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Morgan Rice: 5 Beginnings (Turned, Arena one, A Quest of Heroes, Rise of the Dragons, and Slave, Warrior, Queen)

Page 30

by Morgan Rice


  Logan slowly shakes his head, avoiding my gaze.

  “WHERE?” I press, stepping forward, my voice venomous. My heart is pounding with terror.

  He clears his throat.

  “The young girls,” he begins, “the ones who are too young for the arena…they ship them off to slavery,” he says. He looks up at me. “The sex trade.”

  My heart rips in two. I want to run out the door, screaming, looking for her anywhere. But I know that would be futile. I need to know more. I feel my face redden, my entire body rise with heat, my fists clench with indignation.

  “Where did they take her?” I press, my voice steely cold.

  “They ship the sex slaves to Governors Island. They load them on buses and send them downtown. Then they put them on a boat. The next bus leaves at dawn. Your sister will be on it.”

  “Where are these buses?” I demand.

  “Across the street,” he says. “34th and 8th. They leave from the old post office.”

  Without thinking I march for the door, feeling the horrific pain in my leg as I go. Again, Logan holds out his arm and stops me. It is strong and muscular, like a wall.

  “You have to wait, too,” he says. “Until daybreak. It would do you no good to look for her now. She’s not on the bus yet. They keep them underground until loading time, in a cell somewhere. I don’t even know where. I promise you. At dawn, they’ll bring them up and load them. If you want to go after her, that’s when you can do it.”

  I stare into his eyes, scrutinizing them, and see the sincerity. Slowly, I relent, breathing deep to control myself.

  “But you need to know it’s a lost cause,” he says. “You’ll never bust her out. She’ll be chained to a group of slaves, who will be chained to an armored bus. The bus will be flanked by dozens of soldiers and vehicles. You won’t be able to get anywhere near it. You’ll just end up killing yourself. Not to mention,” he adds, “most of the buses don’t even make it through the wasteland.”

  “The wasteland?” I press.

  He clears his throat, reluctant.

  “To reach the Seaport, the pier for Governors Island, the buses have to go downtown, have to leave the walled area. The wall starts at 23rd Street. South of that, it’s the wasteland. That’s where the Crazies live. Thousands of them. They attack every bus that goes through there. Most don’t even make it. That’s why they send lots of buses at once.”

  My heart drops at his words.

  “That’s why I’m telling you: leave with me in the morning. At least you’ll be safe. Your siblings are already a lost cause. At least you can survive.”

  “I don’t care what the odds are,” I retort, my voice steely and determined. “I don’t care if I die trying. I’m going after my sister.”

  “And I’m going after my brother,” Ben adds. I’m surprised by his determination, too.

  Logan shakes his head.

  “Suit yourself. You guys are on your own. I’m taking that boat at dawn and I’ll be long gone.”

  “You’ll do what you have to do,” I say, with disgust. “Just like you always have.”

  He sneers back at me, and I can see I’ve really hurt him. He turns away abruptly, crosses to the far side of the room, leans against the wall, and sits, sulking. He checks and cleans his pistol, not looking at me again, as if I no longer exist.

  His sitting reminds me of the pain in my calf, of how exhausted I am. I go to the far wall, as far away from him as I can get, lean back against it, and sit, too. Ben comes over and sits beside me, his knees almost touching mine, but not quite. It feels good to have him there. He understands.

  I can’t believe we are both sitting here right now, alive. I never would have imagined this. I was sure we were being marched off to our deaths earlier, and now I feel as if I’m being given a second chance at life.

  I think of my sister, and Ben’s brother—and suddenly it strikes me that we will have to part ways, go to different parts of the city. The thought of it disturbs me. I look over and study him, as he sits there with his head down. He’s just not cut out to be a fighter. He won’t survive on his own. And somehow, I feel responsible.

  “Come with me,” I suddenly say. “It will be safer that way. We’ll go downtown together, find my sister, and then find a way out of here.”

  He shakes his head.

  “I can’t leave my brother,” he says.

