The Devil's Garden

by Richard Montanari

  After running his credit card, she asked after his immediate needs. In his best Japanese – which was quite meager, the product of a brief study he had made before visiting Tokyo on R & R in the federal army – he told her he was fine for the moment. She smiled again, pushed forward his electronic key. He took it with a slight bow, which was returned, and headed toward the elevators. Before he had taken two steps the concierge approached and told him that a FedEx package had arrived for him, and that it would soon be brought up to his room. He tipped the man, and took the elevator to the eighth floor, slid his electronic key into the lock, and entered his suite.

  The room was small, but tastefully appointed. In the closet were slippers, a pair of terry cloth robes, an umbrella. He had selected the hotel for a number of reasons, not the least of which was that it featured a rooftop garden.

  After he unpacked, there was a knock at the door. A bellman handed him his package.

  Aleks tipped the young man, locked and chained the door. He flipped on the television – it seemed to be some sort of show where people were locked in a house with each other, people who seemed to hate each other – and opened the box. Everything was intact. He removed the pair of passports, the cash, the Barhydt from its bubble-wrap cocoon.

  After a shower, he dressed for the day, then took the elevator to the roof.

  Although far from the tallest building in sight, the view was nonetheless exhilarating. He had been in a number of cities, but was never inclined to follow the tourist route, visiting the observation decks of the Eiffel Tower or the Triumph-Palace in Moscow or Frankfurt’s Commerzbank Tower. The view from above did not interest him. It was the view into a man’s eyes that told him everything he needed to know.

  Stepping to the edge of the roof, a rush of warm air greeted him. Below the traffic on Park Avenue hummed. To the left was the massive Grand Central Station, a legendary place about which he had read and heard his whole life. So far, New York seemed rife with legend.

  He glanced around the rooftop and, seeing he was alone, opened his flute case, lifted the instrument to his lips, and began to play “Mereschitsja” from Rimsky-Korsakov’s Kashchey the Immortal, pianissimo at first, then building to a crescendo. The notes lifted into the morning air, and drifted over the rooftops. When finished, he returned the instrument to its leather case, glanced around the rooftop once more. He was still alone. He took out the Barhydt, touched the razor-sharp tip of the blade to his right forefinger. A glossy drop of blood appeared.

  Aleks tilted his finger just as the breeze died down. The drop of blood fell toward the street, disappearing into the rushing city below, forever marking this place as one with him. It was his ritual, to stain the battlefield with his blood. He knew that, in this place, some were going to die. He owed them this, to mingle his blood with theirs.

  “I will find you, my hearts,” he said, closing the knife. “I am here.”

  THE STOP & SHOP on Tall Pines Boulevard was crowded with locals stocking up for the long weekend. As always, the girls insisted on pushing the cart. They lined up, each grabbing a portion of the handle and, as Abby watched them roll down the produce aisle, she realized that it wasn’t so long ago that they couldn’t even move the cart a foot without help. Now they did it with ease.

  Abby clicked off the items on her list, with Charlotte and Emily on point, gathering things from the lower shelves.

  As they waited at the deli counter, Abby noticed that both girls were humming a song, a song that sounded vaguely familiar. Was it a classical theme? Was it on the audiobooks they were listening to? She couldn’t put her finger on the tune, but it sounded so melancholy, so wistful, that she suddenly felt a chilly shiver of disquiet. It seemed a portent to something, although she had no idea what.

  Abby shifted her attention to the Muzak. It wasn’t anything classical. It was an instrumental version of an old Billy Joel song.

  “What are you guys singing?” Abby asked.

  The girls stared up at her, and for a moment they looked as if they were disengaged from the present, as if they were not in a store at all, but rather rapt by another moment. They both shrugged.

  “Did you guys hear it on the radio or on your iPods?”

  They both shook their heads. A moment later they seemed to snap out of whatever mini-trance they were in.

