Complete Fictional Works of Washington Irving (Illustrated)

by Washington Irving

  He was sitting one evening at one of his solitary vigils, wrapped up in meditation; the hour was late, and his neighbour, the owl, was hooting from the battlement of the tower, when he heard the door open behind him. Supposing it to be his daughter coming to take her leave of him for the night, as was her frequent practice, he called her by name, but a harsh voice me this ear in reply. He was grasped by the arms, and, looking up, perceived three strange men in the chamber. He attempted to shake them off, but in vain. He called for help, but they scoffed at his cries. “Peace, dotard!” cried one: “think’st thou the servants of the most holy inquisition are to be daunted by thy clamours? Comrades, away with him!”

  Without heeding his remonstrances and entreaties, they seized upon his books and papers, took some note of the apartment, and the utensils, and then bore him off a prisoner.

  Inez, left to herself, had passed a sad and lonely evening; seated by a casement which looked into the garden, she had pensively watched star after star sparkle out of the blue depths of the sky, and was indulging a crowd of anxious thoughts about her lover, until the rising tears began to flow. She was suddenly alarmed by the sound of voices, that seemed to come from a distant part of the mansion. There was, not long after, a noise of several persons descending the stairs. Surprised at these unusual sounds in their lonely habitation, she remained for a few moments in a state of trembling, yet indistinct apprehension, when the servant rushed into the room, with terror in her countenance, and informed her that her father was carried off by armed men.

  Inez did not stop to hear further, but flew downstairs to overtake them. She had scarcely passed the threshold, when she found herself in the grasp of strangers.—”Away!—away!” cried she, wildly, “do not stop me—let me follow my father.”

  “We come to conduct you to him, senora,” said one of the men, respectfully.

  “Where is he, then?”

  “He is gone to Granada,” replied the man: “an unexpected circumstance requires his presence there immediately; but he is among friends.”

  “We have no friends in Granada,” said Inez, drawing back; but then the idea of Antonio rushed into her mind; something relating to him might have call her father thither. “Is senor Antonio de Castros with him?” demanded she, with agitation.

  “I know not, senora,” replied the man. “It is very possible. I only know that your father is among friends, and is anxious for you to follow him.”

  “Let us go, then,” cried she, eagerly. The men led her a little distance to where a mule was waiting, and, assisting her to mount, they conducted her slowly towards the city.

  Granada was on that evening a scene of fanciful revel. It was one of the festivals of the Maestranza, an association of the nobility to keep up some of the gallant customs of ancient chivalry. There had been a representation of a tournament in one of the squares; the streets would still occasionally resound with the beat of a solitary drum, or the bray of a trumpet from some straggling party of revellers. Sometimes they were met by cavaliers, richly dressed in ancient costumes, attended by their squires; and at one time they passed in sight of a palace brilliantly illuminated, from whence came the mingled sounds of music and the dance. Shortly after, they came to the square where the mock tournament had been held. It was thronged by the populace, recreating themselves among booths and stalls where refreshments were sold, and the glare of torches showed the temporary galleries, and gay-coloured awnings, and armorial trophies, and other paraphernalia of the show. The conductors of Inez endeavoured to keep out of observation, and to traverse a gloomy part of the square; but they were detained at one place by the pressure of a crowd surrounding a party of wandering musicians, singing one of those ballads of which the Spanish populace are so passionately fond. The torches which were held by some of the crowd, threw a strong mass of light upon Inez, and the sight of so beautiful a being, without mantilla or veil, looking so bewildered, and conducted by men who seemed to take no gratification in the surrounding gayety, occasioned expressions of curiosity. One of the ballad-singers approached, and striking her guitar with peculiar earnestness, began to sing a doleful air, full of sinister forebodings. Inez started with surprise. It was the same ballad-singer that had addressed her in the garden of the Generaliffe.

