Complete Fictional Works of Washington Irving (Illustrated)

by Washington Irving

  But before this humorous creation was completed, the author endured the terrible bereavement which was to color all his life. He had formed a deep and tender passion for Matilda Hoffman, the second daughter of Josiah Ogden Hoffman, in whose family he had long been on a footing of the most perfect intimacy, and his ardent love was fully reciprocated. He was restlessly casting about for some assured means of livelihood which would enable him to marry, and perhaps his distrust of a literary career was connected with this desire, when after a short illness Miss Hoffman died, in the eighteenth year of her age. Without being a dazzling beauty, she was lovely in person and mind, with most engaging manners, a refined sensibility, and a delicate and playful humor. The loss was a crushing blow to Irving, from the effects of which he never recovered, although time softened the bitterness of his grief into a tender and sacred memory. He could never bear to hear her name spoken even by his most intimate friends, or any allusion to her. Thirty years after her death, it happened one evening at the house of Mr. Hoffman, her father, that a granddaughter was playing for Mr. Irving, and in taking her music from the drawer, a faded piece of embroidery was brought forth. “Washington,” said Mr. Hoffman, picking it up, “this is a piece of poor Matilda’s workmanship.” The effect was electric. He had been talking in the sprightliest mood before, but he sunk at once into utter silence, and in a few moments got up and left the house.

  After his death, in a private repository of which he always kept the key, was found a lovely miniature, a braid of fair hair, and a slip of paper, on which was written in his own hand, “Matilda Hoffman;” and with these treasures were several pages of a memorandum in ink long since faded. He kept through life her Bible and Prayer Book; they were placed nightly under his pillow in the first days of anguish that followed her loss, and ever after they were the inseparable companions of all his wanderings. In this memorandum — which was written many years afterwards — we read the simple story of his love:

  “We saw each other every day, and I became excessively attached to her. Her shyness wore off by degrees. The more I saw of her the more I had reason to admire her. Her mind seemed to unfold leaf by leaf, and every time to discover new sweetness. Nobody knew her so well as I, for she was generally timid and silent; but I in a manner studied her excellence. Never did I meet with more intuitive rectitude of mind, more native delicacy, more exquisite propriety in word, thought, and action, than in this young creature. I am not exaggerating; what I say was acknowledged by all who knew her. Her brilliant little sister used to say that people began by admiring her, but ended by loving Matilda. For my part, I idolized her. I felt at times rebuked by her superior delicacy and purity, and as if I was a coarse, unworthy being in comparison.”

  At this time Irving was much perplexed about his career. He had “a fatal propensity to belles-lettres;” his repugnance to the law was such that his mind would not take hold of the study; he anticipated nothing from legal pursuits or political employment; he was secretly writing the humorous history, but was altogether in a low-spirited and disheartened state. I quote again from the memorandum:

  “In the mean time I saw Matilda every day, and that helped to distract me. In the midst of this struggle and anxiety she was taken ill with a cold. Nothing was thought of it at first; but she grew rapidly worse, and fell into a consumption. I cannot tell you what I suffered. The ills that I have undergone in this life have been dealt out to me drop by drop, and I have tasted all their bitterness. I saw her fade rapidly away; beautiful, and more beautiful, and more angelical to the last. I was often by her bedside; and in her wandering state of mind she would talk to me with a sweet, natural, and affecting eloquence, that was overpowering. I saw more of the beauty of her mind in that delirious state than I had ever known before. Her malady was rapid in its career, and hurried her off in two months. Her dying struggles were painful and protracted. For three days and nights I did not leave the house, and scarcely slept. I was by her when she died; all the family were assembled round her, some praying, others weeping, for she was adored by them all. I was the last one she looked upon. I have told you as briefly as I could what, if I were to tell with all the incidents and feelings that accompanied it, would fill volumes. She was but about seventeen years old when she died. “I cannot tell you what a horrid state of mind I was in for a long time. I seemed to care for nothing; the world was a blank to me. I abandoned all thoughts of the law. I went into the country, but could not bear solitude, yet could not endure society. There was a dismal horror continually in my mind, that made me fear to be alone. I had often to get up in the night, and seek the bedroom of my brother, as if the having a human being by me would relieve me from the frightful gloom of my own thoughts. “Months elapsed before my mind would resume any tone; but the despondency I had suffered for a long time in the course of this attachment, and the anguish that attended its catastrophe, seemed to give a turn to my whole character, and throw some clouds into my disposition, which have ever since hung about it. When I became more calm and collected, I applied myself, by way of occupation, to the finishing of my work. I brought it to a close, as well as I could, and published it; but the time and circumstances in which it was produced rendered me always unable to look upon it with satisfaction. Still it took with the public, and gave me celebrity, as an original work was something remarkable and uncommon in America. I was noticed, caressed, and, for a time, elevated by the popularity I had gained. I found myself uncomfortable in my feelings in New York, and traveled about a little. Wherever I went, I was overwhelmed with attentions; I was full of youth and animation, far different from the being I now am, and I was quite flushed with this early taste of public favor. Still, however, the career of gayety and notoriety soon palled on me. I seemed to drift about without aim or object, at the mercy of every breeze; my heart wanted anchorage. I was naturally susceptible, and tried to form other attachments, but my heart would not hold on; it would continually recur to what it had lost; and whenever there was a pause in the hurry of novelty and excitement, I would sink into dismal dejection. For years I could not talk on the subject of this hopeless regret; I could not even mention her name; but her image was continually before me, and I dreamt of her incessantly.”

  This memorandum, it subsequently appeared, was a letter, or a transcript of it, addressed to a married lady, Mrs. Foster, in which the story of his early love was related, in reply to her question why he had never married. It was in the year 1823, the year after the publication of “Bracebridge Hall,” while he sojourned in Dresden, that he became intimate with an English family residing there, named Foster, and conceived for the daughter, Miss Emily Foster, a warm friendship and perhaps a deep attachment. The letter itself, which for the first time broke the guarded seclusion of Irving’s heart, is evidence of the tender confidence that existed between him and this family. That this intimacy would have resulted in marriage, or an offer of marriage, if the lady’s affections had not been preoccupied, the Fosters seem to have believed. In an unauthorized addition to the “Life and Letters,” inserted in the English edition without the knowledge of the American editor, with some such headings as, “History of his First Love brought to us, and returned,” and “Irving’s Second Attachment,” the Fosters tell the interesting story of Irving’s life in Dresden, and give many of his letters, and an account of his intimacy with the family. From this account I quote:

  “Soon after this, Mr. Irving, who had again for long felt ‘the tenderest interest warm his bosom, and finally enthrall his whole soul,’ made one vigorous and valiant effort to free himself from a hopeless and consuming attachment. My mother counseled him, I believe, for the best, and he left Dresden on an expedition of several weeks into a country he had long wished to see; though, in the main, it disappointed him; and he started with young Colbourne (son of general Colbourne) as his companion. Some of his letters on this journey are before the public; and in the agitation and eagerness he there described, on receiving and opening letters from us, and the tendernes
s in his replies, — the longing to be once more in the little Pavilion, to which we had moved in the beginning of the summer, — the letters (though carefully guarded by the delicacy of her who intrusted them to the editor, and alone retained among many more calculated to lay bare his true feelings, even fragmentary as they are), point out the truth. “Here is the key to the journey to Silesia, the return to Dresden, and, finally, to the journey from Dresden to Rotterdam in our company, first planned so as to part at Cassel, where Mr. Irving had intended to leave us and go down the Rhine, but subsequently could not find in his heart to part. Hence, after a night of pale and speechless melancholy, the gay, animated, happy countenance with which he sprang to our coach-box to take his old seat on it, and accompany us to Rotterdam. There even could he not part, but joined us in the steamboat; and, after bearing us company as far as a boat could follow us, at last tore himself away, to bury himself in Paris, and try to work.... “It was fortunate, perhaps, that this affection was returned by the warmest friendship only, since it was destined that the accomplishment of his wishes was impossible, for many obstacles which lay in his way; and it is with pleasure I can truly say that in time he schooled himself to view, also with friendship only, one who for some time past has been the wife of another.”

