Love Lies

by Unknown

  ‘Well, who the fuck has four years to waste?’ I mutter.

  Mark stares at me for a very long time and I think he’s going to say something important. He does, he says, ‘She’s got great tits, Cooper’s bird. Now enough chatter, we better get on with this interview. There’s a schedule to keep.’

  To combine licentiousness with novelty takes genuine effort and a little bit of luck. I wonder is it possible that Fern is my little bit of luck? Could Fern be the antidote to all of that excess?

  14. Fern

  A helicopter thunders overhead. The air whooshes across the ninety-thousand-strong crowd, banners declaring ‘We Love You’ are raised and the chanting crowd move their plea up a level. ‘Scot-tie, Scot-tie.’ The assumption is that Scottie Taylor (Scott to his friends) has just landed. But I know that he’s been here since before ten this morning. The secret inside knowledge bubbles in my stomach and fizzes a little bit lower, too.

  ‘I’ve never seen anything like it,’ says Jess; she’s breathless with excitement and therefore looks even more amazing than she usually does – who’d have thought such a thing was possible? ‘Adam has got us fantastic seats.’

  It’s true we are only metres from the stage. There are seats all around the stadium, but we are in ones closest to the action. We’re sat with other VIPs, such as press and friends of the band. It’s thrilling; on the few occasions I do attend music events I’m normally one of the squashed and jostled individuals, stood in the mosh pit. There’s always a fantastic atmosphere down in the mosh pit but there’s also the danger of being stamped to death by hysterical women or at the very least sustaining a serious injury from a bony elbow or someone who is body surfing. I have to admit, Adam’s job has its advantages after all. Right now, decent seats to a Scott Taylor gig trumps private health plans and even a company car, the sort of perks Lisa’s Charlie enjoys.

  ‘You’ve really gone the extra mile tonight, Jess. Have you made all this effort because it’s my birthday?’ I ask.

  Lisa interrupts, ‘You’re kidding, right? She’s done up to the nines because after your brief encounter with Scottie Taylor this morning she’s now harbouring a secret fantasy of her own.’

  ‘I’m not adverse to sloppy seconds in this instance,’ laughs Jess.

  Jess looks like Snow White (and the magic mirror did say that Snow White was the most beautiful woman in the land). She is tiny, only about five two, and her similarities to a doll don’t stop there. She has creamy, flawless skin, bright, deep cobalt blue eyes and jet black shoulder-length hair. She always wears ruby red lipstick – it’s her trade mark. Despite (or perhaps because of) her exceptional beauty Jess is often single. I don’t think I want Scott bumping into her because even the pink, glittering cowboy hat – that she insisted on buying off a tout – can’t detract from her beauty.

  Mentally, I punch myself. What am I thinking? It’s none of my business who Scott Taylor talks to. I have a boyfriend. What do I care if Jess gets her chance to play strip poker with Scott too?

  I’d tear her hair out.

  Just kidding.

  Sort of.

  Suddenly, red lights start to pulse across the stage and the crowd’s chant reaches almost hysterical levels; everyone is up out of their seats. The band members run on and take their places. As they pick up their instruments the screams of anticipation reach a near violent pitch. ‘Scottie Scot-tie.’ A sea of arms sway, claw and clap. The noise and the flesh become unrecognizable and indistinguishable; almost inhuman and yet utterly human in their basic longing for this one man. The lights go white and then green for go. And he’s here; striding on with a warmth and confidence that grabs every single member of the audience by the throat.

  He’s wearing a dark suit which is lined with a red fabric – the devil’s colours – an acknowledgement that everyone wants to get naughty with him. Everyone would sell their soul in an instant if he asked them to. And he’s wearing sunglasses, which hint at a mafia connection that is somehow thrilling and the right side of dangerous. He takes off his shades and women start to literally swoon; paramedics slip between the crowds to rescue fainting damsels before they are carelessly trodden underfoot.

  Then, in a flat northern voice, he says, ‘Hello, glad you could all make it. I am Scottie Taylor. And I’m here to give you a good time. Are you ready for me?’

