Jude the Obscure (Barnes & Noble Classics Series)

by Thomas Hardy

  He regarded the statesmen in their various types, men of firmer movement and less dreamy air; the scholar, the speaker, the plodder; the man whose mind grew with his growth in years, and the man whose mind contracted with the same.

  The scientists and philologists followed on in his mind-sight in an odd impossible combination, men of meditative faces, strained foreheads, and weak-eyed as bats with constant research; then official characters—such men as Governor-Generals and Lord-Lieutenants, in whom he took little interest; Chief-Justices and Lord Chancellors, silent thin-lipped figures of whom he knew barely the names. A keener regard attached to the prelates, by reason of his own former hopes. Of them he had an ample band—some men of heart, others rather men of head; he who apologized for the Church in Latin;ah the saintly author of the Evening Hymn; and near them the great itinerant preacher, hymn-writer, and zealot,ai shadowed like Jude by his matrimonial difficulties.

  Jude found himself speaking out loud, holding conversations with them as it were, like an actor in a melodrama who apostrophizes the audience on the other side of the footlights; till he suddenly ceased with a start at his absurdity. Perhaps those incoherent words of the wanderer were heard within the walls by some student or thinker over his lamp; and he may have raised his head, and wondered what voice it was, and what it betokened. Jude now perceived that, so far as solid flesh went, he had the whole aged city to himself with the exception of a belated townsman here and there, and that he seemed to be catching a cold.

  A voice reached him out of the shade; a real and local voice:

  “You’ve been a-settin’ a long time on that plinth-stone,aj young man. What med you be up to?”

  It came from a policeman who had been observing Jude without the latter observing him.

  Jude went home and to bed, after reading up a little about these men and their several messages to the world from a book or two that he had brought with him concerning the sons of the University. As he drew towards sleep various memorable words of theirs that he had just been conning seemed spoken by them in muttering utterances; some audible, some unintelligible to him. One of the spectres (who afterwards mourned Christminster as “the home of lost causes,” though Jude did not remember this) was now apostrophizing her thus:

  “Beautiful city! so venerable, so lovely, so unravaged by the fierce intellectual life of our century, so serene! ... Her ineffable charm keeps ever calling us to the true goal of all of us, to the ideal, to perfection.” ak

  Another voice was that of the Corn Law convert,† whose phantom he had just seen in the quadrangle with a great bell. Jude thought his soul might have been shaping the historic words of his master-speech :

  “Sir, I may be wrong, but my impression is that my duty towards a country threatened with famine requires that that which has been the ordinary remedy under all similar circumstances should be resorted to now, namely, that there should be free access to the food of man from whatever quarter it may come.... Deprive me of office to-morrow, you can never deprive me of the consciousness that I have exercised the powers committed to me from no corrupt or interested motives, from no desire to gratify ambition, for no personal gain.”

  Then the sly author of the immortal Chapter on Christianity: “How shall we excuse the supine inattention of the Pagan and philosophic world, to those evidences [miracles] which were presented by Omnipotence? ... The sages of Greece and Rome turned aside from the awful spectacle, and appeared unconscious of any alterations in the moral or physical government of the world.”‡

  Then the shade of the poet, the last of the optimists:“How the world is made for each of us!

  And each of the Many helps to recruit

  The life of the race by a general plan.“§

  Then one of the three enthusiasts he had seen just now, the author of the Apologia.al

  “My argument was ... that absolute certitude as to the truths of natural theology was the result of an assemblage of concurring and converging probabilities ... that probabilities which did not reach to logical certainty might create a mental certitude.”

  The second of them, no polemic, murmured quieter things:“Why should we faint, and fear to live alone,

  Since all alone, so Heaven has will’d, we die?”am

  He likewise heard some phrases spoken by the phantom with the short face, the genial Spectator:an

  “When I look upon the tombs of the great, every motion of envy dies in me; when I read the epitaphs of the beautiful, every inordinate desire goes out; when I meet with the grief of parents upon a tombstone, my heart melts with compassion; when I see the tombs of the parents themselves, I consider the vanity of grieving for those whom we must quickly follow”

  And lastly a gentle-voiced prelate spoke, during whose meek, familiar rhyme, endeared to him from earliest childhood, Jude fell asleep:“Teach me to live, that I may dread

  The grave as little as my bed.

  Teach me to die ...”ao

  He did not wake till morning. The ghostly past seemed to have gone, and everything spoke of to-day. He started up in bed, thinking he had overslept himself, and then said:

  “By Jove—I had quite forgotten my sweet-faced cousin, and that she’s here all the time! ... and my old schoolmaster, too.” His words about his schoolmaster had, perhaps, less zest in them than his words concerning his cousin.

  II.-II.

  NECESSARY MEDITATIONS ON THE actual, including the mean bread-and-cheese question, dissipated the phantasmal for a while, and compelled Jude to smother high thinkings under immediate needs. He had to get up, and seek for work, manual work; the only kind deemed by many of its professors to be work at all.

