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Sarah Phillips

Page 3

by Andrea Lee


  I bit my fingernails whenever I thought about baptism; the subject brought out a deep-rooted balkiness in me. Ever since I could remember, Matthew and I had made a game of dispelling the mysteries of worship with a gleeful secular eye: we knew how the bread and wine were prepared for Communion, and where Daddy bought his robes (Ekhardt Brothers, in North Philadelphia, makers also of robes for choirs, academicians, and judges). Yet there was an unassailable magic about an act as public and dramatic as baptism. I felt toward it the slightly exasperated awe a stagehand might feel on realizing that although he can identify with professional exactitude the minutest components of a show, there is still something indefinable in the power that makes it a cohesive whole. Though I could not have put it into words, I believed that the decision to make a frightening and embarrassing backward plunge into a pool of sanctified water meant that one had received a summons to Christianity as unmistakable as the blare of an automobile horn. I believed this with the same fervor with which, already, I believed in the power of romance, especially in the miraculous efficacy of a lover’s first kiss. I had never been kissed by a lover, nor had I heard the call to baptism.

  For a Baptist minister and his wife, my father and mother were unusually relaxed about religion; Matthew and I had never been required to read the Bible, and my father’s sermons had been criticized by some older church members for omitting the word “sin.” Mama and Daddy never tried to push me toward baptism, but a number of other people did. Often on holidays, when I had retreated from the noise of the family dinner table and sat trying to read in my favorite place (the window seat in Matthew’s room, with the curtains drawn to form a tent), Aunt Lily would come and find me. Aunt Lily was the youngest of my mother’s sisters, a kindergarten teacher with the fatally overdeveloped air of quaintness that is the infallible mark of an old maid. Aunt Lily hoped and hoped again with various suitors, but even I knew she would never find a husband. I respected her because she gave me wonderful books of fairy tales, inscribed in her neat, loopy hand; when she talked about religion, however, she assumed an anxious, flirtatious air that made me cringe. “Well, Miss Sarah, what are you scared of?” she would ask, tugging gently on one of my braids and bringing her plump face so close to mine that I could see her powder, which was, in accordance with the custom of fashionable colored ladies, several shades lighter than her olive skin. “God isn’t anyone to be afraid of!” she’d continue as I looked at her with my best deadpan expression. “He’s someone nice, just as nice as your daddy”—I had always suspected Aunt Lily of having a crush on my father—“and he loves you, in the same way your daddy does!”

  “You would make us all so happy!” I was told at different times by Aunt Lily, Aunt Emma, and Aunt May. The only people who said nothing at all were Mama and Daddy, but I sensed in them a thoughtful, suppressed wistfulness that maddened me.

  After the hymn, Daddy read aloud a few verses from the third chapter of Luke, verses I recognized in the almost instinctive way in which I was familiar with all of the well-traveled parts of the Old and New Testaments. “Prepare the way of the Lord, make his paths straight,” read my father in a mild voice. “Every valley shall be filled, and every mountain and hill shall be brought low, and the crooked shall be made straight, and the rough paths made smooth, and all flesh shall see the salvation of God.”

  He had a habit of pausing to fix his gaze on part of the congregation as he read, and that Sunday he seemed to be talking to a small group of strangers who sat in the front row. These visitors were young white men and women, students from Philadelphia colleges, who for the past year had been coming to hear him talk. It was hard to tell them apart: all the men seemed to have beards, and the women wore their hair long and straight. Their informal clothes stood out in that elaborate assembly, and church members whispered angrily that the young women didn’t wear hats. I found the students appealing and rather romantic, with their earnest eyes and timid air of being perpetually sorry about something. It was clear that they had good intentions, and I couldn’t understand why so many of the adults in the congregation seemed to dislike them so much. After services, they would hover around Daddy. “Never a more beautiful civil rights sermon!” they would say in low, fervent voices. Sometimes they seemed to have tears in their eyes.

