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The Penguin Book of American Verse

Page 46

by Geoffrey Moore


  I have always been scared of you,

  With your Luftwaffe, your gobbledygoo.

  And your neat moustache

  And your Aryan eye, bright blue.

  Panzer-man, panzer-man, O You –

  Not God but a swastika

  So black no sky could squeak through.

  Every woman adores a Fascist,

  The boot in the face, the brute

  Brute heart of a brute like you.

  You stand at the blackboard, daddy,

  In the picture I have of you,

  A cleft in your chin instead of your foot

  But no less a devil for that, no not

  Any less the black man who

  Bit my pretty red heart in two.

  I was ten when they buried you.

  At twenty I tried to die

  And get back, back, back to you.

  I thought even the bones would do.

  But they pulled me out of the sack,

  And they stuck me together with glue.

  And then I knew what to do.

  I made a model of you,

  A man in black with a Meinkampf look

  And a love of the rack and the screw.

  And I said I do, I do.

  So daddy, I’m finally through.

  The black telephone’s off at the root,

  The voices just can’t worm through.

  If I’ve killed one man, I’ve killed two –

  The vampire who said he was you

  And drank my blood for a year,

  Seven years, if you want to know.

  Daddy, you can lie back now.

  There’s a stake in your fat black heart

  And the villagers never liked you.

  They are dancing and stamping on you.

  They always knew it was you.

  Daddy, daddy, you bastard, I’m through.

  The Applicant

  First, are you our sort of a person?

  Do you wear

  A glass eye, false teeth or a crutch,

  A brace or a hook,

  Rubber breasts or a rubber crotch,

  Stitches to show something’s missing? No, no? Then

  How can we give you a thing?

  Stop crying.

  Open your hand.

  Empty? Empty. Here is a hand

  To fill it and willing

  To bring teacups and roll away headaches

  And do whatever you tell it.

  Will you marry it?

  It is guaranteed

  To thumb shut your eyes at the end

  And dissolve of sorrow.

  We make new stock from the salt.

  I notice you are stark naked.

  How about this suit –

  Black and stiff, but not a bad fit.

  Will you marry it?

  It is waterproof, shatterproof, proof

  Against fire and bombs through the roof.

  Believe me, they’ll bury you in it.

  Now your head, excuse me, is empty.

  I have the ticket for that.

  Come here, sweetie, out of the closet.

  Well, what do you think of that?

  Naked as paper to start

  But in twenty-five years she’ll be silver,

  In fifty, gold.

  A living doll, everywhere you look.

  It can sew, it can cook,

  It can talk, talk, talk.

  It works, there is nothing wrong with it.

  You have a hole, it’s a poultice.

  You have an eye, it’s an image.

  My boy, it’s your last resort.

  Will you marry it, marry it, marry it.

  The Arrival of the Bee Box

  I ordered this, this clean wood box

  Square as a chair and almost too heavy to lift.

  I would say it was the coffin of a midget

  Or a square baby

  Were there not such a din in it.

  The box is locked, it is dangerous.

  I have to live with it overnight

  And I can’t keep away from it.

  There are no windows, so I can’t see what is in there.

  There is only a little grid, no exit.

  I put my eye to the grid.

  It is dark, dark,

  With the swarmy feeling of African hands

  Minute and shrunk for export,

  Black on black, angrily clambering.

  How can I let them out?

  It is the noise that appals me most of all,

  The unintelligible syllables.

  It is like a Roman mob,

  Small, taken one by one, but my god, together!

  I lay my ear to furious Latin.

  I am not a Caesar.

  I have simply ordered a box of maniacs.

  They can be sent back.

  They can die, I need feed them nothing, I am the owner.

  I wonder how hungry they are.

  I wonder if they would forget me

  If I just undid the locks and stood back and turned into a tree

  There is the laburnum, its blond colonnades,

  And the petticoats of the cherry.

  They might ignore me immediately

  In my moon suit and funeral veil.

  I am no source of honey

  So why should they turn on me?

  Tomorrow I will be sweet God, I will set them free.

  The box is only temporary.

  Blackberrying

  Nobody in the lane, and nothing, nothing but blackberries,

  Blackberries on either side, though on the right mainly,

  A blackberry alley, going down in hooks, and a sea

  Somewhere at the end of it, heaving. Blackberries

  Big as the ball of my thumb, and dumb as eyes

  Ebon in the hedges, fat

  With blue-red juices. These they squander on my fingers.

  I had not asked for such a blood sisterhood; they must love me.

  They accommodate themselves to my milkbottle, flattening their sides.

  Overhead go the choughs in black, cacophonous flocks –

  Bits of burnt paper wheeling in a blown sky.