  Upon the delicacy of this revelation the biographer does not comment, but he says that the idea that Irving thought of marriage at that time is utterly disproved by the following passage from the very manuscript which he submitted to Mrs. Foster:

  “You wonder why I am not married. I have shown you why I was not long since. When I had sufficiently recovered from that loss, I became involved in ruin. It was not for a man broken down in the world, to drag down any woman to his paltry circumstances. I was too proud to tolerate the idea of ever mending my circumstances by matrimony. My time has now gone by; and I have growing claims upon my thoughts and upon my means, slender and precarious as they are. I feel as if I already had a family to think and provide for.”

  Upon the question of attachment and depression, Mr. Pierre Irving says:

  “While the editor does not question Mr. Irving’s great enjoyment of his intercourse with the Fosters, or his deep regret at parting from them, he is too familiar with his occasional fits of depression to have drawn from their recurrence on his return to Paris any such inference as that to which the lady alludes. Indeed, his memorandum book and letters show him to have had, at this time, sources of anxiety of quite a different nature. The allusion to his having to put once more to sea evidently refers to his anxiety on returning to his literary pursuits, after a season of entire idleness.”

  It is not for us to question the judgment of the biographer, with his full knowledge of the circumstances and his long intimacy with his uncle; yet it is evident that Irving was seriously impressed at Dresden, and that he was very much unsettled until he drove away the impression by hard work with his pen; and it would be nothing new in human nature and experience if he had for a time yielded to the attractions of loveliness and a most congenial companionship, and had returned again to an exclusive devotion to the image of the early loved and lost.

  That Irving intended never to marry is an inference I cannot draw either from his fondness for the society of women, from his interest in the matrimonial projects of his friends and the gossip which has feminine attractions for its food, or from his letters to those who had his confidence. In a letter written from Birmingham, England, March 15, 1816, to his dear friend Henry Brevoort, who was permitted more than perhaps any other person to see his secret heart, he alludes, with gratification, to the report of the engagement of James Paulding, and then says:

  “It is what we must all come to at last. I see you are hankering after it, and I confess I have done so for a long time past. We are, however, past that period [Irving was thirty-two] when a man marries suddenly and inconsiderately. We may be longer making a choice, and consulting the convenience and concurrence of easy circumstances, but we shall both come to it sooner or later. I therefore recommend you to marry without delay. You have sufficient means, connected with your knowledge and habits of business, to support a genteel establishment, and I am certain that as soon as you are married you will experience a change in your ideas. All those vagabond, roving propensities will cease. They are the offspring of idleness of mind and a want of something to fix the feelings. You are like a bark without an anchor, that drifts about at the mercy of every vagrant breeze or trifling eddy. Get a wife, and she’ll anchor you. But don’t marry a fool because she his a pretty face, and don’t seek after a great belle. Get such a girl as Mary —— , or get her if you can; though I am afraid she has still an unlucky kindness for poor —— , which will stand in the way of her fortunes. I wish to God they were rich, and married, and happy!”

  The business reverses which befell the Irving brothers, and which drove Washington to the toil of the pen, and cast upon him heavy family responsibilities, defeated his plans of domestic happiness in marriage. It was in this same year, 1816, when the fortunes of the firm were daily becoming more dismal, that he wrote to Brevoort, upon the report that the latter was likely to remain a bachelor: “We are all selfish beings. Fortune by her tardy favors and capricious freaks seems to discourage all my matrimonial resolves, and if I am doomed to live an old bachelor, I am anxious to have good company. I cannot bear that all my old companions should launch away into the married state, and leave me alone to tread this desolate and sterile shore.” And, in view of a possible life of scant fortune, he exclaims: “Thank Heaven, I was brought up in simple and inexpensive habits, and I have satisfied myself that, if need be, I can resume them without repining or inconvenience. Though I am willing, therefore, that Fortune should shower her blessings upon me, and think I can enjoy them as well as most men, yet I shall not make myself unhappy if she chooses to be scanty, and shall take the position allotted me with a cheerful and contented mind.”