  I wasn’t impressed by their praise of my father; it was only what everyone said. People called him a champion of civil rights; he gave speeches on the radio, and occasionally he appeared on television. (The first time I’d seen him on Channel 5, I’d been gravely disappointed by the way he looked: the bright lights exaggerated the furrows that ran between his nose and mouth, and his narrow eyes gave him a sinister air; he looked like an Oriental villain in a Saturday afternoon thriller.) During the past year he had organized a boycott that integrated the staff of a huge frozen-food plant in Philadelphia, and he’d been away several times to attend marches and meetings in the South. I was privately embarrassed to have a parent who freely admitted going to jail in Alabama, but the students who visited New African seemed to think it almost miraculous. Their conversations with my father were peppered with references to places I had never seen, towns I imagined as being swathed in a mist of darkness visible: Selma, Macon, Birmingham, Biloxi.

  Matthew and I had long ago observed that what Daddy generally did in his sermons was to speak very softly and then surprise everyone with a shout. Of course, I knew that there was more to it than that; even in those days I recognized a genius of personality in my father. He loved crowds, handling them with the expert good humor of a man entirely in his element. At church banquets, at the vast annual picnic that was held beside a lake in New Jersey, or at any gathering in the backyards and living rooms of the town where we lived, the sound I heard most often was the booming of my father’s voice followed by shouts of laughter from the people around him. He had a passion for oratory; at home, he infuriated Matthew and me by staging absurd debates at the dinner table, verbal melees that he won quite selfishly, with a loud crow of delight at his own virtuosity. “Is a fruit a vegetable?” he would demand. “Is a zipper a machine?” Matthew and I would plead with him to be quiet as we strained to get our own points across, but it was no use. When the last word had resounded and we sat looking at him in irritated silence, he would clear his throat, settle his collar, and resume eating, his face still glowing with an irrepressible glee.

  When he preached, he showed the same private delight. A look of rapt pleasure seemed to broaden and brighten the contours of his angular face until it actually appeared to give off light as he spoke. He could preach in two very different ways. One was the delicate, sonorous idiom of formal oratory, with which he must have won the prizes he held from his seminary days. The second was a hectoring, insinuating, incantatory tone, full of the rhythms of the South he had never lived in, linking him to generations of thunderous Baptist preachers. When he used this tone, as he was doing now, affectionate laughter rippled through the pews.

  “I know,” he said, looking out over the congregation and blinking his eyes rapidly, “that there are certain people in this room—oh, I don’t have to name names or point a finger—who have ignored that small true voice, the voice that is the voice of Jesus calling out in the shadowy depths of the soul. And while you all are looking around and wondering just who those ‘certain people’ are, I want to tell you all a secret: they are you and me, and your brother-in-law, and every man, woman, and child in this room this morning. All of us listen to our bellies when they tell us it is time to eat, we pay attention to our eyes when they grow heavy from wanting sleep, but when it comes to the sacred knowledge our hearts can offer, we are deaf, dumb, blind, and senseless. Throw away that blindness, that deafness, that sulky indifference. When all the world lies to you, Jesus will tell you what is right. Listen to him. Call on him. In these times of confusion, when there are a dozen different ways to turn, and Mama and Papa can’t help you, trust Jesus to set you straight. Listen to him. The Son of God has the answers. Call on him. Call
on him. Call on him.”

  The sermon was punctuated with an occasional loud “Amen!” from Miss Middleton, an excitable old lady whose eyes flashed defiantly at the reproving faces of those around her. New African was not the kind of Baptist church where shouting was a normal part of the service; I occasionally heard my father mock the staid congregation by calling it Saint African. Whenever Miss Middleton loosed her tongue (sometimes she went off into fits of rapturous shrieks and had to be helped out of the service by the church nurse), my mother and aunts exchanged grimaces and shrugged, as if confronted by incomprehensibly barbarous behavior.

