Queen Of Babble: In The Big City qob-2

by Meg Cabot

  “Uh,” Chaz says. “It’s different.”

  “It’s not,” I say. “It’s still love. Love does crazy things to people. You can’t blame yourself. I know Shari doesn’t blame you. She still loves you. She told you that, right?”

  Chaz grimaces. “She mentioned it.”

  “Well, it’s true. She does still love you. Just, you know. Not romantically anymore. It happens, Chaz.”

  “So you’re saying,” Chaz says slowly, “that I could, conceivably, fall in love with a guy sometime?”

  “Conceivably,” I say. Although to tell the truth I really can’t picture Chaz in a homosexual relationship. Or, rather, I can’t picture any of the homosexual guys I’ve known (and dated) actually wanting to be in a relationship with Chaz, seeing as how his fashion sense is less than minimal and he does have an alarming enthusiasm for college basketball and not much interest in home furnishings. I have a much easier time picturing Luke comfortably nesting with another man.

  “Have you?” Chaz wants to know.

  “Have I what?” I glance at the clock above the bar. I really need to get to the shop. I have about a million ideas for Jill’s dress and my fingers are itching to get started on them.

  “Ever been in love with a woman.”

  “Well,” I say slowly. “There are a lot of women in my life I’ve really admired, and wanted to be like, and wanted to get to know better. But not, you know,sexually.”

  Chaz is scraping the label off his beer bottle with a thumbnail. “And you and Shari never… er… experimented?”

  “Chaz!” I throw my coaster at him. “No! Ew! You and Luke are exactly alike. That’s it, I’m leaving—”

  “What?” he cries, looking truly alarmed as he catches my arm before I’ve made my way completely off the end of the bench. “I was just asking! I thought maybe, you know, all girls do that kind of stuff—”

  “Well, they don’t,” I inform him. “Not that there’s anything wrong with it. Now let go of my arm, I have to get to work.”

  “You just came from work,” he points out.

  “My other job,” I say. “At the bridal shop. We have a really big new job, and I want to get started on it.”

  “You really like this wedding stuff, don’t you?” he says as, over on the karaoke stage, the dwarf switches from Abba to a little Ashlee Simpson, declaring that, despite what everybody thinks, he didn’t steal my boyfriend. “You really believe in it… the happy ending, the rice… the whole thing.”

  “Yeah,” I say. “Of course I do. And I know you’re sad right now, Chaz—and you have every right to be. But someday it will happen for you—I promise. Just like it’s going to happen for me, too.” Maybe sooner than anyone thinks.

  “Well, I hope you’re not still counting on making it happen with Mr. Woodland Creature,” Chaz says.

  I stare at him. “Why shouldn’t I be?” Then, when I see him rolling his eyes, I say, “Oh, come on, Chaz. Not your horse thing again. For your information, Luke is doing very well in his classes, and, furthermore, he seems ready to take our relationship to a new level.”

  Chaz raises his eyebrows. “Threesome?”

  I smack him in the center of his baseball cap. “He’s gotten me a Christmas present,” I say, “that he says is an investment toward my future.”

  Chaz’s eyebrows furrow in a rush. “What’s that supposed to mean?”

  “What else could it mean?” I ask. “It has to be an engagement ring.”

  Chaz frowns. “He hasn’t told me about buying any ring.”

  “Well, he’s hardly likely to,” I say, “considering what he knows you’ve recently been through. Do you really think he’s going to brag about getting engaged to me when he knows your girlfriend just left you for a woman?”

  “Thanks,” Chaz says. “You really know how to make a guy feel great.”

  “Well, you aren’t exactly Mr. Charm yourself,” I say, “with the whole Luke-not-being-a-horse-you-would-bet-on thing. But you’re probably feeling differently about all that now, aren’t you?”

  “Truthfully?” Chaz shakes his head. “No. An investment toward your future could be anything. Not necessarily a ring. I wouldn’t get your hopes up, kid. I mean—no offense—the two of you aren’t even spending the holidays together. What does that say about your big happily ever after?”

  “Chaz.” I regard him steadily from across the booth before I slide out and leave. “I know Shari hurt you. I frankly can’t believe she did that, although I know it really wasn’t easy for her and she does feel super badly about it. But seriously. Just because your romance didn’t work out doesn’t mean all romances are doomed. You just need to get back out there, find some pretty philosophy Ph.D. candidate you can talk to about Kant or whatever, and you’ll feel better about things. I promise.”

  Chaz just stares at me. “Someday you’re really going to have to describe to me in more detail what life is like on the planet you live on. Because it sounds really great, and I’d like to visit there one day.”

  I give him a sour smile, and leave the booth, just as the dwarf breaks into his signature piece, “Don’t Cry Out Loud.”

  I hope Chaz takes a cue from him.

  Lizzie Nichols’s Wedding Gown Guide

  Makeup

  Many brides opt to have their makeup professionally done on their wedding day. This is often a good idea—if there is a professional doing it, then that’s one less thing the bride has to worry about going wrong.

  However, too many brides who opt for professional makeup on the big day end up looking as unlike their normal selves as relatives lying in a casket whose faces have been done over by a mortician. Make sure you and your cosmetic specialist are on the same page about color, amount, and shade… and make sure he or she uses a light hand. Yes, you want to look good for your photos—but you also want to look natural and pretty up close to your guests as well. A talented professional makeup artist can easily achieve both.

  Some makeup tips to remember:

  — Have your first meeting with your makeup professional four weeks before your event. That will give the two of you plenty of time to come up with a look with which you are both happy.

  — Your makeup should not be so heavy that your neck and face are two visibly different shades. BLEND!

  — You will be shiny on your wedding day from nerves and possibly the heat. Make sure you and your bridesmaids have plenty of blotting tissues on hand, as well as powder.

  — Curling your eyelashes with a heated curler can create lasting oomph for the eyes.

  — Be sure to use waterproof mascara—you will be crying. Or at least sweating.

  — Under-eye concealer will hide any dark circles from a restless night’s sleep.

  — And lastly, opt for lipstick that stays on permanently—you will be using your mouth to kiss, eat, and drink throughout the day/evening, and you don’t want to have to stop for constant reapplications of your favorite shade.

  LIZZIE NICHOLS DESIGNS™

  Chapter 22

  Foul whisp’rings are abroad.

  — William Shakespeare (1564–1616), English poet and playwright

  It didn’t take long for the press to figure out where Jill Higgins was meeting her new mystery pal—though I managed to keep my own picture out of the tabloids by not walking her to her car anymore.

  In no time word was out all over town that Jill Higgins, the bride of the wedding of the century, was using Monsieur Henri as her personal certified wedding-gown specialist. The next thing anybody knew, we were beating off the hordes of brides descending on the little shop demanding that we work on their gowns, as well. Jean-Paul and Jean-Pierre had to be employed as doormen/bouncers to keep the paparazzi out, and the brides coming in.

  Any residual resentment the Henris might have felt toward me for not letting on that I knew French fell by the wayside when they realized they were booking so many appointments with desperate brides, they had to buy a two-year calendar.

  No
t that either Henri had laid so much as a finger on Jill’s dress since she’d brought it in. Monsieur Henri had tried after I told him my plan, telling me that it could never be done and that I was going to get sued by John MacDowell’s mother.

  His wife, however, calmly lifted the gown from his fingers and handed it back to me, with a gentle, “Jean. Let her get to work.”

  Which I appreciated. Especially considering the “stupid” remark. She had evidently changed her mind, and now the dress—Jill’s dress—hung on a special hook in the back of the workroom, where every day I flung back the sheet that covered it, took in what I’d done the day before, and what I needed to get done in the next few hours, freaked out, then got to work.

  They say it’s always darkest until right before the dawn. I’ve worked on enough projects to know how true this saying really is. A week before Christmas—I’d promised to have Jill’s dress done by the day before Christmas Eve, so there’d be time for any last-minute alterations before the ceremony on New Year’s Eve—I was sure the dress would never get done on time… or worse, that it would get done but look awful. It’s no joke making a size twelve out of a size six. Monsieur Henri had been right to say such an undertaking was impossible.

  Except it wasn’t. Impossible, I mean. It was just really, really hard. It required hours of backbreaking seam snipping, even more of sewing, and the consumption of many, many, many diet Cokes. I was in the shop from two-thirty in the afternoon—as soon as I could make it there after my shift at Pendergast, Loughlin, and Flynn, still my only paying gig—until midnight, sometimes even one in the morning, at which point I would stagger home, fall into bed, and wake at six-thirty the next day to shower and dress and go back to the law firm. I rarely if ever saw my boyfriend, let alone anyone else. But that was all right, because Luke was just as busy studying for his finals. If he hoped to finish his postbac program in a year, he had to cram as many classes as he could into each semester, which meant he had four finals to worry about—basically the academic equivalent of making a size-six dress into a size twelve.

  But even though I haven’t seen much of my boyfriend in the past few weeks, I’ve seen plenty of the box he placed under the tiny Christmas tree he bought on the street—complete with a miniature stand—and put in front of the windows, so the twinkling lights he wrapped around it could shine down on Fifth Avenue. I saw it (the box, I mean) the minute I stepped through the door one night after a long, painful battle with the tartan on Jill’s dress. It was kind of hard to miss—again, I’m talking about the box.

  Because it’s huge.

  Seriously, the box is the size of a miniature pony. Or at least a cocker spaniel. It’s almost bigger than the tree itself. It is definitely NOT a ring box.

  But, as Tiffany said, when I mentioned this to her, “Oh, maybe he’s one of those.”

  “One of what?” I asked.

  “You know, one of those guys who don’t like it when their girlfriend guesses what they’re giving to her, so they put it in like a million different boxes inside of boxes, so she won’t be able to shake it and guess.”

  This makes brilliant sense, of course. Luke knows perfectly well I can’t keep a secret (though I’ve been doing pretty well since moving to New York. Really, I think I’m maturing). It’s a short step from not being able to keep a secret to not being able to keep from snooping in one’s Christmas presents. It’s true I already accidentally snagged the silver foil wrapping paper on the box just a little by vacuuming too close to it the other night. But I stopped myself from peeling the foil back.

  I know Tiffany’s right, and that Luke is doing the box-within-the-box thing. That’s just so like him.

  Which is why I did the same for the sleek leather wallet I got him from Coach. The box I used to disguise the much smaller box the wallet actually comes in is a box Mrs. Erickson gave me that used to contain multiple bottles of dishwashing liquid that she bought two years ago during a trip to Sam’s Club in New Jersey. It’s taken her this long to get through enough bottles to throw out the box.

  I just hope Luke doesn’t take a big sniff of his gift. Because if he does he’ll get a snootful of liquid Dawn.

  And then, before I know it, it’s the day before Christmas Eve, and I’m as nervous as a kid about to visit the Santa in the mall. Not about Luke’s gift to me—although that has me plenty jittery—or about the fact that the two of us are about to spend over a week apart in totally different parts of the world, but about what Jill’s going to think of her dress. Because—as these things do—it had finally come together a few days before, and now… well, even Madame Henri had looked at it, then at me, and said gravely, “Good. Very good.”

  Which, from her, is high praise indeed. But even more meaningful was her husband’s critique, which included several scratchings of the chin… much pacing… two or three pointed questions about tartan ribbon… and finally a nod and a“ Parfait.”

  Not the ice cream, but “perfect.”

  But he isn’t the critic of whose opinion I’m most afraid. We still need to make sure Jill likes it.

  She finally shows an hour after we’ve shut down the shop—shooed out the last appointment for the day, pulled down the blinds, and finally, switched off the lights in the front room, to make it look as if everyone had gone home. This is, of course, to throw off the paparazzi.

  Then, when the doorbell rings at precisely seven o’clock, Madame Henri hurries to unlock the door, still not flicking on any lights. Two shadowy forms slip inside. At first I think Jill has brought her fiancé and I feel a burst of irritation with her—everyone knows it’s bad luck for the groom to see the bridal gown before the wedding.

  But then I remember how Jill had come to each fitting alone, looking so hounded, not just by the press, but by her own social isolation, seeing as how her family lives so far away, and her friends know no more about wedding gowns than she does.

  And I’m glad she’s brought John with her, because he’s really done everything he could to make things easier for her—even recently intervening in the prenup negotiations, and demanding that Jill be given a fair agreement or his parents will be stricken from the guest list for the reception, a bold move that succeeded perfectly, and made Mr. Pendergast so giddy that he ordered an extra round of champagne for everyone at the firm’s Christmas party at Montrachet (from which I’d had to duck out early to get back to work on Jill’s dress, thus missing the highlight of the evening: Roberta getting so drunk, she was found making out with Daryl, the fax and copy supervisor, in the cloakroom—unfortunately by Tiffany, who took snaps of the event with her camera phone, and e-mailed them to all of us).

  So that’s why, when Madame Henri finally judges it safe to switch on the lights, I’m shocked to see that the person Jill has brought with her is not loyal, lovable John at all, but an older woman—almost an exact replica of her, as a matter of fact—whom she introduces as her mother.

  My surprise is followed quickly by a rush of relief.Yes. Jill has an ally at last—one besides me and her husband-to-be, I mean.

  “Lizzie, hello,” Mrs. Higgins says, pumping my hand with the same heartiness her daughter habitually employs in her handshakes, as if she’s unaware of her own strength, which in Jill’s case is considerable, given the fact that she routinely lifts hundred-pound seals. “I’m so glad to meet you. Jill’s told me so much about you. She says you practically saved her life… and that you’re very generous with—what were they again, honey? Yoodles?”

  “Yodels,” Jill says, looking embarrassed. “Sorry, I had to tell her about that time we met, in the bathroom—”

  “Oh, sure,” I say with a laugh. “We have more in the back if you want some—” Given all the work I’ve been doing, the low-carb diet has completely fallen by the wayside. I have no idea how much weight I’ve gained recently, but it’s not inconsiderable. And yet I find it really hard to care, I’m so excited about Jill’s dress.

  “No, that’s okay,” Jill says, laughing. “I’m good
. So. Are you ready?”

  “I’m ready if you are,” I say. “Let’s go.”

  And I take her into the back, while Monsieur and Madame Henri offer Mrs. Higgins a chair and some champagne.

  My fingers are shaking as I lower the rich ivory folds over Jill’s head, but I try to hide my nervousness by explaining, “All right, Jill, this cut is what we call an empire waist. It means the waistline falls just beneath the breasts, which on you is the narrowest part of your body. What this will do is allow the skirt to fall straight down your body, kind of flowing around it, which is what someone with your body type wants. The empire waist was made popular by Josephine, the wife of Napoleon Bonaparte, who adapted it from Roman togas she saw depicted on ancient art. Now, as you can see, we’ve gone off the shoulder, because you have such nice shoulders, we wanted you to show them off. And then this right here—this is the original tartan that was hanging off the old dress—and we’re using it as a sash beneath the breastline, see? It emphasizes your tiny waist. And finally, here are some gloves—I was thinking above the elbow, so that they almost reach the dangling straps there… Well.” I’ve steered her in front of a full-length mirror. “What do you think? I was thinking hair up, with maybe some curly tendrils hanging down, to sort of complete the Grecian urn look… ”

  Jill is staring at her reflection. It takes me a minute to realize that her silence isn’t disapproval. Her eyes are as wide as quarters and just as shiny. She’s holding back tears.

  “Oh, Lizzie” is all she seems able to say.

  “Is it terrible?” I ask nervously. “It’s all the original dress. I just took out the seams… well, pretty much all the seams. It was hard, but I really think this style suits you. You have sort of classic proportions, and there’s nothing more classic than Grecian urns—”

  “I want to show Mom,” Jill says in a choked voice.