  Passing out into the streets on this errand he found that the colleges had treacherously changed their sympathetic countenances: some were pompous; some had put on the look of family vaults above ground; something barbaric loomed in the masonries of all. The spirits of the great men had disappeared.

  The numberless architectural pages around him he read, naturally, less as an artist-critic of their forms than as an artizan and comrade of the dead handicraftsmen whose muscles had actually executed those forms. He examined the mouldings, stroked them as one who knew their beginning, said they were difficult or easy in the working, had taken little or much time, were trying to the arm, or convenient to the tool.

  What at night had been perfect and ideal was by day the more or less defective real. Cruelties, insults, had, he perceived, been inflicted on the aged erections. The condition of several moved him as he would have been moved by maimed sentient beings. They were wounded, broken, sloughing off their outer shape in the deadly struggle against years, weather, and man.

  The rottenness of these historical documents reminded him that he was not, after all, hastening on to begin the morning practically as he had intended. He had come to work, and to live by work, and the morning had nearly gone. It was, in one sense, encouraging to think that in a place of crumbling stones there must be plenty for one of his trade to do in the business of renovation. He asked his way to the workyard of the stone-mason whose name had been given him at Alfredston; and soon heard the familiar sound of the rubbers and chisels.

  The yard was a little centre of regeneration. Here, with keen edges and smooth curves, were forms in the exact likeness of those he had seen abraded and time-eaten on the walls. These were the ideas in modern prose which the lichened colleges presented in old poetry. Even some of those antiques might have been called prose when they were new. They had done nothing but wait, and had become poetical. How easy to the smallest building; how impossible to most men.

  He asked for the foreman, and looked round among the new traceries, mullions, transoms, shafts, pinnacles, and battlements standing on the bankers half worked, or waiting to be removed. They were marked by precision, mathematical straightness, smoothness, exactitude : there in the old walls were the broken lines of the original idea; jagged curves, disdain of precision, irregularity, disarray.

  For a mome
nt there fell on Jude a true illumination; that here in the stone yard was a centre of effort as worthy as that dignified by the name of scholarly study within the noblest of the colleges. But he lost it under stress of his old idea. He would accept any employment which might be offered him on the strength of his late employer’s recommendation; but he would accept it as a provisional thing only. This was his form of the modern vice of unrest.

  Moreover he perceived that at best only copying, patching and imitating went on here; which he fancied to be owing to some temporary and local cause. He did not at that time see that mediævalism was as dead as a fern-leaf in a lump of coal; that other developments were shaping in the world around him, in which Gothic architecture and its associations had no place. The deadly animosity of contemporary logic and vision towards so much of what he held in reverence was not yet revealed to him.

  Having failed to obtain work here as yet he went away, and thought again of his cousin, whose presence somewhere at hand he seemed to feel in wavelets of interest, if not of emotion. How he wished he had that pretty portrait of her! At last he wrote to his aunt to send it. She did so, with a request, however, that he was not to bring disturbance into the family by going to see the girl or her relations. Jude, a ridiculously affectionate fellow, promised nothing, put the photograph on the mantelpiece, kissed it—he did not know why—and felt more at home. She seemed to look down and preside over his tea. It was cheering—the one thing uniting him to the emotions of the living city.

  There remained the schoolmaster—probably now a reverend parson. But he could not possibly hunt up such a respectable man just yet; so raw and unpolished was his condition, so precarious were his fortunes. Thus he still remained in loneliness. Although people moved round him he virtually saw none. Not as yet having mingled with the active life of the place it was largely nonexistent to him. But the saints and prophets in the window-tracery, the paintings in the galleries, the statues, the busts, the gurgoyles, the corbel-headsap—these seemed to breathe his atmosphere. Like all new comers to a spot on which the past is deeply graven he heard that past announcing itself with an emphasis altogether unsuspected by, and even incredible to, the habitual residents.

  For many days he haunted the cloisters and quadrangles of the colleges at odd minutes in passing them, surprised by impish echoes of his own footsteps, smart as the blows of a mallet. The Christminster “sentiment,” as it had been called, ate further and further into him; till he probably knew more about those buildings materially, artistically, and historically, than any one of their inmates.

  It was not till now, when he found himself actually on the spot of his enthusiasm, that Jude perceived how far away from the object of that enthusiasm he really was. Only a wall divided him from those happy young contemporaries of his with whom he shared a common mental life; men who had nothing to do from morning till night but to read, mark, learn, and inwardly digest.aq Only a wall—but what a wall!

  Every day, every hour, as he went in search of labour, he saw them going and coming also, rubbed shoulders with them, heard their voices, marked their movements. The conversation of some of the more thoughtful among them seemed oftentimes, owing to his long and persistent preparation for this place, to be peculiarly akin to his own thoughts. Yet he was as far from them as if he had been at the antipodes. Of course he was. He was a young workman in a white blouse, and with stone-dust in the creases of his clothes; and in passing him they did not even see him, or hear him, rather saw through him as through a pane of glass at their familiars beyond. Whatever they were to him, he to them was not on the spot at all; and yet he had fancied he would be close to their lives by coming there.

