This Way to the End Times

by Robert Silverberg

  The lantern-creatures showed no awareness of us. They passed before us, among us, perhaps even through us—it was impossible to be sure. They were not afraid, or curious.

  Once something a little larger than a hand came crawling near, and for a moment we saw quite distinctly the clean angle where the foot of a wall rose from the pavement, in the glow cast by the crawling creature, which was covered with a foliage of plumes, each plume dotted with many tiny, bluish points of light. We saw the pavement beneath the creature and the wall beside it, heartbreaking in its exact, clear linearity, its opposition to all that was fluid, random, vast, and void. We saw the creature’s claws, slowly reaching out and retracting like small stiff fingers, touch the wall. Its plumage of light quivering, it dragged itself along and vanished behind the corner of the wall.

  So we knew that the wall was there; and that it was an outer wall, a housefront, perhaps, or the side of one of the towers of the city.

  We remembered the towers. We remembered the city. We had forgotten it. We had forgotten who we were; but we remembered the city, now.

  WHEN I GOT HOME, THE FBI had already been there. The computer at the police precinct where I registered Simon’s address must have flashed it right over to the computer at the FBI building. They had questioned Simon for about an hour, mostly about what he had been doing during the twelve days it took him to get from the Camp to Portland. I suppose they thought he had flown to Peking or something. Having a police record in Walla Walla for hitchhiking helped him establish his story. He told me that one of them had gone to the bathroom. Sure enough I found a bug stuck on the top of the bathroom doorframe. I left it, as we figured it’s really better to leave it when you know you have one, than to take it off and then never be sure they haven’t planted another one you don’t know about. As Simon said, if we felt we had to say something unpatriotic we could always flush the toilet at the same time.

  I have a battery radio—there are so many work stoppages because of power failures, and days the water has to be boiled, and so on, that you really have to have a radio to save wasting time and dying of typhoid—and he turned it on while I was making supper on the Primus. The six o’clock All-American Broadcasting Company news announcer announced that peace was at hand in Uruguay, the president’s confidential aide having been seen to smile at a passing blonde as he left the 613th day of the secret negotiations in a villa outside Katmandu. The war in Liberia was going well; the enemy said they had shot down seventeen American planes but the Pentagon said we had shot down twenty-two enemy planes, and the capital city—I forget its name, but it hasn’t been inhabitable for seven years anyway—was on the verge of being recaptured by the forces of freedom. The police action in Arizona was also successful. The Neo-Birch insurgents in Phoenix could not hold out much longer against the massed might of the American army and air force, since their underground supply of small tactical nukes from the Weathermen in Los Angeles had been cut off. Then there was an advertisement for Fed-Cred cards, and a commercial for the Supreme Court: “Take your legal troubles to the Nine Wise Men!” Then there was something about why tariffs had gone up, and a report from the stock market, which had just closed at over two thousand, and a commercial for U.S. Government canned water, with a catchy little tune: “Don’t be sorry when you drink/It’s not as healthy as you think/Don’t you think you really ought to/Drink coo-ool, puu-uure U.S.G. water?”—with three sopranos in close harmony on the last line. Then, just as the battery began to give out and his voice was dying away into a faraway tiny whisper, the announcer seemed to be saying something about a new continent emerging.

  “What was that?”

  “I didn’t hear,” Simon said, lying with his eyes shut and his face pale and sweaty. I gave him two aspirins before we ate. He ate little, and fell asleep while I was washing the dishes in the bathroom. I had been going to practice, but a viola is fairly wakeful in a one-room apartment. I read for a while instead. It was a best seller Janet had given me when she left. She thought it was very good, but then she likes Franz Liszt, too. I don’t read much since the libraries were closed down, it’s too hard to get books; all you can buy is best sellers. I don’t remember the title of this one, the cover just said “Ninety Million Copies in Print!!!” It was about small-town sex life in the last century, the dear old 1970s when there weren’t any problems and life was so simple and nostalgic. The author squeezed all the naughty thrills he could out of the fact that all the main characters were married. I looked at the end and saw that all the married couples shot each other after all their children became schizophrenic hookers, except for one brave pair that divorced and then leapt into bed together with a clear-eyed pair of government-employed lovers for eight pages of healthy group sex as a brighter future dawned. I went to bed then, too. Simon was hot, but sleeping quietly. His breathing was like the sound of soft waves far away, and I went out to the dark sea on the sound of them.

