The Detective Club: Dark Days & Much Darker Days

by Hugh Conway

  ‘He came. I saw him in the moonlight. I stood up as he came near and, God forgive me, pulled the trigger, and shot him through the heart. He fell like a stone, and I knew I was a murderer.

  ‘Oh, if I could I would have undone the deed! I stood for a long time before I dared to go to the body and steal the things for which I had committed the crime. Then I nerved myself and went to take the price for which, unless God is merciful, I had sold my soul.

  ‘I never took a farthing. Just as I was about to begin I heard the sound of feet. I looked up, and saw a woman or a spirit coming to me. I dropped the pistol in terror. I felt sure she saw me. I looked at her under the moon. Her face was white, her lips were moving, her hair was all flying about. She came straight to where the dead man lay, then stopped and wrung her hands. I fled away in deadly fear. I ran across several fields. I dared not stop. I thought that spirit of ghost was following me.

  ‘I ran on until the snow began. I must have died in that snow-storm if I had not found a half-roofed cowshed. I crept into this, and lay all the night and part of the next day. I was the most wretched being in the world.

  ‘Hunger at last drove me out. I got through the snow somehow, and reached a house, where the people saved me from dying of starvation. But nothing could make me go again to the spot where I had done the murder. My life since then has been one of agony. Even now that I am going to be hanged I am happier than I have felt for months. May God forgive my crime!

  ‘I pleaded guilty at the trial because I turned round in the dock, and saw the woman who I thought was a spirit standing up and ready to denounce me to the judge. I knew that she saw me that night, and I was bound to be found guilty.

  ‘I have confessed all. Every word of this is truth. As I hope for mercy, it is all true!

  ‘WILLIAM EVANS

  ‘P.S.—I took the above confession down from the prisoner’s dictation. It should be all you want. The man seems thoroughly penitent, but I do not trouble you with his expressions of remorse and regret.

  ‘I remain, dear sir, yours faithfully,

  ‘STEPHEN CRISP’

  We read the last lines; the paper fluttered down from our hands; we turned to each other. Tears of deep thankfulness were in my wife’s sweet eyes. Down to the smallest detail, the wretched man’s confession made everything clear. Nothing was left unexplained, except, perhaps, the motive which induced Philippa to go that night to meet her would-be betrayer once more. This we shall never know, but her temporary madness may amply account for it. We need seek no further; the faintest doubt as to her own perfect innocence is removed from my wife’s mind. Hand in hand, heart to heart, lip to lip, we can stand, and feel that our troubles are at last over.

  Our troubles over! Shall those words be the last I write? No, one scene more—the scene that lies before me even now.

  An English home. Outside, green shaven lawns, trim paths, and fine old trees. Inside, the comfort and the peace which make an English home the sweetest in the world. For when the need was gone; when sunny Spain no longer was for us the one safe land, its charms diminished, and we pined to see once more England’s fair fields and ruddy honest faces. So back we came, and made ourselves a home, far, far away from every spot the sight of which might wake sad thoughts. And here we live, and shall live till that hour when one of us must kiss the other’s clay-cold brow, and know that death has parted those whom naught but death could part.

  Look out; look through this shaded window. There she sits, my wife; a tall son at her side, fair daughters near her. Years, many years have passed, but left no lines upon her brow; brought no white threads to streak that raven hair. The rich bright beauty of the girl is still her own. To me, now as of yore, the sweetest, fairest woman in the world!

  The children see me as I gaze with thoughtful happy eyes upon that group beneath the trees. They call and beckon me. My wife looks up; her eyes meet mine, just raised from these sad pages. Ah! Love, sweet love, in those dear eyes what was it once my fate to read? Shame, sorrow, dread, despair and love. All these, save love, have vanished long ago; and as I turn to pen these lines—the last, that look of calm, assured, unclouded joy keeps with me, telling me that from her life has past even the very memory of those dark, dark days!

