Twelve Men

by Theodore Dreiser

  Some men are masters of cities, or perhaps better, of all the elements which enter into the making of them, and Peter was one. I think sometimes that he was born a writer of great force and charm, only as yet he had not found himself. I have known many writers, many geniuses even, but not one his superior in intellect and romantic response to life. He was a poet, thinker, artist, philosopher and master of prose, as a posthumous volume (“Wolf, the Autobiography of a Cave Dweller”) amply proves, but he was not ready then to fully express himself, and it troubled him not at all. He loved life’s every facet, was gay and helpful to himself and others, and yet always with an eye for the undercurrent of human misery, error and tragedy as well as comedy. Immediately upon coming to New York he began to examine and grasp it in a large way, its museums, public buildings, geography, politics, but after a very little while decided suddenly that he did not belong there and without a by-your-leave, although once more we had fallen into each other’s ways, he departed without a word, and I did not hear from him for months. Temporarily at least he felt that he had to obtain more experience in a lesser field, and lost no time in so doing. The next I knew he was connected, at a comfortable salary, with the then dominant paper of Philadelphia.

  It was after he had established himself very firmly in Philadelphia that we two finally began to understand each other fully, to sympathize really with each other’s point of view as opposed to the more or less gay and casual nature of our earlier friendship. Also here perhaps, more than before, we felt the binding influence of having worked together in the West. It was here that I first noticed the ease with which he took hold of a city, the many-sidedness of his peculiar character which led him to reflect so many angles of it, which a less varied temperament would never have touched upon. For, first of all, wherever he happened to be, he was intensely interested in the age and history of his city, its buildings and graveyards and tombstones which pointed to its past life, then its present physical appearance, the chief characteristics of the region in which it lay, its rivers, lakes, parks and adjacent places and spots of interest (what rambles we took!), as well as its newest and finest things architecturally. Nor did any one ever take a keener interest in the current intellectual resources of a city—any city in which he happened to be—its museums, libraries, old bookstores, newspapers, magazines, and I know not what else. It was he who first took me into Leary’s bookstore in Philadelphia, descanting with his usual gusto on its merits. Then and lastly he was keenly and wisely interested in various currents of local politics, society and finance, although he always considered the first a low mess, an arrangement or adjustment of many necessary things among the lower orders. He seemed to know or sense in some occult way everything that was going on in those various realms. His mind was so full and rich that merely to be with him was a delight. He gushed like a fountain, and yet not polemically, of all he knew, heard, felt, suspected. His thoughts were so rich at times that to me they were more like a mosaic of variegated and richly colored stones and jewels. I felt always as though I were in the presence of a great personage, not one who was reserved or pompous but a loose bubbling temperament, wise beyond his years or day, and so truly great that perhaps because of the intensity and immense variety of his interests he would never shine in a world in which the most intensive specialization, and that of a purely commercial character, was the grand role.

  And yet I always felt that perhaps he might. He attracted people of all grades so easily and warmly. His mind leaped from one interest to another almost too swiftly, and yet the average man understood and liked him. While in a way he contemned their mental states as limited or bigoted, he enjoyed the conditions under which they lived, seemed to wish to immerse himself in them. And yet nearly all his thoughts were, from their point of view perhaps, dangerous. Among his friends he was always talking freely, honestly, of things which the average man could not or would not discuss, dismissing as trash illusion, lies or the cunning work of self-seeking propagandists, most of the things currently accepted as true.

  He was constantly commenting on the amazing dullness of man, his prejudices, the astonishing manner in which he seized upon and clung savagely or pathetically to the most ridiculous interpretations of life. He was also forever noting that crass chance which wrecks so many of our dreams and lives,—its fierce brutalities, its seemingly inane indifference to wondrous things,—but never in a depressed or morbid spirit; merely as a matter of the curious, as it were. But if any one chanced to contradict him he was likely to prove liquid fire. At the same time he was forever reading, reading, reading—history, archaeology, ethnology, geology, travel, medicine, biography, and descanting on the wonders and idiosyncrasies of man and nature which they revealed. He was never tired of talking of the intellectual and social conditions that ruled in Greece and Rome from 600 B.C. on, the philosophies, the travels, the art, the simple, natural pagan view of things, and regretting that they were no more. He grieved at times, I think, that he had not been of that world, might not have seen it, or, failing that, might not see all the shards of those extinct civilizations. There was something loving and sad in the manner in which at times, in one museum and another, he would examine ancient art designs, those of the Egyptians, Greeks and Romans, their public and private house plans, their statues, book rolls, inscriptions, flambeaux, boats, swords, chariots. Carthage, Rome, Greece, Phoenicia—their colonies, art and trade stuffs, their foods, pleasures and worships—how he raved! A book like Thais, Salammbo, Sonica, Quo Vadis, touched him to the quick.

