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A Farce To Be Reckoned With

Page 13

by Roger Zelazny


  "Why, that she should marry me, of course," Kornglow said.

  Aretino gave a great laugh and muffled it forthwith as a cough. Even Azzie had to smile, so ill-matched was the loutish and out-at-elbow Kornglow with any pretty noblewoman.

  "Well, sir," Azzie said, "you are not afraid to shoot high in your courting!"

  "A poor man can aspire to Helen of Troy if he so desires," said Kornglow. "And in his fancy she may well respond to him above all men, and find him more desirable than delectable Paris himself. In a dream, whatever you want can happen. And is this not a sort of a dream, Your Excellency?"

  "Yes, I suppose it is," Azzie said. "Well, sir, if we were to grant your wish, we'd have to have you ennobled in order that there be no impediment of station to the marriage ceremony."

  "I'd be willing," Kornglow said.

  "We'd also have to get Lady Cressilda's consent," Aretino pointed out.

  "Leave that to me when the time comes," Azzie said. "Well, it's a challenge, Kornglow, but I think we can swing it."

  Aretino frowned and said, "There's the fact that the lady is already married, my lord, that might stand as some impediment."

  "We have clerks in Rome to take care of details like that," Azzie said. He turned to Kornglow. "There are a few things you will have to do. Are you ready to go to a little trouble?"

  "Why, yes, sir, so long as it be not too strenuous. A man should not be taken out of his native temper even by the most outrageous of good fortune, and my own native temper is of a laziness so extreme that did the world but know about it they'd declare me a prodigy."

  "There's nothing too difficult ahead of you," Azzie promised. "I think we can dispense with the usual sword fighting, since you were not educated to it."

  Azzie fished in his waistcoat pocket and found one of his magical keys. He handed it to Kornglow, who turned it over and over in his fingers.

  "You will go from here," Azzie said, "and the key will take you to a doorway. You will pass through it, and find a magic horse with a magic candlestick in his saddlebag. Mounting him, you will find your adventure, and, at the end of it, your Cressilda of the cornsilk hair."

  "Great!" Kornglow said. "It is wonderful when good fortune comes easy like this!"

  "Yes," Azzie said, "ease of acquisition is one of the great things of this world, and a moral I hope to preach to men: namely, good fortune comes easy, so why sweat it?"

  Azzie smiled benignly. "Another happy customer."

  "There's someone new at the door," said Aretino.

  Chapter 2

  Mother Joanna sat in her room at the inn. She was more than a little afraid.

  Outside, in the hallways, she could hear occasional scuffling sounds. They might have come from anything, natural or supernatural, but Joanna suspected they emanated from pilgrims who had decided to take Sir Antonio up on his offer and were on their way to his chambers.

  Despite her holy office, Joanna was not unacquainted with human desire. There were things she wanted for herself, and, not being a moderate person, these desires burned in her immoderately. She was a political mother superior, not a religious one, and had looked upon her job much as the taking on of any other great enterprise. Her nunnery at Gravelines, with its seventy-two nuns and a host of servants and people to look after the animals, was an enterprise similar to that of a small town. Joanna had reveled in it from the very beginning. She might have been made for this. She had never been like other little girls, playing with dolls and dreaming of marriage. Even as a child she had been fond of giving orders to her birds and spaniels—You sit there, and you there — scolding them while she gave them tea.

  This practice of giving orders had not left her when she grew to womanhood. Matters might have been different had she been beautiful, but she had taken after the Mortimer side of the family. She had the great white face of the Mortimers, the short, dry, lifeless hair, the stocky body more suited to laboring with spade and plough than to the languors of the pursuits of love. She wanted to be rich, and feared by all, and service in the Church had seemed the way to get it. She was conventionally pious, but her piety ran afoul of her practicality, which told her that here was an opportunity to get what she wanted rather than waiting forever until the Pope was induced to advance her to some larger nunnery.