  They are. They scream, and yell, and jump and weep. And I’m part of it. I’m not in the least bit cool. I’m screaming louder than anyone. Up out of my chair, I’m shrieking, leaping, swaying. The air is so charged with hope, excitement and lust that I can almost feel my body being thrown about. His first track, ‘Funk Me’, is a catchy number with a strong beat and a risqué lyric; the entire audience are bouncing up and down on their feet, clapping hands and enjoying the party. I’m surrounded by teeth and tits, they’re all enormous. There is no sign of cynical boyfriends who have been dragged here by their lusty girlfriends. Nor any spotting of the ‘yet to be convinced he’s really special, I’m just here with my mate’ types; everyone is already converted, we’re all fans. The place is alive with a special sort of energy. Good will – uncommonly short on the ground nowadays – is suddenly everywhere; you can bathe in it.

  After just one song no one cares that it will take them six hours to get out of the car park later on, or that the loos are awash with crap and the beers cost a fortune and are warm and flat. Everybody is happy. Every man wants to be him, every woman simply wants him. He weaves a special sort of spell across the entire stadium. Every single person there feels unique, despite the obvious – which is that they are thinking and feeling exactly the same as the eighty-nine thousand, nine hundred and ninety-nine others who are singing along. They all believe he is singing to them and just them; more, that he knows them in a way that they’ve never been known or understood before. Despite the enormous crowd he creates a feeling of intimacy. I’m sold.

  His lyrics are amazing; truly clever and thought-provoking. They talk to the innocents, the celebrity whores, the lovestruck and the cynical alike. Everybody thinks they can solve him and save him. He doesn’t let up for a moment. It’s pure gold entertainment. He works the crowd into a near frenzy, demanding, ‘Show me you love me,’ which gets the response of signs and banners being re-hoisted into the air. They read, ‘Marry me’, ‘Love me’, ‘Pick me’ and list telephone numbers. It’s weird. What do these women think he’s going to do? Look at one of them and think, ‘Oh yeah, you might make a great lifelong partner; I must make a note of your number and give you a bell to invite you to tea with my mum.’

  Yes, that’s exactly what they are hoping for. It’s desperate but it’s almost an understandable desperation. I can hardly comment; I played strip poker with the man a couple of hours after meeting him.

  Scott challenges one half of the stadium to sing and then the other side; he says one was louder than the other and creates a healthy competition. He singles out a girl at the front of the audience to sing to; she bursts into tears, he blows another a kiss and she lifts her top up to show him her bra. The girl next to her, determined not to be outdone, whips up her top and takes off her bra. Her huge double DD babies are caught on camera as Scott laughs and thanks her. Seemingly impromptu, he jumps off the stage and runs around the barrier touching the hands of the girls who scramble to reach him there. He pulls one girl on to the stage, sings to her and kisses her. Lucky, lucky woman. Everyone loves him.

  The sun sets during the concert and we’re all bathed in a wonderful orange light as he takes the tempo down and sings the dreamy song ‘Hurtful Regrets’, which would make women leave their husbands on the spot if he gave them the nod.

  Scottie works through his most famous tracks: ‘Fall Apart’, ‘Come Back to Me’ and my favourite, ‘Bit of Rough’. The audience are like long blades of grass bending in the wind and he can breeze or storm.

  ‘I can feel your love,’ he yells. ‘You are the best crowd I’ve ever had. You’ve made me so happy.’

  The
roar is deafening.

  It’s pitch black by the time he sings ‘Feeling Fine, That’s a Lie’, his first solo number one and the song that is still synonymous with his enormous success, even after fourteen more number one tracks. The stadium is aglow with camera flashes, strobe lights and smiling faces. He changes the words to ‘Feeling Fine, That’s No Lie’, and tells the audience, ‘And that’s because of you, and you, and you, and you.’ He points randomly at gasping girls. With the last ‘and you’, he catches my eye and pours a massive grin my way. My knees buckle. It might have been a random act or he might have been truly delighted to have caught my eye. The moment was too fleeting to be sure.

  And then that’s the end of the show. He leaps into the air and we all cheer and yell, cheer and yell some more. He doesn’t ask us to stop; he stares wide-eyed with amazement and cries, ‘I don’t know what to do. I don’t know what to say.’ He seems genuinely humbled.

  Although he’s left the stage the audience wait with bated breath knowing there will be an encore. He hasn’t sung ‘Stamp on Your Demons’ yet and everyone is expecting it.

  He bounces back on the stage and the confident, focused and devoted musicians start playing the chords we all recognize as ‘Stamp on Your Demons’.

