Morgan Rice: 5 Beginnings (Turned, Arena one, A Quest of Heroes, Rise of the Dragons, and Slave, Warrior, Queen)

by Morgan Rice

  But after a few moments my heartbeat settles, as I realize there’s no one else up here. I become rational again, realize that trees fall by themselves in the forest all the time, and its crash wouldn’t necessarily give away a human presence. And as I look to the place where the tree once stood, I do a double-take. I find myself staring in disbelief.

  There, in the distance, hiding behind a grove of trees, built right into the side of the mountain itself, is a small, stone cottage. It is a tiny structure, a perfect square, about fifteen feet wide and deep, built about twelve feet high, with walls made of ancient stone blocks. A small chimney rises from the roof, and small windows are set into the walls. The wooden front door, shaped in an arch, is ajar.

  This little cottage is so well camouflaged, blends so perfectly with its surroundings, that even while staring at it, I can barely pick it out. Its roof and walls are covered in snow, and the exposed stone blends perfectly into the landscape. The cottage looks ancient, as if it were built hundreds of years ago. I can’t understand what it’s doing here, who would have built it, or why. Maybe it was built for a caretaker for a state park. Maybe it was home to a recluse. Or a survival nut.

  It looks like it hasn’t been touched in years. I carefully scan the forest floor, looking for footprints, or animal prints, in or out. But there are none. I think back to when the snow started falling, several days ago, and do the math in my head. No one has been in or out of here for at least three days.

  My heart races at the thought of what could be inside. Food, clothing, medicine, weapons, materials—anything would be a godsend.

  I move cautiously across the clearing, checking over my shoulder as I go just to make sure no one is watching. I move quickly, leaving big, conspicuous footprints in the snow. As I reach the front door, I turn and look one more time, then stand there and wait for several seconds, listening. There is no sound but that of the wind and a nearby stream, which runs just a few feet in front of the house. I reach out and slam the back of my axe handle hard on the door, a loud reverberating noise, to give any animals that might be hiding inside a final warning.

  There is no response.

  I quickly shove open the door, pushing back the snow, and step inside.

  It’s dark in here, lit only by the last light of day streaming in through the small windows, and it takes my eyes a moment to adjust. I wait, standing with my back against the door, on guard in case any animals might be using this space as shelter. But after several more seconds of waiting, my eyes fully adjust to the dim light and it is clear that I’m alone.

  The first thing I notice about this little house is its warmth. Perhaps it is because it is so small, with a low ceiling, and built right into the stone mountain itself; or perhaps because it is protected from the wind. Even though the windows are wide open to the elements, even though the door is still ajar, it must be at least fifteen degrees warmer in here—much warmer than Dad’s house ever is, even with a fire going. Dad’s house was built cheaply to begin with, with paper-thin walls and vinyl siding, built on a corner of a hill that always seems to be in the wind’s direct path.

  But this place is different. The stone walls are so thick and well-built, I feel snug and safe in here. I can only imagine how warm this place could get if I shut the door, boarded up the windows, and had a fire in the fireplace—which looks to be in working shape.

  The inside consists of one large room, and I squint into the darkness as I comb the floor, looking for anything, anything at all, that I can salvage. Amazingly, this place looks like it’s never been entered since the war. Every other house I’ve seen had smashed windows, debris scattered all over the place, and had clearly been picked clean of anything useful, down to the wiring. But not this one. It is pristine and clean and tidy, as if its owner just got up one day and walked away. I wonder if it was before the war even began. Judging from the cobwebs on the ceiling, and its incredible location, hidden so well behind the trees, I am guessing it was. That no one’s been here in decades.

  I see the outline of an object against the far wall, and I make my way towards it, hands in front of me, groping in the darkness. When my hands touch it, I realize it is a chest of drawers. I run my fingers over its smooth, wood surface and can feel them covered in dust. I run my fingers over small knobs—drawer handles. I pull delicately, opening them one at a time. It is too dark to see, so I reach into each drawer with my hand, combing the surface. The first drawer yields nothing. Neither does the second. I open them all, quickly, my hopes falling—when suddenly, at the fifth drawer, I stop. There, in the back, I feel something. I slowly pull it out.