  “Can we get macaroni and cheese?” Charlotte asked, suddenly brightening. She wasn’t talking about the Kraft variety. She was talking about the prepared kind. This store had an amazing prepared food section, and offered a three-cheddar ziti. Lately, it seemed, Abby was taking full advantage of the prepared food counters. She wanted to cook for her family every night – she really did – but it was so much easier to buy it already made.

  “Sure,” Abby said. “Em? Mac and cheese okay?”

  Emily just shrugged. The girls were so different in many ways. Charlotte was the schemer. Emily floated.

  They got their cereal (Captain Crunch for Charlotte, Cheerios for Emily); their peanut butter (smooth and crunchy respectively), their bread (they both agreed on multigrain for some reason; Michael thought it tasted like tree bark).

  While they waited in line, Abby cruised the tabloids.

  “Can we get Peppermint Patties?” Emily asked.

  Abby wanted to say no. But how could she resist all four of the prettiest blue eyes in the world? Sometimes the magic was too strong to resist.

  “Okay,” Abby said. “But just one each. And you can’t eat them until after dinner tonight. Okay?”

  “Okay,” in tandem. They took off for the candy aisle. A minute later they returned. Emily carried the goods. She put them in the cart. There were three Peppermint Patties.

  Again with the three, Abby thought.

  “Sweetie, I said one each,” Abby said. She picked up one of the candy bars. “Did you bring this one for me?”

  No answer.

  “Okay, let’s get one more,” Abby said. “One for Daddy. Then we’ll have enough for all of us.”

  It seemed like this was getting to be a standard routine and speech. It wasn’t like the girls were leaving out Michael in the equation. Abby had watched them interact with other kids many times. They were always generous with whatever they had to share. This was an early lesson from both her and Michael.

  On the other hand, the girls were only four. She couldn’t expect them to be math wizards yet.

  THE EDEN FALLS FREE LIBRARY was a small, ivy-laced brick building near the river, a Mid-Hudson design that also was home to the Crane County Community Theater.

  Despite the fact that the girls were getting somewhat proficient at the computer, Abby was scared to death of leaving them alone online. So, at least once a week, time permitting, she took them to an honest-to-God, brick-and-mortar library. She had spent a great deal of time at the Hyde Park Library as a girl, and she would not deny the experience to the girls. There was something about the feel and smell and heft of books that no computer monitor could supply. Neither Charlotte nor Emily ever wanted to go. An hour later, neither wanted to leave.

  As the girls settled into the children’s section, Abby heard an EMS siren approaching the library. As a trained RN, it caught her attention. It had always been so. From the time she was a child, she had been expected to go to medical school, to follow in her father’s footsteps and become a surgeon. Dr Charles Reed knew his son Wallace did not have the discipline or temperament for heart surgery, or even the rigors of residency, but felt his only daughter did.

  Abby had gotten as far as her freshman year in pre-med at Columbia when, one night, on an icy sidewalk in the East Village, she slipped and broke her wrist. While being treated in the emergency room at New York-Presbyterian Hospital, she watched the ER nurses in action, and knew that this was what she wanted to do, to work the front lines of medical care. Part of her had to admit that she knew it would get under her father’s skin, but when she switched over to the Columbia School of Nursing, she knew she had made the right decision. It too
k Charles Reed most of the ensuing thirteen or so years to get over it, if he ever did.

  As the EMS ambulance passed the library, Abby flashed on the night, five years earlier, when she met Michael.

  She had been on for almost twelve hours that day. The ER wasn’t busier than usual – that night there had been only one gunshot victim, along with a handful of domestics, including one that had ended in the husband, a fifty-nine-year old man who apparently had received a Westinghouse steam iron to the side of his head for saying to his wife, as a prelude to sex: “Yo, fatso, get with it.”

  At midnight an EMS arrived at the door. As they wheeled in the unconscious patient, the paramedic looked into Abby’s eyes, his post 9/11 thousand-yard stare in place.

  “Bomb,” the paramedic said softly.