  THE END

  MUCH DARKER DAYS

  BY

  A. HUGE LONGWAY

  [ANDREW LANG]

  PREFACE

  A BELIEF that modern Christmas fiction is too cheerful in tone, too artistic in construction, and too original in motive, has inspired the author of this tale of middle-class life. He trusts that he has escaped, at least, the errors he deplores, and has set an example of a more seasonable and sensational style of narrative.

  A.H.L.

  PREFACE (REVISED EDITION)

  PARODY is a parasitical, but should not be a poisonous, plant. The Author of this unassuming jape has learned, with surprise and regret, that some sentences which it contains are thought even more vexatious than frivolous. To frivol, not to vex, was his aim, and he has corrected this edition accordingly.

  A.H.L.

  CHAPTER I

  THE CURSE (REGISTERED)

  WHEN this story of my life, or of such parts of it as are not deemed wholly unfit for publication, is read (and, no doubt, a public which devoured Scrawled Black will stand almost anything), it will be found that I have sometimes acted without prim cautiousness—that I have, in fact, wallowed in crime. Stillicide and Mayhem (rare old crimes!) are child’s play to me, who have been an ‘accessory after the fact’! In excuse, I can but plead two things—the excellence of the opportunity to do so, and the weakness of the resistance which my victim offered.

  If you cannot allow for these, throw the book out of the railway-carriage window! You have paid your money, and to the verdict of your pale morality or absurd sense of art in fiction I am therefore absolutely indifferent. You are too angelic for me; I am too fiendish for you. Let us agree to differ.

  I say nothing about my boyhood. Twenty-five years ago a poor boy—but no matter. I was that boy! I hurry on to the soaring period of manhood, ‘when the strength, the nerve, the intellect is or should be at its height’ (or are or should be at their height, if you must have grammar in a Christmas Annual), if the patient has led, as I did, a virtuous and contemplative life, devoted to extending popular culture. My nerve was at its height: I was thirty.

  Yet, what was I then? A miserable moonstruck mortal, duly entitled to write M.D. (of Tarrytown College, Alaska) after my name—for the title of Doctor is useful in the profession—but with no other source of enjoyment or emotional recreation in a cold, casual world. Often and often have I written M.D. after my name, till the glowing pleasure palled, and I have sunk back asking, ‘Has life, then, no more than this to offer?’

  Bear with me if I write like this for ever so many pages; bear with me, it is such easy writing, and only thus can I hope to make you understand my subsequent and slightly peculiar conduct.

  How rare was hers, the loveliness of the woman I lost—of her whose loss brought me down to the condition I attempt to depict!

  How strange was her rich beauty! She was at once dark and fair—la blonde et la brune! How different from the Spotted Girls and Two-headed Nightingales whom I have often seen exhibited, and drawing money too, as the types of physical imperfections! Warm Southern blood glowed darkly in one of Philippa’s cheeks—the left; pale Teutonic grace smiled in the other—the right. Her mother was a fair blonde Englishwoman, but it was Old Calabar that gave her daughter those curls of sable wool, contrasting so exquisitely with her silken-golden tresses. Her English mother may have lent Philippa many exquisite graces, but it was from her father, a pure-blooded negro, that she inherited her classic outline of profile.

  Philippa, in fact, was a natural arrangement in black and white. Viewed from one side she appeared the Venus of the Gold Coast, from the other she outshone the Hellenic Aphrodite. From any point of view she was an extraordinarily attractive addition to the Exh
ibition and Menagerie which at that time I was running in the Midland Counties.

  Her father, the nature of whose avocation I never thought it necessary to inquire into, was a sea cook on board a Peninsular and Oriental steamer. His profession thus prevented him from being a permanent resident in this, or indeed in any other country.

  Our first meeting was brought about in a most prosaic way. Her mother consulted me professionally about Philippa’s prospects. We did not at that time come to terms. I thought I might conclude a more advantageous arrangement if Philippa’s heart was touched, if she would be mine. But she did not love me. Moreover, she was ambitious; she knew, small blame to her, how unique she was.

  ‘The fact is,’ she would observe when I pressed my suit, ‘the fact is I look higher than a mere showman, even if he can write M.D. after his name.’

