Blacklist

by Sara Paretsky

  What are you living on these days? Calvin is giving me fifty cents for Bleak Land and being hoity-toity about it in the bargain-but at least it appears under my own name, not Rosemary Burke (and does she ever at the tripe she produces!), probably next April.

  Ever yours, especially when I remember that night under the stars, Armand

  That didn’t tell me anything I didn’t already know from the material Amy had found in the university’s archives. I pulled out my magnifying glass to help me read Kylie’s response.

  Dear Armand,

  I am tired of the whole wretched business. I did write to Olin Taverner, and received back a reply expressing hauteur to the nth degree, as one would expect from someone who knows he is the sole right-thinking person on the planet-Walker Bushnell is only protecting the rest of America from the likes of you and me, and instead of inveighing against Rep. Bushnell and the rest of his feebleminded ilk I should talk to “those of my own blood” to find out how Taverner got the photograph, etc., etc. If you want to pursue this with Calvin or try to find a public forum for grievance, I won’t attempt to dissuade you-but I leave on the 18th for Africa, where I shall celebrate and renew myself as my mother celebrates and renews herself. Let America chew on itself, I no longer care. I can taste and feel freedom’s canopy over me already.

  Her signature flowed from the K, indecipherable as when I’d seen it at the Harsh Collection.

  I turned the two documents over and over in my hands, as if somehow

  that would make their meaning clearer. When Marcus Whitby found these letters, he’d taken them to Taverner. Surely even Sherlock Holmes would assume that much. Or maybe not. But something had taken Whitby to Taverner, and what else could it be but these letters, Whitby wanting to know about the photo Taverner had sent to the University of Chicago president all those years ago.

  I wished Whitby’s notepad had survived the immersion, or that I’d known enough to keep it wet until I got it to Cheviot Labs. Marc had taken notes during his meeting with Taverner, that’s what Taverner’s attendant had said; the mess of gray pilling which Kathryn Chang had sealed into a protective wrapper was all that remained of those notes. Kathryn been able to pull some of it apart into fragments of pages, but only a few individual words survived: inform, disgrace, and, tired, now, the, dead, sixty. I doubt if even the Enigma machine could have put those into a meaningful sentence.

  I glanced back at Kathryn Chang’s letter to me. I hadn’t read the last paragraph, in which she explained that Whitby’s PalmPilot had also been in his pocket organizer. She could send it to the electronics division to see if they could recover the data, “but this is likely to be quite expensive, so I don’t want to proceed unless you authorize the work.”

  Since her bill for doing the paper restoration was eighteen hundred dollars, I was afraid to find out what her idea of “quite expensive” might be. 1 entered the eighteen hundred into the expense sheet for the Whitby inquiry. The debit side was building nicely and I wasn’t sure how much of it I could expect Harriet to pay-she hadn’t authorized overtime costs at Cheviot Labs, for instance. I looked wistfully at my open file for Darraugh, but I couldn’t push that expense over to him. I called Kathryn Chang and told her to wait on the Palm Pilot.

  The material she’d salvaged contained a lot of information, but I felt I needed some kind of key or clue to make sense of it. I hadn’t learned enough from Ballantine’s papers in the Harsh Collection, but maybe Pelletier’s would be more revealing-if they were available.

  I phoned Amy Blount and described the documents that Kathryn Chang had rescued. “Pelletier was more closely involved with Ballantine

  than I realized; maybe there’s more information in his own papers. Do you know whether they’re available to the public some place?”

  The idea that Marc had found hidden documents brought real excitement to Amy’s voice. She couldn’t wait to see these letters; she’d locate Pelletier’s papers at once.

  While I waited for her to call back, I kept rereading the letters. Taverner had told Ballantine to talk to those of “her own blood.” I winced at the phrase, with all its implications about race and heredity, but I also wondered who he had meant. It could have been Augustus Llewellyn, who certainly was involved in this drama. On the other hand, someone I didn’t know about might have ratted out Ballantine. She’d been involved in the Federal Negro Theater Project, she’d known every important black writer and artist of the mid-twentieth century-Taverner could have been referring to Shirley Graham or Richard Wright or a host of other people. It seemed ludicrous to imagine one of them denouncing her to HUAC, but I couldn’t imagine Augustus Llewellyn doing so either.