  I hold it up to the light, and at first I can’t tell what it is; but then I feel the telltale aluminum foil, and I realize: it’s a chocolate bar. A few bites were taken out of it, but it is still wrapped in its original wrapping, and mostly preserved. I unwrap it just a bit and hold it to my nose and smell it. I can’t believe it: real chocolate. We haven’t had chocolate since the war.

  The smell brings a sharp hunger pang, and it takes all my willpower not to tear it open and devour it. I force myself to remain strong, carefully re-wrapping it and stowing it in my pocket. I will wait until I am with Bree to enjoy it. I smile, anticipating the look on her face when she takes her first bite. It will be priceless.

  I quickly rummage through the remaining drawers, now hopeful I’ll find all sorts of treasure. But everything else comes up empty. I turn back to the room and walk through its width and breadth, along the walls, to all four corners, looking for anything at all. But the place is deserted.

  Suddenly, I step on something soft. I kneel down and pick it up, holding it to the light. I am amazed: a teddy bear. It is worn, and missing an eye, but still, Bree loves teddy bears and misses the one she left behind. She will be ecstatic when she sees this. It looks like this is her lucky day.

  I cram the bear in my belt, and as I get up, I feel my hand brush something soft on the floor. I grab it and hold it up, and am delighted to realize it’s a scarf. It’s black and covered in dust, so I couldn’t see it in the darkness, and as I hold it to my neck and chest, I can already feel its warmth. I hold it out the window and shake it hard, removing all the dust. I look at it in the light: it is long and thick—not even any holes. It is like pure gold. I immediately wrap it around my neck and tuck it under my shirt, and already feel much warmer. I sneeze.

  The sun is setting, and as it seems I’ve found everything I’m going to, I begin to exit. As I head for the door, suddenly, I stub my toe into something hard, metal. I stop and kneel down, feeling for it in case it’s a weapon. It’s not. It’s a round, iron knob, attached to the wooden floor. Like a knocker. Or a handle.

  I yank it left and right. Nothing happens. I try twisting it. Nothing. Then I take a chance and stand off to the side and pull it hard, straight up.

  A trap door opens, raising a cloud of dust.

  I look down and discover a crawlspace, about four feet high, with a dirt floor. My heart soars at the possibilities. If we lived here, and there was ever trouble, I could hide Bree down here. This little cottage becomes even more valuable in my eyes.

  And not only that. As I look down, I catch sight of something gleaming. I push the heavy wooden door all the way back and quickly scramble down the ladder. It is black down here, and I hold my hands in front of me, groping my way. As I take a step forward, I feel something. Glass. Shelves are built into the wall, and lined up on them are glass jars. Mason jars.

  I pull one down and hold it up to the light. Its contents are red and soft. It looks like jam. I quickly unscrew the tin lid, hold it to my nose and smell it. The pungent smell of raspberries hits me like a wave. I stick a finger in, scoop it and hold it tentatively to my tongue. I can’t believe it: raspberry jam. And it tastes as fresh as if it were made yesterday.

  I quickly tighten the lid, cram the jar into my pocket, and hurry back to the shelves. I reach out and feel dozens more in the blackness. I grab the closest one, rush back to the
light, and hold it up. It looks like pickles.

  I am in awe. This place is a gold mine.

  I wish I could take it all, but my hands are freezing, I don’t have anything to carry it with, and it’s getting dark out. So I put the jar of pickles back where I found it, scramble up the ladder, and, as I make it back to the main floor, close the trap door firmly behind me. I wish I had a lock; I feel nervous leaving all of that down there, unprotected. But then I remind myself this place hasn’t been touched in years—and that I probably never would have even noticed it if that tree didn’t fall.

  As I leave, I close the door all the way, feeling protective, already feeling as if this is our home.

  Pockets full, I hurry back towards the lake—but suddenly freeze as I sense movement and hear a noise. At first I worry someone has followed me; but as I slowly turn, I see something else. A deer is standing there, ten feet away, staring back at me. It is the first deer I’ve seen in years. Its large, black eyes lock onto mine, then it suddenly turns and bolts.

