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The Complete Stories of Morley Callaghan - Volume Two

Page 28

by Morley Callaghan


  DEAF TO THE CITY (No. 3) ~ MARIE-CLAIRE BLAIS

  Fiction/Novel 6x9 218 pages 978-1-55096-013-6 (tpb)

  City life, where innocence, death, sexuality, and despair fight for survival. It is a book of passion and anguish, characteristic of our times, written in a prose of controlled self-assurance. A true urban classic.

  THE GERMAN PRISONER (No. 4) ~ JAMES HANLEY

  Fiction/Novella 6x9 55 pages 978-1-55096-075-4 (tpb)

  In the weariness and exhaustion of WWI trench warfare, men are driven to extremes of behaviour.

  THERE ARE NO ELDERS (No. 5) ~ AUSTIN CLARKE

  Fiction/Stories 6x9 159 pages 978-1-55096-092-1 (tpb)

  Austin Clarke is one of the significant writers of our times. These are compelling stories of life as it is lived among the displaced in big cities, marked by a singular richness of language true to the streets.

  100 LOVE SONNETS (No. 6) ~ PABLO NERUDA

  Poetry 6x9 225 pages 978-1-55096-108-9 (tpb)

  As Gabriel García Márquez stated: “Pablo Neruda is the greatest poet of the twentieth century – in any language.” And, this is the finest translation available, anywhere!

  THE SELECTED GWENDOLYN MACEWEN (No. 7) GWENDOLYN MACEWEN

  Poetry/Fiction/Drama/Art/Archival 6x9 352 pages

  978-1-55096-111-9 (tpb)

  “This book represents a signal event in Canadian culture.” — Globe and Mail The only edition to chronologically follow the astonishing trajectory of MacEwen’s career as a poet, storyteller, translator and dramatist, in a substantial selection from each genre.

  THE WOLF (No. 8) ~ MARIE-CLAIRE BLAIS

  Fiction/Novel 6x9 158 pages 978-1-55096-105-8 (tpb)

  A human wolf moves outside the bounds of love and conventional morality as he stalks willing prey in this spellbinding masterpiece and classic of gay literature.

  A SEASON IN THE LIFE OF EMMANUEL (No. 9) ~ MARIE-CLAIRE BLAIS

  Fiction/Novel 6x9 175 pages 978-1-55096-118-8 (tpb)

  Widely considered by critics and readers alike to be her masterpiece, this is truly a work of genius comparable to Faulkner, Kafka, or Dostoyevsky. Includes 16 Ink Drawings by Mary Meigs.

  IN THIS CITY (No. 10) ~ AUSTIN CLARKE

  Fiction/Stories 6x9 221 pages 978-1-55096-106-5 (tpb)

  Clarke has caught the sorrowful and sometimes sweet longing for a home in the heart that torments the dislocated in any city. Eight masterful stories showcase the elegance of Clarke’s prose and the innate sympathy of his eye.

  THE NEW YORKER STORIES (No. 11) ~ MORLEY CALLAGHAN

  Fiction/Stories 6x9 158 pages 978-1-55096-110-2 (tpb)

  Callaghan’s great achievement as a young writer is marked by his breaking out with stories such as these in this collection... “If there is a better storyteller in the world, we don’t know where he is.” — New York Times

  REFUS GLOBAL (No. 12) ~ THE MONTRÉAL AUTOMATISTS

  Manifesto 6x9 142 pages 978-1-55096-107-2 (tpb)

  The single most important social document in Quebec history, and the most important aesthetic statement a group of Canadian artists has ever made. This is basic reading for anyone interested in Canadian history or the arts in Canada.

  TROJAN WOMEN (No. 13) ~ GWENDOLYN MACEWEN

  Drama 6x9 142 pages 978-1-55096-123-2 (tpb)

  A trio of timeless works featuring the great ancient theatre piece by Euripedes in a new version by MacEwen, and the translations of two long poems by the contemporary Greek poet Yannis Ritsos.

  ANNA’S WORLD (No. 14) ~ MARIE-CLAIRE BLAIS

  Fiction 5.5x8.5 166 pages ISBN: 978-1-55096-130-0

  An exploration of contemporary life, and the penetrating energy of youth, as Blais looks at teenagers by creating Anna, an introspective, alienated teenager without hope. Anna has experienced what life today has to offer and rejected its premise. There is really no point in going on. We are all going to die, if we are not already dead, is Anna’s philosophy.

  THE MANUSCRIPTS OF PAULINE ARCHANGE (No. 15) MARIE-CLAIRE BLAIS

  Fiction 5.5x8.5 324 pages ISBN: 978-1-55096-131-7 $23.95

  For the first time, the three novelettes that constitute the complete text are brought together: the story of Pauline and her world, a world in which people turn to violence or sink into quiet despair, a world as damned as that of Baudelaire or Jean Genet.

