Wages of Rebellion
Page 18
The engine of vigilante violence is not fear of government. It is the fear by white people of the black underclass and of the radicals who champion the cause of the oppressed. The black underclass has been enslaved, lynched, imprisoned, and impoverished for centuries. The white vigilantes do not acknowledge the reality of this oppression, but at the same time they are deeply worried about retribution directed against whites. Guns, for this reason, are made easily available to white people, while gun ownership is largely criminalized for blacks. The hatred expressed by vigilante groups for people of color, along with Jews and Muslims, is matched by their hatred for the college-educated elite. The vigilantes see people of color, along with those who espouse the liberal social values of the college-educated elites, including gun control, as contaminants to society.
Richard Rorty, in Achieving Our Country: Leftist Thought in Twentieth-Century America, fears that a breakdown will be inevitable once workers realize that the government has no genuine interest in raising low and substandard wages, halting the exportation of jobs overseas, or curbing crippling personal debt. White-collar workers, who are also being downsized, will turn to the far right, he writes, and refuse to be taxed to provide social benefits:
At that point, something will crack. The nonsuburban electorate will decide that the system has failed and start looking for a strongman to vote for—someone willing to assure them that, once he is elected, the smug bureaucrats, tricky lawyers, overpaid bond salesmen, and postmodern professors will no longer be calling the shots. A scenario like that of Sinclair Lewis’ novel It Can’t Happen Here may then be played out. For once such a strongman takes office, nobody can predict what will happen. In 1932, most of the predictions made about what would happen if Hindenburg named Hitler chancellor were wildly overoptimistic.
One thing that is very likely to happen is that the gains made in the past forty years by black and brown Americans, and by homosexuals, will be wiped out. Jocular contempt for women will come back into fashion. The words “nigger” and “kike” will once again be heard in the workplace. All the sadism which the academic Left tried to make unacceptable to its students will come flooding back. All the resentment which badly educated Americans feel about having their manners dictated to them by college graduates will find an outlet.10
America’s episodic violence, while dwarfed by the campaigns of genocide and mass extermination carried out by totalitarian systems led by the Nazis, Joseph Stalin, and Mao Tse-tung, is nevertheless, as the black activist H. Rap Brown once said, “as American as cherry pie.”11 We have always mythologized, even idolized, our vigilante killers. The Indian fighters, gunslingers, and outlaws on the frontier, as well as the mobsters and the feuding clans such as the Hatfields and McCoys, color our history.
Vigilantes and lone avengers are the popular heroes in American culture. They are celebrated on television and in Hollywood movies. Audiences, especially as they feel economic and political power slipping from their hands, yearn for the violent authority embodied in rogue cops in films such as Dirty Harry or in unrepentant killers such as Bradley Cooper in American Sniper. D. W. Griffith’s 1915 film The Birth of a Nation, inspired by and adapted, in part, from Thomas Dixon Jr.’s novel The Clansman, was the prototype for the filmic celebrations of American vigilante violence.
President Woodrow Wilson held a screening of The Birth of a Nation. It was the first motion picture shown at the White House. Wilson praised Griffith’s portrayal of savage, animalistic black men—portrayed by white actors in blackface—humiliating noble Southern men and carrying out sexual assaults on white women. “It is like writing history with lightning, and my only regret is that it is all so terribly true,” Wilson reportedly said.12 The film swept the nation. White audiences, including in the North, cheered the white vigilantes. The ranks of the Ku Klux Klan exploded by a few million following the film’s release.
