Riddle Master of Hed

by McKillip, Patricia

  Morgon, his fingers rubbing up and down between Suny's shoulder blades as she gripped his knee, looked up suddenly. "You all came to hear me play?"

  Ash nodded. "Please. If you don't mind. That harp and the making of it are legends in Isig. When I heard you were here with it, I couldn't believe it. I wanted to bring all the craftsmen in Kyrth with me to see it, but my father restrained me."

  Morgon untied the harp case. Suny tugged the case strings curiously out of his fingers; Bere whispered, "Suny—" She ignored him; he stepped to Morgon's side, lifted her up patiently and held her. Morgon, aware of the curious, expectant faces watching him, said futiley, "I haven't played in two months." No one answered. The stars, as he uncovered the harp, pulled it free of the case, caught fire; the white moons seemed rimmed with it as the flame's reflection travelled a liquid path down the silver inlay. He touched a string; the note sounded in the silence, pure, sweet, hesitant as a question; he heard someone loose a breath.

  Ash's hand moved involuntarily toward the stars, dropped. He breathed, "Who did the inlay?"

  "Zee of Hicon, in Herun—I can't remember his full name," Danan said. "He was trained by Sol. Yrth designed the patterns."

  "And Sol cut those stars. May I see them?" he pleaded, and Morgon passed the harp to him. Something small, formless had bloomed in the back of his mind at Ash's words; he could not trace it. Bere peered over Ash's head, his lips parted as Ash studied the harp; Suny, reaching wildly for a gleaming harp string, startled him and he straightened, shifting his hold of her.

  Vert begged, "Ash, stop counting the facets on the stones; I want to hear it"

  Ash handed it reluctantly back to Morgon. Morgon took it as reluctantly, and Vert, her eyes softening with sudden understanding, said, "Play something you love; Play something from Hed."

  Morgon righted the harp on his knee. His fingers strayed over the strings aimlessly a moment, then wandered into the gentle, sad chords of a ballad. The rich, beautiful tones only he could sound reassured him; even the simple love-ballad he had heard a hundred times took on an ancient dignity. As he played, he began to smell oak burning in the fire before him, saw the light around him wash over the walls of Akren. The song woke a peace in him that he knew instinctively was in Hed that night: a stillness of land dormant under snow, of animals dreaming placidly in warm places. The peace touched his face, easing, for the moment, the tension and weariness out of it. Then two things pieced together in the back of his mind, effortlessly, inarguably, and he stopped, his fingers motionless on the harp strings.

  There was a small, inarticulate protest. Then he heard Deth's voice out of the shadows where he had seated himself, away from the children, "What is it?"

  "Sol. He wasn't killed by traders because he was too frightened to hide from them in the Cave of the Lost Ones. He was killed — as my parents were killed, as the Morgol Dhairrhuwyth was killed — by shape-changers. He had gone into the cave and come out again to die oh the threshold because of what he had seen. And what he saw in there was Yrth's starred sword."

  They were still, even the children, their faces turned to him, unblinking. Then Vert shivered as though a cold wind had touched her, and Ash, all the joy of the harp faded from his face said, "What sword?"

  Morgon looked at Danan. The king's lips were parted; he seemed struggling back toward a memory. "That sword ... I remember. Yrth forged it in secret; he said he had buried it. I never saw it; no one did. That was so long ago, before Sol was born, when we were just opening the upper mines. I never thought about it. But how could you possibly know where it is? Or what it looks like? Or that Sol was killed because of it?"

  Morgon's fingers moved from the strings to clasp the wood; his eyes fell to it as though the neat sweep of strings ordered his thoughts. "I know a sword exists with three stars on it, exactly like the stars on this harp; I know the shape-changers have seen it, too. My parents were drowned crossing from Caithnard to Hed bringing this harp to me. The Morgol Dhairrhuwyth was killed travelling through Isig Pass to answer a riddle about three stars. The wizard Suth was killed in Osterland a week ago because he knew too much about those stars and tried to tell me — " Ash's hand reached out to stop him.

