The Year's Best Science Fiction: Twenty-Ninth Annual Collection

by Gardner Dozois

  Most of these magazines are also available in various electronic formats through Fictionwise.com, or for the Kindle, the NOOK, and other handheld readers.

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  There were more losses from the print semiprozine market this year, with Zahir transitioning from print to electronic format and then dying altogether, Weird Tales being sold, with its future in doubt, and Electric Velocipede, Black Gate, and criticalzine The New York Review of Science Fiction on the verge of transitioning to electronic formats as well. I suspect that sooner or later most of the surviving print semiprozines will transition to electronic-only online formats, saving themselves lots of money in printing, mailing, and production costs.

  The semiprozines that remained in print format mostly struggled to bring out their scheduled issues. Electric Velocipede, edited by John Kilma, managed two issues, publishing interestingly eclectic stuff from Peter M. Ball, Karl Bunker, Genevieve Valentine, William Shunn, and others; they announced their intention to go online exclusively in 2012. Sword and Sorcery print magazine Black Gate, edited by John O’Neill, managed one large issue with strong work by Chris Willrich, Emily Mah, and others, and also announced their intention to transition to electronic format in 2012. The longest running of all the fiction semiprozines, and usually the most reliably published, the Canadian On Spec, which is edited by a collective under general editor Diane L. Walton, managed only three of its scheduled four issues this year, somewhat atypically. Another collective-run SF magazine with a rotating editorial staff, Australia’s Andromeda Spaceways In-flight Magazine, managed only four issues this year. Lady Churchill’s Rosebud Wristlet, the long-running slipstream magazine edited by Kelly Link and Gavin Grant, managed only one issue in 2011, as did Neo-Opsis, and Ireland’s long-running Albedo One. Fantasy magazine Shimmer managed two issues, as did Space and Time Magazine and Weird Tales before being sold. The small British SF magazine Jupiter, edited by Ian Redman, produced all four of its scheduled issues in 2011, as did the fantasy magazine Tales of the Talisman. A new start-up SF magazine, Bull Spec, produced three issues. If there were issues of Aurealis, Greatest Uncommon Denominator, Sybil’s Garage, Space Squid, or Tales of the Unanticipated out this year, I didn’t see them.

  With The New York Review of Science Fiction, a long-running critical magazine edited by David G. Hartwell and a staff of associate editors, scheduled to move to electronic format in 2012, the venerable newszine Locus: The Magazine of the Science Fiction and Fantasy Field is about all that’s left of the popular print critical magazine market. It was always the best of them, though, and certainly your best bet for value, a multiple Hugo winner, which for more than thirty years has been an indispensable source of news, information, and reviews. Happily, the magazine has survived the death of founder, publisher, and longtime editor Charles N. Brown and has continued strongly and successfully under the guidance of a staff of editors headed by Liza Groen Trombi, and including Kirsten Gong-Wong, Carolyn Cushman, Tim Pratt, Jonathan Strahan, Francesca Myman, Heather Shaw, and many others.

  Most of the other surviving print critical magazines are professional journals more aimed at academics than at the average reader. The most accessible of these is probably the long-running British critical zine Foundation.

  Subscription addresses are: Locus, The Magazine of the Science Fiction & Fantasy Field, Locus Publications, Inc., P.O. Box 13305, Oakland, CA, 94661, $72.00 for a one-year first-class subscription, 12 issues; The New York Review of Science Fiction, Dragon Press, P.O. Box 78, Pleasantville, NY 10570, $40.00 for a one-year subscription, 12 issues, make checks payable to “Dragon Press”; The Science Fiction Foundation, Science Fiction Foundation, Roger Robinson (SFF), 75 Rosslyn Avenue, Harold Wood, Essex RM3 ORG, UK, $37.00 for a three-issue subscription in the U.S.; Black Gate, New Epoch Press, 815 Oak Street, St. Charles, IL 60174, $29.95 for a one-year, four-issue subscription; On Spec, The Canadian Magazine of the Fantastic, P.O. Box 4727, Edmonton, AB, Canada T6E 5G6, for subscription information, go to www.onspec.ca; Neo-opsis Science Fiction Magazine, 4129 Carey Rd., Victoria, BC, Canada V8Z 4G5, $25.00 for a three-issue subscription; Albedo One, Albedo One Productions, 2, Post Road, Lusk, County Dublin, Ireland; $32.00 for a four-issue airmail subscription, make checks payable to “Albedo One” or pay by PayPal at www.albedo1.com; Lady Churchill’s Rosebud Wristlet, Small Beer Press, 150 Pleasant St., #306, Easthampton, MA 01027, $20.00 for four issues; Electric Velocipede, Spilt Milk Press, go to http://www.electricvelocipede.com for subscription information; Andromeda Spaceways Inflight Magazine, go to www.andromedaspaceways.com for subscription information; Tales of the Talisman, Hadrosaur Productions, P.O. Box 2194, Mesilla Park, NM 88047-2194, $24.00 for a four-issue subscription; Jupiter, 19 Bedford Road, Yeovil, Somerset, BA21 5UG, UK, 10 Pounds Sterling for four issues; Shimmer, P.O. Box 58591, Salt Lake City, UT 84158-0591, $22.00 for a four-issue subscription.

  In only a few years, the online world of electronic magazines has become one of the most reliable places to find quality fiction; already more reliable than most of the print semiprozine market, they’re giving the top print professional magazines a run for their money too, and sometimes beating them.

  The online magazine Subterranean (http://subterraneanpress.com), edited by William K. Schafer, perhaps didn’t have quite as strong a year as they did last year, but still published good stuff, SF and fantasy both, by Jay Lake, K. J. Parker, Catherynne M. Valente, Robert Silverberg, Daniel Abraham, Mike Resnick, Kristine Kathryn Rusch, and others.

  Clarkesworld Magazine (www.clarkesworldmagazine.com), had a strong year, publishing good SF, fantasy, and slipstream stories by Yoon Ha Lee, Lavie Tidhar, Ken Liu, David Klecha and Tobias S. Bucknell, Cat Rambo, Jason Chapman, Nnedi Okorafor, Gord Sellar, and others. Sean Wallace, who announced that he was stepping down in 2010, is returning to join publisher and editor Neil Clarke as an editor on the magazine; apparently he has been working unofficially on Clarkesworld behind the scenes throughout 2011.

  The new online magazine Lightspeed (www.lightspeedmagazine.com), edited by John Joseph Adams, was weaker in its sophomore year than it had been in its freshman year, although it still published worthwhile stuff by Robert Reed, David Farland, Vyler Kaftan, An Owomoyele, and Genevieve Valentine. The online magazine Fantasy, on the other hand, recently taken over by Lightspeed editor John Joseph Adams, had a strong year, publishing good fiction by Lavie Tidhar, James Alan Gardner, Sarah Monette, Cat Rambo, Tim Pratt, Kit Howard, Jeremiah Tolbert, Genevieve Valentine, and others. As mentioned earlier, Fantasy has now been merged with Lightspeed into one electronic magazine, called Lightspeed, that publishes both fantasy and science fiction.

  I’d still like to see the long-running online magazine Strange Horizons (www.strangehorizons.com) publish more SF and less fantasy and slipstream, but they did run good stuff by Lewis Shiner, Gavin J. Grant, Nisi Shawl, Genevieve Valentine, Charlie Jane Anders, Tracey Canfield, and others. Karen Meisner stepped down as fiction editor of Strange Horizons.

  Tor.com (www.tor.com) has established itself as one of the most eclectic genre-oriented sites on the Internet, a Web site that regularly publishes SF, fantasy, and slipstream, as well as articles, comics, graphics, blog entries, print and media reviews, and commentary. It’s become a regular stop for me, even when they don’t have new fiction posted. This year, they published too many promotional slices of upcoming novels, but also some good fiction by Michael Swanwick, Michael F. Flynn, Harry Turtledove, Catherynne M. Valente, Charlie Jane Anders, and others.

  Abyss & Apex, (www.abyssapex.com), edited by Wendy S. Delmater, featured strong work by Howard V. Hendrix, Cat Rambo, C. W. Johnson, and others.

  Apex Magazine (www.apexbookcompany.com/apex-online) had good stuff by Elizabeth Bear, Catherynne M. Valente, Genevieve Valentine, Kat Howard, and others. Catherynne M. Valente stepped down as editor of Apex Magazine after a brief tenure, and was replaced by Lynne M. Thomas.

  An e-zine devoted to “literary adventure fantasy,” Beneath Ceaseless Skies
(http://beneath-ceaseless-skies), edited by Scott H. Andrews, had worthwhile fiction by Marie Brennan, Richard Parks, Geoffrey Maloney, Siobhan Carroll, and others.

  Ideomancer Speculative Fiction (www.ideomancer.com), edited by Leah Bobet, published interesting work, usually more slipstream than SF, by Erica Satifka, Georgina Bruce, Alter S. Reiss, and Anatoly Belilovsky.

  The flamboyantly titled Orson Scott Card’s InterGalactic Medicine Show (www.intergalacticmedicineshow.com), edited by Edmund R. Schubert under the direction of Card himself, seemed somewhat weak this year, although they still ran interesting stuff from Aliette de Bodard, Stephen Kotowych, Naomi Kritzer, Jeffrey Lyman, and Tony Pi.

  New SF and fantasy e-zine Daily Science Fiction (http://dailysciencefiction.com) devotes itself to the perhaps overly ambitious task of publishing one new SF or fantasy story every day for the entire year. Unsurprisingly, most are undistinguished, but there were some good ones by Lavie Tidhar, Jay Lake, and others.

  New SF e-zine M-Brane (www.mbranesf.com) is “on hiatus,” which usually means “out of business,” but we’ll see.

  Fantasy magazine Zahir (www.zahirtales.com), which had transitioned from print to electronic in 2009, went out of business.

  E-zine Redstone Science Fiction (http://redstonesciencefiction.com), edited by a collective, published interesting stuff by Lavie Tidhar, Jeremiah Tolbert, and others.

  E-zine GigaNotoSaurus (http://giganotosaurus.org), edited by Ann Leckie, published one story a month by writers such as Katherine Sparrow, Cat Rambo, Ferrett Steinmetz, and Vylar Kaftan.

  The Australian popular-science magazine Cosmos (www.cosmosmagazine.com) is not an SF magazine per se, but for the last few years it has been running a story per issue (and also putting new fiction not published in the print magazine on their Web site). Fiction editor Damien Broderick stepped down this year, but was replaced by SF writer Cat Sparks. Interesting stuff by Thoraiya Dyer, Greg Mellor, and others appeared there this year.

  Shadow Unit (www.shadowunit.org) is a Web site devoted to publishing stories, often by top-level professionals such as Elizabeth Bear and Emma Bull, drawn from an imaginary TV show, sort of a cross between CSI and The X-Files. It seems to be inactive at the moment, or at least nobody has posted anything there since October of last year.

  The e-zine Futurismic (http://futurismic.com) seems to no longer be publishing fiction. As far as I can tell, Escape Velocity (www.escapevelocitymagazine.com) and Shareable Futures (http://shareable.net/blog/shareable-futures) are defunct.

  The World SF Blog (http://worldsf.wordpress.com), edited by Lavie Tidhar, is a good place to find science fiction by international authors, and also publishes news, links, roundtable discussions, essays, and interviews related to “science fiction, fantasy, horror, and comics from around the world.”

  Weird Fiction Review (http://weirdfictionreview.com), edited by Ann VanderMeer and Jeff VanderMeer, which occasionally publishes fiction, bills itself as “an ongoing exploration into all facets of the weird,” including reviews, interviews, short essays, and comics.

  Below this point, it becomes harder to find center-core SF, or even genre fantasy/horror, and most of the stories are slipstream or literary surrealism. Sites that feature those, as well as the occasional fantasy (and, even more occasionally, some SF) include Rudy Rucker’s Flurb (www.flurb.net), Revolution SF (www.revolutionsf.com), Coyote Wild (www.coyotewildmag.com); Heliotrope (www.heliotropemag.com); and the somewhat less slipstreamish Bewildering Stories (www.bewilderingstories.com).

  In addition to original work, there’s also a lot of good reprint SF and fantasy stories out there on the Internet too, usually available for free. On all of the sites that make their fiction available for free, Strange Horizons, Tor.com, Fantasy, Subterranean, Abyss & Apex, and so on, you can also access large archives of previously published material as well as stuff from the “current issue.” Most of the sites that are associated with existent print magazines, such as Asimov’s, Analog, and The Magazine of Fantasy & Science Fiction, make previously published fiction and nonfiction available for access on their sites, and also regularly run teaser excerpts from stories coming up in forthcoming issues. Hundreds of out-of-print titles, both genre and mainstream, are also available for free download from Project Gutenberg (http://promo.net/pc/), and a large selection of novels and a few collections can also be accessed for free, to be either downloaded or read on-screen, at the Baen Free Library (www.baen.com/library). Sites such as Infinity Plus (http://www.infinityplus.co.uk) and The Infinite Matrix (www.infinitematrix.net) may have died as active sites, but their extensive archives of previously published material are still accessable.

  An even greater range of reprint stories becomes available if you’re willing to pay a small fee for them. Perhaps the best, and the longest established, place to find such material is Fictionwise (www.fictionwise.com), where you can buy downloadable e-books and stories to read on your PDA, Kindle, or home computer; in addition to individual stories, you can also buy “fiction bundles” here, which amount to electronic collections; as well as a selection of novels in several different genres—you can also subscribe to downloadable versions of several of the SF magazines here, including Asimov’s, Analog, F&SF, and Interzone, in a number of different formats. A similar site is ElectricStory (www.electricstory.com), where in addition to the fiction for sale, you can also access free movie reviews by Lucius Shepard, articles by Howard Waldrop, and other critical material.

  Even if you’re not looking for fiction to read, though, there are still plenty of other reasons for SF fans to go on the Internet. There are many general genre-related sites of interest to be found, most of which publish reviews of books as well as of movies and TV shows, sometimes comics or computer games or anime, many of which also feature interviews, critical articles, and genre-oriented news of various kinds. The best such site is easily Locus Online (http://www.locusmag.com), the online version of the newsmagazine Locus, where you can access an incredible amount of information—including book reviews, critical lists, obituary lists, links to reviews and essays appearing outside the genre, and links to extensive database archives such as the Locus Index to Science Fiction and the Locus Index to Science Fiction Awards—it’s rare when I don’t find myself accessing Locus Online several times a day. As mentioned earlier, Tor.com is giving it a run for its money these days as an interesting place to stop while surfing the Web. Other major general-interest sites include SF Site (www.sfsite.com), SFRevu (http://www.sfsite.com/sfrevu), SFCrowsnest (www.sfcrowsnest.com), SFScope (www.sfscope.com), io9 (http:io9.com), Green Man Review (http://greenmanreview.com), The Agony Column (http://trashotron.com/agony), SFFWorld (www.sffworld.com), SFReader (sfreader.com), SFWatcher (www.sfwatcher.com), Salon Futura (www.salonfutura.net), which runs interviews and critical articles; and Pat’s Fantasy Hotlist (www.fantasyhotlist.blogspot.com). A great research site, invaluable if you want bibliographic information about SF and fantasy writers, is Fantastic Fiction (www.fantasticfiction.co.uk). Reviews of short fiction as opposed to novels are very hard to find anywhere, with the exception of Locus and Locus Online, but you can find reviews of both current and past short fiction at Best SF (www.bestsf.net/), as well as at pioneering short-fiction review site Tangent Online (www.tangentonline.com). Other sites of interest include: SFF NET (www.sff.net), which features dozens of home pages and “newsgroups” for SF writers; the Science Fiction Writers of America page (www.sfwa.org); where genre news, obituaries, award information, and recommended reading lists can be accessed; SciFiPedia (scifipedia.scifi.com), a Wiki-style genre-oriented online encyclopedia; Ansible (www.dcs.gla.ac.uk/Ansible), the online version of multiple Hugo winner David Langford’s long-running fanzine Book View Café (www.bookviewcafe.com) is a “consortium of over twenty professional authors,” including Vonda N. McIntyre, Laura Ann Gilman, Sarah Zittel, Brenda Clough, and others, who have created a Web site where work by them—mostly reprints and some novel excerpts—is made available for free.

&
nbsp; An ever-expanding area, growing in popularity, are a number of sites where podcasts and SF-oriented radio plays can be accessed: at Audible (www.audible.com), Escape Pod (http://escapepod.org, podcasting mostly SF), Star Ship Sofa (www.starshipsofa.com), Pseudopod (http://pseudopod.org, podcasting mostly fantasy), and PodCastle (http://podcastle.org, podcasting mostly fantasy). There’s also a site that podcasts nonfiction interviews and reviews, The Dragon Page—Cover to Cover (www.dragonpage.com).

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  The three best SF anthologies of the year were all edited by Jonathan Strahan: Engineering Infinty (Solaris Books), Life on Mars: Tales from the New Frontier (Viking), and Eclipse Four: New Science Fiction and Fantasy (Night Shade Books). Engineering Infinity (my selection for the year’s single best SF anthology) contained excellent work by David Moles, Gwyneth Jones, Karl Schroeder, and Stephen Baxter, as well as good work by Hannu Rajaniemi, Peter Watts, John Barnes, and others. The YA anthology Life on Mars contained first-rate stuff by Ian McDonald, John Barnes, and Kage Baker, as well as good work by Nancy Kress, Alastair Reynolds, Stephen Baxter, Ellen Klages, and others. Eclipse Four, which, unlike the first two books mentioned here, features fantasy and slipstream as well as SF, had excellent work of various sorts by Andy Duncan, Damien Broderick, Gwyneth Jones, and Peter M. Ball, as well as good work by Caitlin R. Kiernan, Jo Walton, James Patrick Kelly, Kij Johnson, Rachel Swirsky, and others. All of this would be sufficient to make Strahan a good candidate for the 2011 Best Editor Hugo Short Form, in my opinion—although as an anthology editor whose anthologies may not have been seen by a large-enough proportion of the voting demographic, that may not be likely.