  I used to go out to the dark sea, often, as a child, falling asleep. I had almost forgotten it with my waking mind. As a child all I had to do was stretch out and think, “the dark sea . . . the dark sea . . .” and soon enough I’d be there, in the great depths, rocking. But after I grew up it only happened rarely, as a great gift. To know the abyss of the darkness and not to fear it, to entrust oneself to it and whatever may arise from it—what greater gift?

  WE WATCHED THE TINY LIGHTS come and go around us, and doing so, we gained a sense of space and of direction—near and far, at least, and higher and lower. It was that sense of space that allowed us to become aware of the currents. Space was no longer entirely still around us, suppressed by the enormous pressure of its own weight. Very dimly we were aware that the cold darkness moved, slowly, softly, pressing against us a little for a long time, then ceasing, in a vast oscillation. The empty darkness flowed slowly along our unmoving unseen bodies; along them, past them; perhaps through them; we could not tell.

  Where did they come from, those dim, slow, vast tides? What pressure or attraction stirred the deeps to these slow drifting movements? We could not understand that; we could only feel their touch against us, but in straining our sense to guess their origin or end, we became aware of something else: something out there in the darkness of the great currents: sounds. We listened. We heard.

  So our sense of space sharpened and localized to a sense of place. For sound is local, as sight is not. Sound is delimited by silence; and it does not rise out of the silence unless it is fairly close, both in space and in time. Though we stand where once the singer stood, we cannot hear the voice singing; the years have carried it off on their tides, submerged it. Sound is a fragile thing, a tremor, as delicate as life itself. We may see the stars, but we cannot hear them. Even were the hollowness of outer space an atmosphere, an ether that transmitted the waves of sound, we could not hear the stars; they are too far away. At most if we listened we might hear our own sun, all the mighty, roiling, exploding storm of its burning, as a whisper at the edge of hearing.

  A sea wave laps one’s feet: It is the shock wave of a volcanic eruption on the far side of the world. But one hears nothing.

  A red light flickers on the horizon: It is the reflection in smoke of a city on the distant mainland, burning. But one hears nothing.

  Only on the slopes of the volcano, in the suburbs of the city, does one begin to hear the deep thunder, and the high voices crying.

  Thus, when we became aware that we were hearing, we were sure that the sounds we heard were fairly close to us. And yet we may have been quite wrong. For we were in a strange place, a deep place. Sound travels fast and far in the deep places, and the silence there is perfect, letting the least noise be heard for hundreds of miles.

  And these were not small noises. The lights were tiny, but the sounds were vast: not loud, but very large. Often they were below the range of hearing, long slow vibrations rather than sounds. The first we heard seemed to us to rise up through the currents from beneath us: immense groans, sighs felt along the bo
ne, a rumbling, a deep uneasy whispering.

  Later, certain sounds came down to us from above, or borne along the endless levels of the darkness, and these were stranger yet, for they were music. A huge, calling, yearning music from far away in the darkness, calling not to us. Where are you? I am here.

  Not to us.

  They were the voices of the great souls, the great lives, the lonely ones, the voyagers. Calling. Not often answered. Where are you? Where have you gone?

  But the bones, the keels and girders of white bones on icy isles of the South, the shores of bones did not reply.

  Nor could we reply. But we listened, and the tears rose in our eyes, salt, not so salt as the oceans, the world-girdling deep bereaved currents, the abandoned roadways of the great lives; not so salt, but warmer.

  I am here. Where have you gone?

  No answer.

  Only the whispering thunder from below.

  But we knew now, though we could not answer, we knew because we heard, because we felt, because we wept, we knew that we were; and we remembered other voices.

