Magic Lessons

by Alice Hoffman

  This was true magic, the making and unmaking of the world with paper and ink.

  * * *

  It was said that if any of God’s creatures could think like a man, it would be a crow, for they have minds that never rest. Cadin was a great collector and brought back all manner of treasures discovered in the surrounding villages and towns, found at the great estates as well as the laborers’ hovels, spied from above by his bright vision of the world below. What belonged to others was fair game for him to steal, and rich or poor made no difference; they all had something worthwhile. He could flick in through a window and flit out again, or dive into a trash bin, or pick through a garden. Buttons, spools of thread, coins, children’s poppets, horse hairs, and once, on a bright blue day when he could see farther than any other beast or man, he brought back a hairpin, clearly stolen from a lady in a castle, a lovely, intricate object that had tiny rubies set into the silver. Maria, now nearly eight, was in the meadow when Cadin swooped down to drop this miraculous find at her feet. He had been somewhat wounded in his attempts at stealing the treasure he now offered, and there was a small scar on his head.

  Maria wore a blue skirt and a woolen bodice with narrow sleeves, along with stockings Hannah knitted and a linen smock. The child was still as fearless as ever. What fell from the sky, she was happy to collect and examine.

  “Oh, look, Hannah,” she cried. “My Cadin’s a robber.”

  Hannah came around from the apothecary garden as Maria was studying the pin that had been cast into the tall grass. In the girl’s hands the silver turned black in an instant, as if brushed with dark paint, though the rubies shone more brightly because of her touch. Hannah clutched the leeks she had gathered to her chest, and felt an ache inside her bones. The wide-brimmed straw hat she wore to protect her from the sun fell from her head, and she didn’t bother to go after it. What she had long suspected had now been shown to be true. She’d felt it from the start, that first day under the junipers when she spied the baby in her basket, a rare sight that had spread cold pinpricks along her spine. As she’d unwrapped Maria from her blanket, she’d spied an unusual birthmark in the shape of a star, hidden in the crease of the girl’s inner elbow. Right away she wondered if this was the cause of the child’s abandonment, for bloodline witches were said to be marked in such sly, concealed places, on the scalp, upon the small of the back, at the breastbone, along the inner arm. It was one thing to learn magic, but quite another to be born with it.

  Ever since, Hannah had kept watch for telltale signs. Over the years omens had appeared, one after the other, clear evidence of the child’s unusual nature. As soon as she could speak, Maria could predict the weather, just as a crow can tell when a windstorm will come, often beginning to fly erratically hours before the first gusts. Maria could taste snow in the air and know the skies would open before rain fell. She had the ability to speak backwards, an unsettling trait, and it sometimes seemed she could converse in the language of birds, calling the crow to her with a sharp clacking sound, and chattering with magpies and doves. Even the cheeky sparrows came to her when called, and sat in the palm of her hand, calmed by her presence and comforted by her touch. When only a babe, she cut her finger on a thorn bush, and the blood that spilled onto the ground had burned through the grass, turning it black. That was when Hannah first felt her suspicions to be correct, but if she wanted undisputable proof it was now right in front of her, for silver turns black when held in a witch’s hand.

  “I ruined it,” Maria said, frowning as she showed off the blackened hairpin.

  “Nonsense. You’ve made it far prettier. See how the red stones glow?” Hannah had the girl turn around so that her long hair could be gathered and tacked up with the crow’s pin to keep the tangled mass atop her head. “Now you look like a queen.”

  Later Hannah caught the girl staring in a handheld mirror. It was black painted glass in which a person could see her future if she knew what to look for. Some called it scrying or prophesizing, but it could only be properly handled by a true witch. Hannah chuckled when she saw how entranced Maria was by her own countenance, for clearly the girl had the gift of sight. Still Hannah feared for her fate, for this was the day when Maria realized she would be beautiful, for all the good it would do her in this cruel, heartless world.

