Wolfville Nights

by Lewis, Alfred Henry

  "Still, dooms slow an' shiftless as they shore be, at the wind-up Silver Phil's found guilty, an' is put in nom'nation by the presidin' alcade to be hanged; the time bein' set in a crazy-hoss fashion for a month away. As Silver Phil—which he's that bad an' hard he comes mighty clost to bein; game—is leavin' the co't-room with the marshal who's ridin' herd on him, he says:

  "'I ain't payin' much attention at the time,'—Silver Phil's talkin' to that marshal gent,—'bein' I'm thinkin' of something else, but do I onderstand that old grey sport on the bench to say you-all is to hang me next month?'

  "'That's whatever!' assents this marshal gent, 'an' you can gamble a bloo stack that hangin' you is a bet we ain't none likely to overlook. Which we're out to put our whole grateful souls into the dooty.'

  "'Now I thinks of it,' observes Silver Phil, 'I'm some averse to bein' hanged. I reckons, speakin' free an' free as between fellow sports, that in order for that execootion to be a blindin' success I'll have to be thar personal?'

  "'It's one of the mighty few o'casions,' responds the marshal, 'when your absence would shorely dash an' damp the gen'ral joy. As you says, you'll have to be thar a heap personal when said hangin' occurs.'

  "'I'm mighty sorry,' says Silver Phil, 'that you-all lays out your game in a fashion that so much depends on me. The more so, since the longer I considers this racket, the less likely it is I'll be thar. It's almost a cinch, with the plans I has, that I'll shore be some'ers else.'

  "They corrals Silver Phil in the one big upper room of a two-story 'doby, an' counts off a couple of dep'ty marshals to gyard him. These gyards, comin' squar' down to cases, ain't no improvement, moral, on Silver Phil himse'f; an' since they're twice his age—Silver Phil not bein' more'n twenty—it's safe as a play to say that both of 'em oughter have been hanged a heap before ever Silver Phil is born. These two hold-ups, however, turns dep'ty marshals in their old age, an' is put in to stand watch an' watch an' see that Silver Phil don't work loose from his hobbles an' go pirootin' off ag'in into parts onknown. Silver Phil is loaded with fetters,—handcuffs an' laig-locks both—an' these hold-up sentries is armed to the limit.

  "It's the idee of Doc Peets later, when he hears the details, that if the gyards that time treats Silver Phil with kindness, the little felon most likely would have remained to be hanged. But they don't: they abooses Silver Phil; cussin' him out an' herdin' him about like he's cattle. They're a evil-tempered couple, them dep'ties, an' they don't give Silver Phil no sort o' peace.

  "'As I su'gests yeretofore,' says Doc Peets, when he considers the case, 'this Silver Phil is a degen'rate. He's like a anamile. He don't entertain no reg'lar scheme to work free when he waxes sardonic with the marshal; that's only a bluff. Later, when them gyards takes to maltreatin' him an' battin' him about, it wakes up the venom in him, an' his cunnin' gets aroused along with his appetite for revenge.'

  "This Silver Phil, who's lean an' slim like I explains at the jump, has hands no bigger than a cat's paws. It ain't no time when he discovers that by cuttin' himse'f a bit on the irons, he can shuck the handcuffs whenever he's disposed. Even then, he don't outline no campaign for liberty; jest sort o' roominates an' waits.

  "It's one partic'lar mornin', some two weeks after Silver Phil's sentenced that a-way. The marshal gent himse'f ain't about, bein' on some dooty over to Tucson. Silver Phil is upsta'rs on the top floor of the 'doby with his gyards. Which he's hotter than a wildcat; the gyards an' him has been havin' a cussin' match, an' as Silver Phil outplays 'em talkin', one of 'em's done whacked him over the skelp with his gun. The blood's tricklin' down Silver Phil's fore'erd as he sits glowerin'.

  "One of the gyards is loadin' a ten-gauge Greener—a whole mouthful of buckshot in each shell. He's grinnin' at Silver Phil as he shoves the shells in the gun an' slams her shet.

  "'Which I'm loadin' that weepon for you,' says the gyard, contemplatin'

  Silver Phil derisive.

  "'You be, be you!' replies Silver Phil, his eyes burnin' with rage.

  'Which you better look out a whole lot; you-all may get it yourse'f.'

  "The gyard laughs ugly an' exasperatin' an' puts the ten-gauge in a locker along with two or three Winchesters. Then he turns the key on the firearms an' goes caperin' off to his feed.

  "The other gyard, his compadre, is settin' on a stool lookin' out a window. Mebby he's considerin' of his sins. It would be more in his hand at this time if he thinks of Silver Phil.

