RED FOX
Page 20
Carboni recovered composure. ' It was a fine effort by your people.'
' I have told you nothing yet. Hear me out before you praise me.
There is a town, Seminara, in Calabria. I have no map but we will find, I am sure, that it is close to your Cosoleto. Under the mayor's door an hour ago was found a scribbled statement, not typed, not neat, from the NAP. A credit card of Harrison was with the paper. They will kill him tomorrow morning at nine o'clock if Tantardini has not been freed.'
Carboni whistled, an expiry of wind from his lungs. His pen fumbled between the fingers of his two hands, his notebook was virgin clean.
' I make an assumption, Carboni. The Nappisti reached your man Claudio. They extracted information. They have taken Harrison from the custody of Mazzotti. The danger now confronting the Englishman is infinitely greater.'
With his head bowed, Carboni sat very still in his chair as if a heavy blow had struck him. 'What has been done this morning to prevent an escape . . . '
'Nothing has been done.' A snarl from Vellosi's mouth, and above it the cauterized cheeks, the whitened skin at the temples.
'Nothing has been done because until we sat together there was no dialogue on this issue. I have no army, I have no authority over the polizia and the carabinieri. I do not have the numbers to stifle an escape. I have given you the Nappisti, and you have given me a location, and now we can begin.'
Carboni spoke sadly, unwilling to stamp on the energy of his superior. 'They have five hours' start on us, and they were close to the autostrada and at night the road is free.' His head shook as he multiplied kilometres and minutes in his mind. "They could travel hundreds of kilometres in a fast car. The whole of the Mezzo Giorno is open to t h e m . . . ' He tailed away, awed by the hopelessness of what he said.
'Bluster the local carabinieri, the polizia, breathe some fire under their backsides. Get back to your office now and hunt the facts.' Shouting now, consumed by his mission, Vellosi banged on his desk to emphasize each point.
'It is outside my jurisdiction . . . '
'What do you want ? A rule book and Harrison dead in a ditch at five minutes past nine tomorrow? Get yourself on to the fifth floor at the Questura. All the computers, all the Honeywell machines there, get them moving, let them earn their keep.'
Resistance failing, Carboni subsided. 'May I make a telephone call, Dottore?'
'Make it and be on your way. You're not the only one to be busy this morning. The Minister will be here in forty minutes...'
Carboni was on his feet, galvanized into activity. With quick, sweaty fingers he flicked in his diary of telephone numbers for that of Michael Charlesworth of the British Embassy.
The early sun was denied entry to the reception lounge of the Villa Wolkonsky by the drawn drapes. The more fancied of the room's collection of rare porcelain had been put away the night before because there had been a small reception and the Ambassador's wife was ever wary of light fingers among her guests. There remained enough to satisfy the curiosity of Charlesworth and Carpenter as they stood close to each other in the gloom. They had come unannounced to the Ambassador's residence, spurred by Giuseppe Carboni's call to Charlesworth sketching the night's developments. The diplomat had collected Carpenter from his hotel. A servant in a white coat, not hiding his disapproval of the hour, had admitted them. If we broadcast we're on our way, Charlesworth had said in the car, then the barricades go up, he'll stall till office hours.
The irritation of the Ambassador was undisguised as he entered the room. A puckered forehead and a jutting chin sand-
wiched the hawk eyes of annoyance. He wore his familiar dark striped trousers, but no jacket to drape over the braces that held them firm. His collar was unfastened. The opening was abrupt.
'Good morning, Charlesworth. I understand from the message sent upstairs that you wished to see me on a matter of direct and pressing importance. Let's not waste each other's time.'
In the face of this salvo Charlesworth did not falter. 'I've brought with me Archie Carpenter. He's the Security Officer of International Chemical Holdings in London . . . '
His Excellency's eyes glinted, a bare greeting.
. . I have just been telephoned by Dottore Carboni of the Questura. There have been disturbing and unpleasant developments in the Harrison c a s e . . . '
Carpenter said quietly, 'We judged that you should know of these - whatever the inconvenience of the hour.'
The Ambassador threw him a glance, then turned back to Charlesworth. 'Let's have it, then.'
