The Sleepwalkers

by Hermann Broch

  “An excellent book-keeper, excellent, what?” Esch preened himself. “Well, it’s nice when anyone can have such things said about him,” Frau Hentjen agreed. “You may feel very proud of yourself, Herr Esch; you’ve every right to: do you want anything to eat?” Of course he did, and while Frau Hentjen looked on complacently to see that he enjoyed his food, he said that now he was going farther up the Rhine he hoped to get one of the travelling jobs; that would mean going as far as Kehl and Basel. Meanwhile several of his other acquaintances had come up, the new paymaster ordered wine for them all, and Frau Hentjen withdrew. With disgust she noticed that every time Hede, the waitress, passed the table, Esch could not help fondling her, and that finally he ordered her to sit down beside him, so that they might drink to each other. But the score was a high one, and when the gentlemen broke up after midnight, taking Hede with them, Frau Hentjen pushed a mark into her hand.

  Nevertheless Esch could not feel elated over his new post. It was as though he had purchased it at the cost of his soul’s welfare, or at least of his decency. Now that things had gone so far and he had already drawn an advance for his travelling expenses from the Cologne branch of the Central Rhine, he was overcome anew by the doubt whether he shouldn’t give Nentwig in charge. Of course in that case he would have to be present at the official inquiry, could not therefore leave the town, and would almost certainly lose his new job. For a moment he thought of solving the problem by writing an anonymous letter to the police, but he rejected this plan: one couldn’t wipe out one piece of rascality by committing another. And on top of it all he was beginning to resent his own twinges of conscience; after all he wasn’t a child, he didn’t give a damn for the parsons and their morality; he had read all sorts of books, and when Geyring had recently begged him yet again to join the Social Democratic Party he had replied: “No, I won’t have anything to do with you anarchists, but I’ll go with you this far: I’ll turn Freethinker.” The thankless fool had replied that that didn’t matter a damn to him. That was what people were like: well, Esch wouldn’t give a damn either.

  Finally he did the most reasonable thing: he set off for Mannheim at the appointed time. But he felt violently uprooted, he had none of his accustomed pleasure in travelling, and as a safeguard he left part of his belongings in Cologne: he even left his bicycle behind. Nevertheless his travelling allowance put him in a generous mood. And standing with his beer-glass in his hand and his ticket stuck in his hat on Mainz platform, he thought of the people whom he had left, felt he wanted to show them a kindness, and, a newspaper man happening to push his barrow past at that moment, he bought two picture postcards. Martin in particular deserved a line from him; yet one did not send picture postcards to a man. So first he scribbled one to Hede: the second was destined for Frau Hentjen. Then he reflected that it might seem insulting to Frau Hentjen, who was a proud woman, to receive a postcard by the same post as one of her employees, and as he was in a reckless mood he tore up the first one and posted only the one to Frau Hentjen, containing his warmest greetings to her and all his kind friends and acquaintances and Fräulein Hede and Fräulein Thusnelda from the beautiful town of Mainz. After that he felt again a little lonely, drank a second glass of beer, and let the train carry him on to Mannheim.

  He had been instructed to report to the head office. The Central Rhine Shipping Company Limited occupied a building of its own not far from the Mühlau Dock, a massive stone edifice with pillars in front of the door. The street in which it stood was asphalted, good for cycling; it was a new street. The heavy door of wrought-iron and glass—it would certainly swing smoothly and noiselessly on its hinges—stood ajar, and Esch entered. The marble vestibule pleased him; over the stair hung a glass sign-plate on whose transparent surface he read the words: “Board Room” in gold letters. He made straight for it. When his foot was on the first stair he heard a voice behind him: “Where are you going, please?” He turned round and saw a commissionaire in grey livery; silver buttons glittered on it and the cap had a strip of silver braid. It was all very elegant, but Esch felt annoyed—what business was it of this fellow’s?—and he said curtly: “I was asked to report here,” and made to go on. The other did not weaken: “To see the Chairman?” “Why, who else, do you think?” replied Esch rudely. The stair led up to a large, gloomy waiting-room on the first floor. In the middle of it stood a great oaken table, round which were ranged a few upholstered chairs. It was certainly very splendid. Once more a man with silver buttons appeared and asked what he wanted. “The Chairman’s office,” said Esch. “The gentlemen are at a board meeting,” said the attendant. “Is it important?” Driven to the wall, Esch had to tell his business; he drew out his papers, the letter engaging him, the receipt for his travelling allowance. “I’ve some references with me too,” he said, and made to hand over Nentwig’s reference. He was somewhat taken aback when the fellow did not even look at it: “You’ve no business with this up here … ground floor, through the corridor, then the second stair—inquire down below.”

  Esch remained standing where he was for a moment; he grudged the attendant his triumph and asked once more: “So this isn’t the place?” The attendant had already turned away indifferently: “No, this is the Chairman’s waiting-room.” Esch felt anger rising up in him; they made too much of a blow with their Chairman, their upholstered furnishings and their silver-buttoned attendants; Nentwig too would no doubt like to play this game; well, their fine Chairman was probably not so very different from Nentwig. But, willy-nilly, Esch had to go back the same road again. Down below the commissionaire was still at his post. Esch looked at him to see whether he was angry; but as the commissionaire merely gazed at him indifferently he said: “I want the engagement bureau,” and asked to be shown the way. After taking a couple of steps he turned round, jerked his thumb towards the staircase, and asked: “What’s the name of your boss up there, the Chairman?” “Herr von Bertrand,” said the commissionaire, and there was almost a respectful ring in his voice. And Esch repeated, also somewhat respectfully: “Herr von Bertrand”: he must have heard the name at some time or other.

  In the engagement bureau he learned that he was to be employed as stores clerk in the docks. As he stepped out into the street again a carriage halted before the building. It was a cold day; the powdery snow, drifted by the wind, lay on the kerb and against the corners of the wall; the horse kept striking a hoof against the smooth asphalt. It was obviously impatient and with reason. “A carriage, no less, for the Chairman,” Esch said to himself, “but as for us, we have to walk.” Yet all the same he liked all this elegance, and he was glad that he belonged to it. After all, it was one in the eye for Nentwig.

  In the warehouse of the Central Rhine Shipping Company the office was a glass-partitioned box at the end of a long line of sheds. His desk stood beside that of the customs officer, and at the back glowed a little iron stove. When one was bored with one’s work, or felt lonely and forsaken, one could always watch the trucks being loaded and unloaded. The sailings were to begin in a few days, and on all the boats there was a great bustle. There were cranes which revolved and lowered their hooks as though to pick something or other cautiously out of the ships’ entrails, and there were others which projected over the water like bridges that had been begun but never completed. Of course these sights were not new to Esch, for he had seen exactly the same in Cologne, but there he had been so used to the long row of storage sheds that he had never thought of them, and if he had forced himself to consider them, the buildings, the cranes and the landing-stages would have appeared almost meaningless, put there to serve human needs that were inexplicable. But now that he himself was concerned in these things they had grown into natural and purposive structures, and this gladdened him. While formerly he had at the most been surprised, occasionally indeed even irritated, that there should be so many export firms, and that the sheds, all alike, on the quays, should bear so many separate names, now the different businesses took on an individuality which one c
ould recognize from the appearance of their stout or lean storekeepers, their gruff or pleasant stevedores. Also the insignia of His Majesty the Emperor of Germany’s customs officers at the gates of the closed dock quarter flattered him: they made him vaguely conscious that here one lived and moved on foreign soil. It was both a constricted and a free life that one led in this sanctuary where wares could lie untaxed; it was frontier air that one breathed behind the iron gratings of the customs barriers. And even although he had no uniform to wear, and was, so to speak, only a private official, yet by virtue of his association with these customs and railway officials Esch had himself become almost an official figure, particularly as he carried in his pocket an official pass allowing him to wander at liberty through this exclusive province, and was already greeted with a welcoming salute by the watchman at the main gate. When he returned that salute he threw his cigarette away with a lordly sweep in obedience to the prohibition against smoking that was stuck up everywhere, and proceeded with long and important strides—a strict non-smoker himself, ready at any moment to come down upon any too familiar civilian for an infringement of the rule—to the office, where the storekeeper had already laid his list upon the desk. Then he drew on his grey-woollen mittens that left the finger-tips free, for without them his hands would have frozen in the musty coldness of the shed, looked over the lists, and checked the piled-up packing-cases and bales. Should a packing-case be in the wrong place he did not fail to throw the storekeeper, whose province it was to supervise the deliveries, a severe or at least an impatient look, so that he might give the docker responsible for it a proper talking-to. And when later the customs officer in his round stepped into the glass partition and said how warm it was in here, unfastening the collar of his tunic and pleasantly yawning in his chair, by that time the lists were checked and the contents copied into the books, and there was no difficulty about the rest; the two men sat at the table and lazily went over the papers. Then the customs officer, rapidly as ever, endorsed the lists with his blue pencil, took up the duplicates and locked them in his desk, and if there was nothing more to be done they proceeded together to the canteen.

  Yes, Esch had made a good exchange, even if justice had suffered in the process. Still, he could not help wondering—and it was the only thing that disturbed his contentment—whether there mightn’t be some way after all of duly giving Nentwig in charge; for only then would everything be in order.

  Customs Inspector Balthasar Korn came from a very matter-of-fact part of Germany. He was born on the frontier-line between Bavaria and Saxony, and had received his earliest impressions from the hilly town of Hof. His mind was divided between a matter-of-fact desire for coarse amusements and a matter-of-fact parsimony, and after he had worked his way up to a sergeant’s rank in active military service, he had seized the opportunity offered by a paternal Government to its faithful soldiers, and had obtained his transfer to the customs. A bachelor, he lived in Mannheim with his sister Erna, also unmarried, and as the empty best bedroom in his house was a standing offence in his eyes, he prevailed upon August Esch to give up his expensive room in the hotel and accept cheaper lodgings with him. And although he did not entirely approve of Esch, seeing that Esch as a Luxemburger could not boast of military service, yet he would not have been displeased to find in Esch a husband for his sister as well as an occupant for the spare bedroom; he was not sparing in unequivocal hints, and his sister, who was no longer young, accompanied them with bashful and tittering signs of protest. Indeed he actually went so far as to jeopardize his sister’s good name, for he did not scruple to address Esch before the others in the canteen as “Herr Brother-in-Law,” so that everybody must think that his friend already shared his sister’s bed. Yet Korn did this not exclusively for the sake of having his joke; rather his intention was to compel Esch, partly by constantly accustoming him to the idea, partly through the pressure of public opinion, to transform into solid actuality the fictitious part which he was thus called on to play.

  Esch had not been unwilling to move into Korn’s house. Though he had knocked about so much he felt lonely. Perhaps the numbered streets of Mannheim were to blame, perhaps he missed the smells of Mother Hentjen’s restaurant, perhaps it was that scoundrel Nentwig that still troubled him; at any rate he felt lonely and stayed on with the brother and sister, stayed on although he was quick to observe how the wind blew, stayed on although he had no intention of having anything to do with that elderly virgin; he was not impressed in the least by the great display of lingerie which Erna had gathered together in the course of the years, and which she showed him with considerable pride, nor did even the savings-bank book which she once let him see, showing a balance of over two thousand marks, attract him. But Korn’s efforts to lure him into the trap were so amusing that they were worth taking some risk for; of course one had to be wary and not let oneself be caught. As for example: Korn would rarely let him pay for their drinks when they forgathered in the canteen before they went home together; and after they had heartily cursed the quality of the Mannheim beer Korn was not to be dissuaded from turning in for Munich beer at the Spatenbräu cellar. Then, if Herr Esch hastily put his hand into his pocket, Korn would again refuse to let him pay: “You’ll have your revenge yet, Herr Brother-in-law.” But when they were sauntering down Rheinstrasse the customs inspector would punctually halt before certain of the lighted shop-windows and clap Esch on the shoulder with his great paw: “My sister has been wanting an umbrella like that for a long time: I’ll have to buy it for her birthday,” or: “Every house should have a gas-iron like that,” or: “If my sister had a wringer she would be happy.” And when Esch made no reply to all these hints Korn would become as furiously angry as he had once been at recruits who refused to understand how to handle their rifles, and the more silent Esch was as they walked on, the more furious grew his burly companion’s rage at the impudently knowing expression on Esch’s face.

  But it was by no means parsimony that made Esch dumb on those occasions. For although he was thrifty and fond of picking up small gains, yet the thorough and righteous book-keeping which in his soul he believed in did not allow him to accept goods without payment; service demanded counter-service, and goods must be paid for; nevertheless he thought it unnecessary to have a purchase forced on him in too great a hurry; indeed it would have seemed to him almost clumsy and inconsiderate to crown Korn’s breezy demands with actual success. So for the time being he had hit upon a curious kind of revenge which allowed him to repay his obligations to Korn and at the same time show that he was in no hurry to marry; after dinner he would invite Korn out for a little evening’s entertainment which took them to those beer-shops where there were barmaids, and unavoidably ended for them both in the so-called disreputable streets of the town. It sometimes cost a good deal of money to foot the bill for both of them—even if Korn could not get out of tipping his girl himself—yet the sight of Korn on the way home afterwards, walking along morosely, chewing at his black, bushy moustache, which was now limp and dejected, growling that this loose life Esch was leading him into must be put an end to: that was well worth all the expense. And besides, Korn was always in such a bad temper with his sister next morning that he went out of his way to wound her in her tenderest feelings, accusing her of never having been able to catch a man. And when thereupon she maintained hotly that she had had hosts of admirers, he would remind her contemptuously of her single estate.

  One day Esch managed to wipe off his debt to a considerable extent. While he was on his way through the company’s stores his vigilant eye was caught by the curiously shaped packing-cases and properties of a theatrical outfit, which were just being unloaded. A clean-shaven gentleman was standing by in great agitation, shouting that his valuable property, which represented untold wealth, was being handled as roughly as if it were firewood, and when Esch, who had been looking on gravely with the air of a connoisseur, threw a few pieces of superfluous advice to the labourers, and in this unmistakable fashion gave
the gentleman to know that he was in the presence of a man of knowledge and authority, the formidable volubility of the stranger was turned upon him and they soon found themselves engaged in a friendly conversation, in the course of which the clean-shaven gentleman, raising his hat slightly, introduced himself as Herr Gernerth, the new lessee of the Thalia Theatre, who would be particularly flattered—in the meanwhile the work of unloading had been completed—if the Shipping Inspector and his esteemed family would attend the opening performance, and begged to present him with the necessary tickets at reduced prices. And when Esch agreed with alacrity, the manager put his hand in his pocket and actually wrote out three free tickets for him on the spot.