  I stared at the photographed sheets until the words danced red in front of my eyes. I finally put them down to do work for a paying client, a tedious bit of tracking that I’d been putting off for a week. While I was deep in the background of an old insurance transaction, Larry Yosano, the legal dogsbody, called. I’d forgotten phoning him yesterday and had to look at my notes before I could remember why.

  “Larry. You’re on sensible hours this week?”

  “Yep. That means I turn my phones off at ten P.M., so don’t imagine you can call me if you’re locked in or out of Larchmont Hall. The junior who’s covering this week is an aggressive young woman who is more likely to side with Sheriff Salvi than with you, so watch your step.”

  I laughed. “Larry, your firm is the registered agent for Llewellyn Publishing. How did that come about?”

  To my relief he didn’t interrogate me on why I wanted to know, just put me on hold while he looked at the back files. “Calvin Bayard secured Llewellyn’s original loans back in the early fifties. He referred Mr. Llewellyn to us and we’ve been working for him ever since.”

  “Was there ever a time when Bayard’s own finances were rocky? I met

  Edwards Bayard yesterday, and he was hinting that Bayard Publishing was on shaky ground during that same time.”

  “Mr. Edwards is bitter because of what Mr. Arnoff told you on Friday, that Mrs. Renee passed over him in distributing her shares.”

  “Who inherits them, then?”

  He thought a minute. “I guess there’s no real harm in your knowing. They go to Catherine Bayard, in trust until she’s twentyfive.”

  Prodded further, he told me Darraugh was the trustee, jointly with the Lebold, Arnoff firm. And that the Drummonds, the Taverners and MacKenzie Graham’s father, Blair, had all been among the original shareholders of Bayard. The Bayard family held a thirty-one percent stake, the Drummonds, Taverners and Grahams a thirty-five percent total, with the remainder divided among twenty-some smaller shareholders.

  “So Geraldine Graham has a controlling interest in the firm now? She inherited from her mother, her father and her husband, right?”

  Yosano hesitated again, but finally said, “Actually, she only holds her husband’s five percent stake. Laura Drummond was angry both with Ms. Geraldine Graham and with Mr. Darraugh Graham when she made her will; she passed her shares on to Ms. Graham’s daugher, Ms. van der Cleef, who lives in New York State.”

  “Laura Drummond really was a nasty woman, wasn’t she! So was it financial need that made Ms. Graham sell Larchmont?”

  “No, oh no, she had a large fortune, partly from her husband’s estate, but her father also settled substantial monies on her when she married. No, I think-Mrs. Drummond could be very spiteful, especially where her daughter was concerned… Ms. Warshawski, I’d be grateful if you kept this information to yourself.”

  “Of course,” I promised readily. I’d keep it to myself unless it had something to do with Marcus Whitby’s death, that is.

  Amy’s return call came soon after I’d hung up. “Pelletier’s papers are right here beside me in the University of Chicago library. Want me to go look at them?”

  “I think I’ll come down myself,” I said. “It’s a fishing trip and I don’t know what I’m fishing for.”

  “From what I can t
ell on-line, it’s a huge archive,” she said. “Forty

  Hollinger boxes-what they call the special cartons made for documents, you know. I could help you sort through it if you’re coming down now.”

  I looked at my calendar: nothing on it until four, when I had a meeting with a small corporation for which I ran background checks. I told Amy I’d be with her in twenty minutes.

