Complete Fictional Works of Washington Irving (Illustrated)

by Washington Irving

  “I like my old teacher Eben Bonabben better than any other being; but he is often tedious, and I occasionally feel myself happier without his society.”

  “That is not the sympathy I mean. I speak of love, the great mystery and principle of life: the intoxicating revel of youth; the sober delight of age. Look forth, my prince, and behold how at this blest season all nature is full of love. Every created being has its mate; the most insignificant bird sings to its paramour; the very beetle woos its lady-beetle in the dust, and yon butterflies which you see fluttering high above the tower, and toying in the air, are happy in each other’s loves. Alas, my prince hast thou spent so many of the precious days of youth without knowing any thing of love? Is there no gentle being of another sex — no beautiful princess nor lovely damsel who has ensnared your heart, and filled your bosom with a soft tumult of pleasing pains and tender wishes?”

  “I begin to understand,” said the prince, sighing; “such a tumult I have more than once experienced, without knowing the cause; and where should I seek for an object such as you describe, in this dismal solitude?”

  A little further conversation ensued, and the first amatory lesson of the prince was complete.

  “Alas!” said he, “if love be indeed such a delight, and its interruption such a misery, Allah forbid that I should mar the joy of any of its votaries.” He opened the cage, took out the dove, and having fondly kissed it, carried it to the window. “Go, happy bird,” said he, “rejoice with the partner of thy heart in the days of youth and springtime. Why should I make thee a fellow-prisoner in this dreary tower, where love can never enter?”

  The dove flapped its wings in rapture, gave one vault into the air, and then swooped downward on whistling wings to the blooming bowers of the Darro.

  The prince followed him with his eyes, and then gave way to bitter repining. The singing of the birds which once delighted him, now added to his bitterness. Love! love! love! Alas, poor youth! he now understood the strain.

  His eyes flashed fire when next he beheld the sage Bonabben. “Why hast thou kept me in this abject ignorance?” cried he. “Why has the great mystery and principle of life been withheld from me, in which I find the meanest insect is so learned? Behold all nature is in a revel of delight. Every created being rejoices with its mate. This — this is the love about which I have sought instruction. Why am I alone debarred its enjoyment? Why has so much of my youth been wasted without a knowledge of its raptures?”

  The sage Bonabben saw that all further reserve was useless; for the prince had acquired the dangerous and forbidden knowledge. He revealed to him, therefore, the predictions of the astrologers, and the precautions that had been taken in his education to avert the threatened evils. “And now, my prince,” added he, “my life is in your hands. Let the king your father discover that you have learned the passion of love while under my guardianship, and my head must answer for it.”

  The prince was as reasonable as most young men of his age, and easily listened to the remonstrances of his tutor, since nothing pleaded against them. Besides, he really was attached to Eben Bonabben, and being as yet but theoretically acquainted with the passion of love, he consented to confine the knowledge of it to his own bosom, rather than endanger the head of the philosopher.

  His discretion was doomed, however, to be put to still further proofs. A few mornings afterwards, as he was ruminating on the battlements of the tower, the dove which had been released by him came hovering in the air, and alighted fearlessly upon his shoulder.

  The prince fondled it to his heart. “Happy bird,” said he, “who can fly, as it were, with the wings of the morning to the uttermost parts of the earth. Where hast thou been since we parted?”

  “In a far country, my prince, whence I bring you tidings in reward for my liberty. In the wild compass of my flight, which extends over plain and mountain, as I was soaring in the air, I beheld below me a delightful garden with all kinds of fruits and flowers. It was in a green meadow, on the banks of a wandering stream; and in the centre of the garden was a stately palace. I alighted in one of the bowers to repose after my weary flight. On the green bank below me was a youthful princess, in the very sweetness and bloom of her years. She was surrounded by female attendants, young like herself, who decked her with garlands and coronets of flowers; but no flower of field or garden could compare with her for loveliness. Here, however, she bloomed in secret, for the garden was surrounded by high walls, and no mortal man was permitted to enter. When I beheld this beauteous maid, thus young and innocent and unspotted by the world, I thought, here is the being formed by heaven to inspire my prince with love.”

