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Jim Baen’s Universe

Page 31

by Edited by Eric Flint


  Plus go­ing out with Der­rick up­set Co­lin, who fan­ci­ed him­self a dan­ge­ro­usly mas­cu­li­ne man of the world, but who was ac­tu­al­ly, (tho­ugh still han­d­so­me-fa­ced in the way that had con­qu­ered a do­zen nerdy fres­h­man vir­gins) a soft do­ughy guy who li­ved on junk fo­od, wro­te sof­t­wa­re, and wat­c­hed a lot of mo­vi­es. Der­rick's be­ing a re­al li­ve mas­cu­li­ne cop ma­de Co­lin get pissy in a way that re­min­ded her of the way Dad had got­ten whe­ne­ver an­yo­ne men­ti­oned Tol­ki­en.

  A cop's gir­l­f­ri­end, lo­ver, or wi­fe sho­uld ha­ve a sturdy brown bur­lap so­ul, or per­haps a pu­re whi­te li­nen one, and hers-well, it wasn't the iri­des­cent raw silk she had tho­ught, now was it? She lo­oked down, aga­in, at the squ­are of un­b­le­ac­hed mus­lin han­ging limply from her hand. Lit­tle gray dust bun­ni­es drif­ted down from it on­to the flo­or and the to­es of her Be­an Snow Sne­akers.

  She lif­ted her so­ul to eye le­vel, gras­ping a cor­ner with each hand, and sho­ok it out gently, tum­b­ling the re­ma­ining dust on­to her fe­et and in­to her cuffs. That out­li­ne in blue chalk was ob­vi­o­usly-

  Amy's fat­her had a shrub of gray ha­ir on top of his he­ad, de­sert-sky eyes, and a bas­ket­ball-bel­ly on his ot­her­wi­se scrawny fra­me. You no­ti­ced him, vi­su­al­ly. But when Amy tho­ught of him, most of all she re­mem­be­red his clat­ter: the bang of the ma­nu­al typew­ri­ter as she pla­yed aro­und his fe­et, which had gi­ven way to the squ­irr-whuck- chik! of the elec­t­ric wel­co­ming her ho­me, along with the Ore­os and milk and the silly po­ems on the kit­c­hen tab­le.

  Later, the­re had be­en the ho­use-sha­king da­isy-whe­el prin­ter co­ve­ring the so­und of her run­ning dow­n­s­ta­irs to get in­to a car with pri­mer on the fen­der, a sul­len boy in the front se­at, a ca­se of be­er in the trunk, and di­sap­po­in­t­ment in the of­fing be­ca­use the boy was ne­ver qu­ite how she tho­ught boys sho­uld be.

  Finally, du­ring her col­le­ge bre­aks, af­ter he had the mo­ney for a qu­i­et la­ser prin­ter, she had awa­ke­ned early every mor­ning in Fe­at­her Mo­un­ta­in to the thun­der of his clumsy stiff fin­gers po­un­ding aga­inst the un­co­ope­ra­ting keys, all pre­ci­si­on aged out of his ac­hing hands as they wal­lo­ped a fi­nal three bo­oks in­to the word pro­ces­sor, as if he we­re reg­res­sing back on­to the ma­nu­al typew­ri­ter.

  The win­dow-sha­pe of la­te-win­ter sun­light jum­ped si­de­ways on the li­ving ro­om flo­or.

  Amy had be­en in a re­ve­rie. Her so­ul still dan­g­led from her up­ra­ised hands. Her arms we­re so­re. Had she re­al­ly sto­od he­re sta­ring in­to that cloth for half an ho­ur?

  She swit­c­hed on the bright lights over her dra­wing tab­le and spre­ad the soft cloth on it.

  The out­li­ne of a he­art-not a va­len­ti­ne he­art, eit­her. Most pe­op­le wo­uld see only a blob, but Amy re­cog­ni­zed a re­al hu­man he­art, lying on its at­ria, drawn from di­rectly abo­ve. The chalk li­ne sho­wed no skips, no sketch marks, no he­si­ta­ti­ons-her so­ul must ha­ve be­en pin­ned tight to the tab­le, not to ha­ve wrin­k­led at all as this was drawn. The un­b­ro­ken chalk li­ne had the as­su­ran­ce of a hard ed­ge in an over­de­ve­lo­ped pho­tog­raph. Yet it was just the right width and co­lor to be Ba­udie's…

  The dra­wing on the ot­her si­de was of a hu­man he­art, at the sa­me sca­le, lying on its right ven­t­ric­le.

