New Critical Approaches to the Short Stories of Ernest Hemingway
Page 54
Pp. 99–113: “‘The Truest Sentence’: Words as Equivalents of Time and Place In Our Time” by Charles G. Hoffman and A. C. Hoffman.
Pp. 225–39: “Hemingway: The Writer in Decline” by Philip Young. Oldsey, Bernard, ed. Ernest Hemingway: The Papers of a Writer. New York: Garland, 1981.
Pp. 25–35: “‘Dear Folks . . . Dear Ezra’: Hemingway’s Early Years and Correspondence, 1917–24” by E. R. Hagemann, reprinted from College Literature 7 (1980): 202–12.
Pp. 37–62: “Hemingway’s Beginnings and Endings” by Bernard Oldsey, reprinted from College Literature 7 (1980): 213–38.
Pp. 63–71: “‘Proud and Friendly and Gently’: Women in Hemingway’s Early Fiction” by Linda W. Wagner, reprinted from College Literature 7 (1980): 239–47.
Pp. 117–31: “The Mystery of the Ritz Hotel Papers” by Jacqueline Tavernier-Courbin, reprinted from College Literature 7 (1980): 289–303.
Pp. 133–38: “Initial Europe: 1918 as a Shaping Element in Hemingway’s Weltanschauung” by Zvonimir Radeljkovic, reprinted from College Literature 7 (1980): 304–9.
Pp. 139–47: “Hemingway Papers, Occasional Remarks” by Philip Young. Oliver, Charles M., ed. A Moving Picture Feast: The Filmgoer’s Hemingway. New York: Praeger, 1989.
Pp. 3–11: “Hemingway’s Cinematic Style” by Eugene Kanjo.
Pp. 12–18: “Novelist Versus Screenwriter: The Case for Casey Robinson’s Adaptations of Hemingway’s Fiction” by Gene D. Phillips.
Pp. 26–31: “Death in the Matinee: The Film Endings of Hemingway’s Fiction” by Frank M. Lawrence.
Pp. 125–34: “Literary Adaptation: ‘The Killers’—Hemingway’s Film Noir, and the Terror of Daylight” by Stuart Kaminsky.
Pp. 135–40: “That Hemingway Kind of Love” by Robert E. Morsberger.
Pp. 141–47: “A Soldier’s Home: A Space Between” by Marianne Knowlton.
Pp. 148–61: “Hemingway, Film, and U.S. Culture: In Our Time and Birth of a Nation” by Stanley Corkin.
Phillips, Gene D. Hemingway and Film. New York: Ungar, 1980.
Raeburn, John. Fame Became of Him: Hemingway as Public Writer. Bloomington: Indiana University Press, 1984.
Rao, E. Nageswara. Ernest Hemingway: A Study of His Rhetoric. Atlantic Highlands, N.J.: Humanities Press, 1983.
Rao, P. G. Rama. Ernest Hemingway: A Study in Narrative Technique. New Delhi: S. Chand, 1980.
Reynolds, Michael. Hemingway: The Paris Years. New York: Basil Blackwell, 1989.
Reynolds, Michael S., ed. Critical Essays on Ernest Hemingway’s “In Our Time.” Boston: Hall, 1983.
Pp. 15–16: “Review of In Our Time” by Herbert J. Seligman, reprinted from the New York City Sun, October 17, 1925.
P. 17: “A New Chicago Writer” by Mary Plum, reprinted from the Chicago Post, November 27, 1925.
Pp. 18–20: “Tough Earth” by Paul Rosenfield, reprinted from the New Republic (November 1925): 22–23.
P. 20: “In Our Time” (anonymous), reprinted from the Plain Dealer (Cleveland), December 6, 1925.
Pp. 20–21: “In Our Time” by J.H.R., reprinted from the News (Parkersbury, W. Va.), December 6, 1925.
Pp. 22–23: “Another American Discovers the Acid in Language” by Schyler Ashley, reprinted from the Kansas City Star, December 12, 1925.
Pp. 23–24: “Chiseled Prose Found in Fiction of Hemingway: Realistic Stories are Found In Our Time” by Warren Taylor, reprinted from the Tennessean (Nashville), January 10, 1926.
Pp. 24–25: “In Our Time” (anonymous), reprinted from the World Herald (Omaha), January 10, 1926.