  The description was a spark of fire to the combustible heart of Ahmed; all the latent amorousness of his temperament had at once found an object, and he conceived an immeasurable passion for the princess. He wrote a letter, couched in the most impassioned language, breathing his fervent devotion, but bewailing the unhappy thraldom of his person, which prevented him from seeking her out and throwing himself at her feet. He added couplets of the most moving eloquence, for he was a poet by nature, and inspired by love. He addressed his letter—”To the unknown beauty, from the captive Prince Ahmed”; then, perfuming it with musk and roses, he gave it to the dove.

  “Away, trustiest of messengers!” said he. “Fly over mountain and valley, and river, and plain; rest not in bower, nor set foot on earth, until thou hast given this letter to the mistress of my heart.”

  The dove soared high in air, and taking his course darted away in one undeviating direction. The prince followed him with his eye until he was a mere speck on a cloud, and gradually disappeared behind a mountain.

  Day after day he watched for the return of the messenger of love, but he watched in vain. He began to accuse him of forgetfulness, when towards sunset one evening the faithful bird fluttered into his apartment, and falling at his feet expired. The arrow of some wanton archer had pierced his breast, yet he had struggled with the lingerings of life to execute his mission. As the prince bent with grief over this gentle martyr to fidelity, he beheld a chain of pearls round his neck, attached to which, beneath his wing, was a small enamelled picture. It represented a lovely princess in the very flower of her years. It was doubtless the unknown beauty of the garden; but who and where was she — how had she received his letter, and was this picture sent as a token of her approval of his passion? Unfortunately the death of the faithful dove left every thing in mystery and doubt.

  The prince gazed on the picture till his eyes swam with tears. He pressed it to his lips and to his heart; he sat for hours contemplating it almost in an agony of tenderness. “Beautiful image!” said he, “alas, thou art but an image! Yet thy dewy eyes beam tenderly upon me; those rosy lips look as though they would speak encouragement: vain fancies! Have they not looked the same on some more happy rival? But where in this wide world shall I hope to find the original? Who knows what mountains, what realms may separate us; what adverse chances may intervene? Perhaps now, even now, lovers may be crowding around her, while I sit here a prisoner in a tower, wasting my time in adoration of a painted shadow.”

  The resolution of Prince Ahmed was taken. “I will fly from this palace,” said he, “which has become an odious prison; and, a pilgrim of love, will seek this unknown princess throughout the world.” To escape from the tower in the day, when every one was awake, might be a difficult matter; but at night the palace was slightly guarded; for no one apprehended any attempt of the kind from the prince, who had always been so passive in his captivity. How was he to guide himself, however, in his darkling flight, being ignorant of the country?

  He bethought him of the owl, who was accustomed to roam at night, and must know every by-lane and secret pass. Seeking him in his hermitage, he questioned him touching his knowledge of the land. Upon this the owl put on a mighty self-important look. “You must know, O prince,” said he, “that we owls are of a very ancient and extensive family, though rather fallen to decay, and possess rui
nous castles and palaces in all parts of Spain. There is scarcely a tower of the mountains, or a fortress of the plains, or an old citadel of a city, but has some brother or uncle, or cousin, quartered in it; and in going the rounds to visit this my numerous kindred, I have pryed into every nook and corner, and made myself acquainted with every secret of the land.”

  The prince was overjoyed to find the owl so deeply versed in topography, and now informed him, in confidence, of his tender passion and his intended elopement, urging him to be his companion and counsellor.

  “Go to!” said the owl, with a look of displeasure; “am I a bird to engage in a love affair? I whose whole time is devoted to meditation and the moon?”

  “Be not offended, most solemn owl,” replied the prince; “abstract thyself for a time from meditation and the moon, and aid me in my flight, and thou shalt have whatever heart can wish.”

  “I have that already,” said the owl: “a few mice are sufficient for my frugal table, and this hole in the wall is spacious enough for my studies; and what more does a philosopher like myself desire?”