'The police have always believed Harrison was kidnapped by a criminal organization. During the night it seems this organization was relieved of Harrison, who is now in the hands of the Nuclei Armati Proletaria.'
'What do you mean - "relieved"?'
'It seems that the NAP have forcibly taken Harrison from his original kidnappers,' said Charlesworth with patience.
'The police are offering this as a theory ? We are to believe this ?'
Spoken with the killer chop of sarcasm.
'Yes, sir,' Carpenter again interjected, 'we believe it because there are three men on their backs in the morgue to convince us.
Two have died of gunshot wounds, the third of a dented skull.'
The Ambassador retreated, coughed, wiped his head with a handkerchief and waved his visitors to chairs. 'What's the motive?' he said simply.
Charlesworth took his cue. 'The NAP demand that by nine tomorrow morning, Central European Time, the Italian government shall release the captured terrorist Franca T a n t a r d i n i . . . '
The Ambassador, sitting far to the front of the intricately carved chair, reeled forward. 'Oh my God . . . Go on, Charlesworth. Don't spare the rod.'
' . . . the Italian government shall release Franca Tantardini or Geoffrey Harrison will be killed. In a few minutes the Minister of the Interior will get his first briefing. I imagine that within twenty you will be called to the Viminale.'
Rock still, his head in his tired, aged hands, the Ambassador contemplated. Neither Charlesworth nor Carpenter interrupted.
The buck had been passed. For a full minute the silence bur-geoned, causing Charlesworth to feel for the straightness of his tie knot, Carpenter to look at his unpolished shoes and the lace that was loose.
The Ambassador shook himself as if to dislodge the burden.
' It is a decision for the Italian government to make. Any interference, any pressure on our part, would be quite unwarranted.
Indeed, any suggestion of action would be quite uncalled for.'
'So you wash your hands of Harrison?' Carpenter was flushed as he spoke, temper surging.
' I don't think that's what the Ambassador m e a n t . . . ' Charlesworth cut in unhappily.
'Thank you, Charlesworth, but I can justify my own statements,' the Ambassador said. 'We don't wash our hands of the fate of Mr Harrison, as you put it, Mr Carpenter. We face the reality of local conditions.'
'When this was a criminal matter, when there was only money at issue, then we were prepared to deal. .
'Your company was prepared to negotiate, Mr Carpenter. The British Foreign Office remained uninvolved.'
'What's so bloody different between a couple of million dollars and freedom for one woman ?' Thanks to all that bloody brandy that Charlesworth had plied him with, he couldn't marshal his sentences, couldn't hit at the smug little sober bastard opposite him. The frustration welled in his mind.
'Don't shout at me, Mr Carpenter.' The Ambassador was cold, aloof on his pedestal. 'The situation is indeed different. Before, as you rightly say, only money was involved. Now we add principle, and with that the sovereign dignity of the Republic of Italy. It is inconceivable that the government here can bow to so crude a threat and release a public enemy of the stature of the Tantardini woman. It is equally inconceivable that the government of Great Britain should urge such a course.'
' I say again, you wash your hands of Geoffrey Harrison. You're prepared to see him sacrifice
d for the "dignity of Italy", whatever bloody nonsense that is . . . ' Carpenter looked across to Charles-
worth for an ally, but he had been anticipated and the gaze was averted.
'Well, thank you, gentlemen, thank you for your time. I'm sorry you were disturbed, that the day started badly, and early.'
Carpenter stood up, a little pencil of froth at the sides of his mouth. 'You're putting our man down the bloody bog, and you're pulling the bloody chain on him, and I think it's bloody marvellous.'
There was a passionless mask across the Ambassador's features and he stayed far back in his chair. 'We merely face reality, Mr Carpenter, and reality will dictate that if the losers in this matter are to be either Geoffrey Harrison or the Republic of Italy, then it will be Harrison who loses. If that is the conclusion, then the life of one man is of lesser importance than the lasting damage to the social and political fabric of a great and democratic country. That is how I see it, Mr Carpenter.'