  I am speechless. I’ve spent month after month searching for a deer, hoping I could get close enough to throw my knife at it. But I’d never been able to find one, anywhere. Maybe I wasn’t hunting high enough. Maybe they’ve lived up here all along.

  I resolve to return, first thing in the morning, and wait all day if I have to. If it was here once, maybe it will come back. The next time I see it, I will kill it. That deer would feed us for weeks.

  I am filled with new hope as I hurry to the lake. As I approach and check my rod, my heart leaps to see that it’s bent nearly in half. Shaking with excitement, I scurry across the ice, slipping and sliding. I grab the line, which is shaking wildly, and pray that it holds.

  I reach over and yank it firmly. I can feel the force of a large fish yanking back, and I silently will the line not to snap, the hook not to break. I give it one final yank, and the fish comes flying out of the hole. It is a huge Salmon, the size of my arm. It lands on the ice and flip-flops every which way, sliding across. I run over and reach down to grab it, but it slips through my hands and plops back on the ice. My hands are too slimy to catch hold of it, so I lower my sleeves, reach down, and grasp it more firmly this time. It flops and squirms in my hands for a good thirty seconds, until finally, it settles down, dead.

  I am amazed. It is my first catch in months.

  I am ecstatic as I slide across the ice and set it down on the shore, packing it in the snow, afraid it will somehow come back to life and jump back into the lake. I take down the rod and line and hold them in one hand, then grab the fish in the other. I can feel the mason jar of jam in one pocket, and the thermos of sap in the other, crammed in with the chocolate bar, and the teddy bear on my waist. Bree will have an abundance of riches tonight.

  There is just one thing left to take. I walk over to the stack of dry wood, balance the rod in my arm, and with my free hand pick up as many logs as I can hold. I drop a few, and can’t take as many as I’d like, but I’m not complaining. I can always come back for the rest of it in the morning.

  Hands, arms, and pockets full, I slip and slide down the steep mountain face in the last light of day, careful not to drop any of my treasure. As I go, I can’t stop thinking about the cottage. It’s perfect, and my heart beats faster at the possibilities. This is exactly what we need. Our Dad’s house is too conspicuous, built on a main road. I’ve been worrying for months that we’re too vulnerable being there. All we’d need is one random slaverunner to pass by, and we’d be in trouble. I’ve been wanting to move us for a long time, but had no idea where. There are no other houses up here at all.

  That little cottage, so high up, so far from any road—and built literally into the mountain—is so well camouflaged, it’s almost as if it were built just for us. No one would ever be able to find us there. And even if they did, they couldn’t come anywhere near us with a vehicle. They’d have to hike up on foot, and from that vantage point, I’d spot them a mile away.

  The house also has a fresh water source, a running stream right in front of its door; I wouldn’t have to leave Bree alone every time I go hiking to bathe and wash our clothes. And I wouldn’t have to carry buckets of water one at a time all the way from the lake every time I prepare a meal. Not to mention that, with that huge canopy of trees, we would be concealed enough to light fires in the fireplace every night. We would be safer, warmer, in a place teeming with fish and game—and stocked with a basement full of food. My mind is made up: I’m going to move us there tomorrow.

  It’s like a weight off my shoulders. I feel reborn. For the first time in as long as I can remember, I don’t feel the hunger gnawing away, don’t feel the cold piercing my fingertips. Even the wind, as I climb down, seems to be at my back, helping me along, and I know that things have finally turned around. For the first time in as long as I can remember, I know that now, we can make it.

  Now, we can survive.

  T W O

  By the time I reach Dad’s house it is twilight, the temperature dropping, the snow beginning to harden and crunch beneath my feet. I exit the woods and see our house sitting there, perched so conspicuously on the side of the road, and am relieved to see that all looks undisturbed, exactly as I left it. I immediately check the snow for any footprints—or animal prints—in or out, and find none.

  There are no lights on inside the house, but that is normal. I would be concerned if there were. We have no electricity, and lights would only mean that Bree has lit candles—and she wouldn’t without me. I stop and listen for several seconds, and all is still. No noises of struggle, no cries for help, no cries of sickness. I breathe a sigh of relief.