  She spre­ad her so­ul out on the light tab­le. Su­re eno­ugh. The blue li­nes on one si­de mat­c­hed tho­se on the ot­her, as if the Ba­udie's Dres­sma­ker's Chalk Stylus-had so­me­how go­ne right thro­ugh the fab­ric.

  Could she ma­ke her fri­ends un­der­s­tand how stran­ge this was? Now and then, for so­me com­p­lex pat­terns, if you're se­wing or cut­ting out, it can be handy to ha­ve a mark on both si­des, she wo­uld say. They wo­uld all lo­ok bo­red. To the guys, se­wing was girl stuff. To the girls, it was so­met­hing aut­hen­tic for aut­hen­tic Third World pe­asant wo­men to do in the­ir aut­hen­tic cul­tu­re so that aut­hen­tic wo­man en­t­rep­re­ne­urs co­uld bring it up he­re and sell it in lit­tle sto­res that just drip­ped of aut­hen­ti­city.

  Or may­be the re­al re­ason they wo­uld all lo­ok bo­red was just that a bril­li­antly drawn chalk li­ne for se­wing was the sort of thing that pla­in old god­dam Amy wo­uld talk abo­ut. But they'd let her talk, so long as she didn't go on too long abo­ut it. See, she wo­uld say, al­re­ady af­ra­id she was bo­ring them, it's pretty ra­re that you mark both si­des and, if you do it at all, nor­mal­ly you only ma­ke a few marks on one si­de whe­re it's go­ing to be hard to see what you're do­ing af­ter you've pin­ned so­met­hing.

  For a cut-out li­ne li­ke this, you'd ne­ver mark the who­le way ro­und. And most cer­ta­inly of cer­ta­in­li­es-that had be­en a fa­vo­ri­te phra­se of Dad's in his bo­oks abo­ut Lit­tle Amy at the The Ca­bin, so it might sup­press the­ir im­pa­ti­en­ce whi­le she fi­nis­hed ex­p­la­ining that no­body co­uld pos­sibly tra­ce all the way aro­und in a me­di­um li­ke chalk on mus­lin, with no bun­c­hing or sha­king or an­y­t­hing. I've be­en do­ing med il­lo for ye­ars and I co­uldn't do that. Leo-fuc­king-nar do co­uldn't do that on a go­od day.

  They wo­uld all nod so­lemnly, Co­lin wo­uld say so­met­hing sar­cas­tic, and the cli­que wo­uld go back to qu­oting te­le­vi­si­on at each ot­her.

  Maybe fin­ding yo­ur so­ul ma­de you cyni­cal too.

  The rec­tan­g­les of light from the sunny win­dow dis­tor­ted fur­t­her in­to rhom­bi, and jum­ped ac­ross the flo­or aga­in.

  Another re­ve­rie. For­ty-fi­ve mi­nu­tes this ti­me, tho­ugh she'd had fe­wer tho­ughts, at le­ast fe­wer she co­uld re­call.

  She wad­ded up her too-small, co­lor­less, stran­gely-mar­ked so­ul and tos­sed it in­to the duf­fel bag with her too-lar­ge, co­lor­less, per­fec­t­ly-self-ma­in­ta­ined el­ven swe­aters.

  On top of her so­ul she put her me­ager to­iletry bag: to­ot­h­pas­te, sham­poo, as­pi­rin, and ha­ir­b­rush. No ma­ke­up. What wo­uld be the po­int? The­re wasn't go­ing to be an­yo­ne at The Ca­bin ex­cept her, and she co­uld ne­ver get things to co­me out an­y­way no mat­ter how long she sto­od at the mir­ror.

  Or had she in­vi­ted so­me­one to The Ca­bin?

  She clo­sed up the duf­fel, sho­ul­de­red it, and went down to the con­ver­tib­le that she'd in­he­ri­ted, along with too much el­se, from Dad.

  When she tur­ned a dif­fe­rent way, the old Le­Sab­re se­emed to perk up and sing, as if it didn't ha­ve to do so­met­hing it ha­ted, this one ti­me; whet­her it was get­ting away from The Lo­we­red Bar, or from Gre­eley, or it was all just her ima­gi­na­ti­on, the car so­un­ded happy.

  Going east to west ac­ross the Front Ran­ge, you po­int the car's no­se down the stra­ig­ht-as-a-bul­let two-la­ne ro­ad, stand on the ac­ce­le­ra­tor, and go in­to that men­tal gro­ove whe­re you can run down a co­untry ro­ad flat-out and wi­de-eyed, alert and qu­ick eno­ugh not to re­ar-end a fron­t­lo­ader, T-bo­ne a hay truck, or put an an­te­lo­pe thro­ugh yo­ur win­d­s­hi­eld. You chew up ro­ad as the mo­un­ta­ins lo­om, and ma­ke su­re you stay alert.

