Granny Dan

by Danielle Steel

  Danina seemed almost childlike to Madame Markova as she watched her. She played with the Czar's daughters in the sea, cavorted with them, laughing and splashing, and was always gentle with Alexei. She had a motherly touch with him, which touched his mother's heart deeply. And all of the children were startled to realize that Danina didn't know how to swim. With all her discipline and the agonizingly stern life she led, she had never had time to learn anything but dancing.

  It was on her fifth day there that Alexei fell ill again, after a small bump he had gotten on his leg while leaving the dinner table, and he was confined to his bed for the next two days. Danina sat with him, telling him stories she remembered from her childhood with her father and brothers, and endless tales of the ballet, the rigorous discipline, and the other dancers. He listened to her for hours, until he fell asleep holding her hand, and she tiptoed slowly away to rejoin the others. She felt so sorry for him, and the cruel limitations his illness imposed on him. He was so unlike her own brothers, or the boys she had trained with at the ballet, who were all so powerful and so healthy.

  Alexei was still weak but feeling better when she and Madame Markova left in mid-July, and boarded the Imperial train to return to St. Petersburg. It had been a wonderful vacation, and an unforgettable time in her life that she knew she would remember forever. She would never forget playing with the Imperial family like ordinary friends, and the beauty of the setting, and Alexei trying to teach her to swim, while explaining it to her from a deck chair.

  “No, not like that, you silly girl … like this….” He demonstrated the strokes with his arms, while she tried to implement them, and then they both laughed hysterically when she failed and pretended to be drowning.

  He wrote to her once at the ballet, a little note, telling her that he missed her. It was obvious that although he was only nine, he had a crush on her. His mother acknowledged it to a friend, with genteel amusement. Alexei was having his first affair with a ballet dancer, at nine, and she was a beauty. But better than that, they knew she was a lovely person. But two weeks after her idyllic stay in Livadia, the entire world was in turmoil, and the sad events in Sarajevo had finally catapulted them into war. And on August first, Germany declared war on Russia. No one thought it would last long, and optimistically assumed the hostilities would end at the Battle of Tannenberg at the end of August, but instead the situation worsened.

  Despite the war, Danina danced in Giselle and Coppelia and La Bayadere again that year. Her skill was reaching its peak, and her development and understanding were all that Madame Markova had hoped they would be one day. There was never the slightest element of disappointment in her performance, it was everything it should have been, and more. What she brought to the stage was precisely what Madame Markova had sensed she might, years before. And she had the kind of single-minded dedication and purpose that was essential. Danina allowed for no distractions from what she did. She cared nothing about men, or the world outside the walls of the ballet. She lived and breathed and worked and existed only for dancing. She was the perfect dancer, unlike some of the others, whom Madame Markova viewed with disdain. Despite their impeccable training and whatever talent they had, too often they allowed themselves to be distracted or lured away by men and romance. But to Danina, the ballet was her lifeblood, the force that drove and fed her. It was the very essence of her soul. For Danina, there was nothing else. It was everything she cared about, and lived for. And as a result, her dancing was exquisite.

  She gave her best performance that year on Christmas Eve. Her brothers and father were at the front, but the Czar and Czarina were there, and were overwhelmed by the beauty of her dancing. She joined them in their box briefly afterward and asked immediately after Alexei. She gave his mother one of the roses that had been given her, and sent it to him, and Madame Markova noticed that she looked more tired than usual when she returned backstage. It had been a long, exciting evening, and Danina wouldn't have admitted it, but she felt exhausted.

  She got up at five the next day, as usual, although it was Christmas Day, and was in the studio warming up by five-thirty. There was no class until noon that day, but she could never bear the idea of missing an entire morning. She was always afraid she would lose some part of her skill, if she wasted half a day, or even let herself be pulled away from it for a minute. Even on Christmas.

  Madame Markova saw Danina in the studio at seven, and after watching her for a little while, she thought her exercises looked strange. There was a stiffness that was uncharacteristic of her, an awkwardness as she practiced her arabesques, and then very slowly, as though in slow motion, she began to drift toward the floor. Her movements were so graceful that as she fell, it looked rehearsed and absolutely perfect. It was only when she lay there, without moving, for what seemed like an eternity, that Madame Markova and two of the other students suddenly realized that she was unconscious. They ran to her immediately, and attempted to revive her, and Madame Markova knelt beside her on the floor. Her hands were trembling as she touched Danina's face and back, and felt the dry, blazing heat of her body. And as Danina opened unseeing eyes, her mentor saw instantly that they were feverish and glazed, and she had been devoured, during the night, by some mysterious illness.

  “My child, why did you dance today if you are ill … ?” Madame Markova was beside herself as she looked at her. They had all heard of the raging influenza running unchecked through Moscow, but thus far there had been no sign of it in St. Petersburg. “You shouldn't have done this,” Madame Markova scolded her gently, fearing the worst for her. But at first, Danina seemed almost not to hear her.