  "Silver Phil, who's full of wrath at the taunts of the departed gyard, slips his hands free of the irons. Most of the hide on his wrists comes with 'em, but Silver Phil don't care. The gyard's back is to him as that gent sits gazin' out an' off along the dusty trail where it winds gray an' hot toward Tucson. Silver Phil organises, stealthy an' cat-cautious; he's out for the gyard's gun as it hangs from his belt, the butt all temptin' an' su'gestive.

  "As Silver Phil makes his first move the laig-locks clanks. It ain't louder than the jingle of a brace of copper centouse knockin' together. It's enough, however; it strikes on the y'ear of that thoughtful gyard like the roar of a '44. He emerges from his reverie with a start; the play comes cl'ar as noonday to him in a moment.

  "The gyard leaps, without even lookin' 'round, to free himse'f from the clutch of Silver Phil. Which he's the splinter of a second too late. Silver Phil makes a spring like a mountain lion, laig-locks an' all, an' grabs the gun. As the gyard goes clatterin' down sta'rs. Silver Phil pumps two loads into him an' curls him up at the foot. Then Silver Phil hurls the six-shooter at him with a volley of mal'dictions.

  "Without pausin' a moment, Silver Phil grabs the stool an' smashes to flinders the locker that holds the 10-gauge Greener. He ain't forgot none; an' he's fair locoed to get that partic'lar weepon for the other gyard. He rips it from the rack an' shows at the window as his prey comes runnin' to the rescoo of his pard:

  "'Oh, you! Virg Sanders!' yells Silver Phil.

  "The second gyard looks up; an' as he does, Silver Phil gives him both bar'ls. Forty-two buckshot; an' that gyard's so clost he stops 'em all! As he lays dead, Silver Phil breaks the Greener in two, an' throws, one after the other, stock an' bar'l at him.

  "'Which I'll show you-all what happens when folks loads a gun for me!' says Silver Phil.

  "Nacherally, this artillery practice turns out the entire plaza. The folks is standin' about the 'doby which confines Silver Phil, wonderin' whatever that enthoosiast's goin' to do next. No, they don't come after him, an' I'll tell you why. Shore, thar's twenty gents lookin' on, any one of whom, so far as personal apprehensions is involved, would trail Silver Phil single-handed into a wolf's den. Which he'd feel plumb confident he gets away with Silver Phil an' the wolves thrown in to even up the odds. Still, no one stretches forth to capture Silver Phil on this yere voylent o'casion. An' these is the reasons. Thar's no reg'lar offishul present whose dooty it is to rope up this Silver Phil. If sech had chanced to be thar, you can put down a stack he'd come a-runnin', an' him or Silver Phil would have caught up with the two gyards on their journey into the beyond. But when it gets down to private people volunteerin' for dooty as marshals, folks in the Southwest goes some slothful to work. Thar's the friends of the accoosed—an' as a roole he ain't none friendless—who would mighty likely resent sech zeal. Also, in the case of Silver Phil, his captivity grows out of a cattle war. One third the public so far as it stands about the 'doby where Silver Phil is hived that time is 'Three-D' adherents, mebby another third is 'K-in-a-box' folks, while the last third is mighty likely nootral. Whichever way it breaks, however, thar's a tacit stand-off, an' never a sport of 'em lifts a finger or voice to head off Silver Phil.

  "'Which she's the inalien'ble right of Americans onder the constitootion to escape with every chance they gets,' says one.

  "'That's whatever!' coincides his pard; 'an' moreover this ain't our round-up nohow.'

  "It's in that fashion these private citizens adjusts their dooty to the state while pausin' to look on, in a sperit of cur'osity w
hile Silver Phil makes his next play.

  "They don't wait long. Silver Phil comes out on the roof of a stoop in front. He's got a Winchester by now, an' promptly throws the muzzle tharof on a leadin' citizen. Silver Phil allows he'll plug this dignitary if they don't send up a sport with a file to cut loose the laig-locks. Tharupon the pop'lace, full of a warm interest by this time, does better. They gropes about in the war-bags of the Virg Sanders sharp who stops the buckshot an' gets his keys; a moment after, Silver Phil is free.

  "Still, this ontirin' hold-up goes on menacin' the leadin' citizen as former. Which now Silver Phil demands a bronco, bridled an' saddled. He gives the public ten minutes; if the bronco is absent at the end of ten minutes Silver Phil allows he'll introdooce about a pound of lead into where that village father does his cogitating. The bronco appears with six minutes to spar'. As it arrives, the vivacious Silver Phil jumps off the roof of the stoop—the same bein' low—an' is in the saddle an' out o' sight while as practised a hand as Huggins is pourin' out a drink. Where the trail bends 'round a mesa Silver Phil pulls up.