  The pho­ne rang. She pul­led the he­ad­set from her neck up on­to her ears and sa­id "Hel­lo?"

  "Hey, the­re, this is Ser­ge­ant Der­rick de Zo­os of the Co­lo­ra­do Bu­re­au of Cu­te Chick Con­t­rol-"

  "Oh, my de­ar swe­et god, how long did you spend ma­king that one up?"

  "Hours and ho­urs," his vo­ice sa­id, a warm smi­ling ba­ri­to­ne in her ears. His vo­ice, she tho­ught, was even bet­ter than the eyes and the mus­c­les. Now if he co­uld just stop be­ing a cop and lo­se that sen­se of hu­mor.

  She re­min­ded her­self to fo­cus on the ro­ad. "Well, ma
y­be it just ne­eded a few mo­re drafts."

  "Everyone's a cri­tic. I bet yo­ur dad al­ways sa­id that."

  "Almost as of­ten as he sa­id 'God­dam Tol­ki­en.'"

  "What did he ha­ve aga­inst Tol­ki­en?"

  "Several mil­li­on bo­ok sa­les and a vast re­pe­at bu­si­ness. So what are you ac­tu­al­ly af­ter, he­re, De­tec­ti­ve? Am I char­ged with an­y­t­hing co­ol?"

  "You're char­ged with be­ing co­ol, how's that? He­re I am, a de­tec­ti­ve, all set for ma­j­or cri­mes, and no ma­j­or cri­mi­nals ha­ve tur­ned up, so of co­ur­se I tho­ught of you."

  She saw bra­ke lights far ahe­ad and to­ok her fo­ot off the gas, let­ting the Le­Sab­re slow down. "Aren't you wor­ri­ed abo­ut so­me­one ta­ping yo­ur calls to me?"

  "They're not­hing com­pa­red to the calls I ma­ke to ot­her girls."

  Amy co­uldn't help smi­ling; she li­ked Der­rick whet­her she wan­ted to or not. "So let me gu­ess. You're so­aking up tax­pa­yer ti­me and mo­ney on the pho­ne to me be­ca­use you're fi­nal­ly get­ting a we­ekend off?"

  "A three- day we­ekend," he sa­id, in a to­ne ap­pro­ac­hing re­li­gi­o­us awe. "So, first qu­es­ti­on, do­es it ta­ke three days to wash yo­ur ha­ir?"

  "Day and a half, tops."

  The bra­ke lights had be­en a big old F250 tur­ning off in­to a dirt ro­ad; she put her fo­ot down aga­in and the Le­Sab­re pres­sed ple­asantly aga­inst her back.

  "Old boy­f­ri­ends co­ming to town? Den­tal ap­po­in­t­ments?"

  "They're ro­ta­ting a pa­rat­ro­op re­gi­ment ho­me from Ava­lon, and I sho­uld see a bra­in sur­ge­on, but no." She li­ked ban­te­ring with the de­tec­ti­ve; Der­rick got ban­ter in a way that no­ne of her crowd did, un­der­s­tan­ding it was a mu­tu­al ga­me and not a pub­lic per­for­man­ce.

  Belatedly, she re­ali­zed she had just put her­self in­to a cor­ner, when Der­rick as­ked, "So what la­me ex­cu­se are you go­ing to gi­ve me for not se­e­ing me?"

  "Oh, god, I sho­uld ha­ve se­en that co­ming. The­re's two re­asons it will be to­ugh, but to­ugh is not im­pos­sib­le. One, I'm dri­ving up to The Ca­bin-right now, ac­tu­al­ly on the ro­ad-to spend a we­ek."

  "Your dad's old pla­ce?"

  "You re­mem­ber ever­y­t­hing I say."

  "I he­ard the ca­pi­tals, so I re­cog­ni­zed the pla­ce right away. But I tho­ught that yo­ur dad's fo­un­da­ti­on was put­ting ar­tis­ts-in-re­si­den­ce in­to it."

  "Right now it's in-bet­we­en. Sa­man­t­ha just left, and Pi­et isn't due for anot­her six we­eks, and I get to use it du­ring in-bet­we­ens. So you might ha­ve to be wil­ling to dri­ve up to Fe­at­her Mo­un­ta­in on one of yo­ur days off."

  "Deal!"

  Doh! Why had she do­ne that? Was she trying to ke­ep Der­rick pur­su­ing her? And if so, why? And wo­uldn't it be aw­k­ward with three of them the­re?

  That was, two.

  The ro­ad lur­c­hed a lit­tle si­de­ways and her bre­ath ca­ught be­fo­re she bro­ught the car back in­to her la­ne. Thank all the gods for dry pa­ve­ment and go­od ti­res. She must ha­ve be­en off in li­ke a two-se­cond re­ve­rie.

  "Amy? Are you still the­re?"

  "Still he­re," she sa­id, thin­king go­od qu­es­ti­on, De­tec­ti­ve.

  "Did I get too pushy?"

  "Not at all," she sa­id. "Just had to think and dri­ve and didn't ha­ve any bra­in cells to spa­re for tal­king. But yes, co­me on up to The Ca­bin this we­ekend. I want you to. The qu­es­ti­on is whet­her you want to, be­ca­use the ot­her thing is, just this af­ter­no­on, I fo­und my so­ul, so if you co­me to see me, I might be pretty we­ird, you know."

  "And you're dri­ving? "

  You we­ren't sup­po­sed to do that, Amy re­mem­be­red, be­la­tedly. "Der­rick, I fe­el fi­ne."

  "It's not a law or an­y­t­hing," he sa­id, "but you are go­ing to be kind of out of it and ac­ci­dent pro­ne, so be a lit­tle ca­re­ful, okay? And you're ma­king me won­der abo­ut that long pa­use on the pho­ne."

  She was abo­ut to ma­ke so­met­hing up, tell him the­re was a trac­tor on the sho­ul­der and cars co­ming the ot­her way, but the words stuck in her thro­at, li­ke they al­ways did.

  "Or is that so­un­ding too pro­tec­ti­ve?" he as­ked.

  "Maybe a lit­tle."

  "Well, it's pu­re self-in­te­rest. I want you aro­und to re­j­ect me for ye­ars to co­me. How do you fe­el right now?"

  "Weird but not bad and not out of it. I did ha­ve a co­up­le of re­ve­ri­es right af­ter I fo­und it. But as far as I can tell, I'm alert now."

  "Well, I know this is ho­ve­ring and I know you ha­te it, but call me when you get to The Ca­bin, okay? Just so I know you got the­re. And then we can fi­gu­re out whet­her you re­al­ly in­vi­ted me or I just trap­ped you in­to it."

  "Derrick, so­me­ti­mes you are too smart for both of our go­od."

  "Whatever. An­y­way, call me from The Ca­bin? Then may­be we'll ma­ke plans or not, but I'll know. Call the cell-I don't get off till three a.m., but I don't ex­pect I'll be do­ing much of an­y­t­hing, un­less Gre­eley gets a lot to­ug­her than it's ever be­en up till now. Can't even re­al­ly ho­pe for a go­od stab­bing."

  "The to­ugh act isn't wor­king, eit­her," she sa­id, smi­ling in­to the pho­ne and ho­ping he he­ard it as te­asing. "All right, I'll call you."

  "You will?"

  "Actually, yes. I pro­mi­se. I just re­ali­zed I pro­bably did worry you so­me, and be­si­des, I kind of want to ha­ve so­me­one lo­oking for me if I don't ma­ke it the­re. But as far as I can tell, I'm fi­ne now, re­al­ly."

  "Okay. 'Pre­ci­ate it, Amy."

  "No prob­lem, Der­rick. Ha­ve a qu­i­et night."

  She cros­sed 25 in­to a se­ri­es of dips and ri­ses, whe­re in di­no­sa­ur ti­mes the Pa­ci­fic Pla­te fi­nis­hed skid­ding un­der North Ame­ri­ca li­ke a pi­ece of car­d­bo­ard un­der a tab­lec­loth. Wrin­k­les and folds in the Earth ri­se and ste­epen and cram to­get­her to be­co­me the Rocky Mo­un­ta­in Front, an area of as­to­nis­hing be­a­uty po­pu­la­ted by el­ves and fa­iri­es il­le­gal­ly squ­at­ting be­low the Wyo­ming li­ne, Bud­dhists and anar­c­hists and old tom­myk­noc­kers who can to­le­ra­te the el­ves, and, so­uth to­ward Ra­ton, bor­der­s­na­kes, de­mons, and Apac­he ghosts.

  Other ghosts are ever­y­w­he­re, si­lent, un­s­pe­aking, fo­re­ver wat­c­hing the in­va­ders. Dad had ta­ken her out to watch them gat­her and dan­ce be­si­de the bor­row pit in the mo­on­light, co­un­t­less ti­mes.

  Not the bor­row pit!

  The lo­vely dark po­ol at the fo­ot of the pi­ne-co­ve­red slo­pe from The Ca­bin with a twen­ty-fo­ot wa­ter­fall fal­ling in­to its north end. The po­ol that tum­b­led down the ste­ep bo­ul­dery slo­pe to Mag­gie's Cre­ek in its so­ut­he­ast cor­ner. She re­mem­be­red vi­vidly. The ghosts, Utes mostly, had co­me to dan­ce on the flat rock, as bro­ad as a ten­nis co­urt, by the wa­ter­fall, in the mo­on­light, and she and her fat­her had sat wat­c­hing them till the sun­ri­se swept them away.

  Cops had fo­und Dad flo­ating on his back in the open wa­ter aro­und the wa­ter­fall, nu­de, de­ad of ex­po­su­re, one bright sunny Feb­ru­ary day. Pi­ke and ra­vens had be­en fe­eding on him for a few days, and his blue eyes, typing-st­rong fin­gers, and sar­do­nic lips we­re al­re­ady go­ne; they had had to iden­tify him by his te­eth.

  The she­riff's of­fi­ce had be­en mysti­fi­ed by the $400 cash on the front tab­le but Amy hadn't. She'd had to tell them that that was $300 stan­dard, $50 pre­mi­um for get­ting the exact physi­cal type (yo­ung, pa­le, black ha­ired, si­ze fo­ur or smal­ler, ski-jump no­se, fox-fa­ced), plus $50 for dri­ving up from Bo­ul­der or Fort Col­lins. They fo­und a bunch of es­cort-ser­vi­ce pho­ne n
um­bers on his com­pu­ter and that en­ded the mystery; they'd even lo­ca­ted the girl who had dri­ven all that way to a do­or that didn't open and lost a night's ear­nings by it. The ti­me of his call to the ser­vi­ce es­tab­lis­hed the last ti­me he'd de­fi­ni­tely be­en ali­ve, six days be­fo­re he was fo­und.

  Amy had al­ways wis­hed she co­uld find a way to apo­lo­gi­ze to the girl for that. But then she had al­ways wis­hed she co­uld apo­lo­gi­ze to all the vam­pi­re-bru­net­te pi­xi­es. Dad li­ked to say that he drank che­ap and ha­ted Tol­ki­en for free, so girls who we­re born to play the le­ad in Pe­ter Pan we­re his one ex­pen­si­ve vi­ce. He had be­en sa­ying that ever sin­ce Amy was old eno­ugh to un­der­s­tand why she was sup­po­sed to find so­mew­he­re el­se to be, or stay very qu­i­etly in her ro­om, abo­ut on­ce a month.

  Later on, in her per­so­nal fi­nan­ce co­ur­se, she had sat down and fi­gu­red out that he had drop­ped a bit over fi­ve k a ye­ar on his "one vi­ce." Run that thro­ugh com­po­und in­te­rest by twenty ye­ars, think abo­ut what they co­uld ha­ve had du­ring tho­se ye­ars, and the fi­gu­re had ma­de her eyes wa­ter. In her jo­ur­nal she had writ­ten I am chan­ging my ma­j­or from bu­si­ness to art and bi­ology so I won't ha­ve to lo­ok at things that are qu­ite so up­set­ting.

  How far had she co­me over the ri­sing wrin­k­les in the con­ti­nent? It se­emed li­ke only fi­ve mi­nu­tes in the gro­ove, with the se­at pus­hing aga­inst her back and the mo­tor tac­hed up past 4, but no, it had be­en al­most an ho­ur by the clock. The sun was most of the way down now, the towns far­t­her apart, the mo­un­ta­ins clo­se, the­ir sha­dows al­re­ady stret­c­hing far out be­hind her so that it was night he­re and day in the sky. She was al­most to Van Bu­ren, at the fo­ot of Mag­gie's Cre­ek Can­yon.

  She top­ped the last ri­se be­fo­re Van Bu­ren, and the truck stop's ne­on is­land in a so­di­um-gla­re pond wel­co­med her in­to the dark be­low. She put her blin­ker on-she had skip­ped lunch, her blad­der was abo­ut to burst, and the ne­ed­le was ne­ar E. She glan­ced up and had to bra­ke hard to ma­ke the last par­king lot ramp in­to the truck stop. Her car fis­h­ta­iled on the gra­vel but the pas­sen­ger si­de do­or didn't qu­ite kiss the BP stan­c­hi­on (after a ner­vo­us split-se­cond). Then her front ti­res grab­bed pa­ve­ment and she crun­c­hed over the gra­vel and up to the pump.

 

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