The Way of the Sword
Page 28
‘About time,’ growled the man.
Without turning round, the man picked up the package and unwrapped it to reveal a worn leatherbound book.
‘The rutter!’ he breathed, caressing its cover, then opening its pages to examine the sea charts, ocean reports and meticulous logging of tides, compass bearings and star constellations. ‘Now we possess what is rightfully ours. To think, the fortune of the world is in my hands. The secrets of the oceans laid bare for our nation to command the trade routes. It’s our divine right to rule the seas.’
The man placed the logbook on the altar. ‘And what of the boy?’ he asked, his back to the ninja still. ‘Is he dead?’
‘No.’
‘Why not? My instructions were explicit.’
‘As you know, the samurai Masamoto has been training the boy in the Way of the Warrior,’ explained the ninja. ‘The boy is now highly skilled and has proven somewhat… resilient.’
‘Resilient? Are you telling me a mere boy has defeated the great Dokugan Ryu?’
Dragon Eye’s single emerald-green eye flared in annoyance at the man’s mockery. He contemplated snapping the man’s neck there and then, but he had yet to receive payment for retrieving the rutter. Such pleasures would have to wait.
‘I employed you because you were the best. The most ruthless,’ continued the man. ‘Am I mistaken in my judgement, Dragon Eye? Why haven’t you killed him?’
‘Because you may still need him.’
The man turned round, his face cast in shadow.
‘What could I possibly want with Jack Fletcher?’
‘The rutter is encrypted. Only the boy knows the code.’
‘How do you know that?’ demanded the man, a note of alarm registering in his voice. ‘Have you been trying to break the cipher yourself ?’
‘Of course,’ revealed the ninja. ‘After the mistake of acquiring the Portuguese dictionary, I thought it wise to check the contents before delivery.’
‘Did you have any success?’ asked the man.
‘Not entirely. The unfamiliar combination of Portuguese and English made the task somewhat more complex than anticipated.’
‘No matter. It’s of little consequence,’ said the man, evidently pleased that the knowledge remained secret from the ninja. ‘There’s a Franciscan monk in the dungeons, fluent in both the languages and a mathematician. The mere promise of freedom should secure his decoding services.’
‘And what about the gaijin boy?’ asked Dragon Eye.
‘Once the code’s broken, complete your mission,’ ordered the man, turning to kneel before the altar once more. ‘Kill him.’
MEET CHRIS
HOW OLD WERE YOU WHEN YOU STARTED TRAINING IN MARTIAL ARTS?
I started judo when I was seven years old. I won my first trophy at the age of eight and have since trained in over nine different martial arts.
WHAT’S YOUR FAVOURITE MARTIAL ART AND WHY?
I have enjoyed all my styles – each one has taught me something new – but my favourite must be Zen Kyo Shin taijutsu, since it was the first one I earned my black belt in. The style originates from the fighting art of the ninja – my sensei was even taught by a ninja grandmaster!
HAVE YOU EVER MET A REAL SAMURAI WARRIOR?
Yes – I am a student of Akemi Solloway Sensei, who is the eldest daughter of an old samurai family, descended from the karō of Iwatsuki Castle (near Tokyo) in the time of Lord Ota Dokan (1432–1486). The name Akemi means ‘bright and beautiful’ and, because she has no brothers, Akemi has a special responsibility to keep alive the traditions of her samurai ancestors.
WHEN DID YOU START WRITING?
I’ve been writing all my life, but mostly lyrics for songs. I didn’t start writing stories until much later, though I remember making up stories in my head as a child, especially on long car journeys to stop myself getting bored.
HOW LONG DID IT TAKE YOU TO WRITE THE WAY OF THE WARRIOR?
I wrote The Way of the Warrior very quickly – in two months! The story literally burst out of me and on to the page fully formed.
WHERE DO YOUR IDEAS AND INSPIRATIONS COME FROM?
My heart and my life. The Young Samurai trilogy was inspired by my passion for martial arts. It is the story of a young boy learning about life through martial arts. It could be about me. Equally it could be about you.
