Karla Trilogy Digital Collection Featuring George Smiley : Tinker, Tailor, Soldier, Spy, the Honourable Schoolboy, Smiley###s People (9781101570852)
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Nor did the dwarf’s own hashed-out version meet with much success, which made him very scratchy. On the face of it, the story had everything they asked for. It spoofed the British, it had spy written large, and for once it got away from the notion of America as the hangman of South East Asia. But all he had for a reply, after a five-day wait, was a terse instruction to stay on his rostrum and leave off trying to play the trumpet.
Which left old Craw. Though a mere side-show by comparison with the thrust of the main action, the timing of what Craw did, and did not do, remains to this day impressive. He filed nothing for three weeks. There was small stuff he should have handled but he didn’t bother. To Luke, who was seriously concerned for him, he seemed at first to continue his mysterious decline. He lost his bounce and his love of fellowship entirely. He became snappish and at times downright unkind, and he barked bad Cantonese at the waiters—even at his favourite, Goh. He treated the Shanghai Bowlers as if they were his worst enemies, and recalled alleged slights they had long forgotten. Sitting alone at his window-seat, he was like an old boulevardier fallen on hard times, waspish, inward, slothful.
Then one day he disappeared, and when Luke called apprehensively at his apartment the old amah told him that “Whisky Papa runrun London fastee.” She was a strange little creature and Luke was inclined to doubt her. A dull North German stringer for Der Spiegel reported sighting Craw in Vientiane, carousing at the Constellation bar, but again Luke wondered. Craw-watching had always been something of an insider sport, and there was prestige in adding to the general fund.
Till a Monday came, and around midday the old boy strolled into the Club wearing a new beige suit and a very fine buttonhole, all smiles and anecdotes once more, and went to work on the High Haven story. He spent money, more than his paper would normally have allowed him. He ate several jovial lunches with well-dressed Americans from vaguely titled United States agencies, some of them known to Luke. Wearing his famous straw hat, he took each separately to quiet, well-chosen restaurants. In the Club, he was reviled for diplomat-crawling, a grave crime, and this pleased him.
Next, a China-watchers’ conference summoned him to Tokyo, and with hindsight it is fair to assume he used that visit to check out other parts of the story that was shaping for him. Certainly he asked old friends at the conference to unearth bits of fact for him when they got home to Bangkok, or Singapore, or Taipei, or wherever they came from, and they obliged because they knew he would have done the same for them. In an eerie way, he seemed to know what he was looking for before they found it.
The result appeared in its fullest version in a Sydney morning newspaper, which was beyond the long arm of Anglo-American censorship. By common consent, it recalled the master’s vintage years. It ran to two thousand words. Typically, he did not lead with the High Haven story at all, but with the “mysteriously empty wing” of the British Embassy in Bangkok, which till a month ago had housed a strange body called the Seato Coordination Unit, as well as a Visa Section boasting six second secretaries. Was it the pleasures of the Soho massage parlours, the old Australian enquired sweetly, which lured the Thais to Britain in such numbers that six second secretaries were needed to handle their visa applications? Strange too, he mused, that since their departure and the closure of that wing, long queues of aspirant travellers had not formed outside the Embassy.
Gradually—he wrote at ease, but never carelessly—a surprising picture unfolded before his readers. He called British intelligence “the Circus.” He said the name derived from the address of that organisation’s secret headquarters, which overlooked a famous intersection of London streets. The Circus had not merely pulled out of High Haven, he said, but out of Bangkok, Singapore, Saigon, Tokyo, Manila, and Djakarta as well. And Seoul. Even solitary Taiwan was not immune, where an unsung British Resident was discovered to have shed three clerk-drivers and two secretarial assistants only a week before the article went to press.
“A hoods’ Dunkirk,” Craw called it, “in which charter DC-3s replaced the Kentish fishing fleets.”