P. 25: “Review: In Our Time” (anonymous), reprinted from the Portland Oregonian, May 2, 1926.
P. 26: “Short Stories of Distinction” by Ruth Suckow, reprinted from the Register (Des Moines), September 12, 1926.
Pp. 31–37: “Two Hemingway Sources for in our time” by Michael S. Reynolds, reprinted from Studies in Short Fiction (Winter 1972): 81–86.
Pp. 38–51: “A Collation, with Commentary, of the Five Texts of the Chapters in Hemingway’s In Our Time, 1923–38” by E. R. Hagemann, reprinted from Papers of the Bibliographical Society of America 75 (1979): 443–58.
Pp. 52–60: “Only Let the Story End as Soon as Possible: Time-and-History in Ernest Hemingway’s In Our Time” by E. R. Hagemann, reprinted from Modern Fiction Studies 26 (Summer 1980): 255–62.
Pp. 61–75: “An Examination of the Drafts of Hemingway’s Chapter ‘Nick sat against the wall of the church . . ’” by Kathryn Zabelle Derounian, reprinted from the Papers of the Bibliographical Society of America 77 (1983): 54–65.
Pp. 76–87: “The Structure of In Our Time” by Robert M. Slabey, reprinted from South Dakota Review (August 1965): 38–52.
Pp. 88–102: “The Complex Unity of In Our Time” by Clinton S. Burhans, Jr., reprinted from Modern Fiction Studies (1968): 313–28.
Pp. 103–19: “Patterns of Connection and Their Development in Hemingway’s In Our Time” by Jackson J. Benson, reprinted from Rendezvous (Winter 1970): 37–52.
Pp. 120–29: “Juxtaposition in Hemingway’s In Our Time” by Linda W. Wagner, reprinted from Studies in Short Fiction 12 (1975): 243–52.
Pp. 130–37: “In Our Time: The Interchapters as Structural Guides to Pattern” by David J. Leigh, S.J., reprinted from Studies in Short Fiction 12 (1975): 1–8.
Pp. 138–40: “Neutral Projections in Hemingway’s ‘On the Quai at Smyrna’” by Louis H. Leiter, reprinted from Studies in Short Fiction (Summer 1968): 384–86.
Pp. 141–43: “Hemingway’s In Our Time” by J. M. Harrison, reprinted from Explicator (May 1960): 51.
Pp. 144–45: “Hemingway’s ‘Indian Camp’” by G. Thomas Tanselle, reprinted from Explicator (February 1962): 53.
Pp. 146–47: “Hemingway’s The Doctor and the Doctor’s Wife’” by Aerol Arnold, reprinted from Explicator (March 1960): item 36.
Pp. 148–49: “Hemingway’s ‘The Doctor and the Doctor’s Wife’” by R. M. Davis, reprinted from Explicator (September 1966): item 1.
Pp. 150–54: “The Biographical Fallacy and The Doctor and the Doctor’s Wife’” by Richard Fulkerson, reprinted from Studies in Short Fiction 16 (1979): 61–65.
Pp. 155–56: “Hemingway’s ‘The End of Something’” by Joseph Whitt, reprinted from Explicator (June 1951): item 58.
Pp. 157–58: “Hemingway’s ‘The End of Something’” by Alice Parker, reprinted from Explicator (March 1952): item 36.
Pp. 159–71: “Ernest Hemingway’s ‘The End of Something’: Its Independence as a Short Story and Its Place in the ‘Education of Nick Adams’” by Horst H. Kruse, reprinted from Studies in Short Fiction (Winter 1967): 152–66.
Pp. 172–75: “Dating the Events of ‘The Three-Day Blow’” by George Monteiro, reprinted from Fitzgerald-Hemingway Annual (1977): 207–10.
Pp. 176–88: “Nick Adams on the Road: ‘The Battler’ as Hemingway’s Man on the Hill” by Nicholas Gerogiannis.
Pp. 189–98: “Hemingway’s Concept of Sport and ‘Soldier’s Home’” by Robert W. Lewis, reprinted from Rendezvous (Winter 1970): 19–27.
Pp. 199–202: “In Defense of Krebs” by John J. Roberts, reprinted from Studies in Short Fiction 13 (1976): 515–18.
