The Essential Faulkner

by William Faulkner

  “I reckon I can attend to it,” I said.

  “Sure,” he said; there was no surprise, nothing at all, in his voice because he had already rehearsed this: “I reckon we all knew that’s what you would say.” He stepped back then; almost it was as though he and not I bade the mare to move on. But they all followed, still with that unctuous and voracious formality. Then I saw Drusilla standing at the top of the front steps, in the light from the open door and the windows like a theatre scene, in the yellow ball gown and even from here I believed that I could smell the verbena in her hair, standing there motionless yet emanating something louder than the two shots must have been—something voracious too and passionate. Then, although I had dismounted and someone had taken the mare, I seemed to be still in the saddle and to watch myself enter that scene which she had postulated like another actor while in the background for chorus Wyatt and the others stood with the unctuous formality which the Southern man shows in the presence of death—that Roman holiday engendered by mist-born Protestantism grafted onto this land of violent sun, of violent alteration from snow to heat-stroke which has produced a race impervious to both. I mounted the steps toward the figure straight and yellow and immobile as a candle which moved only to extend one hand; we stood together and looked down at them where they stood clumped, the horses too gathered in a tight group beyond them at the rim of light from the brilliant door and windows. One of them stamped and blew his breath and jangled his gear.

  “Thank you, gentlemen,” I said. “My aunt and my—Drusilla thank you. There’s no need for you to stay. Good night.” They murmured, turning. George Wyatt paused, looking back at me.

  “Tomorrow?” he said.

  “Tomorrow.” Then they went on, carrying their hats and tiptoeing, even on the ground, the quiet and resilient earth, as though anyone in that house awake would try to sleep, anyone already asleep in it whom they could have wakened. Then they were gone and Drusilla and I turned and crossed the portico, her hand lying light on my wrist yet discharging into me with a shock like electricity that dark and passionate voracity, the face at my shoulder—the jagged hair with a verbena sprig above each ear, the eyes staring at me with that fierce exaltation. We entered the hall and crossed it, her hand guiding me without pressure, and entered the parlor. Then for the first time I realized it—the alteration which is death—not that he was now just clay but that he was lying down. But I didn’t look at him yet because I knew that when I did I would begin to pant; I went to Aunt Jenny who had just risen from a chair behind which Louvinia stood. She was Father’s sister, taller than Drusilla but no older, whose husband had been killed at the very beginning of the War, by a shell from a Federal frigate at Fort Moultrie, come to us from Carolina six years ago. Ringo and I went to Tennessee Junction in the wagon to meet her. It was January, cold and clear and with ice in the ruts; we returned just before dark with Aunt Jenny on the seat beside me holding a lace parasol and Ringo in the wagon bed nursing a hamper basket containing two bottles of old sherry and the two jasmine cuttings which were bushes in the garden now, and the panes of colored glass which she had salvaged from the Carolina house where she and Father and Uncle Bayard were born and which Father had set in a fanlight about one of the drawing room windows for her—who came up the drive and Father (home now from the railroad) went down the steps and lifted her from the wagon and said, “Well, Jenny,” and she said, “Well, Johnny,” and began to cry. She stood too, looking at me as I approached—the same hair, the same high nose, the same eyes as Father’s except that they were intent and very wise instead of intolerant. She said nothing at all, she just kissed me, her hands light on my shoulders. Then Drusilla spoke, as if she had been waiting with a sort of dreadful patience for the empty ceremony to be done, in a voice like a bell: clear, unsentient, on a single pitch, silvery and triumphant: “Come, Bayard.”

  “Hadn’t you better go to bed now?” Aunt Jenny said.