  She thought and thought, and she paced up and down her little room, taking note of her desires and asking herself which of them was paramount. Each time she heard a sound outside, she started; it seemed that all of the others were taking advantage of Sir Antonio's offer to give them their hearts' desires. Soon the required seven would be made up, and she would have no further chance. Finally she decided to act.

  Mother Joanna crept out of her chamber and made her way silently down the inn's dark passageways.

  She climbed the stairs to the second level and winced when they creaked. Coming at last to the door to Sir Antonio's room, she took her courage into her hands, reached up, and tapped lightly upon it.

  Azzie's voice from the other side said, "Come in, my dear. I've been expecting you."

  She had many questions. Azzie found her tiresome, but he managed to reassure her. When he came to inquire as to her heart's desire, however, he found her less than forthcoming. A look of sad embarrassment came across her broad white face.

  "What I want," she said, "is something I do not even care to speak about. It is too shameful, too demeaning."

  "Come on," Azzie said. "If you can't tell your demon, who can you tell?"

  "Of course. He is our poet," Azzie said. "How else can he record our adventures save he be present? To make no record of these notable adventures were crime indeed, one that would condemn us to the vast unconsciousness of unrecorded life in which most people live out their lives. But Aretino will immortalize us, my dear! Our poet will take our exploits, no matter how slight they might seem, and weave them into deathless verse."

  "Well, sir demon, you persuade me," Joanna said. "I confess to you, then, that ever in my dreams I would be a great Tighter of wrong of the public sort, receiving all manner of adulation in ballads for my accomplishments. Something like a female Robin Hood—with lots of time in between exploits for hunting."

  "I'll figure out something," Azzie said. "We'll get started right away. Take this key." He told Mother Joanna what was coming up in the way of rings, doorways, magic candlesticks, and magic horses, and sent her on her way.

  "And now, Aretino," Azzie said, "I think we have time for a tankard of wine before the next supplicant.

  How do you think it's going so far?"

  "Frankly, sir, I have no idea. Plays are usually laid out beforehand, with everything made clear in advance. In this drama of yours, all is muddy and uncertain. What does this fellow Kornglow stand for?

  Is he Overweening Pride? Bucolic Humor? Unquenchable Courage? And Mother Joanna—is she to be despised or pitied? Or a little of both?"

  "It is confusing, isn't it?" Azzie said. "But very lifelike, I think you'll agree."

  "Oh, no doubt. But how are we to find suitable moral dicta in all this?"

  "Don't worry, Aretino, no matter what the characters do, we'll find a way of making it represent what we have been speaking about all along. The playwright gets the last word, you must remember, and therefore is in a position to say that his idea is proven whether it is or not. Now pass that bottle this way."

  Chapter 3

  When Kornglow returned to the corner of the old stable he was more than a little surprised to see a horse tethered where there had been none before. It was a tall white stallion, and its ears pricked forward as Kornglow approached it. How had this noble steed gotten here? Then he saw that he was in a different place entirely from where he'd thought he was. The magic key must have led him through one of those doorways Azzie had been speaking about, and his adventure could already be launched.

  He had to make sure. Espying the saddlebags that the horse wore, Kornglow opened the one nearest him and reached in. His hand encountered something ma
ssy and metallic, thin, and long. He pulled it halfway out. A candlestick! And unless he missed his guess, it was made of solid gold. He slid it back carefully into the saddlebag.

  The horse whinnied at him, as though inviting him to get up and ride away, but Kornglow shook his head, left the stable, and looked around outside. The stately manor house not twenty yards from him was unmistakably the house of Lord Rodrigo Sforza, the selfsame house where Kornglow had had his first and only glimpse of Lady Cressilda.

  It was her house. She was inside.

  There was no sense in rushing into this. Compunction cast its dark wings over him, and Kornglow took thought. Now, for the first time, he considered his adventure, and found it more than a little daft. It was always nobles who were doing this sort of thing. Well, sometimes commoners were involved in the folktales. But was he the stuff folk- story heroes were made of? He doubted it. He knew he was gifted with a swift turn of fantasy; otherwise he wouldn't have gotten himself into this in the first place. But was he the man to persevere through it? Was the lady worth it?