  It was the same air that she had then sung. It spoke of impending dangers; they seemed, indeed, to be thickening around her. She was anxious to speak with the girl, and to ascertain whether she really had a knowledge of any definite evil that was threatening her; but, as she attempted to address her, the mule, on which she rode, was suddenly seized, and led forcibly through the throng by one of her conductors, while she saw another addressing menacing words to the ballad-singer. The latter raised her hand with a warning gesture, as Inez lost sight of her.

  While she was yet lost in perplexity, caused by this singular occurrence, they stopped at the gate of a large mansion. One of her attendants knocked, the door was opened, and they entered a paved court. “Where are we?” demanded Inez, with anxiety. “At the house of a friend, senora,” replied the man. “Ascend this staircase with me, and in a moment you will meet your father.”

  They ascended a staircase, that led to a suite of splendid apartments. They passed through several, until they came to an inner chamber. The door opened—some one approached; but what was her terror at perceiving, not her father, but Don Ambrosio!

  The men who had seized upon the alchymist had, at least, been more honest in their professions. They were, indeed, familiars of the inquisition. He was conducted in silence to the gloomy prison of that horrible tribunal. It was a mansion whose very aspect withered joy, and almost shut out hope. It was one of those hideous abodes which the bad passions of men conjure up in this fair world, to rival the fancied dens of demons and the accursed.

  Day after day went heavily by, without anything to mark the lapse of time, but the decline and reappearance of the light that feebly glimmered through the narrow window of the dungeon in which the unfortunate alchymist was buried rather than confined. His mind was harassed with uncertainties and fears about his daughter, so helpless and inexperienced. He endeavoured to gather tidings of her from the man who brought his daily portion of food. The fellow stared, as if astonished at being asked a question in that mansion of silence and mystery, but departed without saying a word. Every succeeding attempt was equally fruitless.

  The poor alchymist was oppressed by many griefs; and it was not the least, that he had been again interrupted in his labours on the very point of success. Never was alchymist so near attaining the golden secret—a little longer, and all his hopes would have been realized. The thoughts of these disappointments afflicted him more even than the fear of all that he might suffer from the merciless inquisition. His waking thoughts would follow him into his dreams. He would be transported in fancy to his laboratory, busied again among retorts and alembics, and surrounded by Lully, by D’Abano, by Olybius, and the other masters of the sublime art. The moment of projection would arrive; a seraphic form would rise out of the furnace, holding forth a vessel containing the precious elixir; but, before he could grasp the prize, he would awake, and find himself in a dungeon.

  All the devices of inquisitorial ingenuity were employed to ensnare the old man, and to draw from him evidence that might be brought against himself, and might corroborate certain secret information that had been given against him. He had been accused of practising necromancy and judicial astrology, and a cloud of evidence had been secretly brought forward to substantiate the charge. It would be tedious to enumerate all the circumstances, apparently corroborative, which had been industriously cited by the secret accuser. The silence which prevailed about the tower, its desolateness, the very quiet of its inhabitants, had been adduced as proofs that something sinister was perpetrated within. The alchymist’s conversations and soliloquies in the garden had been overheard and misrepresented. The lights and strange appearances at night, in the tower, were given with violent exaggerations. Shrieks and yells
were said to have been heard from thence at midnight, when, it was confidently asserted, the old man raised familiar spirits by his incantations, and even compelled the dead to rise from their graves, and answer to his questions.

  The alchymist, according to the custom of the inquisition, was kept in complete ignorance of his accuser; of the witnesses produced against him; even of the crimes of which he was accused. He was examined generally, whether he knew why he was arrested, and was conscious of any guilt that might deserve the notice of the holy office? He was examined as to his country, his life, his habits, his pursuits, his actions, and opinions. The old man was frank and simple in his replies; he was conscious of no guilt, capable of no art, practised in no dissimulation. After receiving a general admonition to bethink himself whether he had not committed any act deserving of punishment and to prepare, by confession, to secure the well known mercy of the tribunal, he was remanded to his cell.