  At the same time, and odd as it may seem, he was seemingly in intimate contact with a circle of friends that rather astonished me by its catholicity. It included, for instance, and quite naively, real estate dealers, clerks, a bank cashier or two, some man who had a leather shop or cigar factory in the downtown section, a drummer, a printer, two or three newspaper artists and reporters—a list too long to catalogue here and seemingly not interesting, at least not inspiring to look at or live in contact with. Yet his relations with all of these were of a warm, genial, helpful, homely character, quite intimate. He used them as one might a mulch in which to grow things, or in other words he took them on their own ground; a thing which I could never quite understand, being more or less aloof myself and yet wishing always to be able so to do, to take life, as he did.

  For he desired, and secured, their good will and drew them to him. He took a simple, natural pleasure in the kinds of things they were able to do, as well as the kinds of things he could do. With these, then, and a type of girl who might not be classed above the clerk or manicure class, he and they managed to eke out a social life, the outstanding phases of which were dances, “parties,” dinners at one simple home and another, flirting, boating, and fishing expeditions in season, evenings out at restaurants or the theater, and I know not what else. He could sing (a very fair baritone), play the piano, cornet, flute, banjo, mandolin and guitar, but always insisted that his favorite instruments were the jews’harp, the French harp (mouth organ) and a comb with a piece of paper over it, against which he would blow with fierce energy, making the most outrageous sounds, until stopped. At any “party” he was always talking, jumping about, dancing, cooking something-fudge, taffy, a rarebit, and insisting in the most mock-serious manner that all the details be left strictly to him. “Now just cut out of this, all of you, and leave this to your Uncle Dudley. Who’s doing this? All I want is sugar, chocolate, a pot, a big spoon, and I’ll show you the best fudge you ever ate.” Then he would don an apron or towel and go to work in a manner which would rob any gathering of a sense of stiffness and induce a naturalness most intriguing, calculated to enhance the general pleasure an hundredfold.

  Yes, Peter woke people up. He could convey or spread a sense of ease and good nature and give and take among all. Wise as he was and not so good-looking, he was still attractive to girls, very much so, and by no means unconscious of their beauty. He could always, and easily, break down their reserve, and was soon apparently on ter
ms of absolute friendship, exchanging all sorts of small gossip and news with them about this, that and the other person about whom they knew. Indeed he was such a general favorite and so seemingly impartial that it was hard to say how he came close to any, and yet he did. At odd tete-a-tete moments he was always making confessions as to “nights” or “afternoons.” “My God, Dreiser, I’ve found a peach! I can’t tell you—but oh, wonderful! Just what I need. This world’s a healthy old place, eh? Let’s have another drink, what?” and he would order a stein or a half-schoppen of light German beer and pour it down, grinning like a gargoyle.

  It was while he was in Philadelphia that he told me the beginnings of the love affair which eventually ended in his marrying and settling down into the homiest of home men I have ever seen and which for sheer naivete and charm is one of the best love stories I know anything about. It appears that he was walking in some out-of-the-way factory realm of North Philadelphia one Saturday afternoon about the first or second year of his stay there, when, playing in the street with some other children, he saw a girl of not more than thirteen or fourteen who, as he expressed it to me, “came damned near being the prettiest thing I ever saw. She had yellow hair and a short blue dress and pink bows in her hair—and say, Dreiser, when I saw her I stopped flat and said ‘me for that’ if I have to wait fifteen years! Dutchy—you never saw the beat! And poor! Her shoes were clogs. She couldn’t even talk English yet. Neither could the other kids. They were all sausage—a regular German neighborhood.