  “I had to. … I had to….” Missing a moment, a single exercise or class or rehearsal was more than Danina could bear. “I must get up. … I must …” she said, and then began to babble. One of the young men who had danced with her for a decade lifted her easily, and at Madame Markova's direction carried her to her bed upstairs. She had finally left the large dormitory the year before, and was now sleeping in a room with only six beds in it. It was as spartan and spare and icy cold as the dormitory where she had lived for eleven years, but it was a little bit more private, and now the other dancers came rapidly to hover in the doorway and watch her. News of her collapse had already spread everywhere, in all the halls of the ballet.

  “Is she all right … what happened … she is so pale, Madame … what will happen … we must call a doctor. …” Danina herself was too tired to explain, too dazed to even recognize anyone. All she could see in the distance was the tall, spare form of Madame Markova, whom she loved as a mother, standing anxiously at the foot of her bed. But she was too tired to listen to what she was saying.

  Madame Markova ordered everyone from the room, for fear of contagion to them, and asked one of the other teachers to bring some tea for Danina. But when Madame Markova put the cup to Danina's lips, she could not even sip it. Danina was far too ill, and much too weak. And just sitting up, with Madame Markova's powerful arms supporting her, she nearly fainted. She had never felt so ill in her life, but it no longer mattered to her. By that afternoon, when the doctor came, she knew she was going to die, and she didn't mind it. Every inch of her body ached, her limbs felt as though they had been severed with axes. Each touch, each movement, each brush against the rough sheets on her bed made her feel as though her skin were on fire. And all she could think of as she lay there, hovering between delirium and pain, was that if she did not exercise soon, and return to classes and rehearsal, she would die.

  The doctor who came confirmed Madame Markova's earlier fears, and did little to allay her terror for Danina. It was indeed influenza, and he admitted honestly to the mistress of the ballet that there was nothing he could do about it. People had been dying in Moscow by the hundreds. And Madame Markova cried as she listened. She tried to urge Danina to be strong, but Danina had begun to sense that she would not win the battle, which terrified her mentor even further.

  “Is it like Mama … do I have typhoid?” she whis
pered, too weak to speak aloud, or even to reach out and touch Madame Markova standing near her.

  “Of course not, my child. It's nothing,” she lied. “You have been working too hard. That's all. You must rest for a few days, and you'll be fine.” But Madame Markova's words fooled no one, least of all the patient, who even in her groggy state was well aware of how ill she was, how hopeless the situation.

  “I'm dying,” she said quietly later that night, and she said it with such calm conviction that the teacher sitting with her ran to get Madame Mar-kova. Both women were crying when they returned, but Madame Markova dried her eyes before coming to sit next to Danina again. She held a glass of water to the girl's lips, but was unable to convince her to take it. Danina had neither the desire, nor the strength, to drink. Her fever was still blazing, her eyes looked ill and wild. “I'm dying, aren't I?” she whispered to her old friend.

  “I won't let you do that,” Madame Markova said quietly. “You have not danced Raimonda yet, and I was planning to let you do that this year. It would be a shame to die without having at least tried that.” Danina tried to smile but failed. She felt much too ill to answer.

  “I can't miss rehearsal tomorrow,” Danina croaked at her a little while later, as Madame Markova sat with her through the night. It was as though Danina felt that if she didn't dance, she might well die. The ballet was her life-force.

  The doctor returned to see her again that morning, he applied several poultices, and gave her several drops of a bitter tasting liquid to drink, but to no avail. By late that afternoon, she was much worse. She was completely delirious that night, shouting unintelligibly and muttering darkly, and then laughing at people she imagined she saw, or things she heard but no one else did. It was an endless night for everyone, and in the morning Danina looked ravaged. The fever was so high that it was hard to imagine she had survived it this far, impossible to believe it would not kill her.

  “We must do something,” Madame Markova said, looking distracted. The doctor had insisted there was nothing more he could do, and she believed him, but perhaps another doctor would think of something else he hadn't. With a sense of desperation, Madame Markova jotted off a note in haste that afternoon to the Czarina, explaining the situation to her, and daring to ask if she had any suggestions, or knew someone they could call for Danina. Madame Markova knew, as everyone did, that there was a hospital set up in part of the Catherine Palace at Tsarskoe Selo, where the Czarina and Grand Duchesses nursed the soldiers. Perhaps there was someone there who would have some idea how to help Danina. Madame Markova was desperate by then, and willing to try anything to save her. Some people had survived the rampaging influenza in Moscow, but it seemed to be more a matter of luck, rather than anything more scientific.

  The Czarina did not waste time writing a response and immediately sent the younger of the Czarevitch's two doctors to Danina. The elder, the venerable Dr. Botkin, was himself felled at the time with a bout of mild influenza. But Dr. Nikolai Obrajensky, whom Danina had met that summer in Livadia, was at the ballet school, asking for Madame Markova long before dinner. And she was greatly relieved to see him, and murmured anxiously about the kindness of the Czarina when she met him. She was still so upset over Danina's condition at the time that she scarcely noticed how much he resembled the Czar, though in a somewhat younger version.