  "Why, sir," said a soft voice at his elbow, "you do bend your gaze on the manor house as if someone very special were awaiting you there."

  Kornglow turned. Beside him was a diminutive milkmaid in peekaboo bodice and full pleated skirt. She had tousled dark curly hair, a pert expression, a full and curvaceous figure for so small a person, and a smile that was both gentle and lascivious. An unbeatable combination.

  "That's Lord Sforza's house, isn't it?" Kornglow asked.

  "That it is," the milkmaid said. "Were you thinking of kidnapping Lady Cressilda?"

  "Why do you say that?" Kornglow asked.

  "Because it cuts directly to the heart of the matter," the woman said. "There's a game afoot, put forth by a certain demon who is known to friends of mine."

  "He said Lady Cressilda would be mine," Kornglow said.

  "Easy enough for him to promise," the woman said. "I am Leonore, a simple milkmaid to all appearances, but in truth rather more, I assure you. I am here to tell you that the lady you're considering tying yourself to is a bitch of purest nastiness supreme. Winning her will be like damning yourself to the deepest pit of Hell."

  Kornglow was much surprised at this speech. He looked at Leonore with an interest that grew more intense as the seconds passed by. "Lady," he said, "I know not what to do. Could you perchance advise me?"

  "That I could," Leonore said. "I will read your palm, and that will tell all. Come over here where we can be comfortable."

  She led him back into the stable, to a corner where the hay was piled in soft comfortable heaps. Her eyes were wide and wild and had the color of magic, and her touch was featherlight. Taking his hand, she drew him down beside her.

  Chapter 4

  All reports seemed to show that Azzie's projected play was exciting considerable attention across the Spiritual World, that there was even betting going on, and that upsets seemed to be happening. The main upset of course was the sudden release of the old gods. Zeus and that lot. These were many matters that needed Michael's urgent attention, and it was with this in mind that he agreed to see the angel Babriel.

  Babriel's interview with the archangel took place in the executive boardroom of the Heaven Gate Office Building in downtown Central Heaven. Heaven Gate was a lofty and inspiring building, and the angels loved to work there. Next to the ineffable joy they felt at being close to the Highest, there was also the THE CORRIDORS.

  He came at last to Michael's suite of offices in the right wing, knocked, and entered.

  Michael was at his desk, with various reference works open on the table around him. A computer hummed softly to one side. The lighting was soft and golden.

  "About time," Michael said, with a momentary show of pique. "I've got to send you out again at once."

  "What's up, sir?" Babriel asked, sitting in one of the upholstered love seats facing the archangel's desk.

  "This situation with Azzie and his play is even more serious than we'd anticipated. It seems our demon has acquired a variance from Ananke herself, giving him express permission to perform miracles in the furtherance of his plan. Furthermore, Ananke has ruled that we of the Light are not to be accorded any more special privileges simply because we are Good. I also have it on authority that Azzie has some scheme that would abstract Venice from real time and set it up as a special entity. Do you know what that means?"

  "Not exactly, sir, no, I don't."

  "It means that this noisome demon can, potentially at least, rewrite history to his heart's content."

  "But sir, an abstracted Venice would have no effect upon the mainstream of human history."

  "That's true. But it could be used as a model for those dissatisfied souls who think history ought to be something other than what it is — an account of human tribulation and suffering. The concept of Rewriteability undermines the entire doctrine of Predestination. It releases mankind into a realm where Chance can play an even greater part than it already does."

  "Hmm, that's serious, sir," Babriel said.

  Michael nodded. "The very order of the cosmos could be at risk here. Our long-established preeminence is being challenged. The principle of Good itself has become moot."

  Babriel gaped at him.

  "But at least it does one thing for us," Michael went on.

  "What's that, sir?"

  "It releases us from the galling strictures of fairness. It means we can take off the gloves. This is no longer a gentleman's game. At last we can lay aside our compunctions and get in there and fight."

