“Will you pardon me for asking you, sir, but that lady who is acting—do you know her?”
“Yes, I do a little,” murmured Daguenet with some surprise and hesitation.
“Then you know her address?”
The question, addressed as it was to him, came so abruptly that he felt inclined to respond with a box on the ear.
“No,” he said in a dry tone of voice.
And with that he turned his back. The fair lad knew that he had just been guilty of some breach of good manners. He blushed more hotly than ever and looked scared.
The traditional three knocks were given, and among the returning throng, attendants, laden with pelisses and overcoats, bustled about at a great rate in order to put away people’s things. The clappers applauded the scenery, which represented a grotto on Mount Etna, hollowed out in a silver mine and with sides glittering like new money. In the background Vulcan’s forge glowed like a setting star. Diana, since the second act, had come to a good understanding with the god, who was to pretend that he was on a journey, so as to leave the way clear for Venus and Mars. Then scarcely was Diana alone than Venus made her appearance. A shiver of delight ran round the house. Nana was nude. With quiet audacity she appeared in her nakedness, certain of the sovereign power of her flesh. Some gauze enveloped her, but her rounded shoulders, her Amazonian bosom, her wide hips, which swayed to and fro voluptuously, her whole body, in fact, could be divined, nay discerned, in all its foam-like whiteness of tint beneath the slight fabric she wore. It was Venus rising from the waves with no veil save her tresses. And when Nana lifted her arms the golden hairs in her armpits could be seen in the glare of the footlights. There was no applause. Nobody laughed any more. The men strained forward with serious faces, sharp features, mouths irritated and parched. A wind seemed to have passed, a soft, soft wind, laden with a secret menace. Suddenly in the bouncing child the woman stood discovered, a woman full of restless suggestion, who brought with her the delirium of sex and opened the gates of the unknown world of desire. Nana was smiling still, but her smile was now bitter, as of a devourer of men.
“By God,” said Fauchery quite simply to La Faloise.
Mars in the meantime, with his plume of feathers, came hurrying to the trysting place and found himself between the two goddesses. Then ensued a passage which Prullière played with great delicacy. Petted by Diana, who wanted to make a final attack upon his feelings before delivering him up to Vulcan, wheedled by Venus, whom the presence of her rival excited, he gave himself up to these tender delights with the beatified expression of a man in clover. Finally a grand trio brought the scene to a close, and it was then that an attendant appeared in Lucy Stewart’s box and threw on the stage two immense bouquets of white lilacs. There was applause; Nana and Rose Mignon bowed, while Prullière picked up the bouquets. Many of the occupants of the stalls turned smilingly toward the ground-floor occupied by Steiner and Mignon. The banker, his face blood-red, was suffering from little convulsive twitchings of the chin, as though he had a stoppage in his throat.
What followed took the house by storm completely. Diana had gone off in a rage, and directly afterward, Venus, sitting on a moss-clad seat, called Mars to her. Never yet had a more glowing scene of seduction been ventured on. Nana, her arms round Prullière’s neck, was drawing him toward her when Fontan, with comically furious mimicry and an exaggerated imitation of the face of an outraged husband who surprises his wife in flagrante delicto, appeared at the back of the grotto. He was holding the famous net with iron meshes. For an instant he poised and swung it, as a fisherman does when he is going to make a cast, and by an ingenious twist Venus and Mars were caught in the snare; the net wrapped itself round them and held them motionless in the attitude of happy lovers.
A murmur of applause swelled and swelled like a growing sigh. There was some clapping, and every opera glass was fixed on Venus. Little by little Nana had taken possession of the public, and now every man was her slave.