  * * *

  Whatever her heritage might be, there was magic in Maria. At eight, her letters were more shapely than Hannah’s. At nine, she could read as well as any educated man. Had she been allowed access to books in Latin and Hebrew and Greek, surely she would have learned those ancient languages as well. Hopefully, her canny intelligence would benefit her when she was on her own, a future Hannah fretted over, and the cause of many sleepless nights. A child unprotected was at the mercy of those who wished to ill-use her. As the ultimate protection against the merciless ways of fate, Hannah began work on the only legacy she could give the child, a personal journal called a Grimoire, meant for the eyes of the user alone, a book of illumination in which cures and remedies and enchantments were documented. Some called such a text a Book of Shadows, for it was meant solely for the use of the writer and the formulas within often disappeared when looked at by a stranger. The first Grimoire was said to be The Key of Solomon, perhaps written by King Solomon, or, far less impressive, by a magician in Italy or Greece in the fifteenth century. The book contained instructions for the making of amulets, as well as invocations and curses, listing the rules for summoning love and revenge. Solomon was believed to have been given a ring engraved with a pentagram that had the power to bind demons, and there were those who said that the angel Raziel gave Noah a secret book about the art of astrology, written on a single sapphire and brought with him on the Ark. The Sworn Book of Honorius, an ancient magical treatise Hannah had found in the royal family’s library when she was a girl, advised no woman should be allowed to read its incantations and invocations. Those women who could read were revered and feared, for they were the most skilled in love magic.

  Magical practitioners were everywhere in England, in the court and in castles, but magic books were forbidden for the poor and for women. There were searches for magical manuscripts belonging to women, which were often found hidden under beds, or, to avoid discovery once doubt had been cast upon the writer, floating in rivers or thrown onto burning pyres so that their magic would not fall into the wrong hands. Spells and magical symbols were written upon parchment, then tucked into the folds of clothing or into the food of the intended objects of desire. But it was a woman’s personal book that was most important; here she would record the correct recipes for all manner of enchantments. How to conjure, how to heal, including those illnesses that had no name, how to use natural magic to bind another to you or send him away, and how to use literary magic, the writing of charms and amulets and incantations, for there was no magic as coveted or as effective as that which used words.

  * * *

  Whereas Hannah’s Grimoire had vellum pages and a wooden cover, the book she fashioned for Maria was a true prize, a magical object in and of itself. It was made of real paper, dearly bought from a printer in the village. The cover was black and bumpy and cool to the touch, unmistakably supernatural in nature, made of a most unusual material. Cadin had led her to the shallows of a nearby pond where she found a large toad floating on the calm surface, already cold and lifeless when Hannah knelt to hold it in her hands. For those who were uneducated, toads were full of evil magic, and witches were said to transform themselves into toads if need be. This toad’s fate would be to guard a treasure trove of cures and remedies.

  As Hannah walked home in the fading dark, the toad’s skin sparked with light. This made it clear that a Grimoire formed from this creature would have its own power, and would give strength to the written enchantments it bore. Any spell would be twice as potent. Hannah prepared the leather that very night, secretly, and with great skill, salting the skin before stretching it on a wooden rack. Overnight the toad-leather grew twice as large as it
had been, taking on the form of a square, which signified the mystical shape of the heart, combining the human and the divine, and representing the four elements: fire, earth, air, and water. It was an omen of power and heartbreak and love.

  * * *

  When presented with the book, on Midsummer Night in the year she turned ten, Maria cried hot tears, the first time she could recall doing so, for although witches are said to be unable to cry, rare occasions cause them to do so. Maria was swept up by raw emotion and gratitude, and from that day forward she cried when she was flooded by her responses, burning her own skin with her dark, salty tears. Never in her life had anything truly belonged to her and her alone. She marked this day forever after as the day of her birth, for it was, indeed, the formation of the woman she would become. Her fate was tied to this book as if her future had been written with indelible ink. On the first page were the rules of magic, ones Hannah declared they were obliged to follow.

  Do as you will, but harm no one.

  What you give will be returned to you threefold.