  All kinds of things raced through Abby’s mind. All of it terrifying. Her first thought was that the city had been attacked again, and this was just the first of the victims. She wondered how bad it was going to get. As the other two nurses on duty prepped a room, Abby stepped into the waiting room. She flipped the television channel to CNN. Two guys yelling at each other about the mortgage crisis. No attack.

  When she stepped into the triage room, she saw him.

  Michael Roman, the man who would become her husband, the love of her life, supine on the gurney, his face powdered with black ash, his eyes closed. She checked his vitals. Steady pulse, strong BP reading. She studied his face, his strong jaw, his fair complexion and sandy hair, now coated with black ash.

  Moments later he opened his eyes, and her life changed forever.

  In the end he had a slight concussion, a small laceration on the back of his right hand. Days later, when Abby saw the photographs of the car bombing, and what it had done to the nearby building, she, like everyone else, was amazed that he wasn’t killed on the spot.

  THE SIREN FADED INTO the distance. Abby glanced at her watch, then over at the children.

  The girls were gone.

  Abby sprang to her feet. She walked over to the children’s section, looking behind all the low stacks, the festive displays for books on Easter and Passover. She stepped into the ladies restroom. No Charlotte, no Emily. She went down to the lower level, the section that had the DVDs and CDs. Sometimes she and the girls picked out movies here in the Family section. There she found four children, none of them her own. Quickening her pace, she returned to the ground floor, and was just about to speak to one of the library assistants when she looked down one of the long stacks in the adult section and saw them.

  Her heart found its way back into her chest. The girls were sitting side by side, at the end of the stack of books. They had a large, coffee-table sized volume across their laps. Abby walked down the aisle.

  “Hey, ladies.”

  They looked up at her.

  “You guys shouldn’t run off like that. Mommy got a little worried.”

  “We’re sorry,” Charlotte said.

  “What are you reading?” Abby got down on the floor with the girls. She sat between them, took the book from Emily. She glanced at the cover.

  Russian Folk Tales and Legends.

  “Where did you find this?” Abby asked.

  Emily pointed to the bottom shelf of a nearby stack.

  Abby returned to the page at which the girls had been looking. On the left was a large color plate, an intricate woodcut of a fairy tale figure, a tall, skeletal man with a pointed chin, rabid eyes, and gnarled fingers. He wore a black velvet robe and tarnished crown. To the right was an index to stories about Koschei the Deathless. Abby skimmed the next few pages, a little unnerved.

  There were a number of variations on the legend, it seemed. One version included a prince and a gray wolf; another was about a firebird. One thing they agreed upon, though, was that Koschei was an evil man who terrorized the countryside, primarily young women, and could not be killed by conventional means. This was because his soul was separate from his body. As long as his soul was safe, he could not die. Except for one way, according to one of the variations. If he was stabbed in the head with a needle, it would be curtains for the big ugly guy. But only if the needle was broken.

  Nice kid’s story, Abby thought. Right up there with Charlotte’s Web.

  The good news was that her daughters couldn’t yet read.

  BACK IN THE CAR, heading home, Abby realized she couldn’t get the melody the girls had been humming at the grocery store out of her head. She knew it – recalled the piece of music the way you sometimes remember a face, like a person who was present during something important in your life: wedding, funeral, graduation. It was so melancholy, Abby doubted it was a wedding. The song was too gloomy.

  She realized the only way to get a song out of her head was to replace it with something else. She flipped on the radio, dialed to a Nineties oldie station. Good enough.

  Twenty minutes later they pulled into the drive. The sun was out, and the girls were giggling over something secret, as they often did. As Abby unloaded the groceries she’d found that the mysterious tune had left her, but for some reason the sense of unease had not.

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  PART TWO

  SIX

  The borough of Queens is the largest of the five boroughs of New York City, and the city’s second most populous. It sits on the westernmost section of Long Island, and is home to both LaGuardia and JFK airports, as well as the US Open for tennis. At one time or another the borough had been the residence of a number of celebrities, both famous and infamous, including Tony Bennett, Martin Scorsese, Francis Ford Coppola, and John Gotti. It was by far the most culturally diverse borough, boasting more than one hundred nationalities.

