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The Double Dream of Spring

Page 6

by John Ashbery


  The sympathy of yellow flowers.

  Never mentioned in the signs of the oblong day

  The saw-toothed flames and point of other

  Space not given, and yet not withdrawn

  And never yet imagined: a moment’s commandment.

  These last weeks teasing into providential

  Reality: that your face, the only real beginning,

  Beyond the gray of overcoat, that this first

  Salutation plummet also to the end of friendship

  With self alone. And in doing so open out

  New passages of being among the correctness

  Of familiar patterns. The stance to you

  Is a fiction, to me a whole. I find

  New options, white feathers, in a word what

  You draw in around you to the protecting bone.

  This page only is the end of nothing

  To the top of that other. The purity

  Of how hard it is to choose between others where

  The event takes place and the outside setting.

  Day covers all this with leaves, with laughter and tears.

  But at night other sounds are heard

  Propositions hitherto omitted in the heat

  Of smoke. You can look at it all

  Inside out for the emblem to become the statue

  Of discipline that rode in out of the past.

  Not forgetting either the chance that you

  Might want to revise this version of what is

  The only real one, it might be that

  No real relation exists between my wish for you

  To return and the movements of your arms and legs.

  But my inability to accept this fact

  Annihilates it. Thus

  My power over you is absolute.

  You exist only in me and on account of me

  And my features reflect this proved compactness.

  That coming together of masses coincides

  With that stable emptiness, detaining

  Where this energy, not yet or only partially

  Distributed to the imagination creates

  A claim to the sides of early autumn.

  Suffocating, with remorse, and winking with it

  To tablelands of disadumbrated feeling

  Treetops whose mysterious hegemony concerns

  Merely, by opening around factors of accident

  So as to install miscellaneous control.

  The part in which you read about yourself

  Grew out of this. Your interpretation is

  Extremely bitter and can serve no profitable end

  Except continual development. Best to break off

  All further choice. In

  This way new symptoms of interest having a

  Common source could produce their own ingenious

  Way of watering into the past with its religious

  Messages and burials. Out of this cold collapse

  A warm and near unpolished entity could begin.

  Although beyond more reacting

  To this cut-and-dried symposium way of seeing things

  To outflank next mediocre condition

  Of storms. The hollow thus produced

  A kind of cave of the winds; distribution center

  Of subordinate notions to which the stag

  Returns to die: the suppressed lovers.

  Then ghosts of the streets

  Crowding, propagating the feeling into furious

  Waves from the perfunctory and debilitated sunset.

  Yet no one has time for its preoccupation.

  Our daily imaginings are swiftly tilted down to

  Death in its various forms. We cannot keep the peace

  At home, and at the same time be winning wars abroad.

  And the great flower of what we have been twists

  On its stem of earth, for not being

  What we are to become, fated to live in

  Intimidated solitude and isolation. No brother

  Bearing the notion of responsibility of self

  To the surrounding neighborhood lost out of being.

  Slowly as from the center of some diamond

  You begin to take in the world as it moves

  In toward you, part of its own burden of thought, rather

  Idle musing, afternoons listing toward some sullen

  Unexpected end. Seen from inside all is

  Abruptness. As though to get out your eye

  Sharpens and sharpens these particulars; no

  Longer visible, they breathe in multicolored

  Parentheses, the way love in short periods

  Puts everything out of focus, coming and going.

  Thus your only world is an inside one

  Ironically fashioned out of external phenomena

  Having no rhyme or reason, and yet neither

  An existence independent of foreboding and sly grief.

  Nothing anybody says can make a difference; inversely

  You are a victim of their lack of consequence

  Buffeted by invisible winds, or yet a flame yourself

  Without meaning, yet drawing satisfaction

  From the crevices of that wind, living

  In that flame’s idealized shape and duration.

  Whereas through an act of bunching this black kite

  Webs all around you with coal light: wall and reef

  Imbibe and the impossible saturation,

  New kinds of fun, is an earnest

  Of the certain future. Yet the spores of the

  Difference as it’s imagined flower

  In complicated chains for the eyebrow, and pre-delineate

  Phantom satisfaction as it would happen. This time

  You get over the threshold of so much unmeaning, so much

  Being, prepared for its event, the active memorial.

  And more swiftly continually in evening, limpid

  Storm winds, commas are dropped, the convention gapes,

  Prostrated before a monument disappearing into the dark.

  It would not be good to examine these ages

  Except for sun flecks, little, on the golden sand

  And coming to reappraisal of the distance.

  The welcoming stuns the heart, iron bells

  Crash through the transparent metal of the sky

  Each day slowing the method of thought a little

  Until oozing sap of touchable mortality, time lost and won.