  Theirs is the only voice, protesting, protesting.

  I do not think the sea will appear at all.

  The high, green meadows are glowing, as if lit from within.

  I come to one bush of berries so ripe it is a bush of flies,

  Hanging their bluegreen bellies and their wing panes in a Chinese screen

  The honey-feast of the berries has stunned them; they believe in heaven.

  One more hook, and the berries and bushes end.

  The only thing to come now is the sea.

  From between two hills a sudden wind funnels at me,

  Slapping its phantom laundry in my face.

  These hills are too green and sweet to have tasted salt.

  I follow the sheep path between them. A last hook brings me

  To the hills’ northern face, and the face is orange rock

  That looks out on nothing, nothing but a great space

  Of white and pewter lights, and a din like silversmiths

  Beating and beating at an intractable metal.

  Etheridge Knight 1933–1991

  Hard Rock Returns to Prison from the Hospital for the Criminal Insane

  Hard Rock was ‘known not to take no shit

  From nobody’, and he had the scars to prove it:

  Split purple lips, lumped ears, welts above

  His yellow eyes, and one long scar that cut

  Across his temple and plowed through a thick

  Canopy of kinky hair.

  The WORD was that Hard Rock wasn’t a mean nigger

  Anymore, that the doctors had bored a hole in his head,

  Cut out part of his brain, and shot electricity

  Through the rest. When they brought Hard Rock back,

  Handcuffed and chained, he was turned loose,

  Like a freshly gelded st
allion, to try his new status.

  And we all waited and watched, like indians at a corral,

  To see if the WORD was true.

  As we waited we wrapped ourselves in the cloak

  Of his exploits: ‘Man, the last time, it took eight

  Screws to put him in the Hole.’ ‘Yeah, remember when he

  Smacked the captain with his dinner tray?’ ‘He set

  The record for time in the Hole – 67 straight days!’

  ‘O! Hard Rock! man, that’s one crazy nigger.’

  And then the jewel of a myth that Hard Rock had once bit

  A screw on the thumb and poisoned him with syphilitic spit.

  The testing came, to see if Hard Rock was really tame.

  A hillbilly called him a black son of a bitch

  And didn’t lose his teeth, a screw who knew Hard Rock

  From before shook him down and barked in his face.

  And Hard Rock did nothing. Just grinned and looked silly,

  His eyes empty like knot holes in a fence.

  And even after we discovered that it took Hard Rock

  Exactly 3 minutes to tell you his first name,

  We told ourselves that he had just wised up.

  Was being cool; but we could not fool ourselves for long,

  And we turned away, our eyes on the ground. Crushed.

  He had been our Destroyer, the doer of things

  We dreamed of doing but could not bring ourselves to do,

  The fears of years, like a biting whip,

  Had cut grooves too deeply across our backs.

  Imamu Amiri Baraka (LeRoi Jones) 1934–

  Horatio Alger Uses Scag

  Kissinger has made it, yall. He’s the secretary

  of state, U.S.A. The anglo-snakes have called him

  mooing to their side, his bag-time with rocky helped

  a lot. His ol lady, was once, they say, rocky’s main

  squeeze … intellectually. But Henry, the k, pushes through

  his dangerous glasses. His wine smile sloshes back and forth

  he’s thinking, as he speaks. A fast man on his feet. The subject,

  a cold threat to the a-rabs (it makes him feel vaguely nationalistic,

  but not in an irresponsible way, him bein a jew and all

  ya know) … but they hired him not for his jewishness ‘grrr … he sd

  what is that,’ but for his absolute mastery of the art of

  bullshitting

  And so, he lays it all out

  across the U.N. decks for all

  to hear, and be afraid. His freckles, even,

  show, so synonymous with america is this

  fat priapic mackman

  A-rabs, he says, you betta

  be cool with that oil & shit

  & beyond us all, you cdda laught

  is the realization that the shadowy figure

  in the arab getup, is yo man, rocky, makin

  the whole thing

  perfect

  At the National Black Assembly

  ‘EEK

  a nigger

  communist,” the lady democrat

  nigrita squeeked, eek

  an ‘avowed”

  nigger

  communist, & almost swooned

  except you cd hear static chattering

  from her gold necklace chairman

  Strauss dialing trying to get through

  her papers spilled

  & the autographed picture

  of Teddy K. & Georgie W.

  hugging each other in

  the steam bath

  fell out.

