Morgan Rice: 5 Beginnings (Turned, Arena one, A Quest of Heroes, Rise of the Dragons, and Slave, Warrior, Queen)

by Morgan Rice

  It was the last straw. I was determined to leave the city right then and there. It was no longer safe—and if Mom couldn’t see that, then we’d have to leave without her.

  We burst into our apartment, and I ran straight to Mom’s room. She was sitting there, in her favorite chair, staring out the window, as she always did, waiting for Dad to return.

  “We’re leaving,” I said, determined. “It’s too dangerous here now. Bree was almost killed. Look at her. She’s hysterical.”

  Mom looked at Bree, then back to me, not saying a word.

  “He’s not coming back,” I said. “Face it. He’s dead.”

  Mom reached back and smacked me. I was stunned. I still remember the sting of it.

  “Don’t you ever say that,” she snapped.

  I narrowed my eyes, furious that she’d dare hit me. It is a hit I will never forgive her for.

  “Fine,” I seethed back to her. “You can live in your fantasy as long as you like. If you don’t want to come, you don’t have to. But we’re leaving. I’m heading to the mountains, and I’m taking Bree.”

  She snorted back derisively. “That’s ridiculous. The bridges are blocked.”

  “I’ll take a boat,” I answer, prepared. “I know someone who will take us. He’s got a speedboat and he’ll take us up the Hudson.”

  “And how can you afford that?” she asked me coldly.

  I hesitated, feeling guilty. “I traded my gold watch.”

  She narrowed her eyes at me. “You mean Dad’s gold watch,” she snapped.

  “He gave it to me,” I corrected. “And I’m sure he’d want to see me put it to good use.”

  She looked away from me in disgust, staring back out the window.

  “Don’t you get it?” I continued. “In a few more weeks, this city will be destroyed. It’s not safe here anymore. This is our last chance to get out.”

  “And how’s your father going to feel when he comes home and finds us all gone? When he discovers that we have all abandoned him?”

  I stared at Mom, incredulous. She was really lost in her fantasy.

  “He left us,” I spat. “He volunteered for this stupid war. No one asked him to go. He’s not coming back. And this is exactly what he’d want us to do. He’d want us to survive. Not sit around some stupid apartment waiting to die.”

  Mom slowly turned and looked at me with her cold, steely-gray eyes. She had that awful determination, the same awful determination I have. Sometimes I hate myself for being so much like her. I could see in her eyes, at that moment, that she would never, ever, give in. She had gotten it into her head that waiting was the loyal thing to do. And once she got something into her head, there was no changing it.

  But in my view, her loyalty was misplaced. She owed it to us. To her children. Not to a man who was more devoted to fighting than to his family.

  “If you want to leave your father, go ahead. I’m not going. When your plans fall through and you don’t make it upriver, you can come back. I’ll be here.”

  I didn’t wait a second longer. I grabbed Bree by the hand, turned and strutted with her to the door. Bree was crying, and I knew I had to get out of there quick. I stopped one last time before the door.

  “You’re making a mistake,” I called out.

  But she didn’t even bother to turn, to say goodbye. And I knew she never would.

  I opened the door, then slammed it behind me.

  And that was the last I ever saw Mom alive again.

  T H I R T Y

  I wake to blinding sunlight. It is as if the world is alive again. Sunlight streams in through the windows all around me, brighter than I’ve ever seen, bouncing off of everything. The wind has stopped. The storm is over. Snow melts off the window ledge, the sound of dripping water echoing all around me. There is a cracking noise, and a huge icicle crashes down onto the floor.

  I look around, disoriented, and realize I’m still lying in the same place as last night, Logan’s coat still draped over me. I feel completely rejuvenated.

  Suddenly, I remember, and sit up with a shock. Dawn. We had to get up at dawn. The sight of the bright morning light terrifies me, as I look over and see Logan lying there, right beside me, eyes closed. He is fast asleep. My heart stops. We have overslept.

  I scramble to my feet, feeling energetic for the first time, and roughly shake his shoulder.

  “LOGAN!” I say urgently.

  Immediately, his eyes open and he jumps to his feet. He looks around, alert.

  “It’s morning!” I plead. “The boat. We’re going to miss it!”

  His eyes open wide in surprise as he realizes.

  We both jump into action, sprinting for the door. My leg still hurts, but I am pleasantly surprised to find I can actually run on it. I race down the metal staircase, footsteps echoing, right behind Logan. I grip the rusted metal railing, careful to pass over steps that are rotting away.

  We reach the ground floor and burst out of the building, into the blinding light of snow. It is a winter wonderland. I wade into the snow up to my thighs, which slows my running, each step a struggle. But I follow Logan’s tracks, and he plows through, making it easier.

  The water is up ahead and we are only a block away. To my great relief I see the barge docked at the pier, and can barely see its loading ramp being lifted, as the last of a group of chained girls is led on board. The boat is about to leave.