  MAX CAME THE NEXT NIGHT. I sat on the toilet lid to practice, with the bathroom door shut. The FBI men on the other end of the bug got a solid half hour of scales and doublestops, and then a quite good performance of the Hindemith unaccompanied viola sonata. The bathroom being very small and all hard surfaces, the noise I made was really tremendous. Not a good sound, far too much echo, but the sheer volume was contagious, and I played louder as I went on. The man up above knocked on his floor once; but if I have to listen to the weekly All-American Olympic Games at full blast every Sunday morning from his TV set, then he has to accept Paul Hindemith coming up out of his toilet now and then.

  When I got tired, I put a wad of cotton over the bug, and came out of the bathroom half-deaf. Simon and Max were on fire. Burning, unconsumed. Simon was scribbling formulae in traction, and Max was pumping his elbows up and down the way he does, like a boxer, and saying “The e-lec-tron emis-sion . . .” through his nose, with his eyes narrowed, and his mind evidently going light-years per second faster than his tongue, because he kept beginning over and saying “The e-lec-tron emis-sion . . .” and pumping his elbows.

  Intellectuals at work are very strange to look at. As strange as artists. I never could understand how an audience can sit there and look at a fiddler rolling his eyes and biting his tongue, or a horn player collecting spit, or a pianist like a black cat strapped to an electrified bench, as if what they saw had anything to do with the music.

  I damped the fires with a quart of black-market beer—the legal kind is better, but I never have enough ration stamps for beer; I’m not thirsty enough to go without eating—and gradually Max and Simon cooled down. Max would have stayed talking all night, but I drove him out because Simon was looking tired.

  I put a new battery in the radio and left it playing in the bathroom, and blew out the candle and lay and talked with Simon; he was too excited to sleep. He said that Max had solved the problems that were bothering them before Simon was sent to Camp, and had fitted Simon’s equations to (as Simon put it) the bare facts, which means they have achieved “direct energy conversion.” Ten or twelve people have worked on it at different times since Simon published the theoretical part of it when he was twenty-two. The physicist Ann Jones had pointed out right away that the simplest practical application of the theory would be to build a “sun tap,” a device for collecting and storing solar energy, only much cheaper and better than the U.S.G. Sola-Heetas that some rich people have on their houses. And it would have been simple, only they kept hitting the same snag. Now Max has got around the snag.

  I said that Simon published the theory, but that is inaccurate. Of course he’s never been able to publish any of his papers, in print; he’s not a federal employee and doesn’t have a government clearance. But it did get circulated in what the scientists and poets call Sammy’s-dot, that is, just handwritten or hectographed. It’s an old joke that the FBI arrests everybody with purple fingers, because they have either been hectographing Sammy’s-dots, or they have impetigo.

  Anyhow, Simon was on top of the mountain that night. His true joy is in the pure math; but he had been working with Clara and Max and the others in this effort to materialize the theory for ten years, and a taste of material victory is a good thing, once in a lifetime.

  I asked him to explain what the sun tap would mean to the masses, with me as a representative mass. He explained that it means we can tap solar energy for power, using a device that’s easier to build than a jar battery. The efficiency and storage capacity are such that about ten minutes of sunlight will power an apartment complex like ours, heat and lights and elevators and all, for twenty-four hours; and no pollution, particulate, thermal, or radioactive. “There isn’t any danger of using up the sun?” I asked. He took it soberly—it was a stupid question, but after all not so long ago people thought there wasn’t any danger of using up the Earth—and said no, because we wouldn’t be pulling out energy, as we did when we mined and lumbered and split atoms, but just using the energy that comes to us anyhow: as the plants, the trees and grass and rosebushes, always have done. “You could call it Flower Power,” he said. He was high, high up on the mountain, ski-jumping in the sunlight.

  “The State owns us,” he said, “because the corporative State has a monopoly on power sources, and there’s not enough power to go around. But now, anybody could build a generator on their roof that would furnish enough power to light a city.”

  I looked out the window at the dark city.

  “We could completely decentralize industry and agriculture. Technology could serve life instead of serving capital. We could each run our own life. Power is power! . . . The State is a machine. We could unplug the machine, now. Power corrupts; absolute power corrupts absolutely. But that’s true only when there’s a price on power. When groups can keep the power to themselves; when they can use physical power-to in order to exert spiritual power-over; when might makes right. But if power is free? If everybody is equally mighty? Then everybody’s got to find a better way of showing that he’s right . . . .”