  “Stop and think about it,” I say. “How will you ever find him? He’s crosstown somewhere, hundreds of feet below ground, in a mine. And if you do find him, how will you get out of there? At least we know where my sister is. At least we have a chance.”

  “How will you get out after you find her?” he asks.

  It is a good question, one for which I have no response.

  I simply shake my head. “I’ll find a way,” I say.

  “So will I,” he answers. But I can detect the uncertainty in this voice, as if he already knows that he won’t.

  “Please, Ben,” I plead. “Come with me. We’ll get Bree and make it out of this. We’ll survive together.”

  “I can say the same thing,” he says. “I can ask you to come with me. Why is your sister more important than my brother?”

  It is a good point. He loves his brother as much as I love my sister. And I understand. There’s nothing I can say to that. The reality hits me that we will part ways at dawn. And I will probably never see him again.

  “OK,” I say. “But promise me one thing, will you?”

  He looks at me.

  “When you’re done, head to the East River, make your way down to the pier at the South Street Seaport. Be there at dawn. I’ll be there. I’ll find a way. Meet me there, and we’ll find a way to make it out together.” I look at him. “Promise me,” I command.

  He studies me, and I can see him thinking.

  “What makes you so sure you’ll even make it downtown, to the Seaport?” he asks. “Past all the Crazies?”

  “If I don’t,” I say, “that means I’m dead. And I don’t plan on dying. Not after everything I’ve been through. Not while Bree’s alive.”

  I can hear the determination in my own voice, and I barely recognize it—it sounds as if a stranger is speaking through me.

  “That’s our meeting place,” I insist. “Be there. Promise me.”

  Finally, he nods.

  “Okay,” he says. “Fine. If I’m alive, I’ll be there. At dawn. But if I’m not, that means I’m dead. And don’t wait for me. Do you promise? I don’t want you waiting for me,” he insists. “Promise me.”

  Finally, I say, “I promise.”

  He reaches out his frail hand towards me. I slowly take it in mine.

  We sit there, holding hands, our fingers intertwined, and I realize it is the first time I’ve held his hand—really held his hand. The skin is so soft, and it feels good to hold it. Despite myself, I feel small butterflies.

  We sit there, our backs to the wall, beside each other in the dim room, holding hands for I don’t know how long. We both look away, neither of us saying a word, each lost in our own world. But our hands never part, and as I sit there, falling asleep, I can’t help but wonder if this is the last time I’ll see him alive.

  T W E N T Y T H R E E

  I open my eyes as a rough hand shoves my shoulder.

  “LET’S GO!” comes an urgent whisper.

  I open my eyes with a jolt, disoriented, unsure if I’m awake or asleep. I look all around, trying to get my bearings, and see grey, pre-dawn daylight filtering in through the window. Daybreak. I’ve fallen asleep sitting on the floor, my head resting on Ben’s shoulder. Logan wakes him roughly, too.

  I jump into action, scurrying to my feet. As I do, the pain in my calf is excruciating, exploding in my leg.

  “We’re losing time!” Logan snaps. “Move! Both of you! I’m leaving. If you want to follow me out, now’s your chance!”

  Logan hurries to the door and leans his ear against it. I feel a rush of adrenaline as I cross th
e room, Ben now awake and beside me, and take a position behind Logan. We listen. All seems quiet outside. There are no more footsteps, no shouts or jeers…nothing. I wonder how many hours have passed. It sounds like everyone has disappeared.

  Logan seems satisfied, too. Holding his gun in one hand, he slowly reaches out with his free hand, unlocks the door, and checks to see if we’re ready. He gently pulls open the door.

  Logan cautiously steps outside, rounds the corner sharply, ready to shoot.

  He gestures for us to follow, and I come out and I see the corridors are empty.

  “Move!” he whispers frantically.

  He runs down the corridor and I run behind him for all I’m worth. Every step is a small explosion of pain in my calf. I can’t help looking down at it, and as I do, I wish I hadn’t: it’s now swelled up to the size of a baseball. It’s also bright red, and I worry it’s infected. All my other muscles ache, too, from my ribs to my shoulder to my face—but it’s my calf that concerns me most. The others are just injuries; but if my calf is infected, I’ll need medicine. And fast.