The really rapid growth of the Klan did not occur in the early years when The Birth of a Nation was at the peak of its influence and availability. By 1919, the Klan had only a few thousand members. Not until the summer of 1920 [five years after the film’s release] … did the real expansion of the Klan begin. By the summer of 1921, it had around 100,000 members.… By the middle years of the 1920s, the Klan, according to Nancy Maclean, may have reached a peak of 5 million members spread across the nation.… It is impossible to say with any certainty what the precise role of The Birth of a Nation was in encouraging this increase; but as African-American scholar Lawrence Reddick noted in 1944, “Its glorification of the Ku Klux Klan was at least one factor which enabled the Klan to enter upon its period of greatest expansion.” James Baldwin called the film “an elaborate justification of mass murder.”13
A century later, our culture’s long infatuation with guns and acquiescence to vigilante killings continue to inspire the lone vigilantism of gunmen such as George Zimmerman, who followed an unarmed black teenager, Trayvon Martin, through a gated community in Florida and killed him. That state’s “stand your ground” law that allowed Zimmerman to be acquitted of murder is the judicial sanction of vigilante violence.
In 1984 Bernhard Goetz, in one of the most celebrated cases of vigilante violence, used an unlicensed gun to shoot four black teenagers in a New York subway car. He claimed the black men were trying to mug him. The National Rifle Association (NRA) was linked to Goetz’s legal defense, and one of the NRA’s daughter organizations, the Fire Arms Civil Rights Legal Defense, provided funds. Goetz was acquitted of attempted murder and convicted only of illegal possession of a firearm, for which he spent eight months in jail.14 The case strengthened arguments for less restrictive “concealed carry” laws. It was because of Goetz and the NRA that Zimmerman was legally permitted to carry the concealed Kel-Tec PF-9 pistol he used to murder an unarmed seventeen-year-old boy.
In December 2012, twenty first-graders and six adults were gunned down in an elementary school in Newtown, Connecticut, yet the Senate will not pass legislation imposing stiffer background checks on gun purchasers, nor a ban on assault weapons. On average, 32 Americans are murdered with guns every day. Another 140 are treated for a gun assault in an emergency room.15 Some 30,000 Americans die each year from gunfire—and about two-thirds of the shootings are suicides.16 But Newtown, like the mass shootings at a movie theater in Aurora, Colorado (12 dead), at Virginia Tech in Blacksburg, Virginia (33 dead), at the immigration center in Binghamton, New York (14 dead), and at Columbine High School in Littleton, Colorado (15 dead), has had no discernible effect on mitigating our gun culture. There has been a school shooting on average every ten days since the Newtown massacre.17
The state has never opposed the widespread public ownership of guns because these weapons have rarely been deployed against the state. In this, the United States is an anomaly. It has a heavily armed population and yet maintains remarkable political stability—because, as Hofstadter writes in American Violence, “our violence lacks both an ideological and geographical center; it lacks cohesion; it has been too various, diffuse, and spontaneous to be forged into a single, sustained, inveterate hatred shared by entire social classes.” He adds that Americans also have “a remarkable lack of memory where violence is concerned and have left most of our excesses a part of our buried history.” Hofstadter notes that “most of our violence has taken the form of action by one group of citizens against another group, rather than by citizens against the state. The sheer size of the country, the mixed ethnic, religious, and racial composition of the people, and the diffuseness of power under our federal system have all tended to blunt or minimize citizen-versus-state conflicts and to throw citizen-versus-citizen conflicts into high relief.”18
We are not a people with a revolutionary or an insurrectionary tradition. The War of Independence, while it borrowed the rhetoric of revolution, replaced a foreign oligarchy with a native, slaveholding oligarchy. The founding fathers were conservative. The primacy of private property, especially slaves, was paramount to the nation’s foun
ders.19
The framers of the Constitution established a series of mechanisms to thwart the popular will, from the electoral college to the appointment of senators, buttressed by the disenfranchisement of African Americans, women, Native Americans, and the landless. George Washington, probably the wealthiest man in the country when the war was over—much of his money was earned by speculating on seized Indian land—shared exclusive economic and political power with his fellow aristocrats. This distrust of popular rule among the elite runs in a straight line from The Federalist Papers and the Constitutional Convention of 1787 to the 2000 presidential election, where the Democratic candidate, Al Gore, received over half a million more popular votes than the Republican George W. Bush.