  “Yes,” Drusilla said in that silvery ecstatic voice, “Oh yes. There will be plenty of time for sleep.” I followed her, her hand again guiding me without pressure; now I looked at him. It was just as I had imagined it—sabre, plumes, and all—but with that alteration, that irrevocable difference which I had known to expect yet had not realized, as you can put food into your stomach which for a while the stomach declines to assimilate—the illimitable grief and regret as I looked down at the face which I knew—the nose, the hair, the eyelids closed over the intolerance—the face which I realized I now saw in repose for the first time in my life; the empty hands still now beneath the invisible stain of what had been (once, surely) needless blood, the hands now appearing clumsy in their very inertness, too clumsy to have performed the fatal actions which forever afterward he must have waked and slept with and maybe was glad to lay down at last—those curious appendages clumsily conceived to begin with yet with which man has taught himself to do so much, so much more than they were intended to do or could be forgiven for doing, which had now surrendered that life to which his intolerant heart had fiercely held; and then I knew that in a minute I would begin to pant. So Drusilla must have spoken twice before I heard her and turned and saw in the instant Aunt Jenny and Louvinia watching us, hearing Drusilla now, the unsentient bell quality gone now, her voice whispering into that quiet death-filled room with a passionate and dying fall: “Bayard.” She faced me, she was quite near; again the scent of the verbena in her hair seemed to have increased a hundred times as she stood holding out to me, one in either hand, the two duelling pistols. “Take them, Bayard,” she said, in the same tone in which she had said “Kiss me” last summer, already pressing them into my hands, watching me with that passionate and voracious exaltation, speaking in a voice fainting and passionate with promise: “Take them. I have kept them for you. I give them to you. Oh you will thank me, you will remember me who put into your hands what they say is an attribute only of God’s, who took what belongs to heaven and gave it to you. Do you feel them? the long true barrels true as justice, the triggers (you have fired them) quick as retribution, the two of them slender and invincible and fatal as the physical shape of love?” Again I watched her arms angle out and upward as she removed the two verbena sprigs from her hair in two motions faster than the eye could follow, already putting one of them into my lapel and crushing the other in her other hand while she still spoke in that rapid passionate voice not much louder than a whisper: “There. One I give to you to wear tomorrow (it will not fade), the other I cast away, like this—” dropping the crushed bloom at her feet. “I abjure it. I abjure verbena forever more; I have smelled it above the odor of courage; that was all I wanted. Now let me look at you.” She stood back, staring at me—the face tearless and exalted, the feverish eyes brilliant and voracious. “How beautiful you are: do you know it? How beautiful: young, to be permitted to kill, to be permitted vengeance, to take into your bare hands the fire of heaven that cast down Lucifer. No; I. I gave it to you; I put it into your hands; Oh you will thank me, you will remember me when I am dead and you are an old man saying to himself, ‘I have tasted all things.’—It will be the right hand, won’t it?” She moved; she had taken my right hand which still held one of the pistols before I knew what she was about to do; she had bent and kissed it before I comprehended why she took it. Then she stopped dead still, still stooping in that attitude of fierce exultant humility, her hot lips and her hot hands still touching my flesh, light on my flesh as dead leaves yet communicating to it that battery charge, dark, passionate, and damned forever of all peace. Because they are wise, women are—a touch, lips or fingers, and the knowledge, even clairvoyance, goes straight to the heart without bothering the laggard brain at all. She stood erect now, staring at me with intolerable and amazed incredulity which occupied her face alone for a whole minute while her eyes were completely empty; it seemed to me that I stood there for a full minute while Aunt Jenny and Louvinia watched us, waiting for her eyes to fill. There was no blood in her face at all, her mouth open a little and pale a
s one of those rubber rings women seal fruit jars with. Then her eyes filled with an expression of bitter and passionate betrayal. “Why, he’s not—” she said. “He’s not— And I kissed his hand,” she said in an aghast whisper; “I kissed his hand!” beginning to laugh, the laughter rising, becoming a scream yet still remaining laughter, screaming with laughter, trying herself to deaden the sound by putting her hand over her mouth, the laughter spilling between her fingers like vomit, the incredulous betrayed eyes still watching me across the hand.

  “Louvinia!” Aunt Jenny said. They both came to her. Louvinia touched and held her and Drusilla turned her face to Louvinia.

  “I kissed his hand, Louvinia!” she cried. “Did you see it? I kissed his hand!” the laughter rising again, becoming the scream again yet still remaining laughter, she still trying to hold it back with her hand like a small child who has filled its mouth too full.