  The office of the district attorney, a modern ten-story building located in Kew Gardens, looked as if it had been built by five different architects and builders, composed of a series of additions added in different eras, a pastiche of style, materials, and methods. One of the busiest DA’s offices in the country, it was home to more than three hundred attorneys, and five hundred support personnel.

  The Major Crimes, Investigations, Trials, Special Prosecutions and Legal Affairs divisions of the office were responsible not only for the prosecution of arrest cases brought to the office by the New York City Police Department and other law enforcement agencies, but also for proactively seeking out wrongdoers and aggressively undertaking investigations of suspected criminal conduct.

  The DA’s office, too, boasted its own stars. Frank O’Connor, a former Queens District Attorney, figured prominently in the 1956 Alfred Hitchcock film The Wrong Man.

  To some, mostly those who were not inside the elite divisions of the office, the building was called the Palace. Those who did work in Major Crimes never did anything to discourage the practice. And while a palace can really only boast one king – in this case it was the District Attorney, Dennis R. McCaffrey – it can have a number of princes.

  When Michael Roman, inarguably the most favored prince at the bar, arrived at the Palace on the day before the Ghegan trial was scheduled to begin, there were only a handful of people. If Saturdays turned the New York legal system into a ghost town, Sundays rendered it virtually barren. Only the newest and most ambitious young attorneys, along with royalty like Michael Roman, ventured into the office. The second floor was all but deserted.

  As much as Michael enjoyed the buzz and noise of the office when it was in full swing, he had to admit he liked having the place to himself. He did his best thinking on the weekends. There was a time when the DA’s Homicide division was located in a dumpy little building in Jamaica that looked like a check-cashing store and, for a number of prosecutors, Michael included, it was almost a pleasure to try cases out there, off the beaten path, away from the boss’s scrutinizing eye.

  After five years of working in these trenches, vaulting his way up from the Intake Bureau to the Felony Trial Bureau, Michael cemented his reputation with the trial and conviction of the Patrescu brothers, a pair of vicious drug
dealers who had cold bloodedly murdered six people in the basement of a fast food restaurant in the Forest Hills section of Queens. Michael and Tommy Christiano had worked nights and weekends on that case, backed by a capital investigation team with hundreds of detectives from the DA’s office and the NYPD.

  Marku Patrescu was currently serving six life sentences in the Clinton Correctional Facility, better known as Dannemora. His brother Dante, who had pulled the trigger, had been executed that March. After Dante’s sentence was carried out, Michael began to hear interesting stories from DAs all over the city. It seemed that apprehended suspects, in a wide range of crimes – rapes, assaults, robberies – cited the Patrescu execution as a major reason not to carry a weapon, or use a weapon in their possession during the commission of a felony. It was this sort of evidence of cause and effect for which prosecutors live.

  The same team that worked tirelessly to convict the Patrescu brothers helped put Patrick Sean Ghegan behind bars. Ghegan’s trial began in just over twenty-four hours. Michael had everything in place – the ballistic evidence tying Ghegan’s weapon to the crime, a line-up that positively identified Ghegan as the man who had been observed threatening Colin Harris in his florist shop, along with surveillance camera footage that showed Ghegan entering the store moments before the murder.

  The only thing Michael did not have, not in the sense he needed, was Falynn Harris, the daughter of the slain man. Falynn, whose mother had died in a car accident when she was only six, had not spoken a single word since the day she saw her father die in a hail of bullets.

  Today would be Michael’s last opportunity to get Falynn to talk.

  Michael knew why he was so driven on this case. It was hardly a secret around the office. Falynn’s story was not that different from his own. He had ridden shotgun on every detail leading up to the prosecution, had walked the evidence through the firearms unit, had personally interviewed everyone involved. Michael Roman was known throughout the Palace as the kind of prosecutor who liked to tie down evidentiary details even before charges were returned.