Sexplosion
Page 30
Photofest
The nude wrestling scene between Alan Bates and Oliver Reed in Women in Love (1969) challenged the censors, intrigued audiences.
Photofest
Oliver Reed and Glenda Jackson disagree vehemently over how to play their sex scene in Women in Love.
Photofest
Jennie Linden and Alan Bates take to the outdoors for their lovemaking in Women in Love. Photofest
Many more people saw the photo of a shirtless Raquel Welch and Jim Brown in Time magazine than their movie, 100 Rifles (1969). Everett Collection
Kenneth Tynan turns Clovis Trouille’s odalisque into a poster image for his sex revue, Oh! Calcutta! (1969). The New York Times subsequently banned the image from its ad pages.
Photofest
The Off-Broadway sex revue Oh! Calcutta! defies convention by offering performers who both disrobe and move onstage. Michael Childers
Jon Voight, John Schlesinger, and Dustin Hoffman film on the streets of New York City to bring the tale of a Times Square hustler, Midnight Cowboy (1969), to the screen.
Photofest
John Schlesinger agrees to let Brenda Vaccaro wear a fox wrap for her sex scene with Jon Voight in Midnight Cowboy.
Photofest
Helmut Berger, inspired by The Blue Angel, performs a Marlene Dietrich impersonation in The Damned (1969).
Photofest
The Night of the Long Knives sequence from The Damned is heavily censored in most countries due to its depiction of gang rape, homosexuality, and transvestism.
Photofest
Incest is one of the lesser offenses committed by Helmut Berger’s son and Ingrid Thulin’s mother in The Damned.
Photofest
The rape scene in Lonesome Cowboys (1969), featuring Viva and a few other Andy Warhol superstars, attracted the attention of the FBI.
Photofest
U.S. Customs seized I Am Curious (Yellow) (1967) over objections to nude scenes involving Lena Nyman and Börje Ahlstedt.
Photofest
In 1969, Jacqueline Onassis is caught by a paparazzo as she leaves the Manhattan theater that is screening the suddenly notorious I Am Curious (Yellow). New York Daily News
Holly Woodlawn’s welfare queen finds solace with a beer bottle while Joe Dallesandro’s drug addict takes a heroin-induced nap in Trash (1970).
Photofest
Andy Warhol says of his oft-naked leading man in Trash, “Everybody loves Joe.”
Photofest
Leonard Frey’s birthday boy receives the gift of Robert La Tourneaux’s hustler in the movie version of The Boys in the Band (1970).
Photofest
Raquel Welch drops trou to expose her character’s transsexuality to a boardroom full of shocked execs in Myra Breckinridge (1970).
Photofest
Mae West arrives for the world premiere of Myra Breckinridge in New York City, then trashes the film to reporters.
Photofest
Viva forms a ménage à trois with James Rado and Gerome Ragni in Lions Love (1970); the movie still goes on to grace the first cover of Andy Warhol’s Interview magazine.
Photofest
One movie executive charges that “even the bath water is dirty” when Mick Jagger, Michèle Breton, and Anita Pallenberg get in a tub together in Performance (1970).
Photofest
James Fox and Mick Jagger indulge in a bit of cross-dressing for their gender-bending roles in Performance.
Photofest
Melvin Van Peebles lowers production costs by convincing union officials that he’s shooting a triple-X movie, Sweet Sweetback’s Baadasssss Song (1971).
Photofest
Jack Nicholson is dubbed a male chauvinist, thanks to a Playboy interview and his role in Carnal Knowledge (1971), which costars Ann-Margret.
Photofest
Björn Andrésen finds himself pursued by an older man, Dirk Bogarde, in Death in Venice (1971), adapted from the Thomas Mann novella.
Photofest
John Schlesinger follows a close-up kiss between Peter Finch and Murray Head with a same-sex bedroom scene in Sunday Bloody Sunday (1971).
Photofest
Censors cut the rape of Christ sequence from The Devils (1971), the footage later found and reinserted into Ken Russell’s film.
Photofest
Vanessa Redgrave’s nun fantasizes having sex with Oliver Reed’s Christ figure in The Devils.
Photofest
Straw Dogs (1971) features a controversial double rape, enacted by Del Henney, Susan George, and Ken Hutchison.
Photofest
Malcolm McDowell’s thug, using phallic artwork as a murder weapon, kills the Cat Lady in A Clockwork Orange (1971).
Photofest
Nude mannequins supply the libations to the “droogs” in the Milk Bar sequence from A Clockwork Orange.
Photofest
Stanley Kubrick directs the rape scene in A Clockwork Orange, with Malcolm McDowell and Adrienne Corri.
Photofest
The Motion Picture Association of America gave an X-rating to Fritz the Cat (1972), the first animated feature to be deemed suitable only for adults.
Photofest
The New York Times identified Deep Throat (1972) as a major attraction in the burgeoning “porno chic” movement.
Photofest
Marlon Brando and Maria Schneider are acquitted of obscenity charges in Italy, where Last Tango in Paris (1972) runs into trouble with the law.
Photofest
Lance Loud, upper left, doesn’t hide his homosexuality in An American Family (1973); he poses here with his siblings and his parents, Pat and Bill Loud. Everett Collection
Acknowledgments
I am pleased and very proud to pay taxes to support the public libraries that make a book like this possible. Those libraries include the Beverly Hills Public Library, Library for the Performing Arts at Lincoln Center, Los Angeles Public Library, New York City Public Library, and West Hollywood Public Library. Also essential to my research were such private institutions as the Margaret Herrick Library at the Academy of Motion Picture Arts & Sciences and the One Institute at the University of Southern California. Their librarians are my saviors.
I’m indebted to all the people whom I interviewed for this book, especially Michael Childers, who shared not only his memories but his magnificent photographs.
Peter Bloch, Holly Millea, and Stephen M. Silverman were early supporters who made invaluable suggestions regarding what I wrote. And Denise Smaldino designed a mock-up book cover that aided immensely in helping to find a publisher.
Above all, this book would not be a book without my agent, Eric Myers at the Spieler Agency; my editors, Cal Morgan and Denise Oswald at HarperCollins; and my photo guru, Howard Mandelbaum at Photofest.
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