  Now Esch was sitting with the Korns in the variety theatre at a table covered with a white cloth. The programme opened with a novel attraction, the moving pictures or, as they were called, the cinematograph. These pictures, however, did not meet with much applause from the audience, or indeed from the public in general at that time, not being regarded as serious and genuine entertainment, but merely as a prelude to it; nevertheless this modern art-form really held one’s attention when a comedy was put on showing the comic effects of laxative pills, the critical moments being emphasized with a ruffle of drums. Korn roared with mirth and brought down the flat of his hand on the table; Fräulein Korn put her hand over her mouth and giggled, throwing stolen coquettish glances at Esch through her fingers, and Esch was as proud as though he himself were the inventor and producer of this highly successful entertainment. The smoke from their cigars ascended and melted into the cloud of tobacco smoke which very soon floated under the low roof of the hall traversed by the silvery beam of the limelight which lit up the screen. During the interval, which came after an act imitating the whistling of birds, Esch ordered three glasses of beer, though it cost considerably more here in the theatre than anywhere else, but he was relieved when it proved to be flat and stale and they decided to give no further orders, but to have a drink in the Spatenbräu after the performance. He felt once more in a generous mood, and while the prima donna was being passionate and despairing to the best of her ability he said significantly: “Ah, love, Fräulein Erna, love.” But when, after the vociferous applause which greeted the singer from all sides, the curtain rose again, the whole stage glittered as with silver, and little nickel-plated tables stood about, and all the other glittering apparatus of a juggler. On the red-velvet cloths with which the various stands were either hung or completely draped stood balls and flasks, little flags and banners, and also a great pile of white plates. On a ladder running up to a point—it too shone with nickel-plating—hung some two dozen daggers whose long blades glittered no less brilliantly than all the shining metal round them. The juggler in his black dress-suit was supported by a female assistant, whom he brought on, it was clear, simply to display her striking beauty to the public, and also the spangled tights she wore must have been designed merely to that end, for all that she had to do was to hand the juggler the plates and the flags, or to fling them to him in the midst of his performance whenever, as a signal, he clapped his hands. She discharged this task with a gracious smile, and when she threw him the hammer she emitted a short cry in some foreign tongue, perhaps to draw the attention of her master to her, perhaps also to beg for a little affection, which her austere tyrant, however, sternly denied her. And although he must certainly have known that he ran the risk of losing the audience’s sympathy by his hard-heartedness, he did not accord his beautiful helper even a single glance, and only when he had to acknowledge the applause with a bow did he indicate by a casual wave of his hand in her direction that he allowed her a certain percentage of it. But then he walked to the back of the stage, and quite amicably, as though the affront which he had just put upon her had never happened, they lifted up together a great black board which, noticed by nobody, had been waiting there all the time, brought it forward to the waiting array of shining paraphernalia, set it up on end, and fastened it securely to the ladder. Thereupon, mutually encouraging each other with short cries and smiles, they pushed the black board, now set up vertically, to the front of the stage, and secured it to the floor and the wings with cords which suddenly appeared from nowhere. After they had seen to this with profound solemnity, the beautiful assistant once more emitted her short cry and skipped over to the board, which was so high that, stretching her arms upwards, she could scarcely touch the top edge. And now one saw that two handles were fixed into the board near the top, and the assistant, who stood with her back against the board, seized hold of those handles, and this somewhat constrained and artificial posture gave her, as she stood sharply outlined in her glittering and flimsy attire against the black board, the look of someone being crucified. Yet all the same she still went on smiling her gracious smile, even when the man, after regarding her with sharp half-shut eyes, went up to her and altered her position, altered it so slightly as to be unnoticeable, it is true, yet in such a way that the spectators became aware that everything depended on that fraction of an inch. All this was done to the subdued strains of a waltz, which immediately broke off at a slight sign from the juggler. The theatre became quite still; an extraordinary isolation, divested even of music, lay on the stage up there, and the waiters did not dare to walk up to the tables with the beer and food they were carrying, but stood, themselves tense with excitement, by the yellow-lighted doors at the back; guests who were on the point of eating put back their forks, on which they had already spitted some morsel, on their plates, and only the limelight, which the operator had directed full on the crucified girl, went on whirring. But the juggler was already testing one of the long daggers in his murderous hand; he bent his body back and now it was he who sent out the discordant exotic cry, while the dagger flew whistling from his hand, whizzed straight across the stage, and quivered in the black wood with a dull impact beside the body of the crucified girl. And now, faster than one could follow him, he had both hands full of glittering daggers, and while his cries became more rapid and more brutal, indeed, veritably bestial, the daggers whizzed in more and more rapid succession through the quivering air, struck with ever more rapid impact on the wood, and framed the girl’s face, which still smiled, numb and yet confident, appealing and yet challenging, brave and yet apprehensive. Esch could almost have wished that it was himself who was standing up there with his arms raised to heaven, that it was himself being crucified, could almost have wished to station himself in front of that gentle girl and receive in his own breast the menacing blades; and had the juggler, as often happened, asked whether any gentleman in the audience would deign to step on to the stage and place himself against the black board, in sober truth Esch would have accepted the offer. Indeed the thought of standing up there alone and forsaken, where the long blades might pin one against the board like a beetle, filled him with almost voluptuous pleasure; butin that case, he thought, correcting himself, he would have to stand with his face to the board, for a beetle was never spitted from the under side: and the thought of standing with his face to the darkness of the board, not knowing when the deadly daggers might fly, transfixing his heart and pinning it to the board, had so extraordinary and mysterious a fascination for him, grew into a desire so novel, so powerful and satisfying, that he started as out of a dream of bliss when with a flourish of drums and fanfares the orchestra greeted the juggler, who had triumphantly dispatched the last of the daggers, and the girl skipped out of her frame, which was now complete, and both of them with a graceful pirouette, holding hands and executing spacious gestures with their free arms, bowed to the audience, now released from its ordeal. It was the fanfare of the Last Judgment, when the guilty were to be trodden underfoot like worms; why shouldn’t they be spitted like beetles? Why, instead of a sickle, shouldn’t Death carry a long darning-needle, or at least a lance? One always lived in fear of being awakened to the Last Judgment, for even if one had once upon a time almost thought of joining the Freethinkers, yet one had a conscience. He heard Korn saying: “Tha
t was great,” and it sounded like blasphemy: and when Fräulein Erna remarked that, if they asked her, she would take good care not to be set up there almost naked and have knives thrown at her before the whole audience, it was too much for Esch, and in the most ungentle manner he flung away her knee, which was leaning against his; one shouldn’t take people like these to see a superior entertainment; interlopers without a conscience, that’s what they were; and he was not in the least impressed by the fact that Fräulein Erna was always running to her confessor; indeed the life of his Cologne friends seemed to him by far more secure and respectable.