  A DREAM LIKE MINE (No. 16) ~ M.T. KELLY

  Fiction 5.5x8.5 174 pages ISBN: 978-1-55096-132-4

  A Dream Like Mine is a journey into the contemporary issue of radical and violent solutions to stop the destruction of the environment. It is also a journey into the unconscious, and into the nightmare of history, beauty and terror that are the awesome landscape of the Native American spirit world.

  THE LOVED AND THE LOST (No. 17) ~ MORLEY CALLAGHAN

  Fiction 5.5x8.5 302 pages ISBN: 978-1-55096-151-5 (tpb)

  With the story set in Montreal, young Peggy Sanderson has become socially unacceptable because of her association with black musicians in nightclubs. The black men think she must be involved sexually, the black women fear or loathe her, yet her direct, almost spiritual manner is at variance with her reputation.

  NOT FOR EVERY EYE (No. 18) ~ GÉRARD BESSETTE

  Fiction 5.5x8.5 126 pages ISBN: 978-1-55096-149-2 (tpb)

  A novel of great tact and sly humour that deals with ennui in Quebec and the intelectual alienation of a disenchanted hero, and one of the absolute classics of modern revolutionary and comic Quebec literature. Chosen by the Grand Jury desLettres of Montreal as one of the ten best novels of post-war contemporary Quebec.

  STRANGE FUGITIVE (No. 19) ~ MORLEY CALLAGHAN

  Fiction 5.5x8.5 242 pages ISBN: 978-1-55096-155-3 (tpb)

  Callaghan’s first novel – originally published in New York in 1928 – announced the coming of the urban novel in Canada, and we can now see it as a prototype for the “gangster” novel in America. The story is set in Toronto in the era of the speakeasy and underworld vendettas.

  IT’S NEVER OVER (No. 20) ~ MORLEY CALLAGHAN

  Fiction 5.5x8.5 190 pages ISBN: 978-1-55096-157-7 (tpb)

  1930 was an electrifying time for writing. Callaghan’s second novel, completed while he was living in Paris – imbibing and boxing with Joyce and Hemingway (see his memoir, Classics No. 1, That Summer in Paris) – has violence at its core; but first and foremost it is a story of love, a love haunted by a hanging. Dostoyevskian in its depiction of the morbid progress of possession moving like a virus, the novel is sustained insight of a very high order.

  AFTER EXILE (No. 21) ~ RAYMOND KNISTER

  Poetry/Prose 5.5x8.5 240 pages ISBN: 978-1-55096-159-1 (tpb)

  This book collects for the first time Knister’s poetry. The title After Exile is plucked from Knister’s long poem written after he returned from Chicago and decided to become the unthinkable: a modernist Canadian writer. Knister, writing in the 20s and 30s, could barely get his poems published in Canada, but magazines like This Quarter (Paris), Poetry (Chicago ), Voices (Boston), and The Dial (New York City), eagerly printed what he sent, and always asked for more – and all of it is in this book.

  THE COMPLETE STORIES OF MORLEY CALLAGHAN (NO. 22–25)

  Fiction 5.5x8.5 (tpb)

  ISBN 978-1-55096-304-5 (v. 1) 328 pages

  ISBN 978-1-55096-305-2 (v. 2) 320 pages

  ISBN 978-1-55096-306-9 (v. 3) 344 pages

  ISBN 978-1-55096-307-6 (v. 4) 334 pages

  Attractively produced in four volumes, the complete short fiction of Morley Callaghan appears as he comes into full recognition as one of the singular story-tellers of our time. Introductions by Alistair MacLeod, André Alexis, Anne Michaels and Margaret Atwood.

  CONTRASTS: IN THE WARD. A BOOK OF POETRY AND PAINTINGS

  Poetry 7x7 168 pages ISBN: 978-1-55096-308-3 (tpb)

  In 1922, while the Group of Seven was emerging as a national phenomenon, Lawren Harris published his only book of poems – Contrasts – the first modernist exploration of Canad
ian urban space in verse. Harris also wandered the streets of Toronto, sketching and creating a powerful set of city paintings. Lawren Harris ~ Contrasts: In the Ward brings together for the first time Harris’ original book of poems, and sixteen colour images of the artist’s early urban paintings in this compact, beautiful-to-hold-and-read, genre-crossing collection. Edited and introduced by Gregory Betts.

  Table of Contents

  COVER INTRODUCTION

  Ancient Lineage

  Rendezvous

  The Snob

  Day by Day

  Amuck in the Bush

  Sister Bernadette

  Last Spring They Came Over

  Guilty Woman

  The Little Businessman

  The White Pony

  Settling Down

  Loppy Phelan’s Double Shoot

  Ellen

  On the Edge of a World

  A Little Beaded Bag

  Hello, America!

  A Cocky Young Man

  Let Me Promise You

  She’s Nothing to Me

  The Bride

  A Princely Affair

  Absolution

  In His Own Country

  Guide

  Cover

  Contents

 

 

 


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