Erotic Classics I

by Various Authors

  As soon as I was fit to take a little air, my first concern was to find in the town some girl sufficiently adroit and intelligent to go to the Marquise’s château and find out what had taken place there since my departure. This apparently very dangerous inquisitiveness would without the slightest doubt have been exceedingly misplaced; but here it was not a question of mere Curiosity. What I had earned while with the Marquise remained in my room; I had scarcely six louis about me, and I possessed above forty at the château. I did not suppose the Count would be unkind enough to refuse me what was so legitimately mine. Persuaded that, his first fury once passed, he would not wish to do me such an injustice, I wrote a letter calculated to touch him as deeply as possible. I was careful to conceal my address and I begged him to send back my old clothes together with the small sum that would be found in my chamber. A lively and spirited peasant girl of twenty-five undertook to deliver my letter and promised to do her best to bring me back all the information she could garner upon the various subjects about which I gave her to understand I needed to be enlightened. I insisted, that above all else, she hide the name of the place where I was, that she not breathe a word of me in whatever form or connection, and that she say she had taken the letter from a man who had brought it from somewhere fifteen leagues away. Jeannette left, and twenty-four hours later she came back with the reply; it still exists, I have it here, Madame, but before you read it, deign to learn what had transpired at the Count’s château since I had been out of it.

  Having fallen seriously ill the very day I left, the Marquise de Bressac had been seized by frightful pains and convulsions, and had died the next morning; the family had rushed to the château and the nephew, seemingly gripped in the greatest desolation, had declared that his aunt had been poisoned by a chambermaid who had taken flight the same day. Inquiries were made, and they had the intention to put the wretch to death were she to be found; as for the rest, the Count discovered that the inheritance had made him much wealthier than he had ever anticipated he would be; the Marquise’s strongbox, pocketbook, and gems, all of them objects of which no one had known anything, put the nephew, apart from his revenues, in possession of more than six hundred thousand francs in chattels or cash. Behind his affected grief, the young man had, it was said, considerable trouble concealing his delight, and the relatives, convoked for the autopsy demanded by the Count, after having lamented the unhappy Marquise’s fate and sworn to avenge her should the culprit fall into their hands, had left the young man in undisputed and peaceful possession of his villainy. Monsieur de Bressac himself had spoken to Jeannette, he had asked a number of questions to which the girl had replied with such frankness and decision that he had resolved to give her his response without pressing her further. There is the fatal letter, said Thérèse, handing it to Madame de Lorsange, yes, there it is, Madame, sometimes my heart has need of it and I will keep it until I die; read it, read it without shuddering, if you can.

  Madame de Lorsange, having taken the note from our lovely adventuress’ hands, read therein the following words:

  The criminal capable of having poisoned my aunt is brazen indeed to dare thus write to me after her execrable deed; better still is the care with which she conceals her retreat; for she may be sure she will be discomfited if she is discovered. But what is it she has the temerity to demand? What are these references to money? Does what she left behind equal the thefts she committed, either during her sojourn in the house or while consummating her final crime? Let her avoid sending a second request similar to this, for she is advised her ambassador will be arrested and held until the law acquaints itself with the place where the guilty party is taking cover.

  Madame de Lorsange returned the note to Thérèse; “Continue, my dear child,” said she, “the man’s behavior is horrifying; to be swimming in gold and to deny her legitimate earnings to a poor creature who merely did not want to commit a crime, that is a gratuitous infamy entirely without example.”

  Alas! Madame, Thérèse continued, resuming her story, I was in tears for two days over that dreadful letter; I was far more afflicted by the thought of the horrible deed it attested than by the refusal it contained. Then, I groaned, then I am guilty, here am I a second time denounced to justice for having been overly respectful of the law! So be it, I repent nothing, I shall never know the least remorse so long as my soul is pure, and may I never be responsible for any evil other than that of having too much heeded the equitable and virtuous sentiments which will never abandon me.

  I was, however, simply unable to believe that the pursuits and inquiries the Count mentioned were really true, for they seemed highly implausible: it would be so dangerous for him to have me brought into court that I imagined there was far greater reason for him to be frightened at the prospect of having to confront me, than I had cause to tremble before his menaces. These reflections led me to decide to stay where I was and to remain, if possible, until the augmentation of my funds might allow me to move on; I communicated my plan to Rodin, who approved it, and even suggested I keep my chamber in his house; but first of all, before I speak of what I decided to do, it is necessary to give you an idea of this man and his entourage.

