Man on the Run
Page 32
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Patrie, Jo Jo (Joanne)
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Ram
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Wings
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Acknowledgements
For their generous interview time and for quotes that made their way into this book, thanks to Paul McCartney, Ringo Starr, Yoko Ono, Michael Parkinson, May Pang, Denny Laine, Denny Seiwell, Henry McCullough, Clive Arrowsmith, Laurence Juber, Steve Holley, Robert Ellis, Dave Clarke, Bob Gruen, Robin Black, Alan Parsons, Howie Casey, Jimmy McGeachy and Jimmy Iovine. For allowing me to use additional transcripts of interviews with Denny Laine and Denny Seiwell, thanks to Tom O’Dell and Elio Espana of Prism Films.
Thanks also to Phil Alexander and Paul Rees, under whose editorships the original McCartney interviews were conducted for Mojo and Q. For continuing to employ me and putting up with me in general, not to mention indulging my frequent disappearing acts while writing this book, I’d like to thank: Danny Eccleston (and his idea for the interstitial quotes), Ian Harrison, Andrew Male, Jenny Bulley, Ross Bennett, Mark Wagstaff, Andrew Harrison, Ted Kessler, Chris Catchpole, Niall Doherty, Matt Mason, James Mannion, Gordon Thomson and Sam Inglis. To my writerly comrades – keep the faith, people: Sylvia Patterson (the big sister I never wanted), John Aizlewood, Craig McLean, Mark Blake, Andy Fyfe, Dave Everley, Mark Ellen, John Harris, Gareth Grundy, Helena Drakakis, Louise Millar, Allan Brown and Daryl Easlea.
Very special thanks to Simon Goddard for his Staropramen-induced, lightbulb-above-the-head notion that gave this book its title, and to Dorian Lynskey, who also came up with the same title, only just a bit later.
To all at Polygon: Neville Moir, Sarah Morrison, Vikki Reilly, Jan Rutherford and especially my utterly ace editor, Alison Rae, who calmly extended my deadline more than once with a reassuring ‘Oh, don’t worry.’ To my unflappable agent Kevin Pocklington at Jenny Brown Associates, for ‘getting’ this book and getting it off the ground.
Additional thanks to Stuart Bell at DawBell and to Claudia Schmid at MPL.
For allowing me to bore them senseless in the pub about Paul McCartney for an entire year: Anth Brown, Mike Brown, Steve Aungle, Derek Hood, Steve Wilkins, Dave Black, Dave Scott, Nick Roberts, Paul Esposito, Sophie Mayerhoeffer, Robbie and Parm Gunn-Hamilton, Alan Shaw (who’s still wrong about ‘Smile Away’), Allan Shanks, Aidan Rose, Kieran Leonard, Martin Low, Steve Hands, Dave Tomlinson, Jon Bennett, Steve Donoghue, Kris O’Mahoney, Nick Holywell-Walker, Jon Mills and Gary Clark. For simply just encouraging me or sorting stuff or helping with research: the McCombies, Paul Salley, Lorraine Wilson, Roddy Isles, Linda Barclay Isles, Rosha Kasravi, Richard and Ben at Audio Gold, Nick de Grunwald at Isis Productions.
To my family up in Scotland, for understanding why I didn’t phone so often: Dad and Heather, Brian, Caroline and Ryan. And to the all-knowing, all-suffering, saintly patient love of my life, Karen, and to Milly, who manages to get bigger and cheekier and funnier and cleverer and more beautiful with every day.
T.D.
List of Illustrations
1. Linda, Heather and Paul arrive at JFK Airport, NYC, 17 March 1969, five days after their London wedding. Paul: ‘She had a child. I was genuinely impressed by the way she handled herself in life.’
2. Paul and Linda emerge from the High Court in London on 19 February 1971 on the first day of the proceedings to untangle the Beatles’ legal affairs. Paul: ‘I was having to fight my mates. It was just fucking awful.’
3. Allen Klein, the master of casual intimidation, March 1971.
4. Wings Over Europe soundcheck, Châteauvallon, France, 9 July 1972. Paul and Denny Seiwell go over keyboard parts with a nervous Linda. Seiwell: ‘She was unhappy and frightened. But she had a lot of chutzpah.’
5. Paul the bed-headed businessman, behind the desk, 1972.
6. The McCartneys peer out of the back of a police car, after the Swedish dope bust, Gothenburg, 10 August 1972. Linda to photographer Joe Stevens: ‘Just get the
pictures.’
7. Togetherness vibes backstage during Wings Over Europe: L–R: Denny Seiwell, Henry McCullough, Paul, Linda and Denny Laine.
8. The Wings Mark I front line at the Théatre Antique in Arles, 13 July 1972. L–R: Henry McCullough, Denny Laine and Paul.
9. The fivesome with the trundling, freakadelic open-topped bus used for Wings Over Europe, July 1972.
10. 1 December 1972, the day ‘Hi Hi Hi’ was released and instantly banned by the BBC. Paul: ‘I think the BBC should be highly praised, preventing the youth from hearing my opinions.’
11. Outside Campbeltown Sheriff Court, March 1973, trying to keep straight faces, after being fined for growing marijuana in Scotland. Paul: ‘We got a load of seeds. We didn’t know what they were. We planted them and . . . five of them came up illegal.’
12. Paul and Henry McCullough onstage at London’s Hammersmith Odeon, May 1973, just weeks before their argument that caused the latter to quit. McCullough: ‘I was driving off the edge of a cliff.’
13. ‘We’re not pinching your music’: the summit to quell the Africaninfluences ‘controversy’ stirred by Fela Kuti (right), Band On The Run, Lagos, 1973.
14. The fearless leader of the band. Paul: ‘If anyone’s gonna make a decision, it should probably be him.’
15. Dressed up in La La Land. At the 46th Annual Academy Awards, April 1974. ‘Live And Let Die’ was nominated for Best Original Song, but lost out to Barbra Streisand’s ‘The Way We Were’.
16. On the porch of songwriter Curly Putnam Jr’s house, Tennessee, July 1974, toasting the end of the troubled preliminary rehearsals with Wings Mark II.
17. Venus And Mars press shot, May 1975.
18. The record-trouncing, critics-bowling, all-conquering Wings line-up of 1976: L–R: Joe English, Linda, Jimmy McCulloch, Paul and Denny Laine.
19. The outlook returns to cloudy. Back down to a trio, eating fish and chips in the rain, at the London Town launch on the Thames, March 1978.
20. Wings Mark III in Liverpool, aboard the Royal Iris ferry, scene of early Beatles gigs, November 1979. L–R: Laurence Juber, Linda, Paul, Steve Holley and Denny Laine. Paul: ‘I feel I’m not judged with the same harshness by the people here.’
21. Take these broken Wings. Paul: ‘It was getting a bit boring, to tell the truth. I was getting a bit fed up with yet another line-up.’
22. Full circle: recording McCartney II alone, ten years after the solo-recorded McCartney, 1979. Paul: ‘I think of it as being a nutty professor, holed up in this little laboratory.’