  But the future lay ahead after all; and if he could only be so fortunate as to get into good employment he would put up with the inevitable. So he thanked God for his health and strength, and took courage. For the present he was outside the gates of everything, colleges included: perhaps some day he would be inside. Those palaces of light and leading; he might some day look down on the world through their panes.

  At length he did receive a message from the stonemason’s yard—that a job was waiting for him. It was his first encouragement, and he closed with the offer promptly.

  He was young and strong, or he never could have executed with such zest the undertakings to which he now applied himself, since they involved reading most of the night after working all the day. First he bought a shaded lamp for four and sixpence, and obtained a good light. Then he got pens, paper, and such other necessary books as he had been unable to obtain elsewhere. Then, to the consternation of his landlady, he shifted all the furniture of his room—a single one for living and sleeping—rigged up a curtain on a rope across the middle, to make a double chamber out of one, hung up a thick blind that nobody should know how he was curtailing the hours of sleep, laid out his books, and sat down.

  Having been deeply encumbered by marrying, getting a cottage, and buying the furniture which had disappeared in the wake of his wife, he had never been able to save any money since the time of those disastrous ventures, and till his wages began to come in he was obliged to live in the narrowest way. After buying a book or two he could not even afford himself a fire; and when the nights reeked with the raw and cold air from the Meadows he sat over his lamp in a great-coat, hat, and woollen gloves.

  From his window he could perceive the spire of the Cathedral, and the ogee dome under which resounded the great bell of the city. The tall tower, tall belfry windows, and tall pinnacles of the college by the bridge he could also get a glimpse of by going to the staircase. These objects he used as stimulants when his faith in the future was dim.

  Like enthusiasts in general he made no inquiries into details of procedure. Picking up general notions from casual acquaintance, he never dwelt upon them. For the present, he said to himself, the one thing necessary was to get ready by accumulating money and knowledge, and await whatever chances were afforded to such an one of becoming a son of the University. “For wisdom is a defence, and money is a defence,ar but the excellency of knowledge is, that wisdom giveth life to them that have it.” His desire absorbed him, and left no part of him to weigh its practicability.

  At this time he received a nervously anxious letter from his poor old aunt, on the subject which had previously distressed her—a fear that Jude would not be strong-minded enough to keep away from his cousin Sue Bridehead and her relations. Sue’s father, his aunt believed, had gone back to London, but the girl remained at Christminster. To make her still more objectionable she was an artist or designer of some sort in what was called an ecclesiastical warehouse, which was a perfect seed-bed of idolatry, and she was no doubt abandoned to mummeriesas on that account—if not quite a Papist. (Miss Drusilla Fawley was of her date, Evangelical.)

  As Jude was rather on an intellectual track than a theological, this news of Sue’s probable opinions did not much influence him one way or the other, but the clue to her whereabouts was decidedly interesting. With an altogether singular pleasure he walked at his earliest spare minutes past the shops answering to his great-aunt’s description; and beheld in one of them a young girl sitting behind a desk, who was suspiciously like the original of the portrait. He ventured to enter on a trivial errand, and having made his purchase lingered on the scene. The shop seemed to be kept entirely by women. It contained Anglican books, stationery, texts, and fancy goods: little plaster angels on brackets, Gothic-framed pictures of saints, ebony crosses that were almost crucifixes, prayer-books that were almost missals. He felt very shy of looking at the girl in the desk; she was so pretty that he could not believe it possible that she should belong to him. Then she spoke to one of the two older women behind the counter; and he recognized in the accents certain qualities of his own voice; softened and sweetened, but his own. What was she doing? He stole a glance round. Before her lay a piece of zinc, cut to the shape of a scroll three or four feet long, and coated with a dead-surface paint on one side. Hereon she was designing or illumin
ating, in characters of Church text, the single word

  “A sweet, saintly, Christian business, hers!” thought he.

  Her presence here was now fairly enough explained, her skill in work of this sort having no doubt been acquired from her father’s occupation as an ecclesiastical worker in metal. The lettering on which she was engaged was clearly intended to be fixed up in some chancel to assist devotion.

  He came out. It would have been easy to speak to her there and then, but it seemed scarcely honourable towards his aunt to disregard her request so incontinently. She had used him roughly, but she had brought him up: and the fact of her being powerless to control him lent a pathetic force to a wish that would have been inoperative as an argument.

  So Jude gave no sign. He would not call upon Sue just yet. He had other reasons against doing so when he had walked away. She seemed so dainty beside himself in his rough working-jacket and dusty trousers that he felt he was as yet unready to encounter her, as he had felt about Mr. Phillotson. And how possible it was that she had inherited the antipathies of her family, and would scorn him, as far as a Christian could, particularly when he had told her that unpleasant part of his history which had resulted in his becoming enchained to one of her own sex whom she would certainly not admire.