  Rodin was forty years of age, dark-haired, with shaggy eye-brows, a sparkling bright eye; there was about him what bespoke strength and health but, at the same time, libertinage. In wealth he was risen far above his native station, possessing from ten to twelve thousand pounds a year; owing to which, if Rodin practiced his surgical art, it was not out of necessity, but out of taste; he had a very attractive house in Saint-Marcel which, since the death of his wife two years previously, he shared with two girls, who were his servants, and with another, who was his own daughter. This young person, Rosalie by name, had just reached her fourteenth year; in her were gathered all the charms most capable of exciting admiration: the figure of a nymph, an oval face, clear, lovely, extraordinarily animated, delicate pretty features, very piquant as well, the prettiest mouth possible, very large dark eyes, soulful and full of feeling, chestnut-brown hair falling to below her waist, skin of an incredible whiteness . . . aglow, smooth, already the most beautiful throat in all the world, and, furthermore, wit, vivacity, and one of the most beautiful souls Nature has yet created. With respect to the companions with whom I was to serve in this household, they were two peasant girls: one of them was a governess, the other the cook. She who held the first post could have been twenty-five, the other eighteen or twenty, and both were extremely attractive; their looks suggested a deliberate choice, and this in turn caused the birth of some suspicions as to why Rodin was pleased to accommodate me. What need has he of a third woman? I asked myself, and why does he wish them all to be pretty? Assuredly, I continued, there is something in all this that little conforms with the regular manners from which I wish never to stray; we’ll see.

  In consequence, I besought Monsieur Rodin to allow me to extend my convalescence at his home for yet another week, declaring that, at the end of this time, he would have my reply to what he had very kindly proposed.

  I profited from this interval by attaching myself more closely to Rosalie, determined to establish myself in her father’s house only if there should prove to be nothing about it whence I might be obliged to take umbrage. With these designs, I cast appraising glances in every direction, and, on the following day, I noticed that this man enjoyed an arrangement which straightway provoked in me furious doubts concerning his behavior.

  Monsieur Rodin kept a school for children of both sexes; during his wife’s lifetime he had obtained the required charter and they had not seen fit to deprive him of it after he had lost her. Monsieur Rodin’s pupils were few but select: in all, there were but fourteen girls and fourteen boys: he never accepted them under twelve and they were always sent away upon reaching the age of sixteen; never had monarch prettier subjects than Rodin. If there were brought to him one who had some physical defect or a face that left something to be desired, he knew how t
o invent twenty excuses for rejecting him, all his arguments were very ingenious, they were always colored by sophistries to which no one seemed able to reply; thus, either his corps of little day students had incomplete ranks, or the children who filled them were always charming. These youngsters did not take their meals with him, but came twice a day, from seven to eleven in the morning, from four to eight in the afternoon. If until then I had not yet seen all of this little troupe it was because, having arrived at Rodin’s during the holidays, his scholars were not attending classes; toward the end of my recovery they reappeared.

  Rodin himself took charge of the boys’ instruction, his governess looked after that of the girls, whom he would visit as soon as he had completed his own lessons; he taught his young pupils writing, arithmetic, a little history, drawing, music, and for all that no other master but himself was employed.

  I early expressed to Rosalie my astonishment that her father, while performing his functions as a doctor, could at the same time act as a schoolmaster; it struck me as odd, said I, that being able to live comfortably without exercising either the one or the other of these professions, he devoted himself to both. Rosalie, who by now had become very fond of me, fell to laughing at my remark; the manner in which she reacted to what I said only made me the more curious, and I besought her to open herself entirely to me.

  “Listen,” said that charming girl, speaking with all the candor proper to her age, and all the naïveté of her amiable character; “listen to me, Thérèse, I am going to tell you everything, for I see you are a well brought up girl . . . incapable of betraying the secret I am going to confide to you.

  “Certainly, dear friend, my father could make ends meet without pursuing either of these two occupations; and if he pursues both at once, it is because of the two motives I am going to reveal to you. He practices medicine because he has a liking for it; he takes keen pleasure in using his skill to make new discoveries, he has made so many of them, he has written so many authoritative texts based upon his investigations that he is generally acknowledged the most accomplished man in France at the present time; he worked for twenty years in Paris, and for the sake of his amusements he retired to the country. The real surgeon at Saint-Marcel is someone named Rombeau whom he has taken under his tutelage and with whom he collaborates upon experiments; and now, Thérèse, would you know why he runs a school? . . . Libertinage, my child, libertinage alone, a passion he carries to its extremes. My father finds in his pupils of either sex objects whose dependence submits them to his inclinations, and he exploits them. . . . But wait a moment . . . come with me,” said Rosalie, “today is Friday, one of the three days during the week when he corrects those who have misbehaved; it is in this kind of punishment my father takes his pleasure; follow me, I tell you, you shall see how he behaves. Everything is visible from a closet in my room which adjoins the one where he concludes his business; let’s go there without making any noise, and above all be careful not to say a word both about what I am telling you and about what you are going to witness.”

  It was a matter of such great importance to familiarize myself with the customs of this person who had offered me asylum, that I felt I could neglect nothing which might discover them to me; I follow hard upon Rosalie’s heels, she situates me near a partition, through cracks between its ill-joined boards one can view everything going on in the neighboring room.

