Unveiling Love

by Vanessa Riley

  The New Union Club Being a Representation of what took place at a celebrated Dinner given by a celebrated society – includes in picture abolitionists, Billy Waters, Zachariah Macauley, William Wilberforce. – published 19 July 1819. Source: Wiki Commons

  Inter-racial marriages occurred.

  The children known as mulattos lived lives on the scale of their education and wealth. Examine this painting. Portrait of a Mulatto by FABRE, François-Xavier. It is from 1809-1810. Portraits were indicative to status and wealth. My screenshot of the image the art once displayed at Arenski Fine Art, LTD London. More information can be found at http://maryrobinettekowal.com/journal/images-of-regency-era-free-people-of-colour/.

  This painting of an interracial couple and child, Pintura de Castas, from Spaniard and Mulatto, Morisca (1763). Where love exists barriers fade.

  Slavery in England

  The emancipation of slaves in England preceded America by thirty years and freedom was won by legal court cases not bullets.

  Somerset v Stewart (1772) is a famous case, which established the precedence for the rights of slaves in England. The English Court of King's Bench, led by Lord Mansfield, decided that slavery was unsupported by the common law of England and Wales. His ruling:

  "The state of slavery is of such a nature that it is incapable of being introduced on any reasons, moral or political, but only by positive law, which preserves its force long after the reasons, occasions, and time itself from whence it was created, is erased from memory. It is so odious, that nothing can be suffered to support it, but positive law. Whatever inconveniences, therefore, may follow from the decision, I cannot say this case is allowed or approved by the law of England; and therefore the black must be discharged."

  E. Neville William, The Eighteenth-Century Constitution: 1688-1815, pp: 387-388.

  The Slavery Abolition Act 1833 was an act of Parliament, which abolished slavery throughout the British Empire. A fund of $20 Million Pound Sterling was set up to compensate slave owners. Many of the highest society families were compensated for losing their slaves.

  This act did exempt the territories in the possession of the East India Company, the Island of Ceylon, and the Island of Saint Helena. In 1843, the exceptions were eliminated.

  Glossary

  The Regency – The Regency is a period of history from 1811-1825 (sometimes expanded to 1795-1837) in England. It takes its name from the Prince Regent who ruled in his father's stead when the king suffered mental illness. The Regency is known for manners, architecture, and elegance. Jane Austen wrote her famous novel, Pride and Prejudice (1813), about characters living during the Regency.

  England is a country in Europe. London is the capital city of England.

  Image of England from a copper engraved map created by William Darton in 1810.

  Port Elizabeth was a town founded in 1820 at the tip of South Africa. The British settlement was an attempt to strengthen England's hold on the Cape Colony and to be a buffer from the Xhosa.

  Xhosa - A proud warrior people driven to defend their land and cattle-herding way of life from settlers expanding the boundaries of the Cape Colony.

  Image of South Africa from a copper engraved map created by John Dower in 1835.

  Abigail – A lady's maid.

  Soiree – An evening party.

  Bacon-brained – A term meaning foolish or stupid.

  Black – A description of a black person or an African.

  Black Harriot – A famous prostitute stolen from Africa, then brought to England by a Jamaican planter who died, leaving her without means. She turned to harlotry to earn a living. Many members of the House of Lords became her clients. She is described as tall, genteel, and alluring, with a degree of politeness.

  Blackamoor – A dark-skinned person.

  Bombazine – Fabric of twilled or corded cloth made of silk and wool or cotton and wool. Usually the material was dyed black and used to create mourning clothes.

  Breeched – The custom of a young boy no longer wearing pinafores and now donning breeches. This occurs about age six.

  Breeches – Short, close-fitting pants for men, which fastened just below the knees and were worn with stockings.

  Caning – A beating typically on the buttocks for naughty behavior.

  Compromise – To compromise a reputation is to ruin or cast aspersions on someone's character by catching them with the wrong people, being alone with someone who wasn't a relative at night, or being caught doing something wrong. During the Regency, gentlemen were often forced to marry women they had compromised.

  Dray – Wagon.

  Footpads – Thieves or muggers in the streets of London.

  Greatcoat – A big outdoor overcoat for men.

  Mews – A row of stables in London for keeping horses.

  Pelisse - An outdoor coat for women that is worn over a dress.

  Quizzing Glass – An optical device, similar to a monocle, typically worn on a chain. The wearer might use the quizzing glass to look down upon people.

  Reticule – A cloth purse made like a bag that had a drawstring closure.

  Season – One of the largest social periods for high society in London. During this time, a lady attended a variety of balls and soirees to meet potential mates.

  Sideboard – A low piece of furniture the height of a writing desk, which housed spirits.

  Ton – Pronounced tone, the ton was a high class in society during the Regency era.

  Sneak Peak: Unmasked Heart

  Shy, nearsighted caregiver, Gaia Telfair always wondered why her father treated her a little differently than her siblings, but she never guessed she couldn't claim his love because of a family secret, her illicit birth. With everything she knows to be true evaporating before her spectacles, can the mulatto passing for white survive being exposed and shunned by the powerful duke who has taken an interest in her?

  Ex-warrior, William St. Landon, the Duke of Cheshire, will do anything to protect his mute daughter from his late wife's scandals. With a blackmailer at large, hiding in a small village near the cliffs of Devonshire seems the best option, particularly since he can gain help from the talented Miss Telfair, who has the ability to help children learn to speak. If only he could do a better job at shielding his heart from the young lady, whose honest hazel eyes see through his jests as her tender lips challenge his desire to remain a single man.

  Unmasked Heart is the first Challenge of the Soul Regency novel.

  Excerpt from Unmasked Heart: The Wrong Kiss

  Seren adjusted the delicate gauzy silk flowers lining the edges of Gaia's cape. "Wait here until your Elliot arrives. Don't leave this room; I'll come back to find you."

  Part of Gaia didn't want to release Seren's hand. Half-seeing things made the room frightening. Her pulse raced. "What if someone else arrives?"

  "Tell them the room is occupied. They'll understand." Seren adjusted her silvery sarsenet cape, balanced the scales she hung on a cord in place of a reticule, and smoothed her wide skirts.

  Grasping hold of the armrest, Gaia forced her lips to smile. "Good luck to you, Lady Justice. I hope you have fun."

  "If you find the love you seek, I'll be happy. You deserve happiness for being you, not someone's daughter. Tell Elliot of your love. Gaia, you need a name and a household of your own, where secrets can't harm you." She gave Gaia a hug. "I want your cup filled with joy."

  "Even if my cup isn't pure."

  "Your heart is untainted by the past, made pure by salvation. That's what matters." Seren put a hand to Gaia's face. In the candlelight, she and Seren, their skin, looked the same. "Live free tonight."

  Seren moved out of focus and left the room, closing the door behind her.

  The lime blur of the settee was as comfortable as it was big, but Gaia couldn't sit still. She fidgeted and tapped her slippers on the floor. The ticking of the mantle clock filled the quiet room.

  Trying to ignore it, she clutched the ribbons of her papier-mâché mask and
straightened its creamy feathers. She stood and, with the pace of a turtle, she moved to the fireplace and strained to see where the limbs of timepiece pointed. Nine-fifteen.

  Elliot would be here soon. What would she say to him? Would she remain silent and just dance with him?

  She leveled her shoulders. How could she not say her peace, as she looked into his blue eyes? How ironic to unmask her heart at a masquerade ball.

  The moon finally broke through the clouds and cast its light into the salon. Whether from the fuzziness of her vision or the beauty of the glow, the window glass sparkled, as did the mirrors and polished candleholders of the small room.

  The low tones of the musicians started up again. The jaunty steps of a reel sounded. The tone called to her feet again, and she danced as if she were in someone's arms. The beechnut- colored walls and white moldings swirled as she did.

  That set ended and then another and another. She paced in front of the mantle clock. It tolled a low moan as it struck ten. Elliot had missed their appointment. Heaviness weighed upon Gaia, from the crown of her costume's veils to the thick folds of her opal domino.

  How ironic to stand in such finery, when Mr. Telfair told her she wasn't worthy. Yet hadn't she schemed with her stepmother and Seren to be here? Gaia should leave. Too many wrongs would never equal righteousness.

  Movement outside the room sent her pulse racing. Maybe Elliot had been detained, but was still coming. She wrung her hands and looked to the shining circle on the door, its crystal knob.

  The footsteps passed by, the sound diminishing, as did her dreams.

  Elliot wouldn't show. He must still think of her as a child, as Julia's hapless sister, as Millicent's plain cousin. Or maybe Julia had told him. They could be laughing about it now.

  Sighs and a misguided tear leaked out. She leaned against the burnished mantle. The warmth of the hearth did nothing to thaw her suddenly-cold feet. It was best he didn't show. He'd saved her the embarrassment of his rejection. A mulatto's dance or kiss could never do for him.

  The rhythm of a dance set crept beneath the ivory doorframe. Maybe Elliot found a new young lady, whose large dowry like Millicent's made her irresistible to men. Was she in his arms, basking in the glow of his smile, his fun conversation?

  The ache in her bosom swelled. Gaia released her breath, stilling her trembling fingers against the sheer veil of her fairy costume. Perhaps she should slip from the room and run into the moonlight of the moors.

  The door opened. The strains of violin-play seeped into the salon.

  Elliot in his domino cape and ebony half-mask entered the room. "Excuse me," his voice was low, hoarse. He whipped a handkerchief from his pocket and wiped his mouth as he bowed.

  Always so formal, but what a pity his melodious voice sounded raspy.

  Now or never. She cleared her throat and, in her most sultry manner, she placed her hands to her hips and curtsied. "I've been waiting for you."

  "Excuse me, do I know you?" He tugged at the ribbons of his mask.

  Waving her arms, she caught his gaze. "Please don't take it off. I won't be able to get through this if you expose your handsome face."

  "I see." He stopped, his strong hands lowering beneath the cape of his domino. "Miss Telfair?"

  With a quick motion, she whipped up her airy silk skirts and traipsed closer, but maintained an easy distance on the other side of the settee. "Call me Gaia. We needn't be so formal."

  His head moved from side-to-side, as if to scan the room.

  "You needn't fret, sir. We are quite alone. That's why I decided to confess my feelings."

  "I see."

  Must he continue to act as if he didn't know her? The moonbeams streaming through the thick window mullions surrounded him, and reflected in the shiny black silk of his cape. Could he be taller, more intimidating?

  Elliot had to think of her as a woman. She straightened her shoulders. "I'm so glad you've come. I know I'm young, but not too young to know my heart."

  "Miss Telfair, I think this is some sort of mistake."

  Blood pounding in her ears, she swept past the settee and stood within six feet of him. "Please call me Gaia."

  "I'll not trespass on your privacy any longer." He spun, as if to flee.

  She shortened the distance and caught his shoulder. "Please don't go. It took a lot to garner the courage to meet you here."

  With a hesitance she'd never seen from confident Elliot, he gripped her palm and kissed her satin glove. "I know it takes a great amount of courage to make a fool of one's self."

  "There's no better fool than one in love." She slipped his hand to her cheek. "Why hide behind mocking? I know you. I've seen your heart. The way you take care of that precious little girl as if she were your own." It touched Gaia, witnessing Elliot helping his brother's household as if it were his own.

  "How did you know my fear?" He drew his hand to his mouth. "You see too much."

  Squinting, he still wasn't quite in focus. He shifted his weight and rubbed his neck, as if her compliments made him nervous.

  "This is a mistake. We should forget this conversation. A man shouldn't be alone with such a forthright young lady. I will return to the ball." He leveled his broad shoulders and marched to the door, his heels clicking the short distance.

  Maybe being so low was freeing. "Why leave?" she let her voice sound clear, no longer cautioned with shyness or regret. "Here can be no worse than out there, with the other ladies readying to weigh your pockets."

  His feet didn't move, but he closed the door, slamming it hard. Had she struck a nerve?

  He pivoted to face her. "Aren't you just like them, my dear? Weren't all gentle women instructed to follow a man's purse? No? Perhaps torturing is your suit, demanding more and more until nothing remains of his soul."

  "Men hunt for dowries, and they know best how to torture someone; ignoring people who want their best; separating friends, even sisters, in their pursuits. The man who raised me did so begrudgingly, just to make me a governess to my brother. Is there no worse torture than to yearn to be loved and no one care?"

  "A governess? I think I understand."

  This wasn't how she'd expected this conversation to go. Elliot's graveled words possessed an edge as sharp as a sword. He seemed different, both strong and vulnerable. It must be the costumes, freeing them both from the confining roles they lived.

  Yet he didn't move. He didn't feel the same.

  She fanned her shimmering veil. Half-seeing and disguised, she could be as bold and as direct as Millicent or Seren. Gaia could even face the truth. "I forgive you for not feeling the same."

  She'd said it, and didn't crumble when he didn't respond in kind. Maybe this was best. With the release of a pent-up breath, she added, "I wish you well."

  He chuckled, the notes sounding odd for Elliot's laugh. "Has a prayer wrought this transformation? Well, He works in mysterious ways."

  Maybe it was all the prayers over the years that built up her strength. Amazing. Elliot didn't love her, and no tears came to her. Well, numbness had its benefit. "Good evening. You can go; my friend Seren will be back soon."

  When he finally moved, it was to come closer, near enough she trail her pinkie along the edgings of his domino, but that, too, was a cliff she wasn't ready to jump.

  "Gaia, what if I'm not ready to leave?"

  Her ears warmed, throbbing with the possibilities of his meaning.

  "If I am trapped," his voice dropped to a whisper, "it is by your hands."

  Her heart clenched at his words. Elliot never seemed more powerful or more dangerous. "I'd hope I, ah, maybe I should be leaving."

  He took a half-step, as if to block her path. His outline remained a blur; a tall, powerful blur. "You've had your say, sweet Gaia. Now it is my turn."

  This near, she could smell the sweet starch of his thick cravat and a bit of spice. Her heart beat so loudly. Could he hear it?

  He drew a thumb down her cheek. "Pretty lady, your eyes are red. You
r cheeks are swollen. What made you cry so hard? And why didn't you find me?"

  Something was different about the tone of his hushed voice. There was pain in it. Did he hurt because Gaia had? Could she have discounted the possibility of Elliot returning affections too quickly?

  Something dark and formidable drew her to him like never before. "How could I find you? I didn't know you cared, not until this moment."

  His arms went about her, and he cradled her against his side. His fingers lighted in her bun. "I'm fascinated with the curl and color of your hair."

  Too many thoughts pressed as a familiar tarragon scent tightened its grip about her heart. "Not course or common—"