Pp. 203–17: “Another Turn for Hemingway’s The Revolutionist’: Sources and Meanings” by Anthony Hunt, reprinted from Fitzgerald-Hemingway Annual (1977): 119–35
Pp. 218–26: “The Two Shortest Stories of Hemingway’s In Our Time” by Jim Steinke.
Pp. 227–34: “Hemingway’s ‘Out of Season’ and the Psychology of Errors” by Kenneth G. Johnston, reprinted from Literature and Psychology (November 1971): 41–46.
Pp. 235–51: “Some Misconceptions of ‘Out of Season’” by Paul Smith.
Pp. 252–53: “Hemingway’s ‘My Old Man’” by Sidney J. Krause, reprinted from Explicator (January 1962): item 39.
Pp. 254–59: “He Made Him Up: ‘Big Two-Hearted River’ as Doppelganger” by Robert Gibb,
reprinted from Hemingway Notes (1975): 20–24.
Pp. 260–67: “Landscapes of the Mind: ‘Big Two-Hearted River’” by William Adair, reprinted from College Literature 4 (1977): 144–51.
Reynolds, Michael S. Hemingway’s First War: The Making of “A Farewell to Arms.” Princeton, N.J.: Princeton University Press, 1976.
Reynolds, Michael S. The Young Hemingway. New York: Basil Blackwell, 1986.
Rovit, Earl, and Gerry Brenner. Ernest Hemingway. Revised Ed. Boston: Twayne, 1986.
Smith, Paul. A Reader’s Guide to the Short Stories of Ernest Hemingway. Boston: G. K. Hall, 1989.
Sojka, Gregory S. Ernest Hemingway: The Angler as Artist. New York: Lang, 1985 (American University Studies Series IV, English Language and Literature, Vol. 26).
Stoltzfus, Ben. Gide and Hemingway: Rebels Against God. Port Washington, N.Y.: Kennikat, 1978.
Svoboda, Frederic Joseph. Hemingway and “The Sun Also Rises”: The Creating of a Style. Lawrence: University Press of Kansas, 1983.
Unfried, Sarah P. Man’s Place in the Natural Order: A Study of Hemingway’s Major Works. New York: Gordon, 1976.
Villard, Henry S. and James Nagel, eds. Hemingway in Love and War: The Lost Diary of Agnes von Kurowsky, Her Letters, and Correspondence of Ernest Hemingway. Boston: Northeastern University Press, 1989.
Wagner, Linda W., ed. Ernest Hemingway: Six Decades of Criticism. East Lansing: Michigan State University Press, 1987.
Pp. 19–40: “Grace Under Pressure: Hemingway and the Summer of 1920” by Max
Westbrook, reprinted from Nagel, James, ed. Ernest Hemingway: The Writer in Context. Madison: University of Wisconsin Press, 1984: 77–106.
Pp. 61–63: “Tough Earth” by Paul Rosenfield, reprinted from the New Republic (November 1925): 22–23.
Pp. 65–76: “The Structure of In Our Time” by Robert M. Slabey, reprinted from South Dakota Review (August 1965): 38–52.
Pp. 113–38: “Hemingway’s Beginnings and Endings” by Bernard Oldsey, reprinted from College Literature 7 (1980): 213–38, and published in Oldsey, Bernard, ed. Ernest Hemingway: The Papers of a Writer. New York: Garland, 1981: 37–62.
Pp. 147–54: ‘The Social Basis of Hemingway’s Style” by Larzer Ziff, reprinted from Poetics 7 (1978): 417–23.
Pp. 155–62: “Semantics and Style—With the Example of Quintessential Hemingway” by Richard L. McLain, reprinted from Language and Style 12 (1979): 63–78.
Pp. 163–65: “Review of Men Without Women” by Dorothy Parker, reprinted from the New Yorker, October 29, 1927: 92–94.
Pp. 167–69: “On Hemingway” by Claude McKay, reprinted from A Long Way From Home. New York: Furman, 1937: 249–52.
Pp. 209–19: “Hemingway’s Women’s Movement” by Charles J. Nolan, Jr., reprinted from the Hemingway Review 3, no. 2 (Spring 1984): 14–22.