  From then on, each day was a lesson, with more and more to study, for it seemed there might not be time for all that Maria must learn. Hannah had begun to hear the clatter of the deathwatch beetle inside the house, the dreaded creature whose sound echoed in times of plague and famine and illness, predicting the end of a life. One could never be sure whose life was in peril, but on this occasion Hannah knew. After finding a small neat hole in the wall beside her bed, set there from the creature’s burrowing, Hannah held up a burning twig to smoke out the beetle with yellow sulfurous fumes, but it did no good. If anything, the clicking grew louder, deafening at times, for there was no way to prevent a death that has already been cast, as every man and woman who walks the earth is bound to know when their own time comes.

  Perhaps the girl had foreseen Hannah’s death before Hannah herself had, for Maria worked harder than ever, studying by lamplight, doing her best to ascertain if a curse could be reversed and a death unmade. At ten she was old enough to be aware of the unkind ways of the world. She’d heard the stories Hannah’s clients told, and had seen those who were too ill to be saved by any means. She knew that life and death walked hand in hand and understood when Hannah confided that a Grimoire must be handed down to a blood relative or destroyed upon the owner’s death. Magic was dangerous if set in the wrong hands. At the hour of her adoptive mother’s death, Maria must burn her book even before she accompanied Hannah’s body to the burying ground.

  She had begun her own book, with Hannah’s lessons taking up the early pages, and these would always remain a treasure. Maria wrote carefully, with curving, near-perfect script, using ink made of the bark of hawthorn and oak trees and the ashy bones of doves she had found strewn in the grass. Maria made a bond with doves, as she had all birds, and much later in her life, she would be grateful she had done so.

  For Love

  Boil yarrow into a tea, prick the third finger of your hand, add three drops of blood, and give to your beloved.

  Never cut parsley with a knife if you are in love or bad luck will come your way.

  Salt tossed on the fire for seven days will bring an errant lover home.

  Charms for wandering husbands: feather, hair, blood, bone.

  Prick a candle with a pin. When the flame burns down to the pin, your true love will arrive.

  To win the favor of Venus in all matters of love gather a white garment, a dove, a circle, a star, the seventh day, the seventh month, the seven stars.

  To study love with an expert is a great gift, and yet Maria wondered why, with access to so much power and magic, Hannah had spent her own life alone, without love.

  “What makes you think I have?” Hannah didn’t look the girl in the eye when she spoke, perhaps for fear of what the sight would allow Maria to intuit, things that were best kept private. There are secrets that must be held close, and most of these have to do with the wounding of the human heart, for sorrow spoken aloud is sorrow lived through twice.

  All the same, Maria didn’t let her questions go unanswered, and now she was even more curious. “Haven’t you? I’ve seen no man come near.”

  “Did you think I had no life before you came along?”

  This notion only caused Maria’s interest to pique. She pondered that statement, her mouth pursed, deep in thought. Contemplating her own personal history, she had begun to wonder who she’d been before she was left in Devotion Field on a snowy day. Who had given her life and loved her, only to have left her in the care of a crow? Did she resemble her mother or her father, for surely every individual who was born must have parents. She noticed then that Hannah’s eyes were damp, and not because of the sun’s glare. That was when she knew the truth about Hannah.

  “You did know love,” Maria declared, quite convinced. She didn’t just presume such a thing, as much as she read it in the air, as if Hannah’s past was made up of letters set into a book and that book was the world they walked through.

  They were deep in the forest where Hannah was schooling Maria on how to hide should the need arise. Ever since the days of the witch-finders, it had been necessary to plan an escape at all times. Birds lived in such a manner, settling into the thickets so deeply and with such complete silence not even a fox could spy them.

  Hannah gave the girl a sharp look. “You’re not invisible if you talk.”