  ‘Stop, stop. No, no, no,’ says Scott as he shakes his head and waves his arms. ‘I’m not singing that tonight.’

  The crowd assume this is part of Scottie’s show; he’s chatted between songs, flirted and had a laugh all night but I can see the band look genuinely perplexed. Maybe this is an unrehearsed, off-the-cuff moment. The papers always report that Scott can be a loose cannon.

  Scott turns to the audience. ‘Today is a special day for me. This is my first gig for two years and you lot have just been amazing. Mad. I love you.’ More cheering. ‘So, I hope you don’t mind if I just make tonight a bit special for someone else, too. You don’t mind, do you?’ Ninety thousand give him their cheer of approval. ‘A really lovely someone else, actually.’

  He nods at the pianist, who is at least in on the act, and then the familiar chords of ‘Happy Birthday’ start to ooze out into the night. Scott turns to me. His eyes bang the breath out of me. The intensity of the moment carves deep into my existence. I’m trembling. The noisy surrounding crowds blur into one irrelevant, indistinct mass. We are alone in an exquisite clarity. I’m aware of my pounding heart and knickers and nothing else matters. He blows me a kiss. In a confident, slow, sexy voice, with emerald eyes glistening, he sings the entire song.

  ‘Happy birthday to you, Happy birthday to you, Happy birthday dear Fern, Happy birthday to you.’

  To me!

  15. Fern

  ‘What the hell was all that about?’ asks Adam, the moment the door slams behind him. Our entire flat shakes.

  ‘I’m going to bed,’ says Jess. She scrambles off the sofa. ‘Night, happy birthday.’

  Adam stands in the door frame to our pokey sitting-room and glares at me.

  ‘What?’ I ask, mock innocent. I know what he is talking about. Nothing else has been on my mind for the last four hours. It’s all Jess and I have discussed. Scott Taylor sang ‘Happy Birthday’ to me, in front of ninety thousand people tonight. He called me ‘really lovely’. He blew me a kiss. How exciting is that!

  For me at least; maybe not so great for Adam, I suppose.

  ‘How did Scottie Taylor know it was your birthday?’ demands Adam. It’s nearly three in the morning. He had to stay and work on some light sequencing or something after the gig, so Jess, Lisa and I left without him. Lisa had to go straight home and get to bed, the kids will be up before six tomorrow, but Jess and I have been drinking ever since. We’ve sunk a bottle of champagne that Lisa gave me for my birthday and a bottle of white wine; this is on top of drinking a few beers each at the gig. It’s a good thing Adam came home when he did, otherwise we’d probably have started on the cooking sherry next. We’ve had a marvellous, giggly, excited night. We talked nonsense; lovely, lovely nonsense.

  Adam looks tired and drawn. He needs to take better care of himself. Maybe get a haircut or go to the gym. He looked so splendid this morning, but Scott’s perfection and the alcohol I’ve consumed have somehow left Adam looking a bit blurry; I can’t get him into focus.

  ‘I met him backstage before the gig. Didn’t I mention it?’ I ask as casually as I can.

  ‘No, you bloody didn’t.’

  ‘Didn’t I? Well, it was just a fleeting meet.’ Whoops. I’ve just slipped from being evasive to being a downright liar. The alcohol spins through my body and the fact that I told Adam a teeny tiny lie doesn’t seem like a big deal. I hope that it still doesn’t seem like a big deal in the morning; it’s so hard to judge it after so much to drink. Anyway, it’s my birthday, there’s probably a custom somewhere that states you don’t have to be a hundred per cent honest on your birthday. If not, there should be.

  ‘Fleeting?’ demands Adam sceptically. ‘You must have made quite an impression for him to sing to you in the middle of his biggest ever gig. Quite an impression.’

  Oh I hope so! Is that a terrible thing to think? It doesn’t feel terrible but looking at Adam, all startled and anxious, I consider it might be. I swallow my excitement and try to appear calm as I comment, ‘Scottie Taylor is a showman. He probably sings “Happy Birthday” to some woman every night of the gig. It was probably part of the show.’ I say this to placate Adam but at the same time I cross my fingers and hope to hell this isn’t the case.