  Like the blood orange we have a single

  Vocabulary all heart and all skin and can see

  Through the dust of incisions the central perimeter

  Our imaginations’ orbit. Other words,

  Old ways are but the trappings and appurtenances

  Meant to install change around us like a grotto.

  There is nothing laughable

  In this. To isolate the kernel of

  Our imbalance and at the same time back up carefully;

  Its tulip head whole, an imagined good.

  The sense of that day toward its center

  Is perforated or crisscrossed with rewards

  As though the stumbling that stranded me here were

  The means of some spontaneity. But upper pressures

  Lifted the direction of the prevailing winds

  Allowing an awaited entrance down below.

  Yet all is different metric system

  Flapping from grace to intense surprise.

  As in a tub. No candle is lit. No theory

  Straps it to the maturity of surroundings.

  Its landscape puts toward a pointed roof

  Continuing inquiry and reappraisal of always new

  Facts pushing past into bright cold

  As from general spindles a waterfall of data

  Is absorbed above by command. Whether construed

  As lead or gold it leaves a ring

  On the embellished, attendant time. The farms

  Knew it, that is why they st
ood so still.

  The gold might reverse them to fields

  Of flowering sand or black, ancient and intimate.

  The volcanic entrance to an antechamber

  Was not what either of us meant.

  More outside than before, but what is worse, outside

  Within the periphery, we are confronted

  With one another, and our meeting escapes through the dark

  Like a well.

  Our habits ask us for instructions.

  The news is to return by stages

  Of uncertainty, too early or too late. It is the invisible

  Shapes, the bed’s confusion and prattling. The late quiet. This is how it feels.

  The pictures were really pictures

  Of loving and small things. There was a winter scene

  And half-hidden sketches of the other three seasons.

  Autumn was a giant with a gray woollen cap.

  Near him was spring, a girl in green draperies

  Half sitting, half standing near the trunk of an old tree.

  Summer was a band of nondescript children

  Bordering the picture of winter, which was indistinct

  And gray like the sky of a winter afternoon.

  The other pictures told in an infinity of tiny ways

  Stories of the past: separate incidents

  Recounted in touching detail, or vast histories

  Murmured confusingly, as though the speaker

  Were choked by sighs and tears, and had forgotten

  The reason why he was telling the story.

  It was these finally that made the strongest

  Impression, they shook you like wind

  Roaring through branches with no leaves left on them.

  The vagueness was bigger than life and its apotheosis

  Of shining incidents, colored or dark, vivid or serious.

  But now the tidings are dark in the

  Expected late afternoon suddenly dipping into

  Reserves of anxiety and restlessness which dutifully

  Puff out these late, lax sails, pennants;

  The vertical black-and-white-striped weather indicator’s

  One sign of triumph, a small one, to stand

  For universal concessions, charters and deeds to

  Wilderness or the forested sea, cord after cord

  Equaling possession and possessiveness

  Instantaneously extending your hesitation to an

  Empire, back lands whose sparsely populated look is

  Supreme dominion. It will be divided into tracks

  And these be lived in the way now the lowered

  Angles of this room. Waxed moustache against the impiety

  Of so much air of change, but always and nowhere

  A cave. Gradually old letters used as bookmarks

  Inform the neighbors; an approximate version

  Circulates and the incident is officially closed.

  And I some joy of this have, returning to the throbbing

  Mirror’s stiff enclave, the sides of my face steep and overrun.

  So many ways grew over to this

  Mild decline. The grave of authority

  Matches wits with upward-spinning lemon spirals

  Telling of the influences of night, so many decisions

  Not to act accruing to the outward stretches.

  The civilities of day also creep

  To extremities, fly on a windowpane, sweeping

  The changed refuse under the rug. Just one step

  Takes you into so much outside, the candor

  Of what had been going on makes you pause momentarily,

  A bag of October, without being able to tell it

  To the others, so that it loses silence.

  I haven’t made clear that I want it all from you

  In writing, so as to study your facial expressions

  Simultaneously: hesitations, reverse darts, the sky

  Of your plans run through with many sutured points.

  Only in this way can a true basis for understanding be

  Set up. But meanwhile if I try to turn away

  Looking for my own shadow in the excess

  Like quarreling jays our heads fall to in agreement.

  It exposed us on a moving gangway.

  Leaning from an upper story

  We should not separate in misunderstanding.

  Where you were going was the key to

  Saturday afternoon spent in shopping and washing dishes

  Just right so the newly strengthened land would

  Disinter the music box what keeps happening to

  The photo of a baby girl disguised as an old man

  With a long white beard. What comes after

  The purge, she not mentioning it yet.