  “Bethink thee, most wise owl, that while moping in thy cell and gazing at the moon, all thy talents are lost to the world. I shall one day be a sovereign prince, and may advance thee to some post of honor and dignity.”

  The owl, though a philosopher and above the ordinary wants of life, was not above ambition; so he was finally prevailed on to elope with the prince, and be his guide and mentor in his pilgrimage.

  The plans of a lover are promptly executed. The prince collected all his jewels, and concealed them about his person as travelling funds. That very night he lowered himself by his scarf from a balcony of the tower, clambered over the outer walls of the Generalife, and, guided by the owl, made good his escape before morning to the mountains.

  He now held a council with his mentor as to his future course.

  “Might I advise,” said the owl, “I would recommend you to repair to Seville. You must know that many years since I was on a visit to an uncle, an owl of great dignity and power, who lived in a ruined wing of the Alcazar of that place. In my hoverings at night over the city I frequently remarked a light burning in a lonely tower. At length I alighted on the battlements, and found it to proceed from the lamp of an Arabian magician: he was surrounded by his magic books, and on his shoulder was perched his familiar, an ancient raven who had come with him from Egypt. I am acquainted with that raven, and owe to him a great part of the knowledge I possess. The magician is since dead, but the raven still inhabits the tower, for these birds are of wonderful long life. I would advise you, O prince, to seek that raven, for he is a soothsayer and a conjurer, and deals in the black art, for which all ravens, and especially those of Egypt, are renowned.”

  The prince was struck with the wisdom of this advice, and accordingly bent his course towards Seville. He travelled only in the night, to accommodate his companion, and lay by during the day in some dark cavern or mouldering watchtower, for the owl knew every hiding hole of the kind, and had a most antiquarian taste for ruins.

  At length one morning at daybreak they reached the city of Seville, where the owl, who hated the glare and bustle of crowded streets, halted without the gate, and took up his quarters in a hollow tree.

  The prince entered the gate, and readily found the magic tower, which rose above the houses of the city, as a palm-tree rises above the shrubs of the desert; it was in fact the same tower standing at the present day, and known as the Giralda, the famous Moorish tower of Seville.

  The prince ascended by a great winding staircase to the summit of the tower, where he found the cabalistic raven, an old, mysterious, grayheaded bird, ragged in feather, with a film over one eye that gave him the glare of a spectre. He was perched on one leg, with his head turned on one side, poring with his remaining eye on a diagram described on the pavement.

  The prince approached him with the awe and reverence naturally inspired by his venerable appearance and supernatural wisdom. “Pardon me, most ancient and darkly wise raven,” exclaimed he, “if for a moment I interrupt those studies which are the wonder of the world. You behold before you a votary of love, who would fain seek your counsel how to obtain the object of his passion.”

  “In other words,” said the raven, with a significant look, “you seek to try my skill in palmistry. Come, show me your hand, and let me decipher the mysterious lines of fortune.”

  “Excuse me,” said the prince, “I come not to pry into the decrees of fate, which are hidden by Allah from the eyes of mortals; I am a pilgrim of love, and seek but to find a clue to the object of my pilgrimage.”

  “And can you be at any loss for an object in amorous Andalusia?” said the old raven, leering upon him with his single eye; “above all, can you be at a loss in wanton Seville, where black-eyed damsels dance the zambra under every orange grove?”

  The prince blushed, and was somewhat shocked at hearing an old bird with one foot in the grave talk thus loosely. “Believe me,” said he, gravely, “I am on none such light and vagrant errand as thou dost insinuate. The black-eyed damsels of Andalusia who dance among the orange groves of the Guadalquivir are as naught to me. I seek one unknown but immaculate beauty, the original of this picture; and I beseech thee, most potent raven, if it be within the scope of thy knowledge or the reach of thy art, inform me where she may be found.”

  The grayheaded raven was rebuked by the gravity of the prince.

  “What know I,” replied he, dryly, “of youth and beauty? my visits are to the old and withered, not the fresh and fair: the harbinger of fate am I; who croak bodings of death from the chimney top, and flap my wings at the sick man’s window. You must seek elsewhere for tidings of your unknown beauty.”