  "Suth was killed— Suth?"

  "But how? Who killed him? I thought he was dead."

  Morgon's hands shifted a little. His eyes met Deth's briefly. "That is something I will ask the High One. I think Yrth hid that sword there in the cave of the Lost Ones because he knew it was one place no one would go. And I think Sol was killed not by traders but by either the shape-changers, or—by whoever killed Suth, because he knew too much about those stars. I don't know your mountain, Danan, but I know that a man trying to escape death doesn't run toward it."

  There was silence, except for the weave and rustle of flames and a sigh from one of the children asleep on the floor. It was broken unexpectedly by Vert.

  "That's what always puzzled me," she said slowly. "Why Sol did run down that way when he knew the mountain so well he could vanish like a dream in passageways no one else could see. You remember, Ash, when we were small—"

  "There's one way to find out," Ash said abruptly. He was on his feet; Danan's swift, immediate, "No!" overran Morgon's.

  The mountain-king said succinctly, "That, I forbid. I will not lose another land-heir." Ash faced him a moment without moving, his mouth set; then the stubbornness went out of his face. He sat down; Danan added wearily, "Besides, what good would that do us?"

  "The sword, if it's there, belongs to Morgon. He'll want it—"

  "I don't want it," Morgon said.

  "But if it belongs to you..." Ash said, "if Yrth made it for you—"

  "I don't recall being asked if I wanted a sword. Or a destiny. All I want is to get to Erlenstar Mountain without being killed—which is another reason I'm not interested in going down to that cave. And, being, incidently, the Prince of Hed, I don't want to go armed before the High One."

  Ash opened his mouth, and closed it. Danan whispered, "Suth ..." A baby, began to wail, a thin, sad sound; Vert started.

  "Under your chair," Ash said. "Kes." He glanced around at the uneasy, uncomprehending faces. "We'd better put them to bed." He retrieved a blinking, bewildered baby from the thick fur at his feet, heaved it like a sack to his shoulder.

  Danan said as he rose, "Ash."

  Their eyes met again. Ash said gently, "You have my promise. But I think it's time that cave was opened. I didn't know there was a deathtrap in the heart of "Isig." He added td Morgon before he turned to go, "Thank you for playing."

  Morgon watched him leave, a child in each arm. The group faded away beyond the light. He looked down at the harp; a twist of bitterness rose in his throat. He stirred, slid the harp mechanically back into the case.

  A soft conversation between Deth and Danan checked as he rose; the mountain-king said, "Morgon, Sol—no matter who killed him—has been dead three hundred years. Is there any way I can help you? If you want that sword, I have a small army of miners."

  "No." His face was taut, white in the firelight. "Let me argue with my fate a little longer. I have been protesting from Caithnard to Isig, though, and it hasn't done much good."

  "I would drain the gold from the veins of Isig to help you."

  "I know."

  "When I walked with you this afternoon, I didn't realize you bore the vesta-scars. That's a rare thing to see on any man, above all a man of Hed. It must be a marvellous thing to run with the vesta."

  "It is." His voice loosened a little at the memory of the calm, endless snow, the silence lying always beneath the wind. Then he saw Suth's face, felt the hands pulling at him as he knelt in the snow, and his face turned sharply; the memories faded.

  Danan said gently, "Is that how you plan to get through the Pass?"

  "I planned it that way, thinking I would be alone. Now—" He glanced questioningly at Deth.

  The harpist said, "It will be difficult for me, but not impossible."

  "Can we l
eave tomorrow?"

  "If you wish. But Morgon, I think you should rest here a day or two. Travelling through Isig Pass in midwinter will be tiring even for a vesta, and I suspect you ran your strength dry in Osterland."

  "No. I can't wait. I can't"

  "Then we'll leave. But get some sleep."

  He nodded, then said, his head bowed, to Danan, "I'm sorry."

