"Not in mild June the golden-cuirassed bee
Feels a more summer-like, warm ravishment
In the white lily's breezy tent,
(His conquered Sybaris) than I when first
>From the dark green thy yellow circles burst."
A war arose between the two cities, and Sybaris was conquered and destroyed. Milo, the celebrated athlete, led the army of Crotona. Many stories are told of Milo's vast strength, such as his carrying a heifer of four years old upon his shoulders, and afterwards eating the whole of it in a single day. The mode of his death is thus related: As he was passing through a forest he saw the trunk of a tree which had been partially split open by wood-cutters, and attempted to rend it further; but the wood closed upon his hands and held him fast, in which state he was attacked and devoured by wolves.
Byron, in his Ode to Napoleon Bonaparte, alludes to the story of
Milo:
"He who of old would rend the oak
Deemed not of the rebound;
Chained by the trunk he vainly broke,
Alone, how looked he round!"
EGYPTIAN DEITIES
The remarkable discovery by which Champollion the younger (so called to distinguish him from his older brother, Champollion Figeac, who also studied the hieroglyphics)) first opened to modern times the secret of the Egyptian hieroglyphics, has been followed up by laborious studies, which tell us more of Egyptian worship and mythology, with more precision, than we know of any other ancient religion but that of the Hebrews. We have even great numbers of copies of the liturgies, or handbooks of worship, of funeral solemnities, and other rituals, which have been diligently translated. And we have a sufficient body of the literature written and used by the priesthood.
These discoveries give to writers of this generation a much fuller knowledge of the Egyptian religion, of its forms, and of the names of its gods, than they had before. It is impossible, and probably always will be, to state with precision the theology on which it rested. It is impossible, because that theology was different in one time and with one school from what it was at other times. Mr. S. Birch, of the British Museum, says, "The religion of the Egyptians consisted of an extended polytheism represented by a system of local groups." But Mr. Pierret says, "The polytheism of the monuments is but an outward show. The innumerable gods of the Pantheon are but manifestations of the One Being in his various capacities. Mariette Bey says, "The one result is that according to the Egyptians, the universe was God himself, and that Pantheism formed the foundation of their religion."
In this book it is not necessary to reconcile views so diverse, nor indeed to enter on studies so profound as those which should decide between them. For our purpose here it is enough to know that the Sun was the older object of worship, and in his various forms rising, midday, or setting was adored under different names. Frequently his being and these names were united to the types of other deities. Mr. Birch believes that the worship of Osiris prevailed largely beside the worship of the Sun, and is not to be confounded with it. To Osiris, Set, the Egyptian devil, was opposed.
The original God, the origin of all things, manifests himself to men, in lesser forms, according to this mythology, more and more human and less and less intangible. These forms are generally triads, and resolve themselves into a male deity, a female deity, and their child. Triad after triad brings the original Divinity into forms more and more earthly, till at last we find "that we have no longer to do with the infinite and intangible God of the earliest days, but rather with a God of flesh and blood, who lives upon earth, and has so abased himself as to be no more than a human king. It is no longer the God of whom no man knew either the form or the substance: it is Kneph at Esneh, Hathor at Durderah, Horus, king of the divine dynasty at Edfoo." These words are M. Maspero's.
The Greek and Latin poets and philosophers, as they made some very slight acquaintance with Egyptian worship, give Greek or Latin names to the divinities worshipped. Thus we sometimes hear Osiris spoken of as the Egyptian Hermes. But such changes of names are confusing, and are at best but fanciful (In the same way Plutarch, a Greek writer, says of the Jews' Feast of Tabernacles, "I know that their God is our Bacchus." This was merely from the vines, vine leaves and wine used in the ceremonies.) It would happen sometimes, in later times, that a fashion of religion would carry the worship of one God or Goddess to a distance. Thus the worship of Isis became fashionable in Rome in the time of Nero and Paul, as readers of Bulwer's Last Days of Pompeii will remember.
The latest modern literature occasionally uses the Egyptian names, as the last two centuries have disinterred them from the inscriptions on the monuments, and from the manuscripts in the tombs. Earlier English writers generally use the names like Osiris, Anubis, and others found in Latin and Greek writers.