  When Irving passed the winter of 1823 in the charming society of the Fosters at Dresden, the success of the “Sketch-Book” and “Bracebridge Hall” had given him assurance of his ability to live comfortably by the use of his pen.

  To resume. The preliminary announcement of the History was a humorous and skillful piece of advertising. Notices appeared in the newspapers of the disappearance from his lodging of “a small, elderly gentleman, dressed in an old black coat and cocked hat, by the name of Knickerbocker.” Paragraphs from week to week, purporting to be the result of inquiry, elicited the facts that such an old gentleman had been seen traveling north in the Albany stage; that his name was Diedrich Knickerbocker; that he went away owing his landlord; and that he left behind a very curious kind of a written book, which would be sold to pay his bills if he did not return. So skillfully was this managed that one of the city officials was on the point of offering a reward for the discovery of the missing Diedrich. This little man in knee breeches and cocked hat was the germ of the whole “Knickerbocker legend,” a fantastic creation, which in a manner took the place of history, and stamped upon the commercial metropolis of the New World the indelible Knickerbocker name and character; and even now in the city it is an undefined patent of nobility to trace descent from “an old Knickerbocker family.”

  The volume, which was first printed in Philadelphia, was put forth as a grave history of the manners and government under the Dutch rulers, and so far was the covert humor carried that it was dedicated to the New York Historical Society. Its success was far beyond Irving’s expectation. It met with almost universal acclaim. It is true that some of the old Dutch inhabitants who sat down to its perusal, expecting to read a veritable account of the exploits of their ancestors, were puzzled by the indirection of its commendation; and several excellent old ladies of New York and Albany were in blazing indignation at the ridicule put upon the old Dutch people, and minded to ostracize the irreverent author from all social recognition. As late as 1818, in an address before the Historical Society, Mr. Gulian C. Verplanck, Irving’s friend, showed
the deep irritation the book had caused, by severe strictures on it as a “coarse caricature.” But the author’s winning ways soon dissipated the social cloud, and even the Dutch critics were erelong disarmed by the absence of all malice in the gigantic humor of the composition. One of the first foreigners to recognize the power and humor of the book was Walter Scott. “I have never,” he wrote, “read anything so closely resembling the style of Dean Swift as the annals of Diedrich Knickerbocker. I have been employed these few evenings in reading them aloud to Mrs. S. and two ladies who are our guests, and our sides have been absolutely sore with laughing. I think, too, there are passages which indicate that the author possesses power of a different kind, and has some touches which remind me of Sterne.”

  The book is indeed an original creation, and one of the few masterpieces of humor. In spontaneity, freshness, breadth of conception, and joyous vigor, it belongs to the springtime of literature. It has entered into the popular mind as no other American book ever has, and it may be said to have created a social realm which, with all its whimsical conceit, has almost historical solidity. The Knickerbocker pantheon is almost as real as that of Olympus. The introductory chapters are of that elephantine facetiousness which pleased our great-grandfathers, but which is exceedingly tedious to modern taste; and the humor of the book occasionally has a breadth that is indelicate to our apprehension, though it perhaps did not shock our great-grandmothers. But, notwithstanding these blemishes, I think the work has more enduring qualities than even the generation which it first delighted gave it credit for. The world, however, it must be owned, has scarcely yet the courage of its humor, and dullness still thinks it necessary to apologize for anything amusing. There is little doubt that Irving himself supposed that his serious work was of more consequence to the world.