What had prompted such an exodus? Craw offered several nimble theories. Were we witnessing yet one more cut in British government spending? The writer was sceptical. In times of travail, Britain’s tendency was to rely more, not less, on spies. Her entire Empire history urged her to do so. The thinner her trade routes, the more elaborate her clandestine efforts to protect them. The more feeble her colonial grip, the more desperate her subversion of those who sought to loosen it. No: Britain might be on the breadline, but the spies would be the last of her luxuries to go. Craw set up other possibilities and knocked them down. A gesture of détente toward mainland China? he suggested, echoing the cowboy’s point. Certainly Britain would do anything under the sun to keep Hong Kong clear of Mao’s anti-colonial zeal—short of giving up her spies.
Thus old Craw arrived at the theory he liked best: “Right across the Far Eastern chequerboard,” he wrote, “the Circus is performing what is known in the spy-trade as a duck-dive.”
But why?
The writer now quoted his “senior American prebends of the intelligence church militant in Asia.” American intelligence agents generally, he said, and not just in Asia, were “hopping mad about lax security in the British organisations.” They were hopping highest about the recent discovery of a top Russian spy—he threw in the correct trade name of “mole”—inside the Circus’s London headquarters: a British traitor, whom they declined to name, but who, in the words of the senior prebends, had “compromised every Anglo-American clandestine operation worth a dime for the last twenty years.” Where was the mole now? the writer had asked his sources. To which, with undiminished spleen, they had replied: “Dead. In Russia. And hopefully both.”
Craw had never wanted for a wrap-up, but this one, to Luke’s fond eye, had a real sense of ceremony about it. It was almost an assertion of life itself, if only of the secret life:
“Is Kim, the boy spy, vanished for good, then, from the legends of the East?” he asked. “Shall the English pundit never again stain his skin, slip into native costume, and silently take his place beside the village fires? Do not fear,” he insisted, “the British will be back! The time-honoured sport of spot-the-spook will be with us once again! The spy is not dead: he sleepeth.”
The piece appeared. In the Club, it was fleetingly admired, envied, forgotten. A local English-language paper with strong American connections reprinted it in full, with the result that the mayfly, after all, enjoyed another day of life. The old boy’s charity benefit, they said: a doffing of the cap before he passes from the stage. Then the overseas network of the B.B.C. ran it, and finally the Colony’s own torpid radio network ran a version of the B.B.C.’s version, and for a full day there was debate about whether Big Moo had decided to take the muzzle off the local news services. Yet even with this protracted billing, nobody—not Luke, not even the dwarf—saw fit to wonder how the devil the old man had known the back way into High Haven.
Which merely proved, if proof were ever needed, that journalists are no quicker than anybody else at spotting what goes on under their noses. It was a typhoon Saturday, after all.
Within the Circus itself, as Craw had correctly called the seat of British intelligence, reactions to Craw’s piece varied according to how much was known by those who were doing the reacting. In Housekeeping Section, for instance, which was responsible for such tatters of cover as the Circus could gather to itself these days, the old boy released a wave of pent-up fury that can only be understood by those who have tasted the atmosphere of a secret department under heavy siege. Even otherwise tolerant spirits became savagely retributive. Treachery! Breach of contract! Block his pension! Put him on the watch list! Prosecution the moment he returns to England!
Down the market a little, those less rabid about their security took a kindlier view, though it was still uninformed. Well, well, they said a little ruefully, that was the way of it; name us a joe who didn’t blow his top now and then, and spec
ially one who’d been left in ignorance for as long as poor old Craw had. And after all, he’d disclosed nothing that wasn’t generally available, now had he? Really, those housekeeper people should show a little moderation. Look how they went for poor Molly Meakin the other night, sister to Mike and hardly out of ribbons, just because she left a bit of blank stationery in her waste basket!
Only those at the inmost point saw things differently. To them, old Craw’s article was a discreet masterpiece of disinformation ; George Smiley at his best, they said. Clearly, the story had to come out, and all were agreed that censorship at any time was objectionable. Much better therefore to let it come out in the manner of our choosing. The right timing, the right amount, the right tone: a lifetime’s experience, they agreed, in every brushstroke. But that was not a view which passed outside their set.