  “Take her upstairs,” Aunt Jenny said. But they were already moving toward the door, Louvinia half-carrying Drusilla, the laughter diminishing as they neared the door as though it waited for the larger space of the empty and brilliant hall to rise again. Then it was gone; Aunt Jenny and I stood there and I knew soon that I would begin to pant. I could feel it beginning like you feel regurgitation beginning, as though there were not enough air in the room, the house, not enough air anywhere under the heavy hot low sky where the equinox couldn’t seem to accomplish, nothing in the air for breathing, for the lungs. Now it was Aunt Jenny who said, “Bayard,” twice before I heard her. “You are not going to try to kill him. All right.”

  “All right?” I said.

  “Yes. All right. Don’t let it be Drusilla, a poor hysterical young woman. And don’t let it be him, Bayard, because he’s dead now. And don’t let it be George Wyatt and those others who will be waiting for you tomorrow morning. I know you are not afraid.”

  “But what good will that do?” I said. “What good will that do?” It almost began then; I stopped it just in time. “I must live with myself, you see.”

  “Then it’s not just Drusilla? Not just him? Not just George Wyatt and Jefferson?”

  “No,” I said.

  “Will you promise to let me see you before you go to town tomorrow?” I looked at her; we looked at one another for a moment. Then she put her hands on my shoulders and kissed me and released me, all in one motion. “Good night, son,” she said. Then she was gone too and now it could begin. I knew that in a minute I would look at him and it would begin and I did look at him, feeling the long-held breath, the hiatus before it started, thinking how maybe I should have said, “Good-bye, Father,” but did not. Instead I crossed to the piano and laid the pistols carefully on it, still keeping the panting from getting too loud too soon. Then I was outside on the porch and (I don’t know how long it had been) I looked in the window and saw Simon squatting on a stool beside him. Simon had been his body servant during the War and when they came home Simon had a uniform too—a Confederate private’s coat with a Yankee brigadier’s star on it and he had put it on now, too, like they had dressed Father, squatting on the stool beside him, not crying, not weeping the facile tears which are the white man’s futile trait and which Negroes know nothing about but just sitting there, motionless, his lower lip slacked down a little; he raised his hand and touched the coffin, the black hand rigid and fragile-looking as a clutch of dead twigs, then dropped the hand; once he turned his head and I saw his eyes roll red and unwinking in his skull like those of a cornered fox. It had begun by that time; I panted, standing there, and this was it—the regret and grief, the despair out of which the tragic mute insensitive bones stand up that can bear anything, anything.

  IV

  After a while the whippoorwills stopped and I heard the first day bird, a mockingbird. It had sung all night too but now it was the day song, no longer the drowsy moony fluting. Then they all began—the sparrows from the stable, the thrush that lived in Aunt Jenny’s garden, and I heard a quail too from the pasture and now there was light in the room. But I didn’t move at once. I still lay on the bed (I hadn’t undressed) with my hands under my head and the scent of Drusilla’s verbena faint from where my coat lay on a chair, watching the light grow, watching it turn rosy with the sun. After a while I heard Louvinia come up across the back yard and go into the kitchen; I heard the door and then the long crash of her armful of stovewood into the box. Soon they would begin to arrive—the carriages and buggies in the drive—but not for a while yet because they too would wait first to see what I was going to do. So the house was quiet when I went down to the dining-room, no sound in it except Simon snoring in the parlor, probably still sitting on the stool though I didn’t look in to see. Instead I stood at the dining-room window and drank the coffee which Louvinia brought me, then I went to the stable; I saw Joby watching me from the kitchen door as I crossed the yard and in the stable Loosh looked up at me across Betsy’s head, a curry comb in his hand, though Ringo didn’t look at me at all. We curried Jupiter then. I didn’t know if we would be able to without trouble or not, since always Father would come in first and touch him and tell him to stand and he would stand like a marble horse (or pale bronze rather) while Loosh curried him. But he stood for me too, a little restive but he stood, then that was done and now it was almost nine o’clock and soon they would begin to arrive and I told Ringo to bring Betsy on to the house.