The few armed rebellions—such as the 1786 and 1787 Shays’ Rebellion and the 1921 armed uprising at Blair Mountain—were swiftly and brutally put down by a combination of armed vigilante groups and government troops. More importantly, these rebellions were concerned with specific local grievances rather than broad political and ideological disputes. “Since our violence did not typically begin with anyone’s desire to subvert the state, it did not typically end by undermining the legitimacy of authority,” Hofstadter writes.20 The federal structure, as Hofstadter notes, has effectively diverted violence away from symbols of national power to regional or state authority. The miners at Blair Mountain picked up weapons for the right to organize unions in West Virginia. African Americans, enraged by police violence in Oakland, Chicago, Philadelphia, and other cities in the 1960s, created groups such as the Black Panthers primarily for self-defense, although the party later evolved into a quasi-revolutionary movement.21 The universal, radical ideologies and utopian visions that sparked revolutions in Russia and Germany after World War I are alien to our intellectual tradition.
“Most American violence,” Hofstadter observes,
has been initiated with a “conservative” bias. It has been unleashed against abolitionists, Catholics, radicals, workers and labor organizers, Negroes, Orientals, and other ethnic or racial or ideological minorities, and has been used ostensibly to protect the American, the Southern, the white Protestant, or simply the established middle-class way of life and morals. A high proportion of our violent actions has thus come from the top dogs or the middle dogs. Such has been the character of most mob and vigilante movements. This may help to explain why so little of it has been used against state authority, and why in turn it has been so easily and indulgently forgotten.22
Thomas Paine is America’s single great revolutionary theorist. We have produced a slew of admirable anarchists (Alexander Berkman, Emma Goldman, Dorothy Day, and Noam Chomsky), and radical leaders have arisen out of oppressed groups (Sitting Bull, Frederick Douglass, Elizabeth Cady Stanton, Fannie Lou Hamer, Martin Luther King Jr., Malcolm X, Cornel West, and bell hooks). But we do not have a tradition of revolutionists. This makes Paine unique.
Paine’s brilliance as a writer—his essay Common Sense is one of the finest pieces of rhetorical writing in the English language—was matched by his understanding of British imperial power. No revolutionist can challenge power if he or she does not grasp how power works. Of Paine’s many contributions to the American Revolution, this understanding ranks as one of the most important.
Many American leaders, including Benjamin Franklin, were hoping to work out an accommodation with the British crown to keep America a British colony—just as many now believe they can work through traditional mechanisms of power, including electoral politics and the judicial system, to reform corporate power. Paine, partly because he did not come to America from England until he was thirty-seven, understood that the British monarchy—not unlike our corporate state—had no interest in accommodation.
It became Paine’s job to explain to his American audience the reality of British power and what effective resistance to this power would entail. Paine knew that the British government, which wielded the global imperial power that America wields today, was blinded by its hubris and military prowess. It had lost the ability to listen and as a result had lost the ability to make rational choices—as the inhabitants of New York would discover when British warships and mercenary troops during the revolution mercilessly bombarded and occupied the city. The British foolishly believed that their superior military force alone would decide the conflict, the same mistake the United States made in Iraq and Afghanistan and earlier in Vietnam.
Paine created a new, revolutionary political vocabulary. Common Sense, Rights of Man, and The Age of Reason were the most widely read political tracts of the eighteenth century.23 Common Sense went through twenty-five editions and reached hundreds of thousands of readers in 1776 alone.24 It was the first political essay in Enlightenment Europe to call for a separation between “civil society” and “the state,” terms that political philosophers as far back as Aristotle (koinonìa politikè) and Cicero (societas civilis) had considered interchangeable.25 Civil society, Paine argued in defiance, must always act as a counterweight against the state in a democracy. Power, he warned, even in a democracy, carries within it the seeds of tyranny.
Paine, as George Orwell and James Baldwin did later, used his pen as a weapon. He detested the flowery and ornate writing of his age, epitomized by academics and philosophers such as Edmund Burke, whose turgid prose he called “Bastilles of the word.”26 His lucid, crystallite writing was deeply feared by the monarchies in Europe, as well as the Jacobins in France, who imprisoned Paine and planned to execute him for denouncing the Reign of Terror. He fearlessly spoke undeniable truths. And he did so in a language that was accessible. He called his readers to act upon these truths. “My motive and object in all my political works, beginning with Common Sense,” Paine remembered in 1806, “… have been to rescue man from tyranny and false systems and false principles of government, and enable him to be free.”27 Chronically short of money, Paine pressed his publishers to print cheap editions so the poor and working classes could afford them.28 And he famously donated the profits of Common Sense and his popular Crisis essays to help fund the revolutionary war effort.29
“Where liberty is, there is my country,” Benjamin Franklin once said to Paine. “Where liberty is not, there is my country,” Paine replied. For Paine, the role of a citizen extended beyond national borders. The fight of those living under any system of tyranny was his fight. “When it shall be said in any country in the world, ‘My poor are happy; neither ignorance nor distress is to be found among them; my jails are empty of prisoners, my streets of beggars; the aged are not in want, the taxes are not oppressive; the rational world is my friend, because I am a friend of happiness—when these things can be said,” wrote Paine, “then may that country boast of its constitution and its government.”30
One of the most important keys to radical social change, as historian J.G.A. Pocock points out, is a change in the nature of language itself, in the emergence of both new words and new meanings for old words. “Language,” he wrote, “is both a product of history and possesses a history of its own.”31 The call for revolution advanced by Paine, like those from writers such as Jean-Jacques Rousseau, were issued in the new language of secular rationalism rather than the older language of religion. But Paine, unlike Rousseau, wrote in the everyday language of working people. Grounding his writing in their common experiences, he was the first political writer to extend debate beyond university halls, government office buildings, and elite clubs and salons to the streets and the taverns. Paine knew liberty was intimately connected with language. And he knew that those who seek to monopolize power always use inaccessible and specialized jargon to exclude the average citizen. Paine broke these chains.
Paine’s clarity will have to be replicated today. We too will have to form a new language. We will have to articulate our reality through the ideas of socialism rather than capitalism in an age of diminishing resources. And we will have to do this in a form that is accessible. Foner cites Paine’s ability to reach the general population as one of his
most significant achievements:
Paine was one of the creators of this secular language of revolution, a language in which timeless discontents, millennial aspirations and popular traditions were expressed in a strikingly new vocabulary. The very slogans and rallying cries we associate with the revolutions of the late eighteenth century come from Paine’s writings: the “rights of man,” the “age of reason,” the “age of revolution” and the “times that try men’s souls.” Paine helped to transform the meaning of the key words of political discourse. In Common Sense he was among the first writers to use “republic” in a positive rather than derogatory sense; in The Rights of Man he abandoned the old classical definition of “democracy,” as a state where each citizen participated directly in government, and created its far broader, far more favorable modern meaning. Even the word “revolution” was transformed in his writing, from a term derived from the motion of planets and implying a cyclical view of history to one signifying vast and irreversible social and political change.32
Paine also understood that despotic regimes—and here the corporate state serves as a contemporary example—make war on reason and rational thought. They circumscribe free speech and free assembly. They marginalize and silence critics. They seek to subjugate all institutions to despotism—or in our case, corporate power. They use propaganda to rob people of the language to describe their daily reality and discredit those who seek radical change. The goal is to render a population politically alienated. Those who live under despotic regimes, Paine noted, are denied the ability to communicate and discuss in a national forum their most basic concerns and grievances. And this suppression, Paine understood, has consequences. “Let men communicate their thoughts with freedom,” Paine’s attorney Thomas Erskine said, quoting Paine, in Paine’s 1792 trial in Britain for seditious libel, “and their indignation fly off like a fire spread on the surface; like gunpowder scattered, they kindle, they communicate; but the explosion is neither loud nor dangerous—keep them under restraint, it is subterranean fire, whose agitation is unseen till it bursts into earthquake or volcano.”33 Finally, Paine understood that war is always the preferred activity of despotic states, for, as he would write in The Rights of Man, war is essentially “the art of conquering at home.”