  “That’s what Mr. Nobel thought when he invented dynamite,” I said. “Peace on earth.”

  He slid down the sunlit slope a couple of thousand feet and stopped beside me in a spray of snow, smiling. “Skull at the banquet,” he said, “finger writing on the wall. Be still! Look, don’t you see the sun shining on the Pentagon, all the roofs are off, the sun shines at last into the corridors of power . . . . And they shrivel up, they wither away. The green grass grows through the carpets of the Oval Room, the Hot Line is disconnected for nonpayment of the bill. The first thing we’ll do is build an electrified fence outside the electrified fence around the White House. The inner one prevents unauthorized persons from getting in. The outer one will prevent authorized persons from getting out . . . .”

  Of course he was bitter. Not many people come out of prison sweet.

  But it was cruel, to be shown this great hope, and to know that there was no hope for it. He did know that. He knew it right along. He knew that there was no mountain, that he was skiing on the wind.

  THE TINY LIGHTS OF THE lantern-creatures died out one by one, sank away. The distant lonely voices were silent. The cold, slow currents flowed, vacant, only shaken from time to time by a shifting in the abyss.

  It was dark again, and no voice spoke. All dark, dumb, cold.

  Then the sun rose.

  It was not like the dawns we had begun to remember: the change, manifold and subtle, in the smell and touch of the air; the hush that, instead of sleeping, wakes, holds still, and waits; the appearance of objects, looking gray, vague, and new, as if just created—distant mountains against the eastern sky, one’s own hands, the hoary grass full of dew and shadow, the fold in the edge of a curtain hanging by the window—and then, before one is quite sure that one is indeed seeing again, that the light has returned, that day is breaking, the first, abrupt, sweet stammer o
f a waking bird. And after that the chorus, voice by voice: This is my nest, this is my tree, this is my egg, this is my day, this is my life, here I am, here I am, hurray for me! I’m here!—No, it wasn’t like that at all, this dawn. It was completely silent, and it was blue.

  In the dawns that we had begun to remember, one did not become aware of the light itself, but of the separate objects touched by the light, the things, the world. They were there, visible again, as if visibility were their own property, not a gift from the rising sun.

  In this dawn, there was nothing but the light itself. Indeed there was not even light, we would have said, but only color: blue.

  There was no compass bearing to it. It was not brighter in the east. There was no east or west. There was only up and down, below and above. Below was dark. The blue light came from above. Brightness fell. Beneath, where the shaking thunder had stilled, the brightness died away through violet into blindness.

  We, arising, watched light fall.

  In a way, it was more like an ethereal snowfall than like a sunrise. The light seemed to be in discrete particles, infinitesimal flecks, slowly descending, faint, fainter than flecks of fine snow on a dark night, and tinier, but blue. A soft, penetrating blue tending to the violet, the color of the shadows in an iceberg, the color of a streak of sky between gray clouds on a winter afternoon before snow: faint in intensity but vivid in hue: the color of the remote, the color of the cold, the color farthest from the sun.

  ON SATURDAY NIGHT, THEY HELD a scientific congress in our room. Clara and Max came, of course, and the engineer Phil Drum and three others who had worked on the sun tap. Phil Drum was very pleased with himself because he had actually built one of the things, a solar cell, and brought it along. I don’t think it had occurred to either Max or Simon to build one. Once they knew it could be done, they were satisfied and wanted to get on with something else. But Phil unwrapped his baby with a lot of flourish, and people made remarks like, “Mr. Watson, will you come here a minute,” and “Hey, Wilbur, you’re off the ground!” and “I say, nasty mould you’ve got there, Alec, why don’t you throw it out?” and “Ugh, ugh, burns, burns, wow, ow,” the latter from Max, who does look a little pre-Mousterian. Phil explained that he had exposed the cell for one minute at four in the afternoon up in Washington Park during a light rain. The lights were back on on the West Side since Thursday, so we could test it without being conspicuous.