  I went on to the house and into the hall. I had not had to pant in some time now but it was there, waiting, a part of the alteration, as though by being dead and no longer needing air he had taken all of it, all that he had compassed and claimed and postulated between the walls which he had built, along with him. Aunt Jenny must have been waiting; she came out of the dining-room at once, without a sound, dressed, the hair that was like Father’s combed and smooth above the eyes that were different from Father’s eyes because they were not intolerant but just intent and grave and (she was wise too) without pity. “Are you going now?” she said.

  “Yes.” I looked at her. Yes, thank God, without pity. “You see, I want to be thought well of.”

  “I do,” she said. “Even if you spend the day hidden in the stable loft, I still do.”

  “Maybe if she knew that I was going. Was going to town anyway.”

  “No,” she said. “No, Bayard.” We looked at one another. Then she said quietly, “All right. She’s awake.” So I mounted the stairs. I mounted steadily, not fast because if I had gone fast the panting would have started again or I might have had to slow for a second at the turn or at the top and I would not have gone on. So I went slowly and steadily, across the hall to her door and knocked and opened it. She was sitting at the window, in something soft and loose for morning in her bedroom, only she never did look like morning in a bedroom because there was no hair to fall about her shoulders. She looked up, she sat there looking at me with her feverish brilliant eyes and I remembered I still had the verbena sprig in my lapel and suddenly she began to laugh again. It seemed to come not from her mouth but to burst out all over her face like sweat does and with a dreadful and painful convulsion as when you have vomited until it hurts you yet still you must vomit again—burst out all over her face except her eyes, the brilliant, incredulous eyes looking at me out of the laughter as if they belonged to somebody else, as if they were two inert fragments of tar or coal lying on the bottom of a receptacle filled with turmoil: “I kissed his hand! I kissed his hand!” Louvinia entered, Aunt Jenny must have sent her directly after me; again I walked slowly and steadily so it would not start yet, down the stairs where Aunt Jenny stood beneath the chandelier in the hall as Mrs. Wilkins had stood yesterday at the University. She had my hat in her hand. “Even if you hid all day in the stable, Bayard,” she said. I took the hat; she said quietly, pleasantly, as if she were talking to a stranger, a guest: “I used to see a lot of blockade runners in Charleston. They were heroes in a way, you see—not heroes because they were helping to prolong the Confederacy but heroes in the sense that David Crockett
or John Sevier would have been to small boys or fool young women. There was one of them, an Englishman. He had no business there; it was the money of course, as with all of them. But he was the Davy Crockett to us because by that time we had all forgot what money was, what you could do with it. He must have been a gentleman once or associated with gentlemen before he changed his name, and he had a vocabulary of seven words, though I must admit he got along quite well with them. The first four were, ‘I’ll have rum, thanks,’ and then, when he had the rum, he would use the other three—across the champagne, to whatever ruffled bosom or low gown: ‘No bloody moon.’ No bloody moon, Bayard.”

  Ringo was waiting with Betsy at the front steps. Again he did not look at me, his face sullen, downcast even while he handed me the reins. But he said nothing, nor did I look back. And sure enough I was just in time; I passed the Compson carriage at the gates, General Compson lifted his hat as I did mine as we passed. It was four miles to town but I had not gone two of them when I heard the horse coming up behind me and I did not look back because I knew it was Ringo. I did not look back; he came up on one of the carriage horses, he rode up beside me and looked me full in the face for one moment, the sullen determined face, the eyes rolling at me defiant and momentary and red; we rode on. Now we were in town—the long shady street leading to the square, the new courthouse at the end of it; it was eleven o’clock now: long past breakfast and not yet noon so there were only women on the street, not to recognize me perhaps, or at least not the walking stopped sudden and dead in midwalking as if the legs contained the sudden eyes, the caught breath, that not to begin until we reached the square, and I thinking If I could only be invisible until I reach the stairs to his office and begin to mount. But I could not, I was not; we rode up to the Holston House and I saw the row of feet along the gallery rail come suddenly and quietly down and I did not look at them; I stopped Betsy and waited until Ringo was down; then I dismounted and gave him the reins. “Wait for me here,” I said.