Back in Hong Kong—clearly, said the Shanghai Bowlers, the old boy, like the dying, had had a prophetic instinct of this—Craw’s High Haven story turned out to be his swan-song. A month after it appeared, he had retired, not from the Colony but from his trade as a scribbler and from the Island too. Renting a cottage in the New Territories, he announced that he proposed to expire under a slant-eye heaven. For the Bowlers, he might as well have chosen Alaska. It was just too damn far, they said, to drive back when you were drunk. There was a rumour—untrue, since Craw’s appetites did not run in that direction—that he had got himself a pretty Chinese boy as a companion. That was the dwarf’s work: he did not like to be scooped by old men.
Only Luke refused to put him out of mind. Luke drove out to see him one mid-morning after night-shift. For the hell of it, and because the old buzzard meant a lot to him. Craw was happy as the day is long, he reported; quite his former vile self, but a bit dazed to be bearded by Luke without warning. He had a friend with him, not a Chinese boy, but a visiting fireman whom he introduced as George: a podgy, ill-sighted little body in very round spectacles who had apparently dropped in unexpectedly. Aside, Craw explained to Luke that this George was a back-room boy on a British newspaper syndicate he used to work for in the dark ages.
“Handles the geriatric side, Your Grace. Taking a swing through Asia.”
Whoever he was, it was clear that Craw stood in awe of the podgy man, for he even called him “Your Holiness.” Luke had felt he was intruding and left without getting drunk.
So there it was: Thesinger’s moonlight flit; old Craw’s near death and resurrection; his swan-song in defiance of so much hidden censorship; Luke’s restless preoccupation with the secret world; the Circus’s inspired exploitation of a necessary evil. Nothing planned but, as life would have it, a curtain-raiser to much that happened later. A typhoon Saturday; a ripple on the plunging, fetid, sterile, swarming pool that is Hong Kong; a bored chorus, still without a hero. And curiously, a few months afterwards, it fell once more to Luke, in his role of Shakespearean messenger, to announce the hero’s coming. The news came over the house wire while he was on stand-by, and he published it to a bored audience with his customary fervour.
“Folks! Give ear! I have news! Jerry Westerby’s back on the beat, men! Heading out East again, hear me, stringing for that same damn comic!”
“His Lordship,” the dwarf cried at once, in mock ecstasy. “A desh of blue blood, I say, to raise the vulgar tone! ’Oorah for quality, I say.” With a profane oath, he threw a napkin at the wine rack. “Jesus,” he said, and emptied Luke’s glass.
2
The Great Call
On the afternoon the telegram arrived, Jerry Westerby was hacking at his typewriter on the shaded side of the balcony of his run-down farmhouse, a sack of old books dumped at his feet. The envelope was brought by the black-clad person of the postmistress, a craggy and ferocious peasant who, with the ebbing of traditional forces, had become the headman of the ragtag Tuscan hamlet. She was a wily creature, but today the drama of the occasion had the better of her, and despite the heat she fairly scampered up the arid track. In her ledger the historic moment of delivery was later put at six past five, which was a lie but gave it force. The real time was five exactly. Indoors, Westerby’s scrawny girl, whom the village called “the orphan,” was hammering at a stubborn piece of goat’s meat, vehemently, the way she attacked everything. The greedy eye of the postmistress spotted her at the open window and from a good way off: elbows stuck out all ways and her top teeth jammed onto her lower lip—scowling, no doubt, as usual.
Whore, thought the postmistress passionately; now you have what you have been waiting for!
The radio was blaring Verdi; the orphan would hear only classical music, as the whole village had learned from the scene she had made at the tavern the evening when the blacksmith tried to choose rock music on the juke-box. She had thrown a pitcher at him. So what with the Verdi, and the typewriter, and the goat, said the postmistress, the row was so deafening that even an Italian would have heard it.
Jerry sat like a locust on the wood floor, she recalled—maybe he had one cushion—and he was using the book-sack as a footstool. He sat splay-footed, typing between his knees. He had bits of fly-blown manuscript spread round him, which were weighted with stones against the red-hot breezes that plagued his scalded hilltop, and a wicker flask of the local red at his elbow, no doubt for the moments, known even to the greatest artists, when natural inspiration failed him. He typed the eagle’s way, she told them later amid admiring laughter: much circling before he swooped.