Wagner, Linda Welshimer. Hemingway and Faulkner: Inventors/Masters. Metuchen, N.J.: Scarecrow, 1975.
Whitlow, Roger. Cassandra’s Daughters: The Women in Hemingway. Westport, Conn.: Greenwood Press, 1984.
Wilkinson, Myler. Hemingway and Turgenev: Nature of Literary Influence. Ann Arbor: UMI Research Press, 1986.
Williams, Wirt. The Tragic Art of Ernest Hemingway. Baton Rouge: Louisiana State University Press, 1981.
Workman, Brooke. In Search of Ernest Hemingway: A Model for Teaching a Literature Seminar. Urbana, Ill.: NCTE, 1979.
Section II: Articles, Books Devoted to Hemingway’s Work, Books Not Exclusively Devoted to Hemingway, and Dissertations Containing Discussion of Several Hemingway Short Stories
Note: Books devoted to Hemingway’s work are referred to by the last name of the author. The name is then followed by the title of a Hemingway collection (Men Without Women) and then the page numbers in the book that refer to the Hemingway collection. There may be several such entries for each book. (References in books to individual stories are listed in Section III.)
Entries for articles in journals or critical essays in anthologies are usually followed by brackets which may contain the titles of any Hemingway story collections referred to in the essay and the story number from Section III of any individual story referred to (by more than just mention of its title) in the essay. Thus, [In Our Time, 6, 10, 88] means that the article or essay contains a substantial reference to the story collection In Our Time and to “Big Two-Hearted River,” “Cat in the Rain,” and “The Snows of Kilimanjaro.” The same kind of notation is used for dissertations where the contents have been indicated in DAL Items that do not refer to a specific story collection and are not followed by information in brackets indicate a general discussion wherein no collection or story is discussed individually at length.
Adair, William. “Ernest Hemingway and the Poetics of Love.” College Literature 5 (1978): 12–23.
Adair, William. “Ernest Hemingway and the Poetics of Loss.” College Literature 10 (Fall 1983): 294–306.
Adair, William. “Lying Down in Hemingway’s Fiction.” Notes on Contemporary Literature 16, no. 4 (September 1986): 7–8.
Adams, Michael. “Hemingway Filmography.” Fitzgerald-Hemingway Annual (1977): 219–32.
Allen, Mary. “The Integrity of Animals: Ernest Hemingway” in Animals in American Literature. Urbana: University of Illinois Press, 1983: 177–96. [6, 8, 10, 36, 67, 72, 86, 88, 96]
Allen, William Rodney. “All the Names of Death: Walker Percy and Hemingway.” Mississippi Quarterly: The Journal of Southern Culture 36 (1982): 3–19.
Anderson, David. “American Regionalism, the Midwest and the Study of Modern American Literature.” Society for the Study of Midwestern Literature Newsletter 15, no. 3 (1985): 10–20.
Ardat, Ahmad Kahlil. “A Linguistic Analysis of the Prose Styles of Ernest Hemingway, Sherwood Anderson, and Gertrude Stein.” DAI 39 (1979): 4915A-16A (University of Miami). (Reprinted in part as “The Prose Styles of Selected Works by Ernest Hemingway, Sherwood Anderson, and Gertrude Stein.” Style 14 [1980]: 1–21.) [In Our Time]
Asselineau, Roger. “Hemingway, or ‘Sartor Resartus’ Once More.” The Transcendentalist Constant in American Literature. New York: New York University Press, 1980: 137–52. [27, 41 89]
August, Jo. “The Papers of a Writer: Ernest Hemingway.” College Literature 7 (1980): v–vi. [In Our Time]
Backman, Melvin. “Death and Birth in Hemingway.” The Stoic Strain in American Literature: Essays in Honor of Marston LaFrance. Ed. Duane J. MacMillan. Toronto: University of Toronto Press, 1979: 115–33. [Nick Adams Stories, In Our Time, 5, 6, 27, 52, 56, 72, 78, 96, 107]
Badve, V. V. “The ‘Camera Eye’ Technique in Hemingway’s Short Stories.” Journal of Shivaji University (India) 9 (1976): 81–86. [46, 51, 56, 94]
Baker. In Our Time. Pp. 32, 34–37, 42.
Baker, in our time. Pp. 12–13, 17–18.