  "Yes, sir!" Babriel said, though he hadn't been aware that too much in the way of compunctions had guided Michael's actions to date. "What, specifically, do you want me to do?"

  "We have learned," Michael said, "that Azzie is onto a scheme now involving a magic horse."

  Babriel nodded. "That sounds very like him."

  "To hear is to obey!" cried Babriel, springing to his feet. He flew through the corridors with a great beating of wings. This was serious!

  In not much more than a trice he was back on Earth. Taking but a moment to orient himself, he flapped his way to the manor house of the Sforzas and came down lightly in the courtyard.

  It was just past dawn, and the count's household was still asleep. Babriel looked around, then went to the stable. From within he heard the unmistakable sounds of a man with a maid, complete, as it was, with giggles and soft squishy noises. He heard a neighing sound, then found, tethered close by, a white stallion with finely wrought saddlebags. He soothed the noble steed and untied its reins. "Come with me, my beauty," he said.

  Chapter 5

  Kornglow found himself lying on a pallet of straw, caught up in a tangle of arms and legs, only half of which were his. The sun was shining brightly through cracks in the half-finished walls of the stable, and a smell of straw, dung, and horses assailed his nostrils. He untangled himself from the woman with whom he had coupled in such abandon, hastily pulled on his clothes, and got to his feet.

  "Why such a rush?" Leonore asked, awakening. "Stay."

  "No time, no time," Kornglow said, stuffing his shirt into his breeches and his feet into his boots. "I'm supposed to be on an adventure!"

  "Forget the adventure," Leonore said. "You and I have found each other. Why ask for more?"

  "No, I must not tarry! I must get on with it! Where is my magic horse?"

  Kornglow searched through the stable, but the horse was nowhere to be found. All he could locate was a small piebald donkey tied to a half paling. It brayed at him, its mouth open and its yellow teeth bared.

  Kornglow looked at it searchingly and said, "Has some enchantment so altered my steed? It must be! If I ride it away, no doubt it will change back in the due course of time!"

  He untied the donkey and mounted; he kicked it hard in the ribs, making the creature amble into the courtyard.

  The animal didn't like the idea, but Kornglow urged it on. The donkey ambled across the chicken yard, past the
kitchen garden, and all the way to the manor gate.

  "Hello, there!" Kornglow shouted at the gate.

  A man's heavy voice from within called out, "Who is out there?"

  "One who would seek the hand of the Lady Cressilda!"

  A large balding man in shirt and pants and chef's toque came out. Scowling and unfriendly, he said,

  "Have you taken leave of your senses? The lady is married! Her husband cometh even now!"

  The door opened further. Out stepped a tall nobleman in fine attire, stern faced and haughty, with a rapier at his hip. "I am Rodrigo Sforza," he said in a voice that would have to be described as ominous. "What seems to be the trouble?"

  The cook bowed low and said, "This lout says he comes for the hand of Cressilda, your lady wife."

  Sforza fixed Kornglow with a steely gaze. "Say you so, fellow?"

  Kornglow now perceived that something was wrong. His way was supposed to have been prepared for him. It was probably the loss of the magic horse that had put him in this strait.

  He turned and tried to prod the donkey to a gallop. It set its heels and bucked, throwing Kornglow violently to the ground.

  "Call my guards!" cried Sforza.

  His men came hurrying around the corner, buckling up their doublets and strapping on their swords.

  "To the dungeons with him!" cried Sforza.

  And so Kornglow soon found himself in a dark hole, his head ringing from numerous blows.

  Chapter 6

  Well, Morton," Azzie said, "this is a fine mess you've gotten yourself into."

  Kornglow sat up, blinking. One moment before he had been alone in Sforza's dungeon, nursing his bruised head and contemplating his unhappiness. The cell had been bare, with no more than a scattering of moldy straw on its earthen floor, and there had been little Kornglow could do to make himself comfortable. But now he was outside again. Kornglow was getting awfully tired of all these sudden moves, and the strange wavelike motions they involved tended to upset his stomach.

 

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