Hafiz and the Religion of Love in Classical Persian Poetry
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Abū Naṣr al-Sarrāj al-Ṭūsī, Kitāb al-luma‘ fi’l-taṣawwuf, ed. R.A. Nicholson. E.J.W. Gibb Memorial Series, 22 (London: Luzac & Company Ltd 1914; reprint edition: 1963)
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Muḥammad Isa Waley, ‘Contemplative Disciplines in Early Persian Sufism’, The Heritage of Sufism, II: Classical Persian Sufism: from its Origins to Rūmī, ed. Leonard Lewisohn (Oxford: Oneworld 1999), pp. 497–548
——, ‘Didactic Style and Self-Criticism in ‘Aṭṭār’, in Leonard Lewisohn and Christopher Shackle (eds), ‘Attār and the Persian Sufi Tradition: The Art of Spiritual Flight (London and New York: I.B.Tauris and the Institute of Ismaili Studies 2006), pp. 215–40
S.C. Welch, Wonders of the Age: Masterpieces of Early Safavid Painting (Cambridge, MA: Fogg Art Museum, Harvard University 1979)
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——, ‘An Analysis of Primary and Secondary Significations in the Third Ghazal of Ḥāfiẓ’, Bulletin of the School of Oriental and African Studies, XIV/3 (1952), pp. 627–38
——, ‘The Frozen Periphery of Allusion in Classical Persian Literature’, Literature East and West, XVIII/2–4 (1974), pp. 171–90
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Peter Wilson, ‘The Witness Game: Imaginal Yoga & Sacred Pedophilia in Persian Sufism’, in Scandal: Essays in Islamic Heresy (New York: Autonomedia 1988), pp. 93–121
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Ehsan Yarshater, ‘Hafez, I. An Overview’, EIr, XI, pp. 461–5
Iḥsān Yārshāṭir [=Ehsan Yarshater], Shi‘r-i fārsī dar ‘ahd-i Shāhrukh: āghāz-i inkhiṭāṭ dar shi‘r-i fārsī (Tehran: Intishārāt-i Dānishgāh 1334/1954)
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——, Sharḥ-i aḥwāl-i Salmān Sāvajī (Tehran: Kitābkhāna-yi Mashriq, n.d.)
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——, Persian Poetry in England and America: A 200 Year History (New York: Caravan Books 1977)
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‘Ubayd Zākānī, ‘Obeyd-e Zakani: The Ethics of Aristocrats and Other Satirical Works, trans. Hasan Javadi (Piedmont, CA: Jahan Book Co. 1985)
——, Kulliyāt-i ‘Ubayd Zākānī, ed. Muḥammad Ja‘far Maḥjūb (New York: Bibliotheca Persica Press 1999)
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‘Abd al-Ḥusayn Zarrīnkūb, Az kūcha-i rindān: dar-bāra-i zindagī va andīsha-i Ḥāfiẓ (Tehran: Intishārāt-i Amīr Kabīr 2536/1977)
—— Justujū’ī dar taṣawwuf-i Irān (Tehran: Amīr Kabīr 1357/1978)
‘Abbās Zaryāb-khū’ī, Ā’yina-yi jām (Tehran: Intishārāt-i ‘Ilmī 1368/1989)
Heavenly and Earthly Drunkenness. By Sulṭān-Muḥammad, probably painted in Her.t, AD 1526 or 1527. Page from a Dīvān of Ḥāfiẓ. Harvard Art Museum, Arthur M. Sackler Museum, Promised Gift of Mr. and Mrs. Stuart Cary Welch, Jr. Partially owned by the Metropolitan Museum of Art and the Arthur M. Sackler Museum, Harvard University, 1988. In honour of the students of Harvard University and Radcliffe College, 1988.460.3. Photo: Allan Macintyre © President and Fellows of Harvard College.
Incident in a Mosque. By Shaykh-Zāda, probably painted in Herāt, AD 1526 or 1527. Painting (recto, text; verso, folio 77r) from a Dīvān of Ḥāfiẓ, left-hand side of a bifolio. Harvard Art Museum, Arthur M. Sackler Museum, Gift of Stuart Cary Welch, Jr., 1999.300.2. Photo: Allan Macintyre © President and Fellows of Harvard College.
Lady Belovéd within the Prayer-Niche, Holding A Sprig of Narcissi. By Muḥammadī of Herāt, ca. AD 1565. Detached album leaf. Soudavar collection, on loan to the Sackler Gallery of Art, Washington, D.C.
Majnūn First Sees Laylī in the Mosque-School within the Prayer-Niche. By Bihzād or his fellow-painter Qāsim ‘Al.. Herāt, AD 1494. Illustration to a Khamsa of Niẓāmī.; British Library, Or. 68100, folio 106 verso.