  But I can’t focus on this now. I continue to run, hobbling down the corridor, Ben beside me and Logan about ten feet in front. The steel corridors are dimly lit by sporadic emergency lights, and I follow Logan in the darkness, relying on his knowledge of this place. Luckily, there is still no one in sight. I assume they are all out looking for us.

  Logan makes a right down another corridor, then a left. We follow, trusting he knows his way out of here. He is our lifeline now, and I’ll just have to put my trust in him. I have no choice.

  After several more twists and turns, Logan finally comes to a stop before a door. I stop beside him, out of breath. He pushes it open, peeks out, then opens it all the way. He reaches back, grabs Ben by the shoulder and pulls him forward.

  “There,” he says, pointing. “See it?”

  I lean forward. In the distance, across the vast, open terminal, are train tracks.

  “That train, the one beginning to move. It goes to the mines. It leaves once a day. If you want to go, now’s your chance. Catch it!”

  Ben turns and looks at me one last time, eyes open wide with adrenaline. He surprises me by reaching out, grabbing my hand, and kissing the back of it. He holds it for another second and looks at me meaningfully, as if this might be the last time he sees me.

  He then turns and sprints across the terminal, heading for the train.

  Logan glances at me derisively, and I can feel his jealousy.

  I don’t know what to think of the kiss myself. As I watch him run for the train, I can’t help but wonder again if this will be the last time I see him.

  “This way!” Logan snaps, running down a different corridor.

  But I sit there, frozen, watching Ben run.

  Logan turns back to me, annoyed, impatient. “MOVE!” he whispers.

  Ben runs across the entire open expanse of Penn Station, along the tracks, then jumps up onto the back of the slowly moving train. He holds tight onto the metal bars as the train disappears into a black tunnel. He’s made it.

  “I’m leaving!” Logan says, then turns and sprints down another corridor.

  I snap out of it, sprinting after him. I go as fast as my legs will take me, but Logan is already far ahead and he turns again, out of sight. My heart pounds as I wonder if I’ve lost him.

  I turn down another corridor, run up a ramp, and finally spot him again. He stands along a wall, beside a glass door, waiting for me. Through it, I can see outside. Eighth Avenue. It is a world of white. There is a raging blizzard out there.

  I run up to Logan and stand beside him, my back against the wall, struggling to catch my breath.

  “See there?” he asks, pointing.

  I follow his gaze, trying to see between the sheets of snow.

  “Across the street,” he says, “in front of the old post office. Those buses parked out front.”

  I strain to look and spot three large buses, covered in snow. They look like school buses, but are modified, with thick bars built on every side, like armored vehicles. Two of them are painted yellow, and one is black. Dozens of young girls chained to each other are being loaded onto them. My heart leaps as I spot Bree a couple hundred yards away in the chain gang, being herded onto one of the two yellow buses.

  “There she is!” I scream. “That’s Bree!”

  “Give it up,” he says. “Come with me. You’ll survive, at least.”

  But I am filled with a new resolve, and I look at him with dead seriousness.

  “It’s not about surviving,” I reply. “Don’t you realize that?”

  Logan looks back into my eyes and I can see that, for the first time, he gets it. He really gets it. He sees that I’m determined, that nothing on earth is going to change my mind.

  “Okay, then,” he says. “This is it. Once we burst out those doors, I’m heading uptown, for the boat. You’re on your own.”

  He reaches down and places something heavy in my palm. A gun. I am surprised, and grateful.

  I am about to say goodbye, but suddenly hear an engine, and look out and see clouds of black exhaust exiting the buses’ tailpipes. Before I know it, all three buses start to pull out in the thick snow.

  “NO!” I scream. Before I even think it through, I kick open the door and burst outside. A wave of icy snow and wind hits me in the face, so cold and wet it takes my breath away.

  I run out into the blinding blizzard, snow up to my knees. I run and run, heading across the white, open expanse towards the buses. Towards Bree.