WHAT DID YOU USED TO DO BEFORE YOU WERE A WRITER?
I was a songwriter and musician. I sing, play guitar and harmonica. I have performed all over the world, appeared on TV and taught music at the illustrious Academy Of Contemporary Music in Guildford. My musical experience led me to writing my first book on songwriting (Heart & Soul) for the British Academy Of Composers & Songwriters.
WHAT’S YOUR FAVOURITE BOOK? It by Stephen King. The scariest, and his best.
WHAT’S YOUR FAVOURITE PLACE IN THE WORLD AND WHY?
I’ve travelled to many wonderful places, but my three favourite memories are playing guitar on a beach as the sun set in Fiji, sitting in a tree house in the middle of a jungle in Laos and listening to a temple bell chime at dawn in Kyoto, Japan.
WHAT’S YOUR FAVOURITE TYPE OF FOOD?
Sushi. It’s so healthy and very tasty.
WHAT’S YOUR MOST TREASURED POSSESSION?
My samurai sword. The blade gleams like lightning and whistles when it cuts through the air.
WHAT’S YOUR FAVOURITE FILM?
Crouching Tiger, Hidden Dragon. The action scenes are magical and literally defy gravity, the actors are like fighting ballerinas, and it features one of the greatest female movie martial artists, Michelle Yeoh.
JACK’S BEST MARTIAL ARTS MOVES
KICKS (GERI)
MAE-GERI – This front kick is extremely powerful and can even push an opponent to the ground.
YOKO-GERI – This side‐kick is devastating on contact but be careful, it’s easier to see it coming than a front kick.
MAWASHI-GERI – Often used to start combat, this roundhouse kick is when you swing your leg up in a circular motion.
USHIRO-GERI – This spinning back kick is one of the most powerful kicks in martial arts.
CHO-GERI – This is called the butterfly kick because all the limbs are spread out during the kick so you look like a butterfly’s wings in flight.
PUNCHES (ZUKI)
OI-ZUKI – This lunge punch or jab is the most basic of punches but can definitely come in handy
GYAKI-ZUKI – Even more powerful is the reverse punch or cross punch, which employs most of the body in its motion.
KAGE-ZUKI – You have to be very fast for this hook punch but it’s one of Jack’s favourites as it’s hard to block.
URAKEN-ZUKI – This back fist strike is even quicker and is achieved by forming a fist and striking with the tops of the two largest knuckles.
WHAT’S YOUR FAVOURITE?
Let us know at youngsamurai.com
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Table of Contents
Cover
About the Author
Title Page
Copyright Page
Contents
Map: The Japans – 17th Century
Prologue – Dokujutsu
Young Samurai
1: Knucklebones
2: The Rutter
3: The Daruma Wish
4: A Grain of Rice
5: Circle of Three
6: The Invitation
7: Randori
8: Submission
9: Fudoshin
10: The Nightingale Floor
11: The Golden Tea Room
12: Tamashiwari
13: Origami
14: Intruder
15: Sensei Kano
16: Mugan Ryū
17: Planting Seeds
18: Irezumi
19: Fighting Blind
20: The Scorpion Gang
21: Temple of the Peaceful Dragon
22: Maple Leaf Viewing
23: Breaking Boards
24: Trial by Wood and Fire
25: More than a Piece of Paper
26: The Gauntlet
27: The Selection
28: Break-in
29: The Decoy
30: Sticky Hands
31: Yuki Gassen
32: Scorpions vs Phoenix
33: Mushin
34: Ganjitsu
35: Hatsuhinode
36: The Net Widens
37: Body Challenge
38: Running On Empty
39: Yori
41: The Eyes of Buddha
42: Mind Over Matter
42: First Blood
43: Escape
44: Interrogation
45: Dim Mak
46: Mountain Monk
47: Spirit Combat
48: The Challenge
49: The Duelling Ground
50: No Sword
51: Kunoichi
52: Sasori
53: The Way of the Dragon
Notes On Sources
Acknowledgments
Japanese Glossary
Origami: How To Fold A Paper Crane
Sneak preview: The Way of the Dragon