  I run harder, trudging through the snow as fast as I can go. As we reach the pier, still about a hundred yards away from the boat, the ramp is removed. I hear the roar of an engine, and a huge cloud of black exhaust billows from the back of the barge. My heart is pounding.

  As we near the end of the pier, I suddenly think of Ben, of our promise to each other—to meet at the pier at dawn. As I run, I scan left and right, looking for any sign of him. But there is nothing. My heart sinks, as I realize that can only mean one thing: he didn’t make it.

  We close in on the barge, hardly thirty yards away, when suddenly it begins to move. My heart starts to pound. We’re so close. Not now. Not now!

  We are only twenty yards away, but the boat has departed from the pier. It is already about ten feet out into the water.

  I increase my speed and am now running beside Logan, fighting my way through the thick snow. The barge is now a good fifteen feet off shore, and moving fast. Too far to jump.

  But I continue to sprint, right up to the very edge, and as I do, I suddenly spot thick ropes, dangling from the boat to the pier, slowly dragging off the edge.

  The ropes stretch behind it, like a long tail.

  “THE ROPES!” I scream.

  Logan apparently has the same idea. Neither of us slows—instead, we keep sprinting, and as I reach the end, without thinking, I aim for a rope and leap.

  I go flying through the air, hoping, praying. If I miss, it would be a long fall, at least thirty feet, and I would land in icy cold water, with no way back up. The water is so cold and the tides so strong, I’m sure I would die within seconds of impact.

  As I reach for the thick, knotted rope, I wonder if this could be my last moment on earth.

  T H I R T Y O N E

  My heart leaps in my throat as I reach out for the thick, knotted twine. I catch hold of it in the air, clutching onto it for life. Like a pendulum, I swing on it, racing through the air at full speed towards the immense hull of the rusted barge. The metal flies at me, and I brace myself for impact.

  It is excruciatingly painful as I collide at full speed, the metal slamming into the side of my head, ribs, and shoulder. The pain and shock of impact is almost enough to make me drop the rope. I slip a few feet, but somehow manage to hang on.

  I wrap my feet around the rope before I slip all the way down to the water. I cling to it, dangling there, as the barge continues to move, gaining speed. Logan has managed to catch his and hang on, too. He dangles a few feet away.

  I look down at the rough waters a few feet below me, churning white as the barge cut
s a path across the river. Those are big currents below, especially for a river, strong enough to lift this huge barge up and down.

  To my right, the Statue of Liberty towers over us. Amazingly, it has survived intact. Seeing it, I feel inspired, feel as if maybe I can make it, too.

  Luckily, Governors Island is close, barely a minute’s ride. I remember taking ferry rides there with Bree on hot summer days, and how amazed we were that it was so close. Now, I’m so grateful it is: if it were any farther, I don’t know if I’d be able to hang on. The wet rope digs into my freezing hands, making every second a struggle. I wonder how I will get out of this mess. There is no ladder on the side of the boat, and once we reach the island, there will be no way for me to get out except to drop down off the rope, into the water. Which would surely make me freeze to death.

  I detect movement and look over and see that Logan is slowly climbing his way up the rope. He has devised an ingenious method of lifting his knees, clamping the insoles of his feet tightly against the thick rope, then using his legs to pull himself up.

  I try it. I raise my knees and clamp my feet into the twine, and am happily surprised to see that my boot catches. I straighten my legs and pull myself up a notch. It works. I do it again and again, following Logan, and within a minute, the time it takes to reach the island, I’m at the top of the rope. Logan is there, waiting, hand outstretched. I reach up and grab it, and he pulls me quickly and silently over the edge.

  We both crouch down behind a metal container and furtively survey the boat. Standing up front, their backs to us, are a group of guards holding machine guns. They herd a dozen young girls, directing them down a long ramp lowered from the boat. The sight makes me burn with indignation, and makes me want to attack them right now. But I force myself to wait, to stay disciplined. It would give me temporary satisfaction, but then I would never get Bree.

  The group starts to move, chains rattling, until they are all off the ramp and on the island. When the boat is emptied, Logan and I nod to each other and silently make our way off the barge, running alongside the edge. We hurry down the ramp, a good deal behind everybody else. Luckily, no one is looking back for us.

  In moments we are on land. We hurry through the snow and take shelter behind a small structure, hiding out of sight to watch where the girls are taken. The slaverunners head toward a large, circular brick structure which looks like a cross between an amphitheater and a prison. There are iron bars all around its perimeter.

  We follow their trail, hiding behind a tree every twenty yards, running from tree to tree, careful not to be seen. I reach down and feel for my gun, in case I need to use it. Logan does the same. They might notice us at any moment, and we have to be ready. It would be a mistake to fire—it would draw too much attention, too soon. But if I need to, I will.

  They herd the girls into the open doorway of the building and then disappear in the blackness.

  We both break into action, running inside after them.

  My eyes take a moment to adjust to the darkness. To my right, around the bend, a group of slaverunners leads the girls, while to my