A wave of lust had flowed from her as from an excited animal, and its influence had spread and spread and spread till the whole house was possessed by it. At that moment her slightest movement blew the flame of desire: with her little finger she ruled men’s flesh. Backs were arched and quivered as though unseen violin bows had been drawn across their muscles; upon men’s shoulders appeared fugitive hairs, which flew in air, blown by warm and wandering breaths, breathed one knew not from what feminine mouth. In front of him Fauchery saw the truant schoolboy half lifted from his seat by passion. Curiosity led him to look at the Count de Vandeuvres—he was extremely pale, and his lips looked pinched—at fat Steiner, whose face was purple to the verge of apoplexy; at Labordette, ogling away with the highly astonished air of a horse dealer admiring a perfectly shaped mare; at Daguenet, whose ears were blood-red and twitching with enjoyment. Then a sudden idea made him glance behind, and he marveled at what he saw in the Muffats’ box. Behind the countess, who was white and serious as usual, the count was sitting upright, with mouth agape and face mottled with red, while close by him, in the shadow, the restless eyes of the Marquis de Chouard had become catlike, full of golden sparkles. The house was suffocating; people’s very hair grew heavy on their perspiring heads. For three hours back the breath of the multitude had filled and heated the atmosphere with a scent of crowded humanity. Under the swaying glare of the gas the dust clouds in mid-air had grown constantly denser as they hung motionless beneath the chandelier. The whole house seemed to be oscillating, to be lapsing toward dizziness in its fatigue and excitement, full, as it was, of those drowsy midnight desires which flutter in the recesses of the bed of passion. And Nana, in front of this languorous public, these fifteen hundred human beings thronged and smothered in the exhaustion and nervous exasperation which belong to the close of a spectacle, Nana still triumphed by right of her marble flesh and that sexual nature of hers, which was strong enough to destroy the whole crowd of her adorers and yet sustain no injury.
The piece drew to a close. In answer to Vulcan’s triumphant summons all the Olympians defiled before the lovers with ohs and ahs of stupefaction and gaiety. Jupiter said, “I think it is light conduct on your part, my son, to summon us to see such a sight as this.” Then a reaction took place in favor of Venus. The chorus of cuckolds was again ushered in by Iris and besought the master of the gods not to give effect to its petition, for since women had lived at home, domestic life was becoming impossible for the men: the latter preferred being deceived and happy. That was the moral of the play. Then Venus was set at liberty, and Vulcan obtained a partial divorce from her. Mars was reconciled with Diana, and Jove, for the sake of domestic peace, packed his little laundress off into a constellation. And finally they extricated Love from his black hole, where instead of conjugating the verb amo he had been busy in the manufacture of “dollies.” The curtain fell on an apotheosis, wherein the cuckolds’ chorus knelt and sang a hymn of gratitude to Venus, who stood there with smiling lips, her stature enhanced by her sovereign nudity.
The audience, already on their feet, were making for the exits. The authors were mentioned, and amid a thunder of applause there were two calls before the curtain. The shout of “Nana! Nana!” rang wildly forth. Then no sooner was the house empty than it grew dark: the footlights went out; the chandelier was turned down; long strips of gray canvas slipped from the stage boxes and swathed the gilt ornamentation of the galleries, and the house, lately so full of heat and noise, lapsed suddenly into a heavy sleep, while a musty, dusty odor began to pervade it. In the front of her box stood the Countess Muffat. Very erect and closely wrapped up in her furs, she stared at the gathering shadows and waited for the crowd to pass away.
In the passages the people were jostling the attendants, who hardly knew what to do among the tumbled heaps of outdoor raiment. Fauchery and La Faloise had hurried in order to see the crowd pass out. All along the entrance hall men formed a living hedge, while down the double
staircase came slowly and in regular, complete formation two interminable throngs of human beings. Steiner, in tow of Mignon, had left the house among the foremost. The Count de Vandeuvres took his departure with Blanche de Sivry on his arm. For a moment or two Gaga and her daughter seemed doubtful how to proceed, but Labordette made haste to go and fetch them a conveyance, the door whereof he gallantly shut after them. Nobody saw Daguenet go by. As the truant schoolboy, registering a mental vow to wait at the stage door, was running with burning cheeks toward the Passage des Panoramas, of which he found the gate closed, Satin, standing on the edge of the pavement, moved forward and brushed him with her skirts, but he in his despair gave her a savage refusal and vanished amid the crowd, tears of impotent desire in his eyes. Members of the audience were lighting their cigars and walking off, humming:
When Venus roams at eventide.