  Hardly have we taken up our post when Rodin enters, leading a fourteen-year-old girl, blond and as pretty as Love; the poor creature is sobbing away, all too unhappily aware of what awaits her; she comes in with moans and cries; she throws herself down before her implacable instructor, she entreats him to spare her, but his very inexorability fires the first sparks of the unbending Rodin’s pleasure, his heart is already aglow, and his savage glances spring alive with an inner light. . . .

  “Why, no, no,” he cries, “not for one minute, this happens far too frequently, Julie, I repent my forbearance and leniency, their sole result has been repeated misconduct on your part, but could the gravity of this most recent example of it possibly allow me to show clemency, even supposing I wished to? A note passed to a boy upon entering the classroom!”

  “Sir, I protest to you, I did not -”

  “Ah I but I saw it, my dear, I saw it.”

  “Don’t believe a word of it,” Rosalie whispered to me, “these are trifles he invents by way of pretext; that little creature is an angel, it is because she resists him he treats her harshly.”

  Meanwhile, Rodin, greatly aroused, had seized the little girl’s hands, tied them to a ring fitted high upon a pillar standing in the middle of the punishment room. Julie is without any defense . . . any save the lovely face languishingly turned toward her executioner, her superb hair in disarray, and the tears which inundate the most beautiful face in the world, the sweetest . . . the most interesting. Rodin dwells upon the picture, is fired by it, he covers those supplicating eyes with a blindfold, approaches his mouth and dares kiss them, Julie sees nothing more, now able to proceed as he wishes, Rodin removes the veils of modesty, her blouse is unbuttoned, her stays untied, she is naked to the waist and yet further below. . . . What whiteness! What beauty! These are roses strewn upon lilies by the Graces’ very hands . . . what being is so heartless, so cruel as to condemn to torture charms so fresh . . . so poignant? What is the monster that can seek pleasure in the depths of tears and suffering and woe? Rodin contemplates . . . his inflamed eye roves, his hands dare profane the flowers his cruelties are about to wither; all takes place directly before us, not a detail can escape us: now the libertine opens and peers into, now he closes up again those dainty features which enchant him; he offers them to us under every form, but he confines himself to these only: although the true temple of Love is within his reach, Rodin, faithful to his creed, casts not so much as a glance in that direction, to judge by his behavior, he fears even the sight of it; if the child’s posture exposes those charms, he covers them over again; the slightest disturbance might upset his homage, he would have nothing distract him . . . finally, his mounting wrath exceeds all limits, at first he gives vent to it through invectives, with menaces and evil language he affrights this poor little wretch trembling before the blows wherewith she realizes she is about to be torn; Rodin is beside himself, he snatches up a cat-o’-nine-tails that has been soaking in a vat of vinegar to give the thongs tartness and sting. “Well there,” says he, approaching his victim, “prepare yourself, you have got to suffer”; he swings a vigorous arm, the lashes are brought whistling down upon every inch of the body exposed to them; twenty-five strokes are applied; the tender pink rosiness of this matchless skin is in a trice run into scarlet.

  Julie emits cries . . . piercing screams which rend me to the soul; tears run down from beneath her blindfold and like pearls shine upon her beautiful cheeks; whereby Rodin is made all the more furious. . . . He puts his hands upon the molested parts, touches, squeezes, worries them, seems to be readying them for further assaults; they follow fast upon the first, Rodin begins again, not a cut he bestows is unaccompanied by a curse, a menace, a reproach . . . blood appears . . . Rodin is in an ecstasy; his delight is immense as he muses upon the eloquent proofs of his ferocity. He can contain himself no longer, the most indecent condition manifests his overwrought state; he fears not to bring everything out of hiding, Julie cannot see it . . . he moves to the breech and hovers there, he would greatly like to mount as a victor, he dares not, instead, he begins to tyrannize anew; Rodin whips with might and main and finally manages, thanks to the leathern stripes, to open this asylum of the Graces and of joy. . . . He no longer knows who he is or where; his delirium has attained to such a pitch the use of reason is no longer available to him; he swears, he blasphemes, he storms, nothing is exempt from his savage blows, all he can reach is treated with identical fury, but the villain pauses nevertheless, he senses the impossibility of going further without risking the loss of the powers whic
h he must preserve for new operations.

  “Dress yourself,” he says to Julie, loosening her bonds and readjusting his own costume, “and if you are once again guilty of similar misconduct, bear it firmly in mind you will not get off quite so lightly.”

  Julie returns to her class, Rodin goes into the boys’ and immediately brings back a young scholar of fifteen, lovely as the day; Rodin scolds him; doubtless more at his ease with the lad, he wheedles and kisses while lecturing him.

  “You deserve to be punished,” he observes, “and you are going to be.”

  Having uttered these words, he oversteps the last bounds of modesty with the child; for in this case, everything is of interest to him, nothing is excluded, the veils are drawn aside, everything is palpated indiscriminately; Rodin alternates threats, caresses, kisses, curses; his impious fingers attempt to generate voluptuous sentiments in the boy and, in his turn, Rodin demands identical ministrations.