Baker. Three Stories and Ten Poems. Pp. 16–17, 24.
Bakker. In Our Time. P. 4.
Bakker. Men Without Women. P. 4.
Bakker. Winner Take Nothing. P. 4.
Baley, Barney. “Woolf and Hemingway.” Virginia Wool f Miscellany 24 (Spring 1985): 2–3. [Men Without Women]
Balza, Marcelino Abelardo. “The Spanish Hero in Hemingway’s Fiction.” DAI 40 (1979): 1464A (Texas Tech University).
Barbour, James. “Fugue State as a Literary Device in ‘Cat in the Rain’ and ‘Hills Like White Elephants.’” Arizona Quarterly 44, no. 2 (Spring 1988): 98–106.
Barron, James. “Hemingway on Little Travers: ‘No More Place More Beautiful.’” Kalamazoo Gazette, November 29, 1985: E8. [The Nick Adams Stories]
Bauman, M. Garrett. “How Good was Hemingway?” Search 6: A Journal of Scholarly Research at the State University of New York 3 (Fall 1977): 16–28. [Biographical summary]
Beegel, Susan F. “Introduction.” Hemingway’s Neglected Short Fiction. Ed. Susan F. Beegel. Ann Arbor: UMI Research Press, 1989: 1–18.
Bell, Millicent. “A Farewell to Arms: Pseudoautobiography and Personal Metaphor.” Ernest Hemingway
: The Writer in Context. Ed. James Nagel. Madison: University of Wisconsin Press, 1984: 107–28. [Men Without Women, 51, 72]
Benson, Jackson J. “Criticism of the Short Stories: The Neglected and the Oversaturated—An Editorial.” Comments on Hemingway’s Short Stories, MLA convention, San Francisco, 1987. (Reprinted in the Hemingway Review 8, no. 2 [Spring 1989]: 30–35.)
Benson, Jackson J. “Hemingway Criticism: Getting at the Hard Questions.” Hemingway: A Revaluation. Ed. Donald R. Noble. Troy, N.Y.: Whitson, 1983: 17–47. [Survey of criticism, including that of the short stories]
Benson, J. J. “Hemingway the Hunter and Steinbeck the Farmer.” Michigan Quarterly Review 24 (Summer 1985): 441–60.
Bigsby, C. W. E. “Hemingway: The Recoil from History.” The Twenties: Fiction, Poetry, Drama. Ed. Warren French. DeLand, Fla.: Everett, 1975: 203–13. [6, 27]
Bloom, Harold. Introduction. Ernest Hemingway. Ed. Harold Bloom. New York: Chelsea House, 1985: 1–5. [43, 68, 73]
Bordinat, Philip. “Anatomy of Fear in Tolstoy and Hemingway.” Lost Generation Journal 3 (1975): 15–17. [In Our Time]
Boutelle, Ann Edwards. “Hemingway and ‘Papa’: Killing of the Father in the Nick Adams Fiction.” Journal of Modern Literature 9 (1981): 133–46. [The Nick Adams Stories, 6]
Brasch, James D. “Invention From Knowledge: The Hemingway-Cowley Correspondence.” Ernest Hemingway: The Writer in Context. Ed. James Nagel. Madison: University of Wisconsin Press, 1984: 201–36.
Bredahl, A. Carl. “Divided Narrative and Ernest Hemingway.” Literary Half-Yearly 24, no.1 (January 1983): 15–21. [In Our Time, 6, 52]
Breidlid, Anders. “Courage and Self-Affirmation in Ernest Hemingway’s Tost Generation’ Fiction.” Edda: Nordisk Tideskrift for Litteraturforskning (1979): 279–99. [In Our Time]
Brenner. In Our Time. Pp. 10, 72.
Brenner. Men Without Women. Pp. 21–22, 53.
Brenner. The Nick Adams Stories. Pp. 17–18.
Brenner. Winner Take Nothing. P. 53.
Brkic, Svetozar. “Ernest Hemingway.” Svetla Lovina (1972): 203–23. (Translated by Natasha Kolchevska and reprinted in Thorson, James L., ed. Yugoslav Perspective on American Literature: An Anthology. Ann Arbor, Mich.: Ardis, 1980: 89–101.) [In Our Time In Our Time, 52, 88]