'It's a load of b u l l s h i t . . . '
'Your rudeness neither offends me nor helps Harrison.®
' I think we should be on our way, Archie.' Charlesworth too was standing. 'I'll see you later in the office, sir.'
When they were out in the sunshine and walking towards the car, Charlesworth saw that there were tears streaming down Archie Carpenter's face.
For several minutes Harrison had been watching the jumping needle of the fuel dial that bounced against the left corner of the display arc bringing him the knowledge that the tank was drying, emptying. He wondered how the boy would react to the idea that the car would soon be static and useless, considered whether he should alert him to the impending halt of their progress, or whether he should simply drive on till the engine coughed and died, barren of petrol. It depended what he wanted from it, whether it was a fight, or whether it was the easy way and safety, however temporary. Tell him now that they were about to stop on the hard shoulder and perhaps the boy wouldn't panic, would work at his options. Allow it to happen and the boy might crumble under a crisis, and that was dangerous because of the ready presence of the P38.
Same old question, Geoffrey, same old situation. To confront or to bend, and no middle road.
Same old answer, Geoffrey. Don't shake it, don't rock it.
Don't kick the bucket of muck in his face because that's the short way to pain, and the gun's close and armed.
'We won't be going much further, Giancarlo.'
Harrison's softly spoken words boomed in the quiet of the car.
Beside him the boy straightened from his low-slung sitting posture. The gun barrel dug at Harrison's ribs as if demanding explanation.
'We're almost out of petrol.'
The boy's head in its curled and tangled hair darted across Harrison's chest to study the dial. Harrison eased back in his seat, gave him more room, and heard his breathing speed and rise.
'There's not much more in the old girl, Giancarlo. Perhaps a few more kilometres.'
The boy lifted his head, and the hand that did not hold the gun scraped at his chin as if this were a way to summon inspiration and clarity of decision.
' It's not my fault, Giancarlo.'
'Silence,' the boy snapped back.
Just the breathing to mingle with the steady purr of the little engine, and time too for Harrison to think and consider. Behind their different walls the man and the boy entertained the same thoughts. What would a stoppage mean to the security of the journey? What risk would it offer Giancarlo of identification and subsequent pursuit ? What possibility of escape would it present to his prisoner? And it's not only the boy with decisions to make, Geoffrey, it's you as well. He couldn't be as vigilant, could he, if they were stopped on the roadside, pulled into a toll gate, going in search of a petrol station ? Opportunities were going to loom, opportunities for flight, for a struggle.
Then he'll shoot.
Sure?
Can't be sure but likely.
Worth a try, whether he'll shoot or not?
Perhaps, if the opportunity's there.
That's the crawling way out, that's the gutless way.
For Christ's sake, it's not a bloody virility contest. It's my bloody life, it's my bloody stomach with the P38 stuck into it. It's my neck with the axe hanging over it. It's not gesture time. I said perhaps, that should bloody be enough.
You won't do it, you won't take him on, you won't fight.
Perhaps, but only if it presents itself.
'We take the Monte Cassino turn-off.' Giancarlo was out of his dream, breaking Harrison's debate.
High above them to the right of the autostrada perched the triumphant monastery. It loomed on the mountain top, a widow's shrine for women of many far countries whose men had staggered and fallen distant years back under the rain of shrapnel and explosive, and bullet swathes. The car plunged past the signs for the turn-off.
Giancarlo raised himself in his seat and pulled from a hip pocket a wad of notes and the autostrada toll ticket taken hundreds of kilometres back from a machine.
' I had not thought of the petrol,' he laughed with a quick nervousness. A drip of weakness before the tap was turned tighter. "Arrison, you will not be silly. You will pay the ticket.
The gun will be at you all the time. You are not concerned with what will happen to me, you are concerned with what will happen to yourself. If you are silly then you are dead; whether I am too does not help you. You understand, 'Arrison?'
'Yes, Giancarlo.'
Harrison pulled the wheel hard to the right, felt the tyres bite beneath him, heard their squeal, and the pace of the autostrada diminished from his windscreen mirror. He had slowed the car as they wound on the tight bend towards the toll gate. Giancarlo reached back to the seat behind and grabbed at his light anorak, arranged it over his lower arm and his fist and the gun and again pressured the barrel into the softness at Harrison's waist.
'You don't speak.'
'What if he talks to me?' Harrison stammered, the tension exuding from the boy spread contagiously.
' I will talk to him, if it is necessary . . . If I fire the pistol from here I kill you, 'Arrison.'
' I know, Giancarlo.'
Perhaps, but only if it presents itself. You know the answer, Geoffrey. He pressed the brake as the cabins of the toll gate loomed in front of him. He stopped the car as the bonnet edged against the narrow barrier, carefully wound down the window and without looking passed the ticket and a banknote out into the cool dawn air.
'Grazie.'
The voice startled Harrison. Contact again with the real and the permanent life, contact with the clean and the familiar. His eyes followed his arm but there was no face in his vision, only a hand that was dark and hair-covered with a worn greasy palm that took his money, and was gone before snaking back with a fist full of coins. It had not presented itself. The gun gouged at his flesh, and the man would not even have seen their faces. The voice beside him was shrill.
'Una stazione de servizio, per benzina ?'
'Cinquen cento metri..'
'Grazie.'
'Prego.'
The barrier was raised, Harrison edged the car into gear.
Shouldn't he have crashed the gears, stalled the engine, dropped the change in the roadway? Shouldn't he have done something?
But the gun was there, round and penetrating at the skin. All right for those who don't know, all right for those without experience. Let them come and sit here, let them find their own answers to cowardice. Within moments the lights of a petrol station shone at them in the half light, diffused with the growing sun.
'You follow my instructions exactly/
'Yes, Giancarlo.'
'Go to the far pumps.'
Where it was darkest, where the light was masked by the building, Harrison stopped. Giancarlo waited till the handbrake was applied, the gear in neutral, before his hand snaked out at speed to rip the keys from the ignition. He snapped open his door, thrust it shut behind him and jogged around the back of t
he car till he was at Harrison's door. He held his anorak across his waist, with an innocence that was above suspicion.
Harrison saw a man in the blue overalls of Agip stroll without urgency towards the car.
'Venti mila lire di benzina, per fa vore '
' S i . '
Would he look into the car, would the curiosity bred from the long night hours cause him to turn from the boy who stood beside the driver's door, and wish to examine the occupant? Why should it? Why should he care who drives a car? This has to be the moment, Geoffrey. Now, right now, not next time, not next week.
How?
Fling the door open, crash it into Giancarlo's body. You'd knock him back with it, he'd fall, he'd slip. For how long?
Long enough to run. Sure? Well, not sure . . . but it's a chance.
And how far do you run before he's on his feet, five metres . . . ?
It's the opportunity. Then he shoots, and he doesn't miss, not this kid, and who else is here other than a half-asleep idiot with his eyes closed, who'll have to play the hero?
Giancarlo passed the man the notes and waited as he walked away, then hissed through the window, 'I am going to walk round the car. If you move I will shoot, it is no problem through the glass. Do not move, 'Arrison.'
Only if it presents itself. Geoffrey Harrison felt the great weakness creeping into his knees and shins, lapping in his stomach.
His tongue smeared a dampness across his lips. You'd have been dead, Geoffrey, if you'd tried anything, you know that, don't you? He supposed he did, supposed he had been sensible, behaved in the intelligent, responsible way that came from education and experience. Wouldn't have lasted long on that mountain-side in 1944, Geoffrey; wouldn't have lasted five bloody minutes.
Beneath the triumphant monastery on Monte Cassino, Giancarlo ordered Harrison to turn off the autostrada.
He held the pistol hidden between his legs as Harrison paid the sleepy toll attendant at the barrier with the money the boy had given him. They drove sharply through the small town, re-built from the ravages of bombardment into a characterless warren of flat blocks and factories, and headed north on a narrow road among the rock defiles, ever watched by the great whitestone eye on the mountain top. They bypassed the sombre war cemetery for the German dead of a battle fought before the birth of Giancarlo and Harrison, and then the road's turns became more vicious, and the high banks more intrusive.