  CHAPTER 44

  Boy Wonder

  Hey, Boy Wonder -

  What meat cloth Caesar feed on? Your child bride is an attractive little colt and your infatuation is understandable, but until she grows up and learns how to read don’t fob my work off on her. If you don’t like Bleak Land, say so yourself-. getting a letter from the baby saying “it’s not right for our list at this time” is such an outsized insult I’m even willing to believe just barely, mind you, and only out of self-delusion-that you didn’t know your infant had written to me. What I also will delude myself into believing is that you can’t be as chickenshit as the rest of the industry, afraid to touch me because the lesser apes in Washington put me in the can for six months and had my books yanked from every embassy around the world. Me and Dash. No undersecretary of protocol in Canberra is going to have his morals corrupted by the Maltese Falcon, or A Tale of Two Countries. Dash, poor bastard, is drinking himself into an early grave, but I refuse to break so easily.

  This was a carbon copy, and therefore unsigned, but the smudgy type sizzled.

  As Amy had said, the Pelletier archive was enormous. She and I were

  facing each other across a table in the University of Chicago’s rare books room, with boxes of papers and books between us. When we’d signed in, the librarian said Pelletier must suddenly be a hot item-we were the second people asking to see the papers in the last month.

  With the instincts of the born detective, Amy said, yeah, her cousin Marcus always had been a jump ahead of her, and the archivist agreed that Marcus Whitby had been looking at the boxes three weeks ago. He’d only come once, the archivist said, so whatever he wanted, he found on his first trip. We were lucky, she added, that Mike Goode, their premier processing archivist, had sorted and labeled the boxes.

  Even so, we had a formidable hoard to inspect. The collection was probably a lit crit’s dream come true, but made for a detective’s nightmare. Pelletier had kept everything-bills, eviction notices, menus from memorable dinners. He thought highly enough of his historical importance that he’d made carbons of most of his own letters. Most were like this one to Calvin, long fulminations against someone or something. In the thirties and forties, the correspondence was energetic if caustic-astute observations on personalities or public events.

  As time passed, though, Pelletier became more embittered and more embattled. He wrote angrily to the New York Times over the review they gave Bleak Land, to the University of Chicago for not keeping him on as a lecturer in the sixties, to his landlord for raising his rent, to the laundry for losing a shirt. Amy and I looked at each other in dismay: What had Marc found in this mass on his first pass through it?

  The Herald-Star had given Pelletier a two-column obituary. I read it for biographical information. He’d been born in Lawndale on Chicago’s West Side in 1899, gone to the University of Chicago for a year, volunteered to fight in France in 1917 and had come back to join the radical labor movements sweeping Chicago and the country.

  Pelletier made no secret of having been a Communist during the thirties and forties. A Tale of Two Countries was based on his fifteen months in Spain during 1936 and ‘37, where he fought with the Abraham Lincoln Brigade during the Spanish civil war. Supposedly it was filled with thinly disguised references to historical figures, including scathing portraits of Picasso and Hemingway, and it revealed the arguments about the war that took place in a Communist Party cell, each member possibly a real person Pelletier had known in his own Chicago cell.

  When called to testify in front of Representative Walker Bushnell and the House Un-American Activities Committee, the committee pressed Pelletier hard to identify the characters in the book, but he refused, claiming that it was a work of fiction, and spent six months in prison for contempt of Congress. Afterward, as a blacklisted writer, he found it difficult to get his work published and wrote romances under the pen name “Rosemary Burke.” He died Thursday of pneumonia exacerbated by malnutrition at the age of seventy-eight.

  Pelletier wrote one novel before A Tale of Two Countries and two in the decade after. All four were published to critical and commercial acclaim, although the reviewers all agreed Two Countries was his masterwork. After that, there’d been a gap of over ten years before he finished Bleak Land, which he apparently had shamed Calvin into buying, since Bayard published it in 1960.

  We found a 1962 carbon of another letter to Calvin, saying it wasn’t surprising Bayard had sold only eight hundred copies of Bleak Land, since they’d refused to spend a nickel on promotion.

  Eight hundred people must have been stumbling around in the dark inner recesses of their local bookstores, trying to avoid hangovers or tax collectors, when they fell down and found themselves clutching a copy of Bleak Land on the way up. What did Olin do to you in that hearing room? Tell you he’d lay off if you’d forever foreswear the friends of your youth?

  I rubbed my eyes. “This is more than a day’s work. I almost wish Pelletier had ratted to Bushnell and Taverner-I’d love to know who his Communist cellmates were in the thirties.”

  “Does that have anything to do with Marc’s murder?” Amy asked.

  “I don’t know,” I said, petulant. “But scanning the reviews, I see Two Countries has an earnest young black photographer who’s a homosexual male-maybe that was meant to be Llewellyn. There’s a crowd of intellec

  tuals, and worker wannabes from the university-kind of like the kids in SDS back in the sixties. It would be nice if he’d provided a key.”

  Amy grinned. “That’s someone’s doctoral dissertation, not the job of the great writer himself. I read A Tale of Two Countries for a lit class. It’s beautifully written, and more substantial than For Whom the Bell Tolls, but Bleak Land, I think it didn’t sell because it wasn’t a good book. Maybe Pelletier was too angry when he wrote it, or maybe he was out of practice. Even before the blacklist, he’d stopped writing fiction and was doing a lot of work for Hollywood.”

  “Did Bleak Land deal with things as autobiographically as Two Countries? I mean, would I learn anything about Calvin and that group from reading it? Because Pelletier only got to be friends with Calvin after Bayard Publishing brought out Two Countries in such a big way.”

  “You mean was it another roman a clef? If Bleak Land is, I wouldn’t have known when I read it, because I didn’t know who any of the players were. I guess I could check it out of the library and try to see now if I recognize any of them.”

  The librarian looked at us warningly: other people were trying to read in the reading room. We continued in silence for a time, only stopping briefly to eat some odd-looking sandwiches out of a vending machine. While we ate, I told Amy that the police were starting their own investigation into Marc’s death.

  “The bad news is, they think he was killed by Benjamin Sadawi, the kid in the Larchmont attic, so they’re not interested in following up on the ideas we’ve been generating. But at least they say they’ll do some digging on how Marc got out to Larchmont. And they’ve ordered a full autopsy from Dr. Vishnikov. Vishnikov has ruled out any external blow or wound to Marc before he went into that pond, but he’s mad at me-he thinks I blindsided him with the cops, so he says he won’t give me the tox screen results when those come in. Can you get Harriet to request them as next of kin? I’d be glad to supply my lawyer to run interference for her.”

  Amy scribbled a note in her pocket diary and took Freeman Carter’s information from me. “Harriet’s moving into my place tonight. Her folks are flying back to Atlanta this afternoon-thank the goddess!”

  We dusted the crumbs from our fingers and went back
to the rare books

  room. At two, knowing I had to leave soon, I stopped reading letters in detail and began flipping through the contents of the remaining cartons. In the middle of a set of manuscripts, I found a manila folder labeled “Total Eclipse: Unfinished, unpublished ms., 122 pp.” It was typed on yellowing paper, with Pelletier’s handwritten notes in the margins. The writing itself was shaky; this must have been written at the end of his life, when he was often drunk or ill or both.

  They want us to think that when Lazarus rose from the dead, his friends and sisters were beside themselves with joy. But inside the grief when he was buried were the secret thoughts: thank God we got him safely underground, revolting drunkard, couldn’t keep his hands to himself. Thank God he won’t live to tell a soul about that night in Jericho when he caught me with my mother’s maid behind the sheepfold. No more scurrying when we hear him coming in late from tavern or tussle, demanding hot food and wanting it now.

  And then he rose again, and behind the joy saw his loved ones’ thoughts writ large: we were just settling down with the new shape to our lives, minus his sharp words and demands, and here he is, raised from the dead.

  I know. I was dead, and now that I’ve slunk out of the grave into a corner of the basement, trailing my winding sheets, I can smell the stink of fear rising from my dear ones. Although maybe it’s just the stink of my own rotting flesh.

  Gene, who is the most terrified, predictably wept loudest at my grave. The baby, the darling, he used to tag after me when he was five, let me play, Herman, show me how, Herman, following me from sandlot ball to taverns [crossed out; “bar” written in by hand] and then to girls. I should have known from the way he watched me, but that was when he was still my eager golden brother, the one I teased and gave a little careless attention to.