The All-True Travels and Adventures of Lidie Newton
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6. Of the Kansas Territory, Lidie writes, "you could easily act one way one minute and another way the next minute." What is the relationship between Lidie’s character in the place she inhabits? How does the K.T.’s lack of definition make possible her discovery of self?
7. Lidie leads a life of adventure as well as a life of the mind. How do her physical endeavors compare to her contemplative pursuits—particularly storytelling—in terms of defining her character?
8. Ms. Smiley said that the novel was born of her desire to explore "the intersection of ideology and violence in American life." What connection does the novel suggest exists between these two extreme forms of expression?
9. In what ways do the sensibilities of the abolitionists mirror those of the slave-holders? How does each group use religion and history to justify its perspective on slavery?
10. How does the manner in which Lidie and Tom handle the vagaries and challenges of their relationship affect the progress of the social change they are attempting? What relationship exists between one’s private life and public endeavours?
11. What purpose is served by introducing each chapter with an excerpt from Catherine Beecher’s A Treatise on Domestic Economy, for the Use of Young Ladies at Home?
12. Experience and reflection help Lidie to move from ignorance and innocence to some sort of understanding of herself and others, yet confusion and ambivalence persist. What is the value of leaving the reader in the company of a conflicted character?
13. Smiley has said that the purpose of great literature is "to help us face up to our responsibilities instead of enabling us to avoid them once again by lighting out for the territory." Does her novel fulfill this purpose? How?
14. What connection lies between gender and violence? What is the significance of Lidie pursuing revenge disguised as a man?
15. What can the reader of Lidie Newton discern about morality and violence? Are the K.T. Free Staters justified in pursuing freedom through violence? What are the antecedents and repercussions of this issue in America?
16. Lidie Newton provides a novel perspective on antebellum America. What other historical events need telling from a woman’s point of view?
17. Conjecture about the course of Lidie’s adventures had Thomas not died. What are the repercussions of his presence and absence in her days?
18. How do the characters Papa and Helen Day contribute to the moral complexity of the novel? What is the significance of such complexity? Does the character of Lorna deepen or diminish it?
19. In an essay on The Adventures of Huckleberry Finn, Jane Smiley reproached Mark Twain for presenting a facile standard of heroism in his novel. She wrote: "All you have to do to be a hero is acknowledge that your poor sidekick is human; you don’t actually have to act in the interests of his humanity." Does Lidie successfully act in the interest of Lorna’s humanity?
20. "A writer who does not passionately believe in the perfectibility of man has no dedication nor any membership in literature," wrote John Steinbeck. What can one say about Ms. Smiley’s perspective on such perfectibility given this novel? Does her work leave one with a sense of optimism? What is the novel’s defining tone?
21. When presented with the opportunity to share the story of her experiences with Lorna, Lidie hesitates. "I was disinclined to do this, and I pondered my disinclination at length," she explains. "Did I owe it to Lorna to tell her story to the world?... Mr. Thayer’s friend candidly admitted one thing—Lorna herself would never benefit from my telling her story." What is the value of Lidie telling Lorna’s story? Of Ms. Smiley telling Lidie’s? What can literature accomplish?
Ron Fletcher created the Reader’s Guide to The All-True Travels and Adventures of Lidie Newton. He is a regular contributor to The Christian Science Monitor, and teaches at Boston College High School in Massachusetts. He is at work on his first novel, tentatively titled Between the Stones.
Praise for Jane Smiley A Thousand Acres
Winner of the Pulitzer Prize
"Brilliant... A thrilling work of art."
—Chicago Sun Times
Ordinary Love & Good Will
"Smiley’s stories lucidly explore the complexities of contemporary sexual and domestic life... establishing her as a master of the form."
—The Washington Post Book World
The Age of Grief
"A glorious achievement."
—The New York Times Book Review
Barn Blind
"An American tragedy... Dramatic, haunting... Smiley’s absorbing, cautionary tale is beautifully realized."
—Publishers Weekly
Duplicate Keys
"A first-rate cliffhanger... This may be the anatomy of a murder, but... more compelling is the anatomy of friendship, betrayal and the bittersweet smell of near success.’’
—The New York Times Book Review
Moo
"Delectably entertaining... An uproariously funny and at the same time hauntingly melancholy portrait of a college community in the Midwest."
—The New York Times
The Greenlanders
"A powerful, moving study of human frailty and the ephemeral nature of courage and love."
—USA Today
ABOUT THE AUTHOR
Jane Smiley is the author of eight previous works of fiction, including The Age of Grief, The Greenlanders, The Greenlanders, Ordinary Love & Good Will, A Thousand Acres (which won the Chicago Tribune Heartland Prize), and Moo. She lives in northern California.
ALSO BY JANE SMILEY
Barn Blind
At Paradise Gate
Duplicate Keys
The Age of Grief
The Greenlanders
Catskill Crafts
Ordinary Love & Good Will
A Thousand Acres
Moo
A Fawcett Book
Published by The Random House Publishing Group
Copyright © 1998 by Smile-Mor, Inc.
All rights reserved.
Published in the United States by Fawcett Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York, and distributed in Canada by Random House of Canada Limited, Toronto.
Fawcett is a registered trademark and the Fawcett colophon is a trademark of Random House, Inc.
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Library of Congress Catalog Card Number: 98-96778
This edition published by arrangement with Alfred A. Knopf, Inc.
First Fawcett Edition: January 1999
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eISBN: 978-0-307-41684-1
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