  Philippa soon left the circuit ‘to better herself’.

  In a short time a telegram from her apprised me that she was an orphan.

  I flew to where she lodged, in a quiet, respectable street, near Ratcliff Highway. She expressed her intention of staying here for some time.

  ‘But alone, Philippa?’

  (She was but eight-and-thirty).

  ‘Not so much alone as you suppose,’ she replied archly.

  This should have warned me, but again I passionately urged my plea.

  I offered most attractive inducements.

  A line to herself in the bills! Everything found!

  ‘Basil,’ she observed, blushing in her usual partial manner, ‘you are a day after the fair.’

  ‘But there are plenty of fairs,’ I cried, ‘all of which we attend regularly. What can you mean? Has another—?’

  ‘He hev,’ said Philippa, demurely but decidedly.

  ‘You are engaged?’ She raised her lovely hand, and was showing me a gold wedding circlet, when the door opened, and a strikingly handsome man of some forty summers entered.

  There was something written in his face (a dark contusion, in fact, under the left eye) which told me that he could not be a pure and high-souled Christian gentleman.

  ‘Basil South, M.D.’ said Philippa, introducing us. ‘Mr Baby Farmer’ (obviously a name of endearment), and again a rosy blush crept round her neck in the usual partial manner, which made one of her most peculiar charms.

  I bowed mechanically, and, amid a few dishevelled remarks on the weather, left the house the most disappointed showman in England.

  ‘Cur, sneak, coward, villain!’ I hissed when I felt sure I was well out of hearing. ‘Farewell, farewell, Philippa!’

  To drown remembrance and regret, I remained in town, striving in a course of what moralists call ‘gaiety’ to forget what I had lost.

  How many try the same prescription, and seem rather to like it! I often met my fellow-patients.

  One day, on the steps of the Aquarium, I saw the man whom I suspected of not being Philippa’s husband.

  ‘Who is that cove?’ I asked.

  ‘Him with the gardenia?’ replied a friend, idiomatically. ‘That is Sir Runan Errand, the amateur showman—him that runs the Live Mermaid, the Missing Link, and Koot Hoomi, the Mahatma of the Mountain.’

  ‘What kind of man is he?’

  ‘Just about the usual kind of man you see generally here. Just about as hot as they make them. Mad about having a show of his own; crazed on two-headed calves.’

  ‘Is he married?’

  ‘If every lady who calls herself Lady Errand had a legal title to do so, the “Baronetage” would have to be extended to several supplementary volumes.’

  And this was Philippa’s husband!

  What was she among so many?

  My impulse was to demand an explanation from the baronet, but for reasons not wholly unconnected with my height and fighting weight, I abstained.

  I did better.

  I went to my hotel, called for the hotel book, and registered an oath, which is, therefore, copyright. I swore that in twenty-five years I would be even with him I hated. I prayed, rather inconsistently, that honour and happiness might be the lot of her I had lost. After that I felt better.

  CHAPTER II

  A VILLAIN’S BY-BLOW

  PHILIPPA was another’s! Life was no longer worth living. Hope was evaluated; ambition was blunted. The interest which I had hitherto felt in my profession vanished. All the spring, the elasticity seemed taken out of my two Bounding Brothers from the Gutta Percha coast. For months I did my work in a perfunctory manner. I added a Tattooed Man to my exhibition and a Two-headed Snake, also a White-eyed Botocudo, who played the guitar, and a pair of Siamese Twins, who were fired out of a double-barrelled cannon, and then did the lofty trapeze business. They drew, but success gave me no pleasure. So long as I made money enough for my daily needs (and whisky was cheap), what recked I? My mood was none of the sweetest. My friends fell off from me; aye, they fell like nine-pins whenever I could get within reach of them. I was alone in the world.