The following statement as to these deities and their names is from Mr. Birch:
"The deities of ancient Egypt consist of celestial, terrestrial, and infernal gods, and of many inferior personages, either representatives of the greater gods or attendants on them. Most of the gods were connected with the sun, and represented that luminary through the upper hemisphere or Heaven and the lower hemisphere or Hades. To the deities of the solar cycle belonged the great gods of Thebes and Heliopolis. In the local worship of Egypt the deities were arranged in local triads; thus at Memphis, Ptah, his wife Merienptah, and their son Nefer Atum, formed a triad, to which was sometimes added the goddess Bast or Bubastis. At Abydos the local triad was Osiris, Isis, and Horus, with Nephthys; at Thebes, Amen Ra or Ammon, Mut and Chons, with Neith; at Elephantine, Kneph, Anuka, Sati, and Hak. In most instances the names of the gods are Egyptian; thus, Ptah meant 'the opener'; Amen, 'the concealed'; Ra, 'the sun or day'; Athor, 'the house of Horus';' but some few, especially of later times, were introduced from Semitic sources, as Bal or Baal, Astaruta or Astarte, Khen or Kiun, Respu or Reseph. Besides the principal gods, several inferior or parhedral gods, sometimes personifications of the faculties, senses, and other objects, are introduced into the religious system, and genii, spirits or personified souls of deities formed part of the same. At a period subsequent to their first introduction the gods were divided into three orders. The first or highest comprised eight deities, who were different in the Memphian and Theban systems. They were supposed to have reigned over Egypt before the time of mortals. The eight gods of the first order at Memphis were 1. Ptah; 2. Shu; 3. Tefnu; 4. Seb; 5. Nut; 6. Osiris; 7. Isis and Horus; 8. Athor. Those of Thebes were 1. Amen Ra; 2. Mentu; 3. Atum; 4. Shu and Tefnu; 5. Seb; 6. Osiris; 7. Set and Nepthys; 8. Horus and Athor. The gods of the second order were twelve in number, but the name of one only, an Egyptian Hercules, has been preserved. The third order is stated to have comprised Osiris, who, it will be seen, belonged to the first order." GUIDE TO THE FIRST AND SECOND EGYPTIAN ROOMS, BRITISH MUSEUM. S. Birch
Miss Edwards gives the following convenient register of the names most familiar among the Egyptian gods (in her very interesting book, "A Thousand Miles up the Nile").
PHTAH or PTAH: In form a mummy, holding the emblem called by some the Nilometer, by others the emblem of Stability, called "the father of the Beginning, the Creator of the Egg of the Sun and Moon," Chief Deity of Memphis.
KNEPH, KNOUM or KNOUPHIS: Ram-headed, called the Maker of gods and men, the Soul of the gods. Chief Deity of Elephantine and the Cataracts.
RA: Hawk-headed, and crowned with the sun-disc, encircled by an asp. The divine disposer and organizer of the world; adored throughout Egypt.
AMEN RA: Of human form, crowned with a flat-topped cap and two long, straight plumes; clothed in the schenti; his flesh sometimes painted blue. There are various forms of this god (there were almost as many varieties of Ammon in Egypt as there are varieties of the Madonna in Italy or Spain), but he is most generally described as King of the Gods, chief deity of Thebes.
KHEM: Of human form, mummified; wears head-dress of Amen Ra; his right hand uplifted, holding a flail. The god of productiveness and ge
neration. Chief deity of Khemmis, or Ekhmeem.
OSIRIS: Of human form, mummified, crowned with a mitre, and holding the flail and crook. Called the Good; the Lord above all; the one lord. Was the god of the lower world; judge of the dead; and representative of the sun below the horizon. Adored through Egypt. Local deity of Abydos.
NEFER ATUM: Human-headed, and crowned with the pschent. This god represented the nocturnal sun, or the sun lighting the lower world. Local deity of Heliopolis.
THOTH: In form a man, ibis-headed, generally depicted with the pen and palette of a scribe. Was the god of the moon, and of letters. Local deity of Sesoon, or Hermopolit.
SEB: The "Father of the Gods," and deity of terrestrial vegetation. In form like a man with a goose upon his head.