  Maria crouched beneath the junipers, barely breathing, not far from the place where she’d first been found. She knew the value of silence. Cadin was perched in the branch above her, equally quiet. Perhaps he had the sight as well, as familiars are said to do. He had not spent a single night away from Maria from the time he’d found her in the field, and Maria always wore the blackened silver hairpin the crow had brought her as a special gift. Sometimes she imagined the pin in a woman’s long red hair; perhaps it was a vision of the original owner. Whatever its history, the hairpin was her most valued possession, and would be all her life, even when she was half a world away from these woods.

  “Bring me something wonderful,” she always whispered to Cadin when he set off on a flight, and she patted the feathers of her beloved thief. “Just don’t be caught.”

  On the day of invisibility, he went off when they were finished hiding, winging across the field. It was very warm and the leaves on the willows were unfolding in a haze of soft yellow-green color. The ground was marshy all around them and ferns covered the heathland. On the way back to the cottage Hannah said, “You’re right.” She looked straight ahead as she spoke, but she had an open expression on her face, as if she were young again. She was remembering something she had done her best to forget.

  Maria hurried to keep up with her. “Am I?”

  Being told she was right was a rare treat, for Hannah believed that character was built when it was assumed that a child was most often wrong and still had much to learn.

  “He was a man like any other, an earl’s servant who had seven years to work off his debt. That is what poor men must do, and I didn’t fault him for it. I was willing to wait, for a year is only as long as you let it be, but then I was arrested. They said I used my skill at writing to send letters to the devil and that I had a tail and that all men were in danger when I walked by, not because I was beautiful, I wasn’t, even I knew that, but because I could cause their blood to boil or go ice cold. I suppose they made it worth his while to turn against me, for after my trial was over, he was a free man with coins in his purse. He was the one who said I had a tail, and that he’d chopped it off himself so that I might appear to be a woman rather than a witch. He gave them the tail of a shrew and vowed it was mine, and if a fool is believed then those who believe him are even bigger fools.”

  Maria thought over this new information. “So that is love?”

  Hannah glanced away, as she did when she didn’t wish to reveal her emotions. But she needn’t have bothered attempting to hide her sorrow, for Maria could sense what a person was feeling so strongly she might as well
have been able to hear someone’s deepest fears and wishes spoken aloud.

  “It can’t be,” Maria decided.

  “It was for me,” Hannah told her.

  “And for me?”

  “You looked in the black mirror. What did you see?”

  It was a private matter, but this was a time for truth rather than privacy. “I saw a daughter.”

  “Did you now? Then you’ll be a fortunate woman.”

  “And a man who brought me diamonds.”

  Hannah laughed out loud. There they were in their ragged clothes, half a day’s walk from the nearest village, with nothing precious between them, save for their wits and Maria’s stolen hairpin, as far away from a man with diamonds as they could be.

  “I wouldn’t be surprised by anything that happened to you, my girl,” Hannah told Maria. “But I believe you will be amazed at the turns of fate, as we all are when it comes to our own lives, even when we have the sight.”

  A church bell rang miles away. Maria had never been to the closest village; she had never seen the blacksmith’s shop where irons were cast, and knew nothing of constables, or churchwardens, or toll-takers, or surgeons who believed in using leeches and live worms and foxes’ lungs as cures, and medical men who disdained folk remedies. Hannah placed her faith in washing her hands with clean water and her strong black soap before any examination, and because of this she lost far fewer patients. None, as a matter of fact, except those who were too far gone for any remedy, for things without remedy must be without regard. She made her own black soap every March, enough to last the year long, burning wood from rowans and hazelwoods for the ashes that would form her lye, using licorice-infused oil, honey, and clove, adding dried lavender for luck and rosemary for remembrance. Ladles of liquid soap were poured into wooden molds, where they hardened into bars. Maria had written down the recipe in her Grimoire, for this soap was most often asked for by the women from town. They said a woman grew younger each time she used it; if she had sorrows the soap washed them away, and if there was an illness in the house it would not spread, for the herbs in the soap defeated fevers and chills. It was the sort of recipe one could add to however one saw fit. Mistletoe for those who wished for children. Vervain to escape one’s enemies. Black mustard seed to repel nightmares. Lilac for love.