On Beulah Height dap-17

by Reginald Hill

  Pascoe asked, "Was the Lightfoot cottage part of Pontifex's estate?"

  "No. Belonged to old Mrs. Lightfoot, Benny's gran. Way it was, her husband had it as a tied cottage from Heck when Arthur Allgood were farming there. When old Lightfoot died, his son, Saul, took it over on the same tie."

  "That's Benny's father, the one who drowned?"

  "You keep your lugs open," said Clark, admiring again. "That's right. After he died and Marion fell out with the old lady and took her kids off back to town, everyone thought Arthur would soon have her out of Neb Cottage to make way for a new man. But before he could do it, lo and behold, he snuffed it too! A hundred years ago I reckon they'd have had the old girl down for a witch."

  "But what difference did that make? The cottage would still be tied."

  "Oh, aye. But now it belonged to Chloe Allgood, Arthur's daughter, her that married Mr. Wulfstan. They wanted to hang on to Heck for a holiday place, but the rest of the farm they were happy to sell. Naturally Mr. Pontifex's agent were round there in a flash."

  "But Pontifex didn't get Neb Cottage?"

  "No, he didn't. Turned out the old lady had got hold of Chloe right after her dad's funeral and talked her into selling her the cottage. No one knows where the money came from-word was that she'd had a bit of insurance on her man and put it all into a bigger insurance on her son. Well, she knew that long as Saul were alive, she'd be okay, but if owt happened to him, she'd be in trouble."

  "Bright lady," said Pascoe.

  "Oh, aye. You had to get up early in the morning to reach market before Mr. Pontifex," said Clark, laughing. "I gather he weren't best pleased when he found he weren't getting Neb Cottage along with the rest of the Heck holdings."

  "So what happened when Pontifex decided to sell up to the Water Board?"

  "That were the finish, really. Most as owned their own places caved in and sold. Mr. Wulfstan at Heck made a fuss but it didn't get him anywhere. Only old Mrs. Lightfoot held out to the end, and they'd have had to send the bailiffs in to drag her out if she hadn't been taken ill with a stroke. It was all too much for her, they reckoned, the move and all that business about Benny. So they carried her off in an ambulance and 'dozed the cottage quick as maybe. It was a right shame, her ending her time in the dale like that. Something else on Mr. Pontifex's conscience, they reckoned."

  "People blamed him, did they?"

  "Aye. For everything. The move. And the vanishings. They were linked in people's minds, you see. And in Mr. Pontifex's too. That's why he gave Ced Hardcastle Stirps End, which by all accounts had been as good as promised to Jack Allgood, who were twice the farmer Cedric ever was. And it didn't stop there. Like I say, when he saw what was happening between Jed and his father, he stepped in and gave the boy a job in his office."

  "After all those years?" said Pascoe. "Now, that's a tender conscience."

  "Aye, in some folks it's like game. Longer it hangs, tenderer it gets."

  Pascoe smiled and said, "Ever thought of writing for The Archers, Sergeant? They pay good money for lines like that."

  They had reached their cars and were standing in the shade of a tall yew tree. It was pleasantly cool here out of the skull-drilling rays of the relentless sun.

  "So whither away, Sergeant?"

  "Sir?" Puzzled.

  "It's your patch. I'm sure round here the word is that fear wists not to evade as Clark wists to pursue."

  "Sir?" The monosyllable now bewildered.

  "Where will we find the lad?" Pascoe spelled it out.

  "He'll have gone home, won't he? Where else?" said Clark confidently. "You all right, sir?"

  Pascoe had suddenly reached out to rest his hand against the rough bark of the yew tree.

  "Fine," he said. "Someone must have walked across my grave. That's what comes of standing under this churchyard tree."

  He moved briskly toward his car. He looked pale.

  Clark said anxiously, "You sure, sir?"

  "Yes, I'm fine," said Pascoe with some irritation. "And there's work to do. Just lead the way to Stirps End with all the majestic instancy you can muster, Sergeant!"

  Ellie Pascoe was breaking the speed limit even before she got out of her own short driveway. She knew it was stupid, and, by great effort of will, got to braking distance of thirty miles per hour by the end of the street. It was only four miles to the school, and the difference between driving like normal and driving like a lunatic was significant only in the soul.

  Miss Martindale greeted her with a face as placidly reassuring as her voice on the phone had been.

  "Nothing to worry about, Mrs. Pascoe," she said. "Miss Turner thought she seemed a little bit distant, that was how she put it. Reluctant to get on with anything, and downright snappy if pressed. We all have days like that, days when we'd rather spend time inside ourselves than face outside demands. Happens to me all the time. Then Miss Turner noticed Rosie was a bit hot and flushed. Probably only the start of a summer cold. Getting hot and then cooling off all the time makes children susceptible. No real problem, but better nipped in the bud with half an aspirin and the rest of the day in bed."

  The soothing flow of words relaxed Ellie, even though she recognized that this was what they were meant to do. Miss Martindale was a bright young woman. No; more than that; Ellie knew a lot of bright young women, but Martindale was one of the rare breed she felt her own genius rebuked by. Not that they were in competition, but on the rare occasions when they did lock horns, it was always Ellie who found herself giving ground.

  She tried to explain this to Peter, who'd said, "Whatever she's taking, I wonder if she'll give me the name of her supplier?"

  Rosie was sitting on the edge of the bed in the small medical room, watched over by the school's massively maternal secretary. When she saw her mother, she said accusingly, "I told you you shouldn't have made me go to school this morning."

  Thanks a bunch, kid, thought Ellie.

  She gave her a hug, then examined her closely. Her face certainly looked a bit flushed.

  "Not feeling so good, darling?" she said, trying to keep it matter of fact. "Bed's the best place for you. Let's get you home."

  She thanked Miss Martindale, who smiled reassuringly, but from the secretary, who clearly had her down as the kind of mother who sent her ailing child to school rather than spoil her own social life, all she got was an accusing glare. Ellie responded with a sweet smile. Okay, the head might have the hex on her, but she wasn't going to kowtow to a sodding typist.

  On the way home she chatted brightly, but Rosie hardly responded. In the house, Ellie said, "Straight to bed, I think. Then I'll bring you a nice cool drink, shall I?"

  Rosie nodded and let her mother unbutton her dress, something which in recent months had brought a fierce I can do that myself!

  Ellie made her comfortable in bed, then went down to the kitchen and poured a glass of homemade lemonade. Then she poured another. Sickbed circumstances demanded a bit of indulgence.

  "Here we are, darling," she said. "I brought one for Nina, too, in case she got thirsty."

  "Don't you ever listen?" demanded Rosie. "I've told you a hundred times. Nina's back in the nix's cave. I saw her get taken."

  The flash of spirit was momentarily reassuring, but it seemed to wear the little girl out. She took only a single sip of the drink, then sank back into her pillow.

  "I'll leave it for her anyway," said Ellie cheerfully. "She might like it after her daddy rescues her."

  "Don't be silly," muttered Rosie. "That was last time."

  "Last time?" said Ellie, smoothing the single sheet over the slight body. "But there's only been one time, hasn't there, darling?"

  For a moment, Rosie regarded her with a role-reversing expression in which affection was mixed with exasperation. Then she closed her eyes.

  Ellie went downstairs. Worth bothering the doctor with? she wondered. While ready to go to the barricades for her rights under the NHS, she'd always been resolved not to turn into one of tho
se mothers who demanded antibiotics for every bilious attack.

  She made herself a cup of tea and went into the living room. The CD player was switched on with the pause light showing. She'd been listening to her new Mahler disc when Martindale rang.

  The larger package remained unopened.

  Few things are better suited to putting literary ambition in perspective than bringing a sick child home, so this seemed a good time to take her bumps.

  She ripped open the package and took out her script. There was a letter attached.

  "… shows promise, but in the present climate… hard times for fiction… much regret… blah blah…"

  The signature was an indecipherable scrawl. Couldn't blame them, she thought. Assassination must be a real danger in that job. Even she, perspective and all, felt the sharp pang of rejection. Perhaps I'm simply barking up the wrong tree? Who the hell wants to read about the angst-ridden life of a late-twentieth-century woman when it's just like their own? Perhaps I should have a stab at something completely different… a historical, maybe? She'd always felt a bit guilty about her fondness for historical fiction, regarding it as pure escapism from life's earnest realities. But sod it, letters like this were an aspect of earnest reality she'd be only too glad to escape from!

  Moodily she picked up the CD zapper and pressed the restart button.

  "At last I think I see the explanation Of those dark flames in many glances burning."

  It was the second of the Kindertotenlieder. She relaxed and let the rich young voice wash over her.

  "I could not guess, lost in the obfuscation Of blinding fate…"

  Obfuscation! Not a pretty word. But she sympathized with the translator. Unlike a lot of the multiinflected continental languages, English wasn't rich in feminine rhymes, and they often ran the risk of sounding faintly comic. Not here, though, not with the tragic power of this music setting the agenda.

  "… even then your gaze was homeward turning, Back to the source of all illumination."

  What made a composer choose to set one poem rather than another to music? In the brief introduction to the songs, she'd read that Alma Mahler had strongly resisted her husband's obsession with these poems of loss, superstitiously fearing he might be tempting fate to attack his own family. Okay, so it was irrational, but Ellie could sympathize, recalling her own impulse to break all traffic laws to get to Edengrove, despite Miss Martindale's assurance that there was nothing to worry about.

  And there wasn't, was there? Not if Miss Martindale said there wasn't. Despite all her efforts to avoid the stereotype, she'd ended up as another silly, overanxious mother, like Alma Mahler… Except that Alma had been right, hadn't she? How she must have looked back on her fears and wished she'd protested even more vehemently when, a couple of years later, their eldest daughter died of scarlet fever.

  "These eyes that open brightly every morning In nights to come as stars will shine upon you…"

  And that's meant to be a consolation? She zapped off the melancholy orchestral coda, reached for the telephone, and started dialing Jill Purlingstone's number.

  The Highcross Inn had once occupied a premier site where coachmen, drovers, horse riders, and foot travelers, about to start the long haul over the moor to Danby, took on sustenance, while those who'd completed the passage in the other direction treated themselves to congratulatory refreshment.

  The internal combustion engine had changed all that. What had been effortful was now easy, and most travelers using the moor road were simply taking a shortcut to its junction with the busy north-south arterial.

  Externally, apart from the signs advertising GOOD GRUB, DEEP PAN PIZZA, and a mention in some obscure guide written by some equally obscure journalist posing as a North Country expert despite the fact that he'd moved from Yorkshire to London at the age of eighteen and only returned twice for family funerals, the inn had changed little in two and half centuries. In fact some of the flaking paint looked as if it might be original, but that could be down to the long, hot summer.

  Inside, though, things were different. Inside, it had presumably once looked like what an old country pub looks like. Then some keg-head brewer had decided it needed to look like what some flouncy designer thought an old country pub ought to look like. Out had gone the real and particular, in had come the ersatz and anonymous, and now a steady drinker might require to step outside from time to time to remind himself where he was steadily drinking.

  Novello quite liked it. She was young, and a townie, and this to her was what pubs usually looked like. She sat at the bar and ordered herself a lager and black-currant. At her initiation into the Mid-Yorkshire CID'S home pub, the Black Bull, she'd been foolish enough to request this mixture when invited to name her poison. The kind of great silence had fallen which usually only follows the opening of the seventh seal. Dalziel had fixed her with a look which confirmed the rumor that as a uniformed PC his number had been 666. Then some friendly angel had loosened her wits and her tongue, and she'd said, "But if it's not really poison you're offering, I'll have a pint of best."

  Pascoe had got it for her, murmuring as he handed it over, "Your principles may be in tatters, but at least your soul is safe."

  The pub was almost empty. The woman behind the bar had time to chat. She was middle aged, size sixteen, most of it muscle presumably developed from a life of pulling pumps and carting crates. The conviviality of her broad handsome face faded into inevitable wariness when Novello produced her warrant card. But when she mentioned the nature of her inquiries, indignation replaced all, and the woman said, "I'd castrate the bastards without anesthetic. Then hang them by what's left! How can I help, luv?"

  Novello went at it obliquely. All she had was a blue station wagon, and she'd prefer to get anything there was to be got without too much prompting. Eagerness to cooperate could sometimes be as frustrating as reluctance to speak.

  First she got personal details. This was Bella Postlethwaite, joint tenant with her husband, Jack. They'd been here five years and relied mainly on passing trade to scrape a living.

  "There's not much local trade-I mean, look around outside-not exactly crowded with houses, is it? And you couldn't exercise an ant on the profit margins the brewery allows us. Bastards. Them's some more I'd like to see hanging high."

  She was a very pendentious lady. Novello moved on to Sunday morning. She'd been up early. Jack had a bit of a lie-in. No, she'd noticed nowt out of the ordinary. What about the ordinary, then? Well, the ordinary was bugger all, not to put too fine a point on it. Couple of tractors. Other traffic? A bit on the main road. Not much being Sunday, but there was always some. And on the moor road? Yes, there had been a car. She'd been out front watering her tubs while they were still in the shade, and this car had been turning out of the moor road onto the main road. Just came up and turned, there was a stop sign, but you could see a long way down the main road and there was so little traffic on Sunday, you didn't need to halt. Kind of car? Don't be daft, luv! All the bloody same to me. Color, then. Blue, she thought. Definitely blue.

  At this point her husband appeared. He was as thin as his wife was broad, angular, almost lupine. Jack Spratt and his wife. Introduced and put in the picture, he immediately poured scorn on any hope of getting useful information from Bella on the subject of motor vehicles.

  "She can tell our Cavalier from the brewery wagon and that's about it," he averred.

  His wife, though willing enough to admit her deficiencies voluntarily, was not disposed to have them trumpeted by one who didn't have enough spare flesh on him to merit the description "better half."

  "At least I were up and about, not pigging it in my bed like some I could name," she said indignantly. "Mebbe if you hadn't spent most of Saturday night supping our profits, you'd have been lively enough to be able to help this lass instead of slagging me off."

  Novello, though young in years, was old enough in experience to know that marital arguments have their long-established scripts which, once started, are
very hard to stop.

  She said loudly and firmly, "So it wasn't a Cavalier, then. Was it bigger?"

  "Yes, bigger," said Bella, glaring defiantly at her husband.

  "A lot bigger? Like a van, maybe?"

  "No. Too many windows."

  "A sort of jeep, then. You know, a Land-Rover like the farmers use? Fairly high?"

  "No! It were more like one of them long things, like a funeral-car sort of thing. Like what Geordie Turnbull drives."

  This last was aimed at her husband. Signaling a truce by appealing to his expertise, perhaps? Didn't sound like that somehow. More like a sly shot from a hidden gun.

  "Oh, aye, you'd remember that all right," Postlethwaite spat out viciously.

  "What kind of vehicle does this Mr. Turnbull drive?" asked Novello quickly, before his six-gun could clear leather.

  "A Volvo station wagon," said the man. "Aye, and it's blue."

  "Blue? Light blue? Dark blue?" demanded Novello.

  "Light blue."

  "And this vehicle you saw, Mrs. Postlethwaite, was that light or dark?"

  "Lightish," admitted the woman meeting her husband's glare with a matching anger. "But it weren't Geordie's."

  "How'd you know?" jeered Postlethwaite. "All you'll have studied close is his roof from the inside."

  To hell with guns, this was hand-to-hand fighting with bayonets! Bella drew in a deep breath and looked ready to go for the jugular. Then she caught Novello's pleading gaze and decided to postpone the pleasure till she had him alone.

  With a promissory glare at her husband, she said, "If I had a mind like thine, I'd grow mushrooms in it. And I know for a fact this couldn't have been Geordie's car, 'cos there were a kiddie in the back."

  She didn't realize what she was saying until she'd said it, and in that moment the script changed from long-running soap to tragic drama.

  Ten minutes later Novello was on her mobile, talking to Wield in St. Michael's Hall.

  He listened with an intensity she could feel over the air and when she'd finished he asked, "How do you rate this Bella?"