Satin had gone back in front of the Café des Variétés, where Auguste let her eat the sugar that remained over from the customers’ orders. A stout man, who came out in a very heated condition, finally carried her off in the shadow of the boulevard, which was now gradually going to sleep.
Still people kept coming downstairs. La Faloise was waiting for Clarisse; Fauchery had promised to catch up Lucy Stewart with Caroline Héquet and her mother. They came; they took up a whole corner of the entrance hall and were laughing very loudly when the Muffats passed by them with an icy expression. Bordenave had just then opened a little door and, peeping out, had obtained from Fauchery the formal promise of an article. He was dripping with perspiration, his face blazed, as though he were drunk with success.
“You’re good for two hundred nights,” La Faloise said to him with civility. “The whole of Paris will visit your theater.”
But Bordenave grew annoyed and, indicating with a jerk of his chin the public who filled the entrance hall—a herd of men with parched lips and ardent eyes, still burning with the enjoyment of Nana—he cried out violently:
“Say ‘my brothel,’ you obstinate devil!”
Chapter II
At ten o’clock the next morning Nana was still asleep. She occupied the second floor of a large new house in the Boulevard Haussmann, the landlord of which let flats to single ladies in order by their means to dry the paint. A rich merchant from Moscow, who had come to pass a winter in Paris, had installed her there after paying six months’ rent in advance. The rooms were too big for her and had never been completely furnished. The vulgar sumptuosity of gilded consoles and gilded chairs formed a crude contrast therein to the bric-a-brac of a secondhand furniture shop—to mahogany round tables, that is to say, and zinc candelabras, which sought to imitate Florentine bronze. All of which smacked of the courtesan too early deserted by her first serious protector and fallen back on shabby lovers, of a precarious first appearance of a bad start, handicapped by refusals of credit and threats of eviction.
Nana was sleeping on her face, hugging in her bare arms a pillow in which she was burying cheeks grown pale in sleep. The bedroom and the dressing room were the only two apartments which had been properly furnished by a neighboring upholsterer. A ray of light, gliding in under a curtain, rendered visible rosewood furniture and hangings and chair-backs of figured damask with a pattern of big blue flowers on a gray ground. But in the soft atmosphere of that slumbering chamber Nana suddenly awoke with a start, as though surprised to find an empty place at her side. She looked at the other pillow lying next to hers; there was the dint of a human head among its flounces: it was still warm. And groping with one hand, she pressed the knob of an electric bell by her bed’s head.
“He’s gone then?” she asked the maid who presented herself.
“Yes, Madame, Monsieur Paul went away not ten minutes back. As Madame was tired, he did not wish to wake her. But he ordered me to tell Madame that he would come tomorrow.”
As she spoke Zoé, the lady’s maid, opened the outer shutter. A flood of daylight entered. Zoé, a dark brunette with hair in little plaits, had a long canine face, at once livid and full of seams, a snub nose, thick lips and two black eyes in continual movement.
“Tomorrow, tomorrow,” repeated Nana, who was not yet wide awake, “is tomorrow the day?”
“Yes, madame, Monsieur Paul has always come on the Wednesday.”
“No, now I remember,” said the young woman, sitting up. “It’s all changed. I wanted to tell him so this morning. He would run against the nigger! We should have a nice to-do!”
“Madame did not warn me; I couldn’t be aware of it,” murmured Zoé. “When Madame changes her days she will do well to tell me so that I may know. Then the old miser is no longer due on the Tuesday?”