  ‘No, it isn’t part of the gig,’ insists Adam irritably. ‘I know the exact run of his show. The impromptu “Happy Birthday” was a surprise to everyone; the sound and light technicians were all having a fit.’

  ‘Oh.’ I try to sound neutral – not bothered either way. Inside I’m dancing a jig.

  ‘How long, exactly, did you spend with him?’ he snaps.

  My good humour begins to wane a fraction; I don’t want to row with Adam but I do resent his tone. If Adam cared so much how I spent my thirtieth birthday then he should have made more of an effort. ‘I don’t know, some minutes,’ I reply evasively. One hundred and ninety-eight minutes to be exact, although this probably isn’t the time to share that fact with Adam.

  ‘And that was enough time for you to mention it was your birthday?’ asks Adam doubtfully.

  ‘It’s been the first thing I’ve told everyone all day.’

  I’m getting into this lying thing – one does seem to come quite fluently after another. I never knew that. I’ve never had to know it. Honesty has always been my policy. But I tell myself that my lies are only little lies. I don’t want to hurt Adam, not deliberately, and I suppose I know that what I’ve done today would hurt and anger him. I have to think this through. It’s all a bit of fun, isn’t it? No one should get hurt by a bit of fun. That’s daft.

  And if it’s more than a bit of fun?

  Well, it isn’t, is it? Least it can’t be to Scott; impossible. But he did sing to me. Oh God, my head is spinning, this isn’t the time to try to think about this.

  ‘He was flirting with you,’ says Adam in a tone that sounds rudely like disbelief.

  His tone causes me to be icier than I planned. ‘People occasionally do,’ I reply, defiantly folding my arms across my chest. I’ve spent this evening hugging myself with excitement but that’s not a casual pose; I’m likely to arouse Adam’s suspicions further.

  ‘Who does?’ demands Adam with a surprising slosh of jealousy. Hah! That’s got his attention. I revel in the novelty. He’s never jealous. Until today, I hadn’t realized just how neglectful Adam has always been. I’d thought his relaxed attitude was a tribute to our relationship, proof that we trusted and respected one another, but now I’m beginning to think that he’s simply indifferent towards me and that he’s only, finally, been stung to jealousy because he’s been publicly embarrassed at work.

  ‘Occasionally, men who come into the shop to buy flowers flirt with me.’

  ‘Dirtbags! Men buying their girlfr
iends flowers have the cheek to hit on my girlfriend? What sort of blokes are they?’

  ‘Sometimes they are buying flowers for their mums or sisters,’ I point out. ‘Anyway I’m just saying a bit of flirting – if that was what Scott was doing – means nothing. People do it. You should be flattered.’

  ‘Flattered that my boss hits on my girl in front of ninety thousand people?’ Adam is spluttering with indignation. I’m not sure when he metamorphosed into a caveman but I’m already beginning to be irritated by this macho act. It strikes me as too little, too late. My tolerance is soused; pickled in 13.7 per cent proof wine. My irritation is being cranked up. How dare Adam be so moody about Scott singing to me? Why is he ruining my special moment? If it wasn’t for Scott my birthday would have been a big letdown. I mean, OK, Adam got me the tickets for the gig but I was expecting an engagement ring! The tickets were free, and as great as the gig was it would just have been a free show if Scott hadn’t singled me out and sung to me.

  Which he did because I played strip poker with him unbeknown to my boyfriend. Ouch! My conscience stings for several moments. Even the copious amounts I’ve had to drink can’t soften the blow. Huffily, I push Jiminy Cricket aside.

  Adam’s contribution to my birthday was minimal. He hardly spent any time with me. He didn’t buy me anything; he didn’t so much as send me a card. He should be grovelling not yelling.

  ‘It was just a bit of fun. It made my birthday special. Really special actually, but he meant nothing by it.’

  I’m torn. Part of me wants to diffuse this situation. I want to calm Adam down so that we can put this incident away, perhaps in a beautifully carved wooden box somewhere deep in my mind; a box that, occasionally when I am alone, I will sneak open. I’ll revel in this wonderful, terrifically exciting memory but the flirtation will be compartmentalized. It won’t affect any other part of our lives. Adam won’t become angry and jealous, I won’t become deceitful and secretive, I won’t be consumed by longing for something other, something more. If this incident is immediately parcelled up and boxed off, then we will be able to sit down and talk about our futures – sensibly without ultimatums.