  I am too late. They have a good hundred yards on me, and are gaining speed in the snow. I sprint after them, my leg killing me, barely able to catch my breath, until I realize that Logan was right. It is useless. I watch the buses turn a corner, and they are soon out of sight. I can’t believe it. I just missed her.

  I check back over my shoulder, and Logan is gone. My heart drops. He must have taken off already. Now I’m completely alone.

  Desperate, I try to think quickly, to come up with an idea. I scan my surroundings, and see, in front of Penn Station, a row of Humvees. Slaverunners sit on the roofs and hoods. They are all huddled in their coats against the snow, their backs to me. None of them look in my direction. They are all fixated on watching the buses leave.

  I need a vehicle. It is my only chance to catch those buses.

  I sprint, hobbling, towards the Humvee in the rear, the only one with no slaverunner sitting on its roof. The Humvee is running, exhaust coming from its tailpipe, a slaverunner sitting in the driver’s seat, warming his hands.

  I creep up to the driver’s side door and yank it open, holding out my gun.

  This slaverunner wears no facemask, and I can see the shock in his face. He holds up his hands in fear, not wanting to be shot. I don’t give him time to react, to alert the others. Pointing my gun to his face, I reach in, grab him by the shirt, and pull him out. He falls hard to the snow.

  I’m about to jump into the driver’s seat, when suddenly I feel a tremendous pain in the side of my head, the impact of something metal. Knocked over by the blow, I fall down to the snow.

  Another slaverunner has snuck up on me and cracked me in the side of the head with his gun. I reach up, touch my head, and feel blood trickling onto my hand. It hurts like hell.

  The slaverunner stands over me, and lowers his gun towards my face. He grins an evil grin, cocks the pin, and I know he’s about to fire. Suddenly, I realize I’m about to die.

  A gunshot rings, and I brace myself.

  T W E N T Y F O U R

  Blood splatters my face, the warmth of it sticking to my skin, and I wonder if I’m dead.

  I slowly open my eyes, and then realize what has happened. I am not dead; I was not even fired upon. The slaverunner was shot from behind, in the back of the head, and his brains splattered all over me. Someone shot him. Someone saved me.

  Logan stands behind him, his gun outstretched, still smoking. I can’t believe it
. He’s come back for me.

  Logan offers his hand. I take it. It’s huge and rough, and he pulls me to my feet in one swift motion.

  “GET IN!” he screams.

  I run to the passenger side and jump in. Logan jumps into the driver’s side, slams the door, and before I am barely in, he pulls out, gunning the Humvee. It slips and slides in the snow as we peel out.

  The other slaverunners scramble, jumping off the hoods of their vehicles and taking off after us. One of them charges on foot. Logan reaches out his window, aims, and shoots him in the head, killing him before he can fire. Another charges us, hand outstretched with his gun, aiming right at us. I reach out my window and fire. It is a direct hit in the head, and he goes down.

  I aim for another one, but suddenly go flying, as the torque of the car sends me backwards. Logan is flooring it, and we are all over the place in the snow. We turn the corner and gain speed quickly on the three bulky buses. They are only a few hundred yards ahead of us.

  Behind us, though, a half dozen Humvees are on our tail. They will soon overtake us. We are outmanned.

  Logan shakes his head. “You couldn’t just come with me, could you?” he says in exasperation, as he puts it into fifth gear and floors it again. “You’re more stubborn than I am.”

  We gain more speed as we follow the buses crosstown on 34th Street, heading east. We cross Seventh Avenue…then Sixth…then the buses make a sharp right on Fifth and we follow, only a hundred yards behind.

  I check the rearview and see the Humvees right on us. One of the slaverunners reaches out his window and aims his gun, and next thing I know, bullets ricochet off our vehicle, echoing off the metal. I flinch, grateful it’s bulletproof.

  Logan steps on it, and the streets fly by: 32nd street…31st…30th…. I look up and am shocked to see an enormous wall right before us, blocking off Fifth Avenue. The narrow, arched opening in the middle is the only way in or out.

  Several guards open its huge metal bars, allowing the three buses to pass through, single file.

  “We have to stop!” Logan screams. “Beyond those gates is the wasteland! It’s too dangerous!”

 

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