  “And where can I seek if not among the sons of wisdom, versed in the book of destiny? Know that I am a royal prince, fated by the stars, and sent on a mysterious enterprise on which may hang the destiny of empires.”

  When the raven heard that it was a matter of vast moment, in which the stars took interest, he changed his tone and manner, and listened with profound attention to the story of the prince. When it was concluded, he replied, “Touching this princess, I can give thee no information of myself, for my flight is not among gardens, or around ladies’ bowers; but hie thee to Cordova, seek the palm-tree of the great Abderahman, which stands in the court of the principal mosque: at the foot of it thou wilt find a great traveller who has visited all countries and courts, and been a favorite with queens and princesses. He will give thee tidings of the object of thy search.”

  “Many thanks for this precious information,” said the prince. “Farewell, most venerable conjurer.”

  “Farewell, pilgrim of love,” said the raven, dryly, and again fell to pondering on the diagram.

  The prince sallied forth from Seville, sought his fellow-traveller the owl, who was still dozing in the hollow tree, and set off for Cordova.

  He approached it along hanging gardens, and orange and citron groves, overlooking the fair valley of the Guadalquivir. When arrived at its gates the owl flew up to a dark hole in the wall, and the prince proceeded in quest of the palm-tree planted in days of yore by the great Abderahman. It stood in the midst of the great court of the mosque, towering from amidst orange and cypress trees. Dervises and Faquirs were seated in groups under the cloisters of the court, and many of the faithful were performing their ablutions at the fountains before entering the mosque.

  At the foot of the palm-tree was a crowd listening to the words of one who appeared to be talking with great volubility. “This,” said the prince to himself, “must be the great traveller who is to give me tidings of the unknown princess.” He mingled in the crowd, but was astonished to perceive that they were all listening to a parrot, who with his bright green coat, pragmatical eye, and consequential topknot, had the air of a bird on excellent terms with himself.

  “How is this,” said the prince to one of the bystanders, “that so many grave persons can be delighted
with the garrulity of a chattering bird?”

  “You know not whom you speak of,” said the other; “this parrot is a descendant of the famous parrot of Persia, renowned for his storytelling talent. He has all the learning of the East at the tip of his tongue, and can quote poetry as fast as he can talk. He has visited various foreign courts, where he has been considered an oracle of erudition. He has been a universal favorite also with the fair sex, who have a vast admiration for erudite parrots that can quote poetry.”

  “Enough,” said the prince, “I will have some private talk with this distinguished traveller.”

  He sought a private interview, and expounded the nature of his errand. He had scarcely mentioned it when the parrot burst into a fit of dry rickety laughter that absolutely brought tears in his eyes. “Excuse my merriment,” said he, “but the mere mention of love always sets me laughing.”

  The prince was shocked at this ill-timed mirth. “Is not love,” said he, “the great mystery of nature, the secret principle of life, the universal bond of sympathy?”

  “A fig’s end!” cried the parrot, interrupting him; “prithee where hast thou learned this sentimental jargon? trust me, love is quite out of vogue; one never hears of it in the company of wits and people of refinement.”

  The prince sighed as he recalled the different language of his friend the dove. But this parrot, thought he, has lived about the court, he affects the wit and the fine gentleman, he knows nothing of the thing called love. Unwilling to provoke any more ridicule of the sentiment which filled his heart, he now directed his inquiries to the immediate purport of his visit.

  “Tell me,” said he, “Most accomplished parrot, thou who hast every where been admitted to the most secret bowers of beauty, hast thou in the course of thy travels met with the original of this portrait?”

  The parrot took the picture in his claw, turned his head from side to side, and examined it curiously with either eye. “Upon my honor,” said he, “a very pretty face; very pretty: but then one sees so many pretty women in one’s travels that one can hardly — but hold — bless me! now I look at it again — sure enough this is the princess Aldegonda: how could I forget one that is so prodigious a favorite with me!”