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Sexplosion

Page 30

by Robert Hofler


  Photofest

  The nude wrestling scene between Alan Bates and Oliver Reed in Women in Love (1969) challenged the censors, intrigued audiences.

  Photofest

  Oliver Reed and Glenda Jackson disagree vehemently over how to play their sex scene in Women in Love.

  Photofest

  Jennie Linden and Alan Bates take to the outdoors for their lovemaking in Women in Love. Photofest

  Many more people saw the photo of a shirtless Raquel Welch and Jim Brown in Time magazine than their movie, 100 Rifles (1969). Everett Collection

  Kenneth Tynan turns Clovis Trouille’s odalisque into a poster image for his sex revue, Oh! Calcutta! (1969). The New York Times subsequently banned the image from its ad pages.

  Photofest

  The Off-Broadway sex revue Oh! Calcutta! defies convention by offering performers who both disrobe and move onstage. Michael Childers

  Jon Voight, John Schlesinger, and Dustin Hoffman film on the streets of New York City to bring the tale of a Times Square hustler, Midnight Cowboy (1969), to the screen.

  Photofest

  John Schlesinger agrees to let Brenda Vaccaro wear a fox wrap for her sex scene with Jon Voight in Midnight Cowboy.

  Photofest

  Helmut Berger, inspired by The Blue Angel, performs a Marlene Dietrich impersonation in The Damned (1969).

  Photofest

  The Night of the Long Knives sequence from The Damned is heavily censored in most countries due to its depiction of gang rape, homosexuality, and transvestism.

  Photofest

  Incest is one of the lesser offenses committed by Helmut Berger’s son and Ingrid Thulin’s mother in The Damned.

  Photofest

  The rape scene in Lonesome Cowboys (1969), featuring Viva and a few other Andy Warhol superstars, attracted the attention of the FBI.

  Photofest

  U.S. Customs seized I Am Curious (Yellow) (1967) over objections to nude scenes involving Lena Nyman and Börje Ahlstedt.

  Photofest

  In 1969, Jacqueline Onassis is caught by a paparazzo as she leaves the Manhattan theater that is screening the suddenly notorious I Am Curious (Yellow). New York Daily News

  Holly Woodlawn’s welfare queen finds solace with a beer bottle while Joe Dallesandro’s drug addict takes a heroin-induced nap in Trash (1970).

  Photofest

  Andy Warhol says of his oft-naked leading man in Trash, “Everybody loves Joe.”

  Photofest

  Leonard Frey’s birthday boy receives the gift of Robert La Tourneaux’s hustler in the movie version of The Boys in the Band (1970).

  Photofest

  Raquel Welch drops trou to expose her character’s transsexuality to a boardroom full of shocked execs in Myra Breckinridge (1970).

  Photofest

  Mae West arrives for the world premiere of Myra Breckinridge in New York City, then trashes the film to reporters.

  Photofest

  Viva forms a ménage à trois with James Rado and Gerome Ragni in Lions Love (1970); the movie still goes on to grace the first cover of Andy Warhol’s Interview magazine.

  Photofest

  One movie executive charges that “even the bath water is dirty” when Mick Jagger, Michèle Breton, and Anita Pallenberg get in a tub together in Performance (1970).

  Photofest

  James Fox and Mick Jagger indulge in a bit of cross-dressing for their gender-bending roles in Performance.

  Photofest

  Melvin Van Peebles lowers production costs by convincing union officials that he’s shooting a triple-X movie, Sweet Sweetback’s Baadasssss Song (1971).

  Photofest

  Jack Nicholson is dubbed a male chauvinist, thanks to a Playboy interview and his role in Carnal Knowledge (1971), which costars Ann-Margret.

  Photofest

  Björn Andrésen finds himself pursued by an older man, Dirk Bogarde, in Death in Venice (1971), adapted from the Thomas Mann novella.

  Photofest

  John Schlesinger follows a close-up kiss between Peter Finch and Murray Head with a same-sex bedroom scene in Sunday Bloody Sunday (1971).

  Photofest

  Censors cut the rape of Christ sequence from The Devils (1971), the footage later found and reinserted into Ken Russell’s film.

  Photofest

  Vanessa Redgrave’s nun fantasizes having sex with Oliver Reed’s Christ figure in The Devils.

  Photofest

  Straw Dogs (1971) features a controversial double rape, enacted by Del Henney, Susan George, and Ken Hutchison.

  Photofest

  Malcolm McDowell’s thug, using phallic artwork as a murder weapon, kills the Cat Lady in A Clockwork Orange (1971).

  Photofest

  Nude mannequins supply the libations to the “droogs” in the Milk Bar sequence from A Clockwork Orange.

  Photofest

  Stanley Kubrick directs the rape scene in A Clockwork Orange, with Malcolm McDowell and Adrienne Corri.

  Photofest

  The Motion Picture Association of America gave an X-rating to Fritz the Cat (1972), the first animated feature to be deemed suitable only for adults.

  Photofest

  The New York Times identified Deep Throat (1972) as a major attraction in the burgeoning “porno chic” movement.

  Photofest

  Marlon Brando and Maria Schneider are acquitted of obscenity charges in Italy, where Last Tango in Paris (1972) runs into trouble with the law.

  Photofest

  Lance Loud, upper left, doesn’t hide his homosexuality in An American Family (1973); he poses here with his siblings and his parents, Pat and Bill Loud. Everett Collection

  Acknowledgments

  I am pleased and very proud to pay taxes to support the public libraries that make a book like this possible. Those libraries include the Beverly Hills Public Library, Library for the Performing Arts at Lincoln Center, Los Angeles Public Library, New York City Public Library, and West Hollywood Public Library. Also essential to my research were such private institutions as the Margaret Herrick Library at the Academy of Motion Picture Arts & Sciences and the One Institute at the University of Southern California. Their librarians are my saviors.

  I’m indebted to all the people whom I interviewed for this book, especially Michael Childers, who shared not only his memories but his magnificent photographs.

  Peter Bloch, Holly Millea, and Stephen M. Silverman were early supporters who made invaluable suggestions regarding what I wrote. And Denise Smaldino designed a mock-up book cover that aided immensely in helping to find a publisher.

  Above all, this book would not be a book without my agent, Eric Myers at the Spieler Agency; my editors, Cal Morgan and Denise Oswald at HarperCollins; and my photo guru, Howard Mandelbaum at Photofest.

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