  "'Whoop! whoop! whoopee! for Silver Phil,' he shouts.

  "Then he waves the Winchester, an' as he spurs 'round the corner of the hill it's the last that spellbound outfit ever sees of Silver Phil.

  "Nacherally now," remarked my old friend, as he refreshed himself with a mouthful of scotch, "you-all is waitin' an' tryin' to guess wherever does Dan Boggs get in on this yere deal. An' it won't take no time to post you; the same bein' a comfort.

  "Not one word do we-all wolves of Wolfville hear of the divertin' adventures of Silver Phil—shootin' up his gyards an' fetchin' himse'f free—ontil days after. No one in camp has got Silver Phil on his mind at all; at least if he has he deems him safe an' shore in hock, a-waitin' to be stretched. Considerin' what follows, I never experiences trouble in adoptin' Doc Peets' argyments that the eepisodes wherein this onhappy Silver Phil figgers sort o' aggravates his intellects ontil he's locoed.

  "'Bein' this Silver Phil's a degen'rate,' declar's Peets, explanatory, 'he's easy an' soon to loco. His mind as well as his moral nacher is onbalanced congenital. Any triflin' jolt, much less than what that Silver Phil runs up on, an' his fretful wits is shore to leave the saddle.

  "Now that Silver Phil's free, but loonatic like Peets says, an' doubly vicious by them tantalisin' gyards, it looks like he thinks of nothin' but wreckin' reprisals on all who's crossed his trail. An' so with vengeance eatin' at his crim'nal heart he p'ints that bronco's muzzle straight as a bird flies for Wolfville. Whoever do you-all reckon now he wants? Cherokee Hall? Son, you've followed off the wrong waggon track. Silver Phil—imagine the turpitoode of sech a ornery wretch!—is out for the lovely skelp of Faro Nell who detects him in his ha'r-copper frauds that time.

  "Which the first intimations we has of Silver Phil after that escape, is one evenin' about fifth drink time—or as you-all says 'four o'clock.' The sun's still hot an' high over in the west. Thar's no game goin'; but bein' it's as convenient thar as elsewhere an' some cooler, Cherokee's settin' back of his layout with Faro Nell as usual on her lookout perch. Dan Boggs is across the street in the dancehall door, an' his pet best bronco is waitin' saddled in front. Hot an' drowsy; the street save for these is deserted.

  "It all takes place in a moment. Thar's a clattering rush; an' then, pony a-muck with sweat an' alkali dust, Silver Phil shows in the portals of the Red Light. Thar's a flash an' a spit of white smoke as he fires his six-shooter straight at Faro Nell.

  "Silver Phil is quick, but Cherokee is quicker. Cherokee sweeps Faro Nell from her stool with one motion of his arm an' the bullet that's searchin' for her lifts Cherokee's ha'r a trifle where he 'most gets his head in its way.

  "Ondoubted, this Silver Phil allows he c'llects on Faro Nell as planned. He don't shoot twice, an' he don't tarry none, but wheels his wearied pony, gives a yell, an' goes surgin' off.

  "But Silver Phil's got down to the turn of that evil deal of his existence. He ain't two hundred yards when Dan Boggs is in the saddle an' ridin' hard. Dan's bronco runs three foot for every one of the pony of Silver Phil's; which that beaten an' broken cayouse is eighty miles from his last mouthful of grass.

  "As Dan begins to crowd him, Silver Phil turns in the saddle an' shoots. The lead goes 'way off yonder—wild. Dan, grim an' silent, rides on without returnin' the fire.

  "'Which I wouldn't dishonour them guns of mine,' says Dan, explainin' later the pheenomenon of him not shootin' none, 'which I wouldn't dishonour them guns by usin' 'em on varmints like this yere Silver Phil.'

  "As Silver Phil reorganises for a second shot his bronco stumbles.

  Silver Phil pitches from the saddle an' strikes the grass to one side.

  As he half rises, Dan lowers on him like the swoop of a hawk. It's as

  though Dan's goin' to snatch a handkerchief from the ground.

  "As Dan flashes by, he swings low from the saddle an' his right hand takes a troo full grip on that outlaw's shoulder. Dan has the thews an' muscles of a cinnamon b'ar, an' Silver Phil is only a scrap of a man. As Dan straightens up in the stirrups, he heaves this Silver Phil on high to the length of his long arm; an' then he dashes him ag'inst the flint-hard earth; which the manoover—we-all witnesses it from mebby a quarter of a mile—which the manoover that a-way is shore remorseless! This Silver Phil is nothin' but shattered bones an' bleedin' pulp. He strikes the plains like he's crime from the clouds an' is dead without a quiver.

  "'Bury him? No!' says Old Man Enright to Dave Tutt who asks the question. 'Let him find his bed where he falls.