SET: Represented by a symbolic animal, with a muzzle and ears like a jackal, the body of an ass, and an upright tail, like the tail of a lion. Was originally a warlike god, and became in later times the symbol of evil and the enemy of Osiris.
KHONS: Hawk-headed, crowned with the sun-disc and horns. Is sometimes represented as a youth with the side-lock, standing on a crocodile.
HORUS: Horus appears variously as Horus, Horus Aroeris, and Horus Harpakhrat (Hippocrates), or Horus the child. Is represented under the first two forms as a man, hawk-headed, wearing the double crown of Egypt; in the latter as a child with the side- lock. Local deity of Edfoo (Apollinopolis Magna).
MAUT: A woman draped, and crowned with the pschent (the pschent was a double crown, worn by the king at his coronation), representing a vulture. Adored at Thebes.
NEITH: A woman draped, holding sometimes a bow and arrows, crowned with the crown of Lower Egypt. She presided over war, and the loom. Worshipped at Thebes.
ISIS: A woman crowned with the sun-disc surmounted by a throne, and sometimes enclosed between horns. Adored at Abydos. Her soul resided in Sothis on the Dog-star.
NUT: A woman so bent that her hands touched the earth. She represents the vault of heaven, and is the mother of the gods.
HATHOR: Cow-headed, and crowned with the disc and plumes. Deity of Amenti, or the Egyptian Hades. Worshipped at Denderah.
PASHT: Pasht and Bast appear to be two forms of the same goddess.
As Bast she is represented as a woman, lion-headed, with the disc
and uroeus; as Pasht she is cat-headed, and holds a sistrum.
Adored at Bubastis. Observe the syllable BAST.
The highest visible deity of the Egyptians was Amun Ra, or Amen Ra, the concealed sun; the word Ra signifying the sun. This name appears in the Greek and Latin writers as Zeus Ammon and Jupiter Ammon. When Amun manifests himself by his word, will or spirit, he is known as Nu, Num, Noub, Nef, Neph, or Kneph, and this word Kneph through the form Cnuphis is, perhaps, the Anubis of the Greek and Latin authors. That word has not been found earlier than the time of Augustus. Anubis was then worshipped as the guardian god, and represented with a dog's head.
The soul of Osiris was supposed to exist in some way in the sacred bull Apis, of which Serapis or Sarapis is probably another name. "Apis," says Herodotus, "is a young bull, whose hair is black, on his forehead a white triangle, — on his back an eagle, with a beetle under his tongue and with the hair of his tail double." Ovid says he is of various colors. Plutarch says he has a crescent on his right side. These superstitions varied from age to age. Apis was worshipped in Memphis.
It must be observed, in general, that the names in the Latin classics belong to a much later period of the Egyptian religion than the names found on most of the monuments. It will be found, that, as in the change from Nu to Anubis, it is difficult to trace the progress of a name from one to the other. In the cases where an ox, a ram, or a dog is worshipped with, or as a symbol of, a god, we probably have the survival of a very early local idolatry.
Horus or Harpocrates, named above, was the son of Osiris. He is sometimes represented, seated on a Lotus-flower, with his finger on his lips, as the god of silence.
In one of Moore's Irish Melodies is an allusion to Harpocrates: -
"Thyself shall, under some rosy bower,
Sit mute, with thy finger on thy lip:
Like him, the boy, who born among
The flowers that on the Nile-stream blush,
Sits over thus, his only song
To Earth and Heaven, "Hush, all, hush!"