  “But, say, I watched her a while and then I went over and said, ‘Come here, kid. Where do you live?’ She didn’t understand, and one of the other kids translated for her, and then she said, ‘Ich sprech nicht English,’” and he mocked her. “That fixed her for me. One of the others finally told me who she was and where she lived—and, say, I went right home and began studying German. In three months I could make myself understood, but before that, in two weeks, I hunted up her old man and made him understand that I wanted to be friends with the family, to learn German. I went out Sundays when they were all at home. There are six children and I made friends with ‘em all. For a long time I couldn’t make Madchen (that’s what they call her) understand what it was all about, but finally I did, and she knows now all right. And I’m crazy about her and I’m going to marry her as soon as she’s old enough.”

  “How do you know that she’ll have you?” I inquired.

  “Oh, she’ll have me. I always tell her I’m going to marry her when she’s eighteen, and she says all right. And I really believe she does like me. I’m crazy about her.”

  Five years later, if I may anticipate a bit, after he had moved to Newark and placed himself rather well in the journalistic field and was able to carry out his plans in regard to himself, he suddenly returned to Philadelphia and married, preparing beforehand an apartment which he fancied would please her. It was a fortunate marriage in so far as love and home pleasures were concerned. I never encountered a more delightful atmosphere.

  All along in writing this I feel as though I were giving but the thinnest portrait of Peter; he was so full and varied in his moods and interests. To me he illustrated the joy that exists, on the one hand, in the common, the so-called homely and what some might think ugly side of life, certainly the very simple and ordinarily human aspect of things; on the other, in the sheer comfort and satisfaction that might be taken in things truly intellectual and artistic, but to which no great expense attached—old books, prints, things connected with history and science in their various forms, skill in matters relating to the applied arts and what not, such as the coloring and firing of pottery and glass, the making of baskets, hammocks and rugs, the carving of wood, the collection and imitation of Japanese and Chinese prints, the art of embalming as applied by the Egyptians (which, in connection with an undertaker to whom he had attached himself, he attempted to revive or at least play with, testing his skill for instance by embalming a dead cat or two after the Egyptian manner). In all of these lines he trained himself after a fashion and worked with skill, although invariably he insisted that he was little more than a bungler, a poor follower after the art of some one else. But most of all, at this time and later, he was interested in collecting things Japanese and Chinese: netsukes, inros, censors, images of jade and porcelain, teajars, vases, prints; and it was while he was in Philadelphia and seemingly trifling about with the group I have mentioned and making love to his little German girl that he was running here and there to this museum and that and laying the foundations of some of those interesting collections which later he was fond of showing his friends or interested collectors. By the time he had reached Newark, as chief cartoonist of the leading paper there, he was in possession of a complete Tokaido (the forty views on the road between Tokio and Kyoto), various prints by Hokusai, Sesshiu, Sojo; a collection of one hundred inros, all of fifty netsukes, all of thirty censers, lacquered boxes and teajars, and various other exceedingly beautiful and valuable things—Mandarin skirts and coats, among other things—which subsequently he sold or traded around among one collector friend and another for things which they had. I recall his selling his completed Tokaido, a labor which had extended over four years, for over a thousand dollars. Just before he died he was trading netsukes for inros and getting ready to sell all these latter to a man, who in turn was going to sell his collection to a museum.

  But in between was this other, this ultra-human side, which ran to such commonplaces as bowling, tennis-playing, golf, billiards, cards and gambling with the dice—a thing which always struck me as having an odd turn to it in connection with Peter, since he could be interested in so many other things, and yet he pursued these commonplaces with as much gusto at times as one possessed of a mania. At others he seemed not to miss or think of them. Indeed, you could be sure of him and all his interests, whatever they were, feeling that he had himself well in hand, knew exactly how far he was going, and that when the time came he could and would stop. Yet during the process of his momentary relaxation or satiation, in whatever field it might be, he would give you a sense of abandon, even ungovernable appetite, which to one who had not known him long might have indicated a mania.