  "For what, Morgon? For stirring my centuries-old grief?"

  "That, too. But I'm sorry I couldn't play this harp for you the way it cries out to be played."

  "You will."

  Morgon took the tower steps slowly, feeling the harp whose weight he had never noticed, dragging at his back. He wondered, as he rounded the final curve, if Yrth had walked up the stairs every night to the top of the tower, or if he had practiced the enviable art of displacement, moving from point to point in the wink of an eye. He reached the landing, drew back the hangings, and found someone standing in front of his fire.

  It was Vert's son, Bere. He said without preamble as Morgon jumped, "I'll take you to the cave of the Lost Ones."

  Morgon eyed him without answering. The boy was young, perhaps ten or eleven, with broad shoulders and a grave, placid face. He was unembarrassed by Morgon's scrutiny; Morgon stepped in finally, letting the hangings fall closed behind them. He shrugged the harp from his shoulder, set it down.

  "Don't tell me you've been there."

  "I know where it is. I got lost once, exploring. I kept going deeper and deeper into the mountain, partly because I kept taking the wrong turnings and partly because I decided as long as I really was lost I might as well see what was down there."

  "Weren't you afraid?"

  "No. I was hungry. I knew Danan or Ash would find me. I can see in the dark; that's from my mother. So we could go very quietly without light—except in the cave, you'll need one there."

  "Why are you so anxious to go there?"

  The boy took a step toward him, his brows crooked slightly. "I want to see that sword. I've never seen anything like that harp. Elieu of Hel, the brother of Raith, Lord of Hel, came here two years ago; he is beginning to do work a little like that—the inlay, the designs— but I've never seen anything as beautiful as the work on that harp. I want to see what kind of work Yrth did with the sword. Danan makes swords for lords and kings in An and Ymris, they're yery beautiful. I'm training with Ash and Elieu; and Ash says I will be a master craftsman some day. So I have to learn everything I can."

  Morgon sat down. He smiled suddenly at the square-shouldered, peaceful artist. "It sounds very reasonable. But you heard what I told Danan about Sol."

  "Yes. But I know everyone in this house; no one would try to kill you. And if we went very quietly, no one would even know. You wouldn't have to take the sword—you could just wait at the door for me. Inside, I mean, because—" His mouth set wryly. "I am a little afraid to go in there alone. And you're the only other person I know who would go with me."

  The smile faded from Morgon's eyes; he rose abruptly, restlessly. "No. You're wrong. I won't go with you. I gave my reasons to Danan, and you heard them."

  Bere was silent a moment, his eyes searching Morgon's face. "I heard them. But, Morgon, this is—this is important. Please. We could just go, quickly, and then just come back—"

  "Like Sol came back?"

  Bere's shoulders twitched a little. "That was a long time ago—"

  "No." He saw the sudden despair in the boy's eyes. "Please. Listen. I have been half a step ahead of death since I left Hed. The people trying to kill me are shape-changers; they may be the miners or the traders who ate with you at Danan's table tonight. They may be here waiting, thinking I will do just that: claim Yrth's sword, and if you and I are caught in the cave by them, they will kill us both. I have too much regard for both my intelligence and my life to be trapped like that."

  Bere shook his head, as if shaking Morgon's words away. He took another step forward; the firelight left his face shadowed, pleading. "It's not right just leaving it there, just ignoring it. It belongs to you, it's yours by right, and if it's anything like the harp, no other lord in the realm will have a more beautiful sword."

  "I hate swords."

  "It's not the sword," Bere said patiently. "It's the craft. It's the art. I'll keep it if you don't want it."

  "Bere—"

  "It's not right that I can't see it." He paused. "Then I'll have to go alone."

  Morgon reached the boy with one quick step, gripped the square, implacable shoulders. "I can't stop you," he said softly. "But I will ask you to wait until I've left Isig, because when they find you dead in that cave, I don't want to see Danan's face."