  "While Enright speaks, an' as Dan rides up to us at the Red Light, a prompt raven drops down over where this Silver Phil is layin'. Then another raven an' another—black an' wide of wing—comes floatin' down. A coyote yells—first with the short, sharp yelp, an' then with that multiplied patter of laughter like forty wolves at once. That daylight howl of the coyote alters tells of a death. Shore raven an' wolf is gatherin'. As Enright says: 'This yere Silver Phil ain't likely to be lonesome none to-night.'

  "'Did you kill him, Dan?' asks Faro Nell.

  "'Why, no, Nellie,' replies Dan, as he steps outen the stirrups an' beams on Faro Nell. She's still a bit onstrung, bein' only a little girl when all is said. 'Why, no, Nellie; I don't kill him speecific as Wolfville onderstands the word; but I dismisses him so effectual the kyard shore falls the same for Silver Phil.'"

  CHAPTER II.

  Colonel Sterett's Panther Hunt,

  "Panthers, what we-all calls 'mountain lions,'" observed the Old Cattleman, wearing meanwhile the sapient air of him who feels equipped of his subject, "is plenty furtive, not to say mighty sedyoolous to skulk. That's why a gent don't meet up with more of 'em while pirootin' about in the hills. Them cats hears him, or they sees him, an' him still ignorant tharof; an' with that they bashfully withdraws. Which it's to be urged in favour of mountain lions that they never forces themse'fs on no gent; they're shore considerate, that a-way, an' speshul of themse'fs. If one's ever hurt, you can bet it won't be a accident. However, it ain't for me to go 'round impugnin' the motives of no mountain lion; partic'lar when the entire tribe is strangers to me complete. But still a love of trooth compels me to concede that if mountain lions ain't cowardly, they're shore cautious a lot. Cattle an' calves they passes up as too bellicose, an' none of 'em ever faces any anamile more warlike than a baby colt or mebby a half-grown deer. I'm ridin' along the Caliente once when I hears a crashin' in the bushes on the bluff above—two hundred foot high, she is, an' as sheer as the walls of this yere tavern. As I lifts my eyes, a fear-frenzied mare an' colt comes chargin' up an' projects themse'fs over the precipice an' lands in the valley below. They're dead as Joolius Caesar when I rides onto 'em, while a brace of mountain lions is skirtin' up an' down the aige of the bluff they leaps from, mewin' an' lashin' their long tails in hot enthoosiasm. Shore, the cats has been chasin' the mare an' foal, an' they locoes 'em to that extent they don't know where they're headin' an' makes
the death jump I relates. I bangs away with my six-shooter, but beyond givin' the mountain lions a convulsive start I can't say I does any execootion. They turns an' goes streakin' it through the pine woods like a drunkard to a barn raisin'.

  "Timid? Shore! They're that timid seminary girls compared to 'em is as sternly courageous as a passel of buccaneers. Out in Mitchell's canyon a couple of the Lee-Scott riders cuts the trail of a mountain lion and her two kittens. Now whatever do you-all reckon this old tabby does? Basely deserts her offsprings without even barin' a tooth, an' the cow-punchers takes 'em gently by their tails an' beats out their joovenile brains. That's straight; that mother lion goes swarmin' up the canyon like she ain't got a minute to live. An' you can gamble the limit that where a anamile sees its children perish without frontin' up for war, it don't possess the commonest roodiments of sand. Sech, son, is mountain lions.

  "It's one evenin' in the Red Light when Colonel Sterett, who's got through his day's toil on that Coyote paper he's editor of, onfolds concernin' a panther round-up which he pulls off in his yooth.

  "'This panther hunt,' says Colonel Sterett, as he fills his third tumbler, 'occurs when mighty likely I'm goin' on seventeen winters. I'm a leader among my young companions at the time; in fact, I allers is. An' I'm proud to say that my soopremacy that a-way is doo to the dom'nant character of my intellects. I'm ever bright an' sparklin' as a child, an' I recalls how my aptitoode for learnin' promotes me to be regyarded as the smartest lad in my set. If thar's visitors, to the school, or if the selectmen invades that academy to sort o' size us up, the teacher allers plays me on 'em. I'd go to the front for the outfit. Which I'm wont on sech harrowin' o'casions to recite a ode—the teacher's done wrote it himse'f—an' which is entitled Napoleon's Mad Career. Thar's twenty-four stanzas to it; an' while these interlopin' selectmen sets thar lookin' owley an' sagacious, I'd wallop loose with the twenty-four verses, stampin' up and down, an' accompanyin' said recitations with sech a multitood of reckless gestures, it comes plenty clost to backin' everybody plumb outen the room. Yere's the first verse: