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Brave New Worlds

Page 59

by John Joseph; Ursula K. Le Guin; Cory Doctorow; Paolo Bacigalupi; Orson Scott Card; Neil Gaiman; Ray Bradbury; Philip K. Dick; Kurt Vonnegut; Shirley Jackson; Kate Wilhelm; Carrie Vaughn; John Joseph Adams Adams


  Employment: Everyone is guaranteed a job that pays a living wage, so that people are trapped in nightmarish jobs that they can't leave.

  Housing: No one is homeless. People without homes live in institutions, where they are subjected to conditioning and experiments.

  Education: Citizens may study any available information. The government provides the information that citizens are authorized to see, and records who is reading it.

  Law: All issues are decided by fair courts. Mistakes, of course, are never made. How could they be?

  Government: the government wants to make sure the citizens are happy.

  Oh dear. What a horrible world you've made for yourself. Hey—those people next door, in that other place? they have Utopia, and you don't. Misery loves company. It's time to change some things.

  Go to section 10.

  10. Zeal

  Rows of smiling identical people sing a patriotic anthem in perfect tune. In Utopia/Dystopia, you are never alone.

  Your society is happy, or it's not. Someone else has it better, or they don't. But you're sure about one thing: other people are different from you. And that's dangerous.

  Everyone else must share in your happiness or unhappiness. Everyone else must be just like you. Like Jane. Like John.

  Oh boy, it's war again!

  Go to section 11.

  11. War, Again

  I hope you're not surprised. It always comes back to war. The details change, but the patterns remain the same.

  The last war was just for fun, but this one is serious. You're blowing the left arms off babies and burning 10, 000-year-old monasteries. You perfect the technique of keeping a soldier alive despite mortal injury; the technique is quite helpful for spies on suicide missions. Your soldiers pray to God in the field, but you don't have time to answer. You're busy making military decisions. This war is serious, and hard choices must be made. John marches off again, and someday will return to Jane. Or he won't. that's war.

  The question is, did you win? Will you dominate these not-like-you people and rule them with an iron hand? Or did you lose, and now face the destruction of your society?

  If you won, go to section 12.

  If you lost, go to section 14.

  12. Tyranny

  You're mad at these people, these pathetic creatures you conquered. They started that horrible war! Now you must teach them a lesson.

  You make them build bigger stadiums and better fast food restaurants. Perhaps it's tyranny, but it's oppression with a smile—because you love them. That's why you want them to be like you. Just like you. And once they learn your lesson, they will be like you. You want them to enjoy their world as much as you enjoy yours. Or hate it, the way you hate your own. It's all for the good of John and Jane, who really should appreciate you more.

  Unfortunately, your smiles aren't enough to convince them of your love. There's always room for assassination.

  Go to section 13.

  13. Assassination

  Oops! Someone got crabby and killed your leader, in the shower. It's terribly messy, with brains splattered on the bathroom wall.

  Who do you blame? Why, it's obvious. It's the vice-president secret police Communists students Boy Scouts Mothers Against Drunk Driving anyone who isn't you. People not you are responsible! People not you must pay!

  Retaliation is swift and effective. You kill their leader. And the other leaders. And some people who aren't leaders. And they kill more of your leaders. And non-leaders. the streets flow with blood.

  Is this war again, again? No, it's just collapse. Government structures tumble.

  Schools are boarded up. Garbage piles up because no one removes it. People burn textbooks for warmth. John and Jane live on scraps from their neighbors. Maybe someone finds an atomic weapon, and maybe they use it. Maybe they don't need to.

  Whichever way it happens, you've reached the apocalypse.

  Go to section 14.

  14. Apocalypse

  Oh no! Your civilization is destroyed. No more fast food. No more sporting events. No more two-for-one buffalo wing specials.

  It's a mushroom cloud, billowing away in the breeze. Or a plague where everyone's skin explodes with toxic pustules. Or intense radiation that boils the brains of 98% of the population.

  All of the nice families with 2. 5 children (maybe happy, maybe not) are vaporized like rain in a volcano. Or the corpses pile up like ants that ate poisoned bait. The survivors walk among The Living Dead—stealing granola bars from their purses but leaving the wallets, because who needs money anymore?

  Nuclear winter sets in. Or a biological disaster. Or just sheer depression.

  But there are a few survivors. there always are. And they can start over.

  Go to section 15.

  15. Survival

  Groups of ragged survivors struggle across the wasteland, or rubble, or abandoned cities. John and Jane take things one day at a time. Their challenge is to live until the night—then to live through the night, and to live another day.

  Food and shelter are scarce. Many people don't make it. With time, the population balances so that it can support itself on the meager resources. This takes months, or it takes years. But when enough time passes, a small tribe sits in a cave, or at an oasis, or by a river. John (or Jane) says, "Remember how much better things used to be?" the others throw rocks at him or her, and demand not to be reminded. they want to forget the dead times that can't be revived.

  But Jane (or John) watches, and waits, and remembers.

  Once the others have truly forgotten—and the past has become myth—s/he has an idea. S/he says to the others, "I will lead you to happiness and freedom! Everyone follow me!" John (or Jane) unifies the tribes. Jane (or John) thinks that s/he has a new idea, better than anyone's ever had, something that will work. As always, certain choices must be made. But Jane and John are no different from you, in the end. they aren't smarter or wiser. they're just someone else.

  Go to section 16.

  16. Beginning, Again

  Did you think the choices were terrible? they were.

  Are you disappointed in where your choices have led you? Don't be. Other leaders have tried, and failed. The future is full of the same choices as the past. Nobody likes the choices, but civilization keeps moving.

  Do you feel that you're at the beginning, again? You are. It's a circle. But there's always hope for change—hope that the circle becomes a spiral staircase.

  Look, here, see this. A room, with a table. It's evening, or night. Look closely at the three people sitting around the table: John, Jane, their child. John smiles. He needs a shave, or perhaps he is bearded. Jane serves lasagna, or chicken casserole, as she tells her family about her day. The child is a girl, or a boy. The child sits in a highchair and gazes adoringly at John and Jane. After they eat, the parents take the child upstairs, singing a lullaby. It's been a good day.

  Their world is radical, or traditional. They vote like responsible citizens, but they're more excited by the child learning to walk. The child grows up in revolution, or not, and marries a man, or a woman, or no one at all. S/he raises a family in Utopia/Dystopia or a world that is neither. When the apocalypse comes, s/he stays with the kids, who are grown up themselves and having a child. Despite the destruction, a baby is born.

  You have a civilization.

  For Further Reading

  compiled by Ross E. Lockhart

  What follows is a selected bibliography of noteworthy Dystopian and Utopian fiction. Dystopia and Utopia are often considered to be opposing sides of a coin, but perhaps the two lie closer than one might at first suspect. Orwell's Nineteen Eighty-Four, for instance, may have ended badly for Winston Smith, but Inner Party loyalist O'Brien undoubtedly got a promotion for bringing such a dangerous radical as Smith to justice. Titles notable for their high literary value are marked with an asterisk.

  To learn more about the stories in Brave New Worlds, visit the anthology's website at johnjosephadams.com/
brave-new-worlds

  Notable Dystopias:

  Amis, Martin

  Einstein's Monsters

  Anderson, M. T.

  Feed

  Armstrong, Jon

  Grey (et. seq. )

  Asimov, Isaac

  Pebble in the Sky

  Atwood, Margaret

  The Handmaid's Tale *

  Oryx and Crake

  the Year of the Flood

  Auster, Paul

  In the Country of Last things

  Bacigalupi, Paolo

  The Windup Girl *

  Ship Breaker

  Ballard, J. G.

  Crash

  Hello America

  Barry, Max

  Jennifer Government

  Bates, Paul L.

  Imprint

  Dreamer

  Beaton, Alistair

  A Planet for the President

  Beckett, Bernard

  Genesis

  Böll, Heinrich

  My Melancholy Face

  Boston, Bruce

  The Guardener's Tale

  Boyd, John

  The Last Starship from Earth

  Bradbury, Ray

  Fahrenheit 451 *

  Brain, Marshall

  Manna

  Brooke, Keith

  Genetopia

  Brunner, John

  The Jagged Orbit

  The Sheep Look Up *

  The Shockwave Rider

  Bulwer-Lytton, Edward

  Vril: the Power of the Coming Race

  Burgess, Anthony

  A Clockwork Orange

  The Wanting Seed

  Burroughs, William S.

  Blade Runner, a Movie (see also Nourse, Alan E. )

  Butler, Octavia

  Parable of the Sower *

  Carbonneau, Louis

  Barrier World

  Cobb, William

  A Spring of Souls

  Cohen, Stuart Archer

  The Army of the Republic

  Collins, Suzanne

  The Hunger Games (et. seq. )

  Cowdrey, Albert E.

  Crux

  Crace, Jim

  The Pesthouse

  DeVita, James

  The Silenced

  DiChario, Nick

  Valley of Day-Glo

  Dick, Philip K.

  Flow My Tears, the Policeman Said

  The Man in the High Castle *

  Disch, Thomas

  The Genocides

  334

  Doctrow, Cory

  Little Brother

  Farmer, Philip José

  Riders of the Purple Wage

  Dayworld

  Ferrigno, Robert

  Prayers for the Assassin (et. seq. )

  Fischer, Tibor

  The Collector Collector

  Fukui, Isamu

  Truancy

  Gibson, William

  Mona Lisa Overdrive

  Neuromancer *

  Gray, Alasdair

  Lanark: A Life in Four Books *

  Grimes, Tom

  City of God

  Hairston, Andrea

  Mindscape

  Hall, Sarah

  Daughters of the North

  Harkaway, Nick

  The Gone-Away World

  Harris, Robert

  Fatherland

  Harrison, Harry

  Make Room! Make Room! *

  Herbert, Frank

  Hellstrom's Hive

  Hubbard, L. Ron

  Final Blackout

  Huxley, Aldous

  Ape and Essence

  Brave New World *

  Ishiguro, Kazuo

  Never Let Me Go

  Johnston, Paul

  The House of Dust

  Keogh, Andrew

  Twentytwelve

  Keppel-Jones, Arthur M.

  When Smuts Goes

  Kerr, Philip

  The Second Angel

  King, Stephen (writing as Richard Bachman)

  The Long Walk

  The Running Man

  Kuttner, Henry

  The Iron Standard

  Lamar, Jake

  The Last Integrationist

  Le Guin, Ursula K.

  The Lathe of Heaven

  Lem, Stansiław

  Memoirs Found in a Bathtub

  Lerner, Lisa

  Just Like Beauty

  Levin, Ira

  This Perfect Day

  Lewis, Sinclair

  It Can't Happen Here *

  London, Jack

  The Iron Heel *

  Lowry, Lois

  The Giver

  Lundwall, Sam J.

  2018 A. D. or the King Kong Blues

  Mark, Jan

  Useful Idiots

  McCarthy, Cormac

  The Road *

  McCarthy, Wil

  Bloom

  McIntosh, Will

  Soft Apocalypse

  McMullen, Sean

  Eyes of the Calculor

  Mellick III, Carlton

  The Egg Man

  War Slut

  Miéville, China

  Perdido Street Station

  Mitchell, David

  Cloud Atlas ("Sonmis Oratio")

  Moore, Alan

  V for Vendetta

  Morgan, Richard

  Market Forces

  Thirteen (AKA Black Man)

  Morrison, Toni

  Paradise

  Nabokov, Vladimir

  Invitation to a Beheading

  Neiderman, Andrew

  The Baby Squad

  Nolan, William F. and George Clayton Johnson

  Logan's Run

  Norden, Eric

  The Ultimate Solution

  Nourse, Alan E.

  The Blade Runner (See also Burroughs, William S. )

  O'Brien, Michael D.

  Eclipse of the Sun

  Oppegaard, David

  The Suicide Collectors

  Orwell, George

  Nineteen Eighty-Four *

  Philbrick, Rodman

  The Last Book in the Universe

  Pohl, Frederick and C. M. Kornbluth

  The Space Merchants

  Pollack, Rachel

  Unquenchable Fire

  Powers, Tim

  Dinner at Deviant's Palace

  Rand, Ayn

  Anthem

  Reed, Kit

  Enclave

  Robinson, Kim Stanley

  The Gold Coast: Three Californias (Wild Shore Triptych) *

  Rucker, Rudy

  Postsingular

  Russ, Joanna

  And Chaos Died

  Scalzi, John with Elizabeth Bear, Tobias Buckell, Jay Lake, and Karl Schroeder

  Metatropolis

  Sharpe, Matthew

  Jamestown

  Shirley, John

  Black Glass

  Silva, Ulises

  Solstice

  Silverberg, Robert

  The World Inside

  Singer, Lee

  Blackjack

  Slattery, Brian Francis

  Liberation: Being the Adventures of the Slick Six After the Collapse of The United States of America *

  Smith, Cordwainer

  The Rediscovery of Man

  Smith, L. Neil

  The Probability Broach

  Spinrad, Norman

  The Iron Dream

  Starhawk

  The Fifth Sacred Thing

  Stephenson, Neal

  Snow Crash

  Stevens-Arce, James

  Soulsaver

  Stewart, George R.

  Earth Abides

  Takami, Koushun

  Battle Royale

  Tevis, Walter

  Mockingbird

  Theroux, Marcel

  Far North

  Tomson, Rupert

  Divided Kingdom

  Turner, George

  The Sea and Summer

  Turtledove, Harry

  The Gladiator

  Vonnegu
t, Kurt, Jr.

  Player Piano *

  Walton, Jo

  Farthing

  Ha'Penny

  Waugh, Evelyn

  Love Among the Ruins

  Wells, H. G.

  The Time Machine

  When the Sleeper Wakes

  Westerfield, Scott

  Uglies (et. seq. )

  Weyn, Suzanne

  The Bar Code Tattoo (et. seq. )

  Williams, David J.

  The Mirrored Heavens

  Wilson, Robert Anton

  The Schrödinger's Cat Trilogy

  Wilson, Robert Charles

  Mysterium

  Womack, Jack

 

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