  He was now visited in his dungeon by crafty familiars of the inquisition, who, under pretence of sympathy and kindness, came to beguile the tediousness of his imprisonment with friendly conversation. They casually introduced the subject of alchymy, on which they touched with great caution and pretended indifference. There was no need of such craftiness. The honest enthusiast had no suspicion in his nature: the moment they touched upon his favourite theme, he forgot his misfortunes and imprisonment, and broke forth into rhapsodies about the divine science.

  The conversation was artfully turned to the discussion of elementary beings. The alchymist readily avowed his belief in them; and that there had been instances of their attending upon philosophers, and administering to their wishes. He related many miracles said to have been performed by Apollonius Thyaneus, through the aid of spirits or demons; insomuch that he was set up by the heathens in opposition to the Messiah; and was even regarded with reverence by many Christians. The familiars eagerly demanded whether he believed Apollonius to be a true and worthy philosopher. The unaffected piety of the alchymist protected him even in the midst of his simplicity; for he condemned Apollonius as a sorcerer and an impostor. No art could draw from him an admission that he had ever employed or invoked spiritual agencies in the prosecution of his pursuits, though he believed himself to have been frequently impeded by their invisible interference.

  The inquisitors were sorely vexed at not being able to inveigle him into a confession of a criminal nature; they attributed their failure to craft, to obstinacy, to every cause but the right one, namely, that the harmless visionary had nothing guilty to confess. They had abundant proof of a secret nature against him; but it was the practice of the inquisition to endeavour to procure confession from the prisoners. An auto da fé was at hand; the worthy fathers were eager for his conviction, for they were always anxious to have a good number of culprits condemned to the stake, to grace these solemn triumphs. He was at length brought to a final examination.

  The chamber of trial was spacious and gloomy. At one end was a huge crucifix, the standard of the inquisition. A long table extended through the centre of the room, at which sat the inquisitors and their secretary; at the other end, a stool was placed for the prisoner.

  He was brought in, according to custom, bareheaded and bare-legged. He was enfeebled by confinement and affliction; by constantly brooding over the unknown fate of his child, and the disastrous interruption of his experiments. He sat bowed down and listless; his head sunk upon his breast; his whole appearance that of one “past hope, abandoned, and by himself given over.”

  The accusation alleged against him was now brought forward in a specific form; he was called upon by name, Felix de Vasquez, formerly of Castile, to answer to the charges of necromancy and demonology. He was told that the charges were amply substantiated; and was asked whether he was ready, by full confession, to throw himself upon the well-known mercy of the holy inquisition.

  The philosopher testified some slight surprise at the nature of the accusation, but simply replied, “I am innocent.”

  “What proof have you to give of your innocence?”

  “It rather remains for you to prove your charges,” said the old man. “I am a stranger and a sojourner in the land, and know no one out of the doors of my dwelling. I can give nothing in my vindication but the word of a nobleman and a Castilian.”

  The inquisitor shook his head, and went on to repeat the various inquiries that had before been made as to his mode of life and pursuits. The poor alchymist was too feeble and too weary at heart to make any but brief replies. He requested that some man of science might examine his laboratory, and all his books and papers, by which it would be made abundantly evident that he was merely engaged in the study of alchymy.

  To this the inquisitor observed, that alchymy had become a mere covert for secret and deadly sins. That the practisers of it were apt to scruple at no means to satisfy their inordinate greediness of gold. Some had been known to use spells and impious ceremonies; to conjure the aid of evil spirits; nay, even to sell their souls to the enemy of mankind, so that they might riot in boundless wealth while living.

  The poor alchymist had heard all patiently, or, at least, passively. He had disdained to vindicate his name otherwise than by his word; he had smiled at the accusations of sorcery, when applied merely to himself; but when the sublime art, which had been the study and passion of his life, was assailed, he could no longer listen in silence. His head gradually rose from his bosom; a hectic colour came in faint streaks to his cheek; played about there, disappeared, returned, and at length kindled into a burning glow. The clammy dampness dried from his forehead; his eyes, which had nearly been extinguished, lighted up again, and burned with their wonted and visionary fires. He entered into a vindication of his favourite art. His voice at first was feeble and broken; but it gathered strength as he proceeded, until it rolled in a deep and sonorous volume. He gradually rose from his seat, as he rose with his subject; he threw back the scanty black mantle which had hitherto wrapped his limbs; the very uncouthness of his form and looks gave an impressive effect to what he uttered; it was as though a corpse had become suddenly animated.

