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The Map and the Clock

Page 37

by Carol Ann Duffy


  Such large round eyes of the owl among the trees.

  All seems immortal but for the dangling mouse,

  an old hurt string among the harmony

  of the masterful and jewelled orchestra

  which shows no waste soundlessly playing on.

  IAIN CRICHTON SMITH

  You Are at the Bottom of My Mind

  from the Gaelic

  Without my knowing it you are at the bottom of my mind

  like a visitor to the bottom of the sea

  with his helmet and his two large eyes,

  and I do not rightly know your appearance or your manner

  after five years of showers

  of time pouring between me and you:

  nameless mountains of water pouring

  between me hauling you on board

  and your appearance and manner in my weak hands.

  You went astray

  among the mysterious plants of the sea-bed

  in the green half-light without love,

  and you will never rise to the surface

  though my hands are hauling ceaselessly,

  and I do not know your way at all,

  you in the half-light of your sleep

  haunting the bed of the sea without ceasing

  and I hauling and hauling on the surface.

  IAIN CRICHTON SMITH

  Some Poetry

  Poetry is a loose term and only

  A fool would offer a definition.

  Those not concerned with the form

  At all usually refer to some

  Beautiful manifestation or the other.

  Chopin, dying in hellish foggy London,

  Wrote to say he was leaving for

  Paris to finish the ultimate act,

  Begging Grzymala to make his room ready

  And not to forget a bunch of violets

  So that he would have a little poetry

  Around him when he returned.

  I like to think the violets were

  Easily obtainable and that the poetry

  Was there, on the table, breathing

  Wordless volumes for one too tired

  To turn pages while moving swiftly

  Towards an inevitable incomprehensible form.

  FREDA DOWNIE

  Hampstead: the Horse Chestnut Trees

  At the top of a low hill

  two stand together, green

  bobbings contained within

  the general sway. They

  must be about my age.

  My brother and I

  rode between them and

  down the hill and the impetus

  took us on without pedalling

  to be finally braked by

  a bit of sullen marsh

  (no longer there) where the mud

  was coloured by the red-brown

  oozings of iron. It

  was autumn

  or was it?

  Nothing to keep it there, the

  smell of leaf in May

  sweet and powerful as rutting

  confuses me now, it’s all

  getting lost, I started

  forgetting it even as I wrote.

  Forms remain, not the life

  of detail or hue

  then the forms are lost and

  only a few dates stay with you.

  But the trees have no sentiments

  their hearts are wood

  and preserve nothing

  their

  boles get great, they are

  embraced by the wind they

  rushingly embrace,

  they spread outward

  and upward

  without regret

  hardening tender green

  to insensate lumber.

  THOM GUNN

  Father in the Railway Buffet

  What are you doing here, ghost, among these urns,

  These film-wrapped sandwiches and help-yourself biscuits,

  Upright and grand, with your stick, hat and gloves,

  Your breath of eau-de-cologne?

  What have you to say to these head-scarfed tea-ladies,

  For whom your expensive vowels are exotic as Japan?

  Stay, ghost, in your proper haunts, the clubland smoke-rooms,

  Where you know the waiters by name.

  You have no place among these damp and nameless.

  Why do you walk here? I came to say goodbye.

  You were ashamed of me for being different.

  It didn’t matter.

  You who never even learned to queue?

  U. A. FANTHORPE

  Football at Slack

  Between plunging valleys, on a bareback of hill

  Men in bunting colours

  Bounced, and their blown ball bounced.

  The blown ball jumped, and the merry-coloured men

  Spouted like water to head it.

  The ball blew away downwind –

  The rubbery men bounced after it.

  The ball jumped up and out and hung on the wind

  Over a gulf of treetops.

  Then they all shouted together, and the ball blew back.

  Winds from fiery holes in heaven

  Piled the hills darkening around them

  To awe them. The glare light

  Mixed its mad oils and threw glooms.

  Then the rain lowered a steel press.

  Hair plastered, they all just trod water

  To puddle glitter. And their shouts bobbed up

  Coming fine and thin, washed and happy

  While the humped world sank foundering

  And the valleys blued unthinkable

  Under depth of Atlantic depression –

  But the wingers leapt, they bicycled in air

  And the goalie flew horizontal

  And once again a golden holocaust

  Lifted the cloud’s edge, to watch them.

  TED HUGHES

  Wind

  This house has been far out at sea all night,

  The woods crashing through darkness, the booming hills,

  Winds stampeding the fields under the window

  Floundering black astride and blinding wet

  Till day rose; then under an orange sky

  The hills had new places, and wind wielded

  Blade-light, luminous and emerald,

  Flexing like the lens of a mad eye.

  At noon I scaled along the house-side as far as

  The coal-house door. I dared once to look up –

  Through the brunt wind that dented the balls of my eyes

  The tent of the hills drummed and strained its guyrope,

  The fields quivering, the skyline a grimace,

  At any second to bang and vanish with a flap:

  The wind flung a magpie away and a black–

  Back gull bent like an iron bar slowly. The house

  Rang like some fine green goblet in the note

  That any second would shatter it. Now deep

  In chairs, in front of the great fire, we grip

  Our hearts and cannot entertain book, thought,

  Or each other. We watch the fire blazing,

  And feel the roots of the house move, but sit on,

  Seeing the window tremble to come in,

  Hearing the stones cry out under the horizons.

  TED HUGHES

  Epiphany

  London. The grimy lilac softness

  Of an April evening. Me

  Walking over Chalk Farm Bridge

  On my way to the tube station.

  A new father – slightly light-headed

  With the lack of sleep and the novelty.

  Next, this young fellow coming towards me.

  I glanced at him for the first time as I passed him

  Because I noticed (I couldn’t believe it)

  What I’d been ignoring.

  Not the bulge of a small animal

  Buttoned into the top of his jacket

  The way colliers u
sed to wear their whippets –

  But its actual face. Eyes reaching out

  Trying to catch my eyes – so familiar!

  The huge ears, the pinched, urchin expression –

  The wild confronting stare, pushed through fear,

  Between the jacket lapels.

  ‘It’s a fox-cub!’

  I heard my own surprise as I stopped.

  He stopped. ‘Where did you get it? What

  Are you going to do with it?’

  A fox-cub

  On the hump of Chalk Farm Bridge!

  ‘You can have him for a pound.’ ‘But

  Where did you find it? What will you do with it?’

  ‘Oh, somebody’ll buy him. Cheap enough

  At a pound.’ And a grin.

  What I was thinking

  Was – what would you think? How would we fit it

  Into our crate of space? With the baby?

  What would you make of its old smell

  And its mannerless energy?

  And as it grew up and began to enjoy itself

  What would we do with an unpredictable,

  Powerful, bounding fox?

  The long-mouthed, flashing temperament?

  That necessary nightly twenty miles

  And that vast hunger for everything beyond us?

  How would we cope with its cosmic derangements

  Whenever we moved?

  The little fox peered past me at other folks,

  At this one and at that one, then at me.

  Good luck was all it needed.

  Already past the kittenish

  But the eyes still small,

  Round, orphaned-looking, woebegone

  As if with weeping. Bereft

  Of the blue milk, the toys of feather and fur,

  The den life’s happy dark. And the huge whisper

  Of the constellations

  Out of which Mother had always returned.

  My thoughts felt like big, ignorant hounds

  Circling and sniffing around him.

  Then I walked on

  As if out of my own life.

  I let that fox-cub go. I tossed it back

  Into the future

  Of a fox-cub in London and I hurried

  Straight on and dived as if escaping

  Into the Underground. If I had paid,

  If I had paid that pound and turned back

  To you, with that armful of fox –

  If I had grasped that whatever comes with a fox

  Is what tests a marriage and proves it a marriage –

  I would not have failed the test. Would you have failed it?

  But I failed. Our marriage had failed.

  TED HUGHES

  Elegy for the Welsh Dead, in the Falkland Islands, 1982

  Gwŷr a aeth Gatraeth oedd ffraeth eu llu;

  Glasfedd eu hancwyn, a gwenwyn fu.

  – Y Gododdin (6th century)

  Men went to Catraeth, keen was their company.

  They were fed on fresh mead, and it proved poison.

  Men went to Catraeth. The luxury liner

  For three weeks feasted them.

  They remembered easy ovations,

  Our boys, splendid in courage.

  For three weeks the albatross roads,

  Passwords of dolphin and petrel,

  Practised their obedience

  Where the killer whales gathered,

  Where the monotonous seas yelped.

  Though they went to church with their standards

  Raw death has them garnished.

  Men went to Catraeth. The Malvinas

  Of their destiny greeted them strangely.

  Instead of affection there was coldness,

  Splintering iron and the icy sea,

  Mud and the wind’s malevolent satire.

  They stood nonplussed in the bomb’s indictment.

  Malcolm Wigley of Connah’s Quay. Did his helm

  Ride high in the war-line?

  Did he drink enough mead for that journey?

  The desolated shores of Tegeingl,

  Did they pig this steel that destroyed him?

  The Dee runs silent beside empty foundries.

  The way of the wind and the rain is adamant.

  Clifford Elley of Pontypridd. Doubtless he feasted.

  He went to Catraeth with a bold heart.

  He was used to valleys. The shadow held him.

  The staff and the fasces of tribunes betrayed him.

  With the oil of our virtue we have anointed

  His head, in the presence of foes.

  A lad in Tredegar or Maerdy. Was he shy before girls?

  He exposes himself now to the hags, the glance

  Of the loose-fleshed whores, the deaths

  That congregate like gulls on garbage.

  His sword flashed in the wastes of nightmare.

  Russell Carlisle of Rhuthun. Men of the North

  Mourn Rheged’s son in the castellated Vale.

  His nodding charger neighed for the battle.

  Uplifted hooves pawed at the lightning.

  Now he lies down. Under the air he is dead.

  Men went to Catraeth. Of the forty-three

  Certainly Tony Jones of Carmarthen was brave.

  What did it matter, steel in the heart?

  Shrapnel is faithful now. His shroud is frost.

  With the dawn men went. Those forty-three,

  Gentlemen all, from the streets and byways of Wales,

  Dragons of Aberdare, Denbigh and Neath –

  Figment of empire, whore’s honour, held them.

  Forty-three at Catraeth died for our dregs.

  ANTHONY CONRAN

  from Mercian Hymns

  I

  King of the perennial holly-groves, the riven sandstone: overlord of the M5: architect of the historic rampart and ditch, the citadel at Tamworth, the summer hermitage in Holy Cross: guardian of the Welsh Bridge and the Iron Bridge: contractor to the desirable new estates: saltmaster: money-changer: commissioner for oaths: martyrologist; the friend of Charlemagne.

  ‘I liked that’, said Offa, ‘sing it again.’

  XIV

  Dismissing reports and men, he put pressure on the wax, blistered it to a crest. He threatened malefactors with ash from his noon cigar.

  When the sky cleared above Malvern, he lingered in his orchard; by the quiet hammer-pond. Trout-fry simmered there, translucent, as though forming the water’s underskin. He had a care for natural minutiae. What his gaze touched was his tenderness. Woodlice sat pellet-like in the cracked bark and a snail sugared its new stone.

  At dinner, he relished the mockery of drinking his family’s health. He did this whenever it suited him, which was not often.

  XXI

  Cohorts of charabancs fanfared Offa’s province and his concern, negotiating the by-ways from Teme to Trent. Their windshields dripped butterflies. Stranded on hilltops they signalled with plumes of steam. Twilight menaced the land. The young women wept and surrendered.

  Still, everyone was cheerful, heedless in such days: at summer weekends dipping into valleys beyond Mercia’s dyke. Tea was enjoyed, by lakesides where all might fancy carillons of real Camelot vibrating through the silent water.

  Gradually, during the years, deciduous velvet peeled from evergreen albums and during the years more treasures were mislaid: the harp-shaped brooches, the nuggets of fool’s gold.

  XXII

  We ran across the meadow scabbed with cow-dung, past the crab-apple trees and camouflaged nissen hut. It was curfew-time for our war-band.

  At home the curtains were drawn. The wireless boomed its commands. I loved the battle-anthems and the gregarious news.

  Then, in the earthy shelter, warmed by a blue-glassed stormlantern, I huddled with stories of dragon-tailed airships and warriors who took wing immortal as phantoms.

  XXVII

  ‘Now when King Offa was alive and dead’, they were all there, the funerea
l gleemen: papal legate and rural dean; Merovingian car-dealers, Welsh mercenaries; a shuffle of house-carls.

  He was defunct. They were perfunctory. The ceremony stood acclaimed. The mob received memorial vouchers and signs.

  After that shadowy, thrashing midsummer hail-storm, Earth lay for a while, the ghost-bride of livid Thor, butcher of strawberries, and the shire-tree dripped red in the arena of its uprooting.

  GEOFFREY HILL

  Punishment

  I can feel the tug

  of the halter at the nape

  of her neck, the wind

  on her naked front.

  It blows her nipples

  to amber beads,

  it shakes the frail rigging

  of her ribs.

  I can see her drowned

  body in the bog,

  the weighing stone,

  the floating rods and boughs.

  Under which at first

  she was a barked sapling

  that is dug up

  oak-bone, brain-firkin:

  her shaved head

  like a stubble of black corn,

  her blindfold a soiled bandage,

  her noose a ring

  to store

  the memories of love.

  Little adulteress,

  before they punished you

  you were flaxen-haired,

 

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