He wore what he always wore, whether he was loafing fruitlessly around his bit of paddock tilling the dozen useless olive trees which the rogue Marcello had palmed off on him, or paddling down to the village with the orphan to shop, or sitting in the tavern over a sharp one before embarking on the long climb home: buckskin boots, which the orphan never brushed and were consequently worn shiny at the toe; ankle socks, which she never washed; a filthy shirt, once white; and grey shorts, which looked as though they had been frayed by hostile dogs and which an honest woman would long ago have mended. And he greeted the postmistress with that familiar burry rush of words, at once bashful and enthusiastic, which she did not understand in detail, but only generally, like a news broadcast, and could copy, through the black gaps of her decrepit teeth, with surprising flashes of fidelity.
“Mama Stefano, gosh, super, must be boiling. Here, sport, wet your whistle,” he exclaimed, while he slopped down the brick steps with a glass of wine for her, grinning like a schoolboy, which was his nickname in the village: the schoolboy—a telegram for the schoolboy, urgent from London! In nine months, no more than a wad of paperback books and the weekly scrawl from his child, and now out of a blue sky this monument of a telegram, short like a demand, but fifty words prepaid for the reply! Imagine, fifty, the cost alone! Only natural that as many as possible should have tried their hand at reading it.
They had choked at first over “Honourable.” “The Honourable Gerald Westerby.” Why? The baker, who had been a prisoner of war in Birmingham, produced a battered dictionary: “having honour, title of courtesy given to the son of a nobleman.” Of course. Signora Sanders, who lived across the valley, had already declared the schoolboy to be of noble blood. The second son of a press baron, she had said: Lord Westerby, a newspaper proprietor, dead. First the paper had died, then its owner—thus Signora Sanders, a wit; they had passed the joke round. Next “regret,” which was easy. So was “advise.” The postmistress was gratified to discover, against all expectation, how much good Latin the English had assimilated despite their decadence. The word “guardian” came harder, for it led to “protector,” thence inevitably to unsavoury jokes among the menfolk, which the postmistress angrily quelled.
Till at last, step by step, the code was broken and the story out. The schoolboy had a guardian, meaning a substitute father. This guardian lay dangerously ill in hospital, demanding to see the schoolboy before he died. He wanted nobody else. Only Honourable Westerby would do. Quickly they filled in the rest of the picture for themselves: the sobbing family gathered at the b
edside, the wife prominent and inconsolable, refined priests administering the last sacraments, valuables being locked away, and all over the house—in corridors, back kitchens—the same whispered words, “Westerby—where is Honourable Westerby?”
Lastly the telegram’s signatories remained to be interpreted. There were three and they called themselves “solicitors,” a word which triggered one more burst of dirty innuendo before “notary” was arrived at, and faces abruptly hardened. Holy Maria. If three notaries were involved, then so were large sums of money. And if all three had insisted upon signing, and prepaid that fifty-word reply to boot, then not just large but mountainous sums! Acres! Wagonloads! No wonder the orphan had clung to him so—the whore! Suddenly everyone was clamouring to make the hill-climb. Guido’s Lambretta would take him as far as the water tank; Mario could run like a fox; Manuela, the chandler’s girl, had a tender eye—the shadow of bereavement sat well on her. Repulsing all volunteers, and handing Mario a sharp cuff for his presumption, the postmistress locked the till and left her idiot son to mind the shop, though it meant twenty sweltering minutes and—if that cursed furnace of a wind was blowing up there—a mouthful of red dust for her toil.
They had not made enough of Jerry at first. She regretted this now as she laboured through the olive groves, but the error had its reasons. First, he had arrived in winter when the cheap buyers come. He arrived alone, but wearing the furtive look of someone who has recently dumped a lot of human cargo, such as children, wives, mothers; the postmistress had known men in her time, and she had seen that wounded smile too often not to recognise it in Jerry. “I am married but free,” it said, and neither claim was true.