  You will not be surprised to hear it; the wretched have no friends. So things went on for a year. I became worse instead of better. My gloom deepened, my liver grew more and more confirmed in its morbid inaction. These are not lover’s rhapsodies, they merely show the state of my body and mind, and explain what purists may condemn. In this condition I heard without hypocritical regret that a distant relative (a long-lost uncle) had conveniently left me his vast property. I cared only because it enabled me to withdraw from the profession. I disposed of my exhibition, or rather I let it go for a song. I simply handed over the Tattooed Man, the Artillery Twins, and the Double-headed Serpent to the first-comer, who happened to be a rural dean. Far in the deeps of the country, near the little town of Roding, on a lonely highway, where no man ever came, I took a ’pike. Here I dwelt like a hermit, refusing to give change to the rare passers-by in carts and gigs, and attended by a handy fellow, William Evans, stolid as the Sphynx, which word, for reasons that may or may not appear later in this narrative, I prefer to spell with a y, contrary to the best authorities and usual custom.

  It was midwinter, and midnight. My room lay in darkness. Heavy snow was falling. I went to the window and flattened my nose against the pane.

  ‘What,’ I asked myself, ‘is most like a cat looking out of a window?’

  ‘A cat looking in at a window,’ answered a silvery voice from the darkness.

  Flattened against the self-same pane was another nose, a woman’s. It was the lovely organ of mixed architecture belonging to Philippa! With a low cry of amazement, I broke the pane: it was no idle vision, no case of the ‘horrors’; the cold, cold nose of my Philippa encountered my own. The ice was now broken; she swept into my chamber, lovelier than ever in her strange unearthly beauty, and a new sealskin coat. Then she seated herself with careless grace, tilting back her chair, and resting her feet on the chimney-piece.

  ‘Dear Philippa,’ I exclaimed politely, ‘how is your husband?’

  ‘Husband! I have none,’ she hissed. ‘Tell me, Basil, mon Bijou, did you ever hate a fellow no end?’

  ‘Yes,’ I answered, truly; for, like Mr Carlyle, I just detested most people, and him who had robbed me of Philippa most of all.

  ‘Do you know what he did, Basil? He insisted on having a latch-key! Did you ever hate a man?’

  I threw out my arms. My heart was full of bitterness.

  ‘He did more! He has refused to pay my last quarter’s salary. Basil, didn’t you ever hate a man?’

  My brain reeled at these repeated outrages.

  ‘And where are you staying at present, Philippa? I hope you are pretty comfortable?’ I inquired, anxiously.

  Philippa went on: ‘My husband as was has chucked me. I was about to have a baby. I bored him. I was in the way—in the family-way. Basil, did you ever hate a fellow? If not, read this letter.’

  She threw a letter towards me. She chucked it with all her old gracious dexterity. It was dated from Monte Carlo, and ran thus:

  ‘As we don’t seem quite to hit
it off, I think I may as well finish this business of our marriage. The shortest way to make things clear to your very limited intelligence is to assure you that you are not my wife at all. Before I married you I was the husband of the Live Mermaid. She has died since then, and I might have married you over and over again; but I was not quite so infatuated. I shall just run across and settle up about this little affair on Wednesday. As you are five miles from the station, as the weather is perfectly awful, as moreover I am a luxurious, self-indulgent baronet and as this story would never get on unless I walked, don’t send to meet me. I would rather walk.’

  Here was a pretty letter from a fond husband. ‘But, ha! proud noble,’ I whispered to my heart, ‘you and me shall meet tomorrow.’

  ‘And where are you staying, Philippa?’ I repeated, to lead the conversation into a more agreeable channel.

  ‘With a Mrs Thompson,’ she replied; ‘a lady connected with Sir Runan.’

  ‘Very well, let me call for your things tomorrow. I can pass myself off as your brother, you know.’

  ‘My half-brother,’ said Philippa, blushing, ‘on the mother’s side.’

  The brave girl thought of everything. The child of white parents, I should have in vain pretended to be Philippa’s full brother. They would not have believed me had I sworn it.

  ‘Don’t you think,’ Philippa continued, as a sudden thought occurred to her, ‘that as it is almost midnight and snowing heavily it would be more proper for me to return to Mrs Thompson’s?’