  You see she

  say I cant not be

  you see

  with you niggers

  with no nappy head commie

  America’s been good

  to me. The democrats, God

  bless’ em, have allllllllways

  done good

  by us

  by colored folks

  you see she say I studied

  commies, them Chinese maoists

  specially (She scooped her papers

  up & thought deliciously

  about the time her man

  Scoop J & she licked on the same ice

  cream

  cone

  right down to the hairs!

  Specially them

  Maoists, I studied

  They tacktix

  She say, They tacktix

  is to take over

  the microphone &

  be against the

  democrats)

  sweeping out

  wrist radio tittering

  Strauss waltzes &

  Proposed ripoffs

  Straight from Watergate

  Going to the airport

  interviewed by WLIE

  She smiled powdering her

  conversation

  & caught a plane

  to

  petit bourgeois

  negro

  heaven

  Richard Emil Braun 1934–

  Goose

  Trailing her father, bearing his hand axe,

  the girl thought she had never

  guessed what earthly majesty

  was before

  then, as he strode unconcernedly

  holding a vicious gander

  by the horny mitts and let

  the big wings

  batter his knees. She was also surprised

  to feel a liberating

  satisfaction in the coming

  bloodshed, and

  that notwithstanding all the times she had

  been beleaguered and

  had fled, today she did not fear

  the barnyard hubub.

  Yet, as her father’s clever stroke fell, as

  the pronged head skipped sideways

  and the neck plumes stiffened with blood

  from the cleft,

  she was angry; and, when the headless goose

  ran to the brook and was

  carried off into the woods alive,

  she rejoiced,

  and subsequently frequented those woods

  and avoided her father.

  When the goose began to mend she

  brought him small

  hominy, which was welcome though she had

  to press the kernels one

  by one into the pink neck that

  throbbed into

  her palm; when haemorrhage occurred she would

  not spare handkerchiefs,

  and stanching the spot she felt a thrill

  of sympathy.

  But for the most part there was steady progress,

  and growing vigor was

  accompanied by restlessness,

  and one cool day

  the blind thing was batted out of existence

  by a motorcycle.

  She had no time for tears. She ran

  upstairs to miss

  her father’s barytone commiseration,

  then out onto the fields,

  and, holding an old red pinwheel,

  ran ran ran ran.

  Robert Mezey 1935–

  My Mother

  My mother writes from Trenton,

  a comedian to the bone

  but underneath, serious

  and all heart. ‘Honey,’ she says,

  ‘be a mensch and Mary too,

  its no good to worry, you

  are doing the best you can

  your Dad and everyone

  thinks you turned out very well

  as long as you pay your bills

  nobody can say a word

  you can tell them to drop dead

  so save a dollar it can’t

  hurt – remember Frank you went

  to highschool with? he still lives

  with his wife’s mother, his wife

  works while he writes his books and

  did he ever sell a one

  the four kids run around naked

 
36 and he’s never had,

  you’ll forgive my expression

  even a pot to piss in

  or a window to throw it,

  such a smart boy he couldnt

  read the footprints on the wall

  honey you think you know all

  the answers you dont, please try

  to put some money away

  believe me it wouldn’t hurt

  artist shmartist life’s too short

  for that kind of, forgive me,

  horseshit, I know what you want

  better than you, all that counts

  is to make a good living

  and the best of everything,

  as Sholem Aleichem said

  he was a great writer did

  you ever read his books dear,

  you should make what he makes a year

  anyway he says some place

  Poverty is no disgrace

  but its no honor either

  that’s what I say,

  love,

  Mother’

  Sonia Sanchez 1935–

  TCB

  wite/motha/fucka

  wite/motha/fucka

  wite/motha/fucka

  whitey.

  wite/motha/fucker

  wite/motha/fucker

  wite/motha/fucker

  ofay.

  wite/mutha/fucka

  wite/mutha/fucka

  wite/mutha/fucka

  devil.

  wite/mutha/fucker

  wite/mutha/fucker

  wite/mutha/fucker

  Pig.

  wite/mother/fucker

  wite/mother/fucker

  wite/mother/fucker

  cracker.

  wite/muther/fucka

  wite/muther/fucka

  wite/muther/fucka

  honky.

  now. that it’s all sed

  let’s get to work.

  Right on: white america

  this country might have

  been a pio

  neer land

  once.

  but. there ain’t

  no mo

  indians blowing

  custer’s mind

  with a different

  image of america.

  this country

  might have

  needed shoot/

  outs/ daily/

  once.

  but. there ain’t

  no mo real/ white/ allamerican

  bad/guys,

  just.

  u & me.

  blk/ and un/armed.

  this country might have

  been a pion

  eer land. once.

  and it still is.

  check out

  the falling

  gun/shells on our blk/tomorrows.

  Diane Wakoski 1937–

  The Father of My Country

 

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