MYTH OF OSIRIS AND ISIS
Osiris and Isis were at one time induced to descend to the earth to bestow gifts and blessings on its inhabitants. Isis showed them first the use of wheat and barley, and Osiris made the instruments of agriculture and taught men the use of them, as well as how to harness the ox to the plough. He then gave men laws, the institution of marriage, a civil organization, and taught them how to worship the gods. After he had thus made the valley of the Nile a happy country, he assembled a host with which he went to bestow his blessings upon the rest of the world. He conquered the nations everywhere, but not with weapons, only with music and eloquence. His brother Typhon (Typhon is supposed to be the Seth of the monuments) saw this, and filled with envy and malice sought, during his absence, to usurp his throne. But Isis, who held the reins of government, frustrated his plans. Still more embittered, he now resolved to kill his brother. This he did in the following manner: Having organized a conspiracy of seventy-two members, he went with them to the feast which was celebrated in honor of the king's return. He then caused a box or chest to be brought in, which had been made to fit exactly the size of Osiris, and declared that he would give that chest of precious wood to whosoever could get into it. The rest tried in vain, but no sooner was Osiris in it than Typhon and his companions closed the lid and flung the chest into the Nile. When Isis heard of the cruel murder she wept and mourned, and then with her hair shorn, clothed in black and beating her breast, she sought diligently for the body of her husband. In this search she was assisted by Anubis, the son of Osiris and Nephthys. They sought in vain for some time; for when the chest, carried by the waves to the shores of Byblos, had become entangled in the reeds that grew at the edge of the water, the divine power that dwelt in the body of Osiris imparted such strength to the shrub that it grew into a mighty tree, enclosing in its trunk the coffin of the god. This tree, with its sacred deposit, was shortly afterward felled, and erected as a column in the palace of the king of Phoenicia. But at length, by the aid of Anubis and the sacred birds, Isis ascertained these facts, and then went to the royal city. There she offered herself at the palace as a servant, and being admitted, threw off her disguise and appeared as the goddess, surrounded with thunder and lightning. Striking the column with her wand, she caused it to split open and give up the sacred coffin. This she seized and returned with it, and concealed it in the depth of a forest, but Typhon discovered it, and cutting the body into fourteen pieces, scattered them hither and thither. After a tedious search, Isis found thirteen pieces, the fishes of the Nile having eaten the other. This she replaced by an imitation of sycamore wood, and buried the body at Philoe, which became ever after the great burying place of the nation, and the spot to which pilgrimages were made from all parts of the country. A temple of surpassing magnificence was also erected there in honor of the god, and at every place where one of his limbs had been found, minor temples and tombs were built to commemorate the event. Osiris became after that the tutelar deity of the Egyptians. His soul was supposed always to inhabit the body of the bull Apis, and at his death to transfer itself to his successor.
Apis, the Bull of Memphis, was worshipped with the greatest reverence by the Egyptians. As soon as a bull marked with the marks which have been described, was found by those sent in search of him, he was placed in a building facing the east, and was fed with milk for four months. At the expiration of this term the priests repaired at new moon with great pomp, to his habitation, and saluted him Apis. He was placed in a vessel magnificently decorated and conveyed down the Nile to Memphis, where a temple, with two chapels and a court for exercise, was assigned to him. Sacrifices were made
to him, and once every year, about the time when the Nile began to rise, a golden cup was thrown into the river, and a grand festival was held to celebrate his birthday. The people believed that during this festival the crocodiles forgot their natural ferocity and became harmless. There was however one drawback to his happy lot; he was not permitted to live beyond a certain period; and if when he had attained the age of twenty-five years, he still survived, the priests drowned him in the sacred cistern, and then buried him in the temple of Serapis. On the death of this bull, whether it occurred in the course of nature or by violence, the whole land was filled with sorrow and lamentations, which lasted until his successor was found.
A new Apis was found as late as the reign of Hadrian. A mummy made from one of the Sacred Bulls may be seen in the Egyptian collection of the Historical Society, New York.
Milton, in his Hymn of the Nativity, alludes to the Egyptian deities, not as imaginary beings, but as real demons put to flight by the coming of Christ:
"The brutish gods of Nile as fast,
Isis and Horus and the dog Anubis haste.
Nor is Osiris seen
In Memphian grove or green
Trampling the unshowered* grass with lowings loud;
Nor can he be at rest
Within his sacred chest;
Nought but profoundest hell can be his shroud.
In vain with timbrel'd anthems dark
The sable-stoled sorcerers bear his worshipped ark."
*(There being no rain in Egypt, the grass is "unshowered," and the country depends for its fertility upon the overflowings of the Nile. The ark alluded to in the last line is shown by pictures still remaining on the walls of the Egyptian temples to have been borne by the priests in their religious processions. It probably represented the chest in which Osiris was placed.)
Isis was represented in statuary with the head veiled, a symbol of mystery. It is this which Tennyson alludes to in Maud, 0V.8
Bulfinch's Mythology: the Age of Fable Page 35