Between themselves they were wont thus gravely to nickname as “old miser” and “nigger” their two paying visitors, one of whom was a tradesman of economical tendencies from the Faubourg Saint-Denis, while the other was a Walachian, a mock count, whose money, paid always at the most irregular intervals, never looked as though it had been honestly come by. Daguenet had made Nana give him the days subsequent to the old miser’s visits, and as the trader had to be at home by eight o’clock in the morning, the young man would watch for his departure from Zoé’s kitchen and would take his place, which was still quite warm, till ten o’clock. Then he, too, would go about his business. Nana and he were wont to think it a very comfortable arrangement.
“So much the worse,” said Nana; “I’ll write to him this afternoon. And if he doesn’t receive my letter, then tomorrow you will stop him coming in.”
In the meantime Zoé was walking softly about the room. She spoke of yesterday’s great hit. Madame had shown such talent; she sang so well! Ah! Madame need not fret at all now!
Nana, her elbow dug into her pillow, only tossed her head in reply. Her nightdress had slipped down on her shoulders, and her hair, unfastened and entangled, flowed over them in masses.
“Without doubt,” she murmured, becoming thoughtful; “but what’s to be done to gain time? I’m going to have all sorts of bothers today. Now let’s see, has the porter come upstairs yet this morning?”
Then both women talked together seriously. Nana owed three quarters’ rent; the landlord was talking of seizing the furniture. Then, too, there was a perfect downpour of creditors; there was a livery-stable man, a needlewoman, a ladies’ tailor, a charcoal dealer and others besides, who came every day and settled themselves on a bench in the little hall. The charcoal dealer especially was a dreadful fellow—he shouted on the staircase. But Nana’s greatest cause of distress was her little Louis, a child she had given birth to when she was sixteen and now left in charge of a nurse in a village in the neighborhood of Rambouillet. This woman was clamoring for the sum of three hundred francs before she would consent to give the little Louis back to her. Nana, since her last visit to the child, had been seized with a fit of maternal love and was desperate at the thought that she could not realize a project, which had now become a hobby with her. This was to pay off the nurse and to place the little man with his aunt, Madame Lerat, at the Batignolles, whither she could go and see him as often as she liked.
Meanwhile the lady’s maid kept hinting that her mistress ought to have confided her necessities to the old miser.
“To be sure, I told him everything,” cried Nana, “and he told me in answer that he had too many big liabilities. He won’t go beyond his thousand francs a month. The nigger’s beggared just at present; I expect he’s lost at play. As to that poor Mimi, he stands in great need of a loan himself; a fall in stocks has cleaned him out—he can’t even bring me flowers now.”
She was speaking of Daguenet. In the self-abandonment of her awakening she had no secrets from Zoé, and the latter, inured to such confidences, received them with respectful sympathy. Since Madame condescended to speak to her of her affairs she would permit herself to say what she thought. Besides, she was very fond of Madame; she had left Mme Blanche for the expres
s purpose of taking service with her, and heaven knew Mme Blanche was straining every nerve to have her again! Situations weren’t lacking; she was pretty well known, but she would have stayed with Madame even in narrow circumstances, because she believed in Madame’s future. And she concluded by stating her advice with precision. When one was young one often did silly things. But this time it was one’s duty to look alive, for the men only thought of having their fun. Oh dear, yes! Things would right themselves. Madame had only to say one word in order to quiet her creditors and find the money she stood in need of.
“All that doesn’t help me to three hundred francs,” Nana kept repeating as she plunged her fingers into the vagrant convolutions of her back hair. “I must have three hundred francs today, at once! It’s stupid not to know anyone who’ll give you three hundred francs.”
She racked her brains. She would have sent Mme Lerat, whom she was expecting that very morning, to Rambouillet. The counteraction of her sudden fancy spoiled for her the triumph of last night. Among all those men who had cheered her, to think that there wasn’t one to bring her fifteen louis! And then one couldn’t accept money in that way! Dear heaven, how unfortunate she was! And she kept harking back again to the subject of her baby—he had blue eyes like a cherub’s; he could lisp “Mamma” in such a funny voice that you were ready to die of laughing!
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