  A part of me is always afraid I will return to find the door wide open, the window shattered, footprints leading into the house, Bree abducted. I’ve had this nightmare several times, and always wake up sweating, and walk into the other room to make sure Bree is there. She always is, safe and sound, and I reprimand myself. I know I should stop worrying, after all these years. But for some reason, I just can’t shake it: every time I have to leave Bree alone, it’s like a little knife in my heart.

  Still on alert, sensing everything around me, I examine our house in the fading light of day. It was honestly never nice to begin with. A typical mountain ranch, it sits as a rectangular box with no character whatsoever, festooned with cheap, aqua vinyl siding, which looked old from day one, and which now just looks rotted. The windows are small and far and few between and made of a cheap plastic. It looks like it belongs in a trailer park. Maybe fifteen feet wide by about thirty feet deep, it should really be a one bedroom, but whoever built it, in their wisdom, carved it into two small bedrooms and an even smaller living room.

  I remember visiting it as a child, before the war, when the world was still normal. Dad, when he was home, would bring us up here for weekends, to get away from the city. I didn’t want to be ungrateful, and I always put on a good face for him, but silently, I never liked it; it always felt dark and cramped, and had a musty smell to it. As a kid, I remember being unable to wait for the weekend to be over, to get far away from this place. I remember silently vowing that when I was older, I would never come back here.

  Now, ironically, I am grateful for this place. This house saved my life—and Bree’s. When the war broke out and we had to flee from the city, we had no options. If it weren’t for this place, I don’t know where we would have gone. And if this place weren’t as remote and high up as it is, then we would have probably been captured by slaverunners long ago. It’s funny how you can hate things so much as a kid that you end up appreciating as an adult. Well, almost adult. At 17, I consider myself an adult, anyway. I’ve probably aged more than most of them, anyway, in the last few years.

  If this house wasn’t built right on the road, so exposed—if it were just a bit smaller, more protected, deeper in the woods, I don’t think I’d worry so much. Of course, we’d still have to put up with the paper-thin walls, the leaking roof, and the windows that let in the wind.
It would never be a comfortable, or a warm house. But at least it would be safe. Now, every time I look at it, and look out at the sweeping vista beyond it, I can’t help but think it’s a sitting target.

  My feet crunch in the snow as I approach our vinyl door, and barking erupts from inside. Sasha, doing what I trained her to do: protect Bree. I am so grateful for her. She watches over Bree so carefully, barks at the slightest noise; it allows me just enough peace of mind to leave her when I hunt. Although at the same time, her barking also sometimes worries me that she’ll tip us off: after all, a barking dog usually means humans. And that’s exactly what a slaverunner would listen for.

  I hurriedly step into the house and quickly silence her. I close the door behind me, juggling the logs in my hand, and step into the blackened room. Sasha quiets, wagging her tail and jumping up on me. A chocolate lab, six years old, Sasha is the most loyal dog I could ever imagine—and the best company. If it weren’t for her, I think Bree would have fallen into a depression long ago. I might have, too.

  Sasha licks my face, whining, and seems even more excited than usual; she sniffs at my waistline, at my pockets, already sensing that I’ve brought home something special. I set down the logs so I can pet her, and as I do, I can feel her ribs. She’s way too skinny. I feel a fresh pang of guilt. Then again, Bree and I are, too. We always share with her whatever we forage, so the three of us are a team of equals. Still, I wish I could give her more.

  She pokes her nose at the fish, and as she does, it flies out of my hand and onto the floor. Sasha immediately pounces on it, her claws sending it sliding across the floor. She jumps on it again, this time biting it. But she must not like the taste of raw fish, so she lets it go. Instead, she plays with it, pouncing on it again and again as it slides across the floor.

  “Sasha, stop!” I say quietly, not wanting to wake Bree. I also fear that if she plays with it too much, she might tear it open and waste some of the valuable meat. Obediently, Sasha stops. I can see how excited she is, though, and I want to give her something. I reach into my pocket, twist open the tin lid to the mason jar, scoop out some of the raspberry jam with my finger, and hold it out to her.