  “How is she?” the doctor asked gently. He could see from the state of Madame Markova's distress that the young ballerina must be no better. But even he, having seen severe cases of influenza at the hospital, had not expected to find the young dancer so ill, or so worn by the illness that seemed to have ravaged her nearly totally in the two days she'd had it. She was dehydrated, delirious, and when he took her temperature, he checked it again, unable to believe it was as high as the thermometer said. He had little hope for her survival after he read it again, and examined her carefully, and he finally turned to Madame Markova with a dismal expression. “I'm afraid you already know what I am going to say … don't you?” he said, looking deeply sympathetic. He could see, from the woman's eyes, how much she loved Danina. She was like a daughter to her.

  “Please … I can't bear it …” she said, dropping her face into her hands, too exhausted and strained herself to tolerate the blow he was about to deal her. “She's so young … so talented … she's only nineteen … she must not die. You must not let her,” she said fiercely, looking up at him again, wanting something from him he could not give her. Hope, if not assurance.

  “I cannot help her,” he said honestly. “She would not even survive the trip to the hospital. Perhaps if she is still with us in a few days, we can move her.” But he thought it less than likely, and Madame Markova knew that. “All you can do is try to keep her cool to bring the fever down, bathe her with cool cloths, and force her to drink as much as you can. The rest is in God's hands, Madame. Perhaps He needs her more than we do.” His tone was kind, but he could not lie to her. He was only amazed that she had survived this long. He knew that some had died on the day the dreaded influenza felled them. And she had had it for two days now. “Do what you can for her, but know that you cannot work miracles, Madame. We can only pray now, and hope that He listens,” Dr. Obrajensky said somberly. He had no hope for Danina.

  “I understand,” she said bleakly.

  He sat with them for a while, and took her temperature again. It had risen slightly, and Madame Markova was already applying the cool cloths he had recommended. The students were bringing them to her, and keeping them damp and cool, but she would not let them in the room with her, for fear that they would get it. The five girls who normally occupied the room with her had been sent to the main dormitory to sleep on cots or on mattresses with the others. Their room was completely off-limits to them.

  “How is she now?” Madame Markova asked him anxiously after she had been bathing Danina's chest and arms and face with cool cloths for an hour. The patient was completely unaware of their presence or attention, as she lay deathly pale and trembling, her face as white as the sheets she lay on.

  “She is about the same,” he answered when he checked her again. He didn't want to tell Madame Markova that he thought she was even a trifle warmer. “She will not improve so quickly.” If ever, which he doubted. But even he was struck by how lovely Danina was as she lay lifelessly before them. She was a striking beauty, her features exquisitely delicate, her body minute and incredibly graceful. Her long dark brown hair was fanned out behind her on the pillow. But she had the look of someone near death, he knew only too well, and he was sure by then that she would not live till morning.

  “Is there nothing more we can do?” Madame Markova asked, looking desperate.

  “Pray,” he said, and meant it. “Have you called her parents?”

  “She has a father and four brothers. I believe that all are at the front, from what she has told me.” The war had broken out only months before, and their regiment had been among the first to go. Danina was very proud of them, and mentioned it often.

  “Then there is nothing you can do. We must wait and see.” He looked at his watch then. He had been with Danina for three hours, and knew he should get back to Tsarskoe Selo to see about Alexei, and it would take him an hour to get there. “I will come back in the morning,” he promised. But he feared that by then the good Lord would have taken matters into His own hands. “Send word to me if you feel you need me.” He gave her the directions to his home, should they need to send someone for him. But by the time he came back with the person they sent, it might be too late for Danina. He lived beyond Tsarkoe Selo, with his wife and two children. He was still young, in his late thirties, but extremely responsible, capable and compassionate, which was why he had been entrusted with the care of the Czarevitch. And he looked oddly like the boy's father. He had the same distinguished features, was as tall as the Czar, and wore his beard in precisely the same neat, trim way the Czar did. Even without the beard, the doctor looked oddly like him, except that his hair was darker, almo
st the same color as Danina's.

  “Thank you for coming, Dr. Obrajensky,” Madame Markova said politely as she walked to the main door with him. It was a long walk, which took her far from her patient, but walking down the cool halls was a relief, and as she opened the heavy front door, a gust of cold air both startled and refreshed her.

  “I wish there was more I could do for her … and for you …” he said kindly. “I can see how distressing this is for you.”

  “She is like my own child,” Madame Markova said with tears filling her eyes, and he gently touched her arm at the sight of her sorrow. He felt utterly helpless.

  “Perhaps God will be merciful and spare her.” She could only nod then, bereft of words in the face of her emotions. “I will come back very early tomorrow morning.”

  “She begins warming up every day at five or five-thirty,” Madame Markova said, as though it still mattered, but they both knew it didn't.

  “She must work very hard. She is an extraordinary dancer,” he said admiringly, unable to believe either of them would see her dance again, but happy that he had at least once. It seemed tragic to contemplate now.

  “Have you seen her dance?” Madame Markova asked with mournful eyes.

  “Only once. Giselle. It was lovely,” he said kindly. He knew how hard this was for Madame Markova. It was easy to see it.

  “She is even better in Swan Lake, and Sleeping Beauty,” she said with a sad smile.

  “I will look forward to it,” he said politely, bowed, and then left as she closed the heavy door behind him, and walked quickly through the halls to return to Danina.