  Bere's head bowed, his shoulders slumped under Morgon's hold; he turned away. "I thought you'd understand," he said, his back to Morgon. "I thought you'd understand what it is to have to do something."

  He left. Morgon turned after a moment, wearily. He added wood to the fire and lay down. For a long time, watching the flames, feeling the exhaustion settling into his bones, he could not sleep. Finally he drifted into a darkness where odd images began to form and break like deep slow bubbles from a cauldron.

  He saw the high, dark walls of inner Isig, veined with torchlight: silver, gold, iron black; saw, in the secret parts of the mountain, uncut jewels, crystals of fire and ice, mid-night-blue, smokey-yellow cracking through their husks of stone. Arched trails, high passageways wandered through webs of shadow. Rocks thrust downward from ceilings vaulted and lost in black ness, formed by the slow sculpture of forgotten ages. He stood in a silence that had its own voice. He followed like a breath of wind the slow, imperceptible movements of dark streams, thin as glass, that deepened, then hewed through hidden chasms and spilled into vast, measureless lakes, where tiny nameless things lived in a colorless world. At the end of one river he found himself in a chamber of milk-white blue-veined stone. Three steps led upward out of a pool of water to a dais on which two long cases of beaten gold and white jewels stood glittering beneath a torch. A sadness touched him for the dead of Isig: Sol, and Crania, Danan,'s wife; he stepped into the pool, reached out to a casket. It opened unexpectedly, from within. A face, blurred, unrecognizable, neither man's nor woman's, looked up at him and said his name: Star-Bearer.

  He found himself in an abrupt shift back in his own chamber, dressing again, while a voice murmuring out of the corridors of Isig called to him, low and insistent as a child's call in the night. He turned to go, then checked, slid the harp over his shoulder. He moved without sound down the empty tower stairs, through the hall where the vast fire had dwindled. He found without faltering the doors of the stone archway beyond the hall that opened into the mountain itself, to the wet, cool shaft that led downward into the mines. Instinctively, without question, he found his way through the main corridors, down passages and stairways, into the mine shaft below. He took a torch from the wall there. A split in the solid rock at the end of the shaft loomed before him; the call trailed out of it and he followed without question. The path beyond was unlit, worn with age. The half-formed heads of growing rock thrust upward underfoot, slippery with the endless drip of water. The ceiling loomed down at him so suddenly he was forced to bend beneath it, then shot upward into impossible heights while the walls nudged against him and he carried the torch high over his head to ease himself through. The silence hung ponderous as the swell of rock overhead; he smelled, in his dream, the faint, clean, acrid scent of liquid stone.

  He had no sense of time, of weariness, of cold; only the vague drift of shadows, the endless, complex pattern of passages he followed with an odd certainty. He wound deeper and deeper into the mountain, his torch burning steadily, untouched by wind; sometimes he could see the reflection of it in a pool far beneath the thin ledge he walked. The trails began to level finally; the stones closed about him, edging down from the ceiling, together at the sides. The stones were broken around him, as from some ancient inner turmoil. He had to step over some of them that had shaken free like gr
eat teeth from the ceiling. The trail stopped abruptly at a closed door.

  He stood looking at it, his shadow splayed behind him on the wall. Someone said his name; he reached out to open it. Then, as though he had reached through the surface of his dream, he shuddered and woke himself. He was standing in front of the door to the cave of the Lost Ones.

  He blinked senselessly at it, recognizing the polished green stone teared with black, shot with fire from his torch. Then, as the chill he had not felt in his dream began to seep through his clothes, and he realized the enormous mass of rock, silence, darkness sitting above his head, he took a step backward, a sound beginning to build in his throat. He whirled abruptly; found a darkness that his torch, beating a minute, jagged circle of light about him, could not begin to unravel.

  His breath hissed out of him; he ran a few steps forward, stumbled over a broken rock and brought himself up short against the wet wall of rock. He remembered then the endless, chaotic path he had taken in his dream. He swallowed drily, his blood panicked through him, the sound still building in his throat.