  This meant (and the tone voice, repeating

  “He’s hurt real bad” worked up the wall of celerity

  To inaudible foam) all divers and all speechless

  Apostrophes of solar unit stay on the bottom.

  At last there was a chance to explore the forest,

  Shadow of yawning magnetic poles, in which the castle

  Had been inserted like an afterthought—bare walls

  With somewhere a center and even further, a widening

  To accommodate eventual reaction, such as ropes,

  Pikes, chains of memory, of sleep, and an end of board.

  The apotheosis had sunk away

  As wind incarnates its glass cone

  Aiming where further identifications should

  Not be worked for, are reached. The whole

  Is a mound of changing valors for some who

  Live out as under a dome, are participated in

  As the ordinary grandeur of a dome’s the thing that

  Keeps them living so that additional grace

  Is eternal procrastination, not to be considered

  Unless a description of the actual scene.

  Shedding perennial beauty on angles

  Of questions asked and often answered in a

  Given period. It all moves more slowly, yet

  The change is more complete than ever before:

  A pessimistic lighting up as of autumn woods

  Demanding more than ever to be considered, for full

  Substance. For the calculable stutter of a laugh.

  Returning late you were not surprised to meet

  This gray visitor, perpendicular to the weather.

  Quiet ambition of the note variously sounded.

  All space was to be shut out. Now there was no

  Earthly reason for living; solitude proceeded

  From want of money, her quincunxes standing

  To protect the stillness of the air. Darkness

  Intruded everywhere. This was the first day

  Of the new experience. The familiar brown trees

  Stirred indifferent at their roots, deeply transformed.

  Like a sail its question disappeared into

  An ocean of newsprint. To be precipitated

  In desire, as hats are handed. Awnings raised.

  Coming in the phaeton to the end of the

  Day that had served on previous occasions

  An orchard diminishes the already tiny

  Notion of abstract good and bad qualities

  Pod of darkness which goes vociferating early

  Unchangeables that in time’s mire have hid weapons.

  Past waterfall wooden huts open places

  Assaulted by the wind, the usual surroundings chafed

  Foreknowledge of the immense journey, as the sea

  Flattens, uncritical, beyond wide docks.

  To persist in the revision of very old

  Studies, as though mounted on a charger,

  With the door to the next room partly open

  To the borrowed density, what keeps happening to

  So much dead surprise, a weight of spring.

  An odor of explosives hangs o
ver the change,

  Now at its apogee. This presupposes a will

  To carry out all instructions, dotting the last i

  Though cancelling with one stroke of a pen all

  The provisions, revisions and so on made until now.

  But why should the present seem so particularly urgent?

  A time of spotted lakes and the whippoorwill

  Sounding over everything? To release the importance

  Of what will always remain invisible?

  In spite of near and distant events, gladly

  Built? To speak the plaits of argument,

  Loosened? Vast shadows are pushed down toward

  The hour. It is ideation, incrimination

  Proceeding from necessity to find it at

  A time of day, beside the creek, uncounted stars and buttons.

  We talked, and after that went out.

  It was nice. There was lots of time left

  And we could always come back to it, and use it later

  But the flowers dropped in the conservatory

  For this was the last day of the year

  Conclusion of many ups and downs, it had begun

  To be foreshadowed, leaning out into novelty

  As into a bank of subtraction. The night

  A dull varnish muffled the comic eagerness

  Of those first steps, halted for all eternity.

  Then the accounts must be reexamined,

  Shifting ropes of figures. Expressions of hope

  Too late, a few seconds before. Only normal

  Transparent width separated them from the smaller,

  Flame-colored phenomena of each settled day.

  This information was like a road no one ever took

  Perhaps because the end was widely known, a collection

  Of ceiling fumes, inert curiosity, attacked

  Rarely, and out of compunction, by millionaires

  Bent on turning everyday affairs into something tragic.

  Thus there was a time for all activity

  As memory of regret not made known

  Except as illegal pilfering on the furthest

  Sketchy place of the course of a day

  Which scarcely matters even for anxious

  Gendarmes of these late, recent hours, now

  So frequently referred to. Thus floods,

  Surprising us, seem to subside

  When scarcely begun. Yet so much in time for

  What arrives, unnoticed our separate, parallel thought.

  It is that the moment of sinking in

  Is always past, yet always in question, on the surface

  Of the goggles of memory. Nothing is stationary

  Nor yet uncertain; a rhythm of standing still

  Keeps us in continual equilibrium, like an arch

  That frames swiftly receding clouds, never

  Getting deeper. The shouts of children

  Penetrate this motion toward, as a drop of water

 

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