  He repelled with scorn the aspersions cast upon alchymy by the ignorant and vulgar. He affirmed it to be the mother of all art and science, citing the opinions of Paracelsus, Sandivogius, Raymond Lully, and others, in support of his assertions. He maintained that it was pure and innocent and honourable both in its purposes and means. What were its objects? The perpetuation of life and youth, and the production of gold. “The elixir vitae,” said he, “is no charmed potion, but merely a concentration of those elements of vitality which nature has scattered through her works. The philosopher’s stone, or tincture, or powder, as it is variously called, is no necromantic talisman, but consists simply of those particles which gold contains within itself for its reproduction; for gold, like other things, has its seed within itself, though bound up with inconceivable firmness, from the vigour of innate fixed salts and sulphurs. In seeking to discover the elixir of life, then,” continued he, “we seek only to apply some of nature’s own specifics against the disease and decay to which our bodies are subjected; and what else does the physician, when he tasks his art, and uses subtle compounds and cunning distillations, to revive our languishing powers, and avert the stroke of death for a season?

  “In seeking to multiply the precious metals, also, we seek but to germinate and multiply, by natural means, a particular species of nature’s productions; and what else does the husbandman, who consults times and seasons, and, by what might be deemed a natural magic, from the mere scattering of his hand, covers a whole plain with golden vegetation? The mysteries of our art, it is true, are deeply and darkly hidden; but it requires so much the more innocence and purity of thought, to penetrate unto them. No, father! the true alchymist must be pure in mind and body; he must be temperate, patient, chaste, watchful, meek, humble, devout. ‘My son,’ says Hermes Trismegestes, the great master of our art, ‘my son, I recommend you above all things to fear God.’ A
nd indeed it is only by devout castigation of the senses, and purification of the soul that the alchymist is enabled to enter into the sacred chambers of truth. ‘Labour, pray, and read,’ is the motto of our science. As De Nuysment well observes, ‘These high and singular favours are granted unto none, save only unto the sons of God, (that is to say, the virtuous and devout,) who, under his paternal benediction, have obtained the opening of the same, by the helping hand of the queen of arts, divine Philosophy.’ Indeed, so sacred has the nature of this knowledge been considered, that we are told it has four times been expressly communicated by God to man, having made a part of that cabalistical wisdom which was revealed to Adam to console him for the loss of Paradise; and to Moses in the bush, and to Solomon in a dream, and to Esdras by the angel.

  “So far from demons and malign spirits being the friends and abettors of the alchymist, they are the continual foes with which he has to contend. It is their constant endeavour to shut up the avenues to those truths which would enable him to rise above the abject state into which he has fallen, and return to that excellence which was his original birthright. For what would be the effect of this length of days, and this abundant wealth, but to enable the possessor to go on from art to art, from science to science, with energies unimpaired by sickness, uninterrupted by death? For this have sages and philosophers shut themselves up in cells and solitudes; buried themselves in caves and dens of the earth; turning from the joys of life, and the pleasance of the world; enduring scorn, poverty, persecution. For this was Raymond Lully stoned to death in Mauritania. For this did the immortal Pietro D’Abano suffer persecution at Padua, and, when he escaped from his oppressors by death, was despitefully burnt in effigy. For this have illustrious men of all nations intrepidly suffered martyrdom. For this, if unmolested, have they assiduously employed the latest hour of life, the expiring throb of existence; hoping to the last that they might yet seize upon the prize for which they had struggled, and pluck themselves back even from the very jaws of the grave!