  Thus I remember once running over to Philadelphia to spend a Saturday and Sunday with him, visits of this kind, in either direction, being of the commonest occurrence. At that time he was living in some quiet-looking boarding-house in South Fourth Street, but in which dwelt or visited the group above-mentioned, and whenever I came there, at least, there was always an atmosphere of intense gaming or playing in some form, which conveyed to me nothing so much as a glorious sense of life and pleasure. A dozen or more men might be seated at or standing about a poker or dice table, in summer (often in winter) with their coats off, their sleeves rolled up, Peter always conspicuous among them. On the table or to one side would be money, a pitcher or a tin pail of beer, boxes of cigarettes or cigars, and there would be Peter among the players, flushed with excitement, his collar off, his hair awry, his little figure stirring about here and there or gesticulating or lighting a cigar or pouring down a glass of beer, shouting at the top of his voice, his eyes aglow, “That’s mine!” “I say it’s not!” “Two on the sixes!” “Three!” “Four!” “Ah, roll the bones! Roll the bones!” “Get off! Get off! Come on now, Spikes—cough up! You’ve got the money now. Pay back. No more loans if you don’t.” “Once on the fours—the fives—the aces!” “Roll the bones! Roll the bones! Come on!” Or, if he saw me, softening and saying, “Gee, Dreiser, I’m ahead twenty-eight so far!” or “I’ve lost thirty all told. I’ll stick this out, though, to win or lose five more, and then I’ll quit. I give notice, you fellows, five more, one way or the other, and then I’m through. See? Say, these damned sharks are always trying to turn a trick. And when they lose they don’t want to pay. I’m offa this for life unless I get a better deal.”

  In the room there might be three or four girls—sisters, sweethearts, pals of one or other of the players—some dancing, so
me playing the piano or singing, and in addition the landlord and his wife, a slattern pair usually, about whose past and present lives Peter seemed always to know much. He had seduced them all apparently into a kind of rakish camaraderie which was literally amazing to behold. It thrilled, fascinated, at times frightened me, so thin and inadequate and inefficient seemed my own point of view and appetite for life. He was vigorous, charitable, pagan, gay, full of health and strength. He would play at something, anything, indoors or out as occasion offered, until he was fairly perspiring, when, throwing down whatever implement he had in hand—be it cards, a tennis-racket, a golf club—would declare, “That’s enough! That’s enough! I’m done now. I’ve licked-cha,” or “I’m licked. No more. Not another round. Come on, Dreiser, I know just the place for us—” and then descanting on a steak or fish planked, or some new method of serving corn or sweet potatoes or tomatoes, he would lead the way somewhere to a favorite “rat’s killer,” as he used to say, or grill or Chinese den, and order enough for four or five, unless stopped. As he walked, and he always preferred to walk, the latest political row or scandal, the latest discovery, tragedy or art topic would get his keen attention. In his presence the whole world used to look different to me, more colorful, more hopeful, more gay. Doors seemed to open; in imagination I saw the interiors of a thousand realms—homes, factories, laboratories, dens, resorts of pleasure. During his day such figures as McKinley, Roosevelt, Hanna, Rockefeller, Rogers, Morgan, Peary, Harriman were abroad and active, and their mental states and points of view and interests—and sincerities and insincerities—were the subject of his wholly brilliant analysis. He rather admired the clever opportunist, I think, so long as he was not mean in view or petty, yet he scorned and even despised the commercial viewpoint or trade reactions of a man like McKinley. Rulers ought to be above mere commercialism. Once when I asked him why he disliked McKinley so much he replied laconically, “The voice is the voice of McKinley, but the hands—are the hands of Hanna.” Roosevelt seemed to amuse him always, to be a delightful if ridiculous and self-interested “grandstander,” as he always said, “always looking out for Teddy, you bet,” but good for the country, inspiring it with visions. Rockefeller was wholly admirable as a force driving the country on to autocracy, oligarchy, possibly revolution. Ditto Hanna, ditto Morgan, ditto Harriman, ditto Rogers, unless checked. Peary might have, and again might not have, discovered the North Pole. He refused to judge. Old “Doc” Cook, the pseudo discoverer, who appeared very shortly before he died, only drew forth chuckles of delight. “My God, the gall, the nerve! And that wreath of roses the Danes put around his neck! It’s colossal, Dreiser. It’s grand. Munchausen, Cook, Gulliver, Marco Polo—they’ll live forever, or ought to!”