  When Daddy had spoken the final words of the sermon, he drank a glass of water and vanished through a set of red velvet curtains to the right of the altar. At the same time, the choir began to sing what was described in the church bulletin as a “selection.” These selections were always arenas for the running dispute between the choirmaster and the choir. Jordan Grimes, the choirmaster, was a Curtis graduate who was partial to Handel, but the choir preferred artistic spirituals performed in the lush, heroic style of Paul Robeson. Grimes had triumphed that Sunday. As the choir gave a spirited but unwilling rendition of Agnus Dei, I watched old Deacon West smile in approval. A Spanish-American War veteran, he admitted to being ninety-four but was said to be older; his round yellowish face, otherwise unwrinkled, bore three deep, deliberate-looking horizontal creases on the brow, like carvings on a scarab. “That old man is as flirtatious as a boy of twenty!” my mother often said, watching his stiff, courtly movements among the ladies of the church. Sometimes he gave me a dry kiss and a piece of peppermint candy after the service; I liked his crackling white collars and smell of bay rum.

  The selection ended; Jordan Grimes struck two deep chords on the organ, and the lights in the church went low. A subtle stir ran through the congregation, and I moved closer to my mother. This was the moment that fascinated and disturbed me more than anything else at church: the prelude to the ceremony of baptism. Deacon West rose and drew open the draperies that had been closed around the baptismal pool, and there stood my father in water to his waist. The choir began to sing:

  We’re marching to Zion,

  Beautiful, beautiful Zion,

  We’re marching upward to Zion,

  The beautiful city of God!

  Down the aisle, guided by two church mothers, came a procession of eight children and adolescents. They wore white robes, the girls with white ribbons in their hair, and they all had solemn expressions of terror on their faces. I knew each one of them. There was Billy Price, a big, slow-moving boy of thirteen, the son of Deacon Price. There were the Duckery twins. There was Caroline Piggee, whom I hated because of her long, soft black curls, her dimpled pink face, and her lisp that ravished grownups. There was Georgie Battis and Sue Anne Ivory, and Wendell and Mabel Cullen.

  My mother gave me a nudge. “Run up to the side of the pool!” she whispered. It was the custom for unbaptized children to watch the ceremony from the front of the church. They sat on the knees of the deacons and church mothers, and it was not unusual for a child to volunteer then and there for next month’s baptism. I made my way quickly down the dark aisle, feeling the carpet slip under the smooth soles of my patent-leather shoes.

  When I reached the side of the pool, I sat down in the bony lap of Bessie Gray, an old woman who often took care of Matthew and me when our parents were away; we called her Aunt Bessie. She was a fanatically devout Christian whose strict ideas on child-rearing had evolved over decades of domestic service to a rich white family in Delaware. The link between us, a mixture of hostility and grudging affection, had been forged in hours of pitched battles over bedtimes and proper behavior. Her worshipful respect for my father, whom she called “the Rev,” was exceeded only by her pride—the malice-tinged pride of an omniscient family servant—in her “white children,” to whom she often unflatteringly compared Matthew and me. It was easy to see why my mother and her circle of fashionable matrons described Bessie Gray as “archaic”—one had only to look at her black straw hat attached with three enormous old-fashioned pins to her knot of frizzy white hair. Her lean, brown-skinned face was dominated by a hawk nose inherited from some Indian ancestor and punctuated by a big black mole; her eyes were small, shrewd, and baleful. She talked in ways that were already passing into history and parody, and she wore a thick orange face powder that smelled like dead leaves.

  I leaned against her spare bosom and watched the other children clustered near the pool, their bonnets and hair ribbons and round heads outlined in the dim light. For a minute it was very still. Somewhere in the hot, darkened church a baby gave a fretful murmur; from outside came the sound of cars passing in the street. The candidates for baptism, looking stiff and self-conscious, stood lined up on the short stairway leading to the pool. Sue Anne Ivory fiddled with her sleeve and then put her fingers in her mouth.

  Daddy spoke the opening phrases of the ceremony: “In the Baptist Church, we do not baptize infants, but believe that a person must choose salvation for himself.”

  I didn’t listen to the words; what I noticed was the music of the whole—how the big voice darkened and lightened in tone, and how the grand architecture of the Biblical sentences ennobled the voice. The story, of course, was about Jesus and John the Baptist. One phrase struck me newly each time: “This is my beloved son, in whom I am well pleased!” Daddy sang out these words in a clear, triumphant tone, and the choir echoed him. Ever since I could understand it, this phrase had made me feel melancholy; it seemed to expose a hard knot of disobedience that had always lain inside me. When I heard it, I thought enviously of Matthew, for whom life seemed to be a sedate and ordered affair: he, not I, was a child in whom a father could be well pleased.

  Daddy beckoned to Billy Price, the first baptismal candidate in line, and Billy, ungainly in his white robe, descended the steps into the pool. In soft, slow voices the choir began to sing:

  Wade in the water,

  Wade in the water, children,

  Wade in the water,

  God gonna trouble

  The water.

  In spite of Jordan Grimes’s efforts, the choir swayed like a gospel chorus as it sang this spiritual; the result was to add an eerie jazz beat to the minor chords. The music gave me gooseflesh. Daddy had told me that this was the same song that the slaves had sung long ago in the South, when they gathered to be baptized in rivers and streams. Although I cared little about history, and found it hard to picture the slaves as being any ancestors of mine, I could clearly imagine them coming together beside a broad muddy river that wound away between trees drooping with strange vegetation. They walked silently in lines, their faces very black against their white clothes, leading their children. The whole scene was bathed in the heavy golden light that meant age and solemnity, the same light that seemed to weigh down the Israelites in illustrated volumes of Bible stories, and that shone now from the baptismal pool, giving the ceremony the air of a spectacle staged in a dream.

  All attention in the darkened auditorium was now focused on the pool, where between the red curtains my father stood holding Billy Price by the shoulders. Daddy stared into Billy’s face, and the boy stared back, his lips set and trembling. “And now, by the power invested in me,” said Daddy, “I baptize you in the name of the Father, the Son, and the Holy Ghost.” As he pronounced these words, he conveyed a tenderness as efficient and impersonal as a physician’s professional manner; beneath it, however, I could see a strong private gladness, the same delight that transformed his face when he preached a sermon. He paused to flick a drop of water off his forehead, and then, with a single smooth, powerful motion of his arms, he laid Billy Price back into the water as if he were putting an infant to bed. I caught my breath as the boy went backward. When he came up, sputtering, two church mothers helped him out of the pool and through a doorway into a room where he would be dried and dressed. Daddy shook the water from his hands and gave a slight smile as another child entered the pool.
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  One by one, the baptismal candidates descended the steps. Sue Anne Ivory began to cry and had to be comforted. Caroline Piggee blushed and looked up at my father with such a coquettish air that I jealously wondered how he could stand it. After a few baptisms my attention wandered, and I began to gnaw the edge of my thumb and to peer at the pale faces of the visiting college students. Then I thought about Matthew, who had punched me in the arm that morning and had shouted, “No punchbacks!” I thought as well about a collection of horse chestnuts I meant to assemble in the fall, and about two books, one whose subject was adults and divorces, and another, by E. Nesbit, that continued the adventures of the Bastable children.

  After Wendell Cullen had left the water (glancing uneasily back at the wet robe trailing behind him), Daddy stood alone among the curtains and the mirrors. The moving reflections from the pool made the stuffed dove hanging over him seem to flutter on its string. “Dear Lord,” said Daddy, as Jordan Grimes struck a chord, “bless these children who have chosen to be baptized in accordance with your teaching, and who have been reborn to carry out your work. In each of them, surely, you are well pleased.” He paused, staring out into the darkened auditorium. “And if there is anyone out there—man, woman, child—who wishes to be baptized next month, let him come forward now.” He glanced around eagerly. “Oh, do come forward and give Christ your heart and give me your hand!”

 

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