'll talk about it," said Dante. "But I'm still waiting for you to ask the operative question."

  "And what is that?"

  "How many Santiagos have there been since then?"

  "What are you talking about?" she asked, confused.

  "After I found the poem, I thought my calling was to continue it, to bring it up to date, to continue describing the adventurers and misfits who come out from the Democracy—and in a way it was. But the more I delved into it, the more I realized that it was time for Santiago to come back to the Inner Frontier, that conditions were ripe for him. The Democracy was still oppressing and overtaxing the colonists out here, aliens were still being treated like animals, rights were being violated, and it was apparent to me that we needed Santiago more than we ever had . . . so it became my mission to find him." Talk about hubris, he thought; listen to me! He grimaced in embarrassment. "So I went looking for him," he concluded lamely.

  "And the One-Armed Bandit was your candidate?"

  "We were wrong."

  "'We?'" she repeated. "Then you're not alone in this?"

  "No."

  "Good. It was too big a blunder for one man to make all by himself." September Morn stared at Dante. "So what will you do now? Go back to whatever you were doing before you found the poem?"

  "Not a chance," he replied. "I was a small-time thief with big-time dreams who was going absolutely nowhere. I'm not going back."

  "Then what?"

  "Santiago's story isn't over yet," said Dante. "I'll keep writing it."

  "What are you talking about?" she said. "He's dead. I just killed him."

  "He wasn't Santiago," answered Dante. "He was just the One- Armed Bandit."

  Her eyes widened. "You mean you've got another one?"

  "Yes. That's why the Bandit was on Hadrian."

  "I don't understand."

  "We'd built him an organization, a couple of hundred strong. I found him the best financial brain on the Frontier to manage his money. He had a great-granddaughter of one of the original Santiagos helping him. Even Dimitrios of the Three Burners, the man he just killed, was part of the organization."

  She placed a hand on the bottle. "Do you want another?"

  "No, I'm okay now," answered Dante. "Anyway, there were two alte
rnatives once we knew the Bandit had to go. Silvermane, our new candidate, could meet him face-to-face . . . but you saw what just happened to a top-notch bounty hunter who tried that. One or the other was bound to die, and we couldn't be sure which. The other option was to lure the Bandit thousands of light-years away from his headquarters and take control of the organization before he got back, to make the place impregnable. We felt there was even a slim chance that he might be willing to become the One-Armed Bandit again and work for Santiago. After all, he still believed in the cause."

  "All right, I follow you so far," said September Morn. "But what does that have to do with me?"

  "He knows . . . knew . . . that I've been continuing Orpheus's work," explained Dante. "I thought the best way to get him out here was to run some stanzas in the local paper that revealed secrets about the organization."

  "I never saw any."

  "They ran in the classified section."

  "I never read the classified ads. Most people don't. So why run them there?"

  "It's very complicated, but believe me, it was the surest way to bring them to his attention. I figured when he saw the information was in verse form, he'd know it was me, and he'd come out here to kill me." Dante sighed deeply. "I never planned to come within 50 parsecs of Hadrian. I was going to stay with Silvermane when he took over Santiago's organization. The one thing I never counted on was that there'd be a prize-winning poet on Hadrian II, and that you'd have won your prize for a poem about Santiago. As soon as I learned that, I knew I had to come out here and try to stop him before he killed you for writing the stanzas that I actually wrote."

  "Now it all makes sense," said September Morn. She stared admiringly at him. "You're a very brave man, Dante Alighieri. You were willing to sacrifice your life for a woman you'd never even seen."

  "It was guilt, not bravery," answered Dante, shifting uncomfortably on his chair. "I've been responsible for the deaths of enough innocent people."

  "Whatever the reason, you went out there unarmed and faced a man who had just killed a skilled bounty hunter. That's the kind of courage I wrote about in my poem."

  "I have to admit I haven't read it. I'm sorry."

  "I'll give you a copy," she promised. "It's a Romance, with a capital R. There are heroes and villains, high adventure, Good and Evil in juxtaposition, and a man who isn't without fear but finds the strength to overcome it, which in my opinion is real bravery, the kind you displayed."

  "What led you to write about him?"

  "A feeling that we'd forgotten his values, that in the overpowering shadow of the Democracy we'd conceded one liberty after another for more and more security until we had no liberties left to give, and one day we woke up and found we needed protection from our protectors. I never thought of Santiago as a role model—I mean, whoever thought he might come back again?—but I felt it was time to remind people that the ideals he embodied didn't have to die with him." She smiled. "And here I was, just writing my daydreams about it, while you were actually going out and doing something about it."

  "An awful lot of people have died because I went out and did something," said Dante grimly. "You were almost added to the list."

  "This is real life, not a book or a play," answered September Morn. "Things don't always work out the way men of virtue hope they will, and sometimes the effort is every bit as important as the results."

  "It sounds good," said Dante, "but right about now I'd say we need some results."

  "It would be nice," she said. "The Frontier could use a Santiago again." A pause. "To tell the truth, I could use him more than most."

  "Oh?"

  "There are some serious disadvantages to being a Living Monument," said September Morn as the waiter cleared the table and brought them their desert pastries and coffee.

  "So you told me," replied Dante, watching the waiter retreat in utter silence to the kitchen.

  "You mean having to stay here?" she said. "That's a minor annoyance."

  "What's the major one?"

  "When word of my official status got out, it didn't take long for anyone who heard about it to conclude that if they could steal me away, the government of Hadrian would pay quite a ransom to get me back."

  "Have there been many attempts?"

  "There have been a few. Nothing I couldn't handle." She paused. "Until now."

  "Who's after you now?"

  "Something even more formidable than your One-Armed Bandit," answered September Morn.

  "I don't think there is anyone more formidable, except maybe Joshua Silvermane."

  "I said something, not someone."

  "Exactly who or what is it that's after you?" he asked, curious.

  She took a bite of her pastry. "Fabulous stuff," she said. "You should try it."

  "I will," he said. "But first tell me what's after you."

  "Have you ever heard of Tweedledee and Tweedledum?"

  "Dimitrios mentioned them once," said Dante. He chuckled and took a sip of his coffee. "Those names aren't exactly designed to strike fear into one's heart."

  "Don't laugh!" she snapped angrily. "Their names may be childish, but there's nothing childish about them. They're they most dangerous creatures on the whole Frontier!"

  His smile vanished. "What makes them so dangerous?"

  "They conquer whole planets, just the two of them."

  Dante frowned. "You're telling me these two aliens can defeat an entire military force?"

  "Yes."

  "And they're after you?"

  "That's the word that's reached the planetary authorities," she replied. "That's why I was carrying the burner. When I heard that both you and the Bandit wanted to find me, I thought one or both of you worked for them."

  "They work as a pair, this Tweedledee and Tweedledum?" he persisted.

  "Yes."

  "What do they look like? What makes them so formidable?"

  "I don't know," admitted September Morn. "I've never actually seen them. All I know is what I've heard and read—and based on that, I hope I never see them. They conquer entire worlds, just the pair of them, and nobody who's tried to stand up to them has lived to tell about it." Her expression hardened. "And now they're after me."

  Dante reached across the table and placed a reassuring hand on hers. "You saved my life," he said. "The least I can do is return the favor. No one's going to harm you."

  She looked questioningly at him.

  "I'll get Santiago to protect you," promised Dante. "The real Santiago."

  35.

  Mongaso Taylor, churchmouse poor,

  Bites the hand that feeds him.

  Embittered man, he will not save

  The family that needs him.

  Dante sat alone in his room, waiting for Silvermane's face to reappear. For almost a minute it had been popping into and out of existence, terribly distorted. Finally the signal came through, and his perfect features took shape.

  "I got your message," he said. "I'm sorry about Dimitrios of the Three Burners."

  "So am I," replied Dante.

  "And the Bandit is really dead?"

  "That's right." Dante smiled wryly. "The girl I came here to protect killed him and saved my life."

  "I'm almost sorry," said Silvermane. "I was looking forward to meeting him."

  "To killing him, you mean."

  "If it had been necessary." He paused. "Well, you might as well come back to Valhalla. There's nothing to keep you there now, and I've got plenty of work for you here."

  "I can't."

  "Why not?"

  "The girl," said Dante.

  "The one who saved your life?"

  "Right. She's in danger."

  "Just a minute," said Silvermane, frowning. "I thought you told me the Bandit was dead."

  "He is. But—I'm not quite sure how to put this—she's the most important person on the planet. Or maybe I should say the most popular, or the most revered, or . . ."

  "I get the picture," interrupted Silvermane irrita
bly. "What about it?"

  "The planetary government would pay any amount to get her back if she was kidnapped."

  "Are you suggesting we kidnap her?" asked Silvermane, who didn't look unduly upset by the proposition.

  "She killed the Bandit," Dante pointed out, lighting up a smokeless Antarean cigar he had picked up in the hotel's gift shop. "She's on our side. We owe her."

  "Okay, you're my man on the scene. If you feel we should protect her, go ahead and do it." A pause. "Have you got any idea who's after her?"

  "A pair of aliens—I gather they're called Tweedledee and Tweedledum."

  Silvermane's expression darkened noticeably. "You're sure?"

  "That's what she tells me."

  "Get off the planet right now."

  "I don't know if I can do it that quickly," said Dante. "She's been declared a living monument, whatever the hell that means, and there's all kinds of red tape, and—"

  "I'm not talking about her!" said Silvermane sharply. "Get your ass off Hadrian II right now!"

  "I can't."

  "Trust me, you're not in their league, Rhymer," said Silvermane. "You can't even protect yourself from them, let alone your ladyfriend."

  "Then send help."

  "I'll send someone. Just get the hell out of there."

  "Not without her," said Dante, fighting back a surge of frustration. "She stood up to the Bandit and saved my life. I can't desert her."

  Silvermane sighed deeply. "All right," he said at last. "I can't argue with that kind of loyalty."

  "Thanks."

  "And arguing with that kind of stupidity hasn't gotten me anywhere," he added sharply. "Where are you staying?"

  "The Windsor Arms Hotel."

  "I know a man who's not too far from Hadrian, a man who owes me a favor. He's probably not up to taking the aliens either, but at least he'll buy you some time. I'll have him leave for Hadrian today; he should be there in two days' time, maybe sooner."

  "Has he got a name?"

  "Mongaso Taylor."

  "I've heard that name before. I think maybe Dimitrios mentioned him."

  "Could be," said Silvermane. "He used to be a hell of a commando for the Navy, back when he lived in the Democracy. They dropped him behind enemy lines on Cyrano IV during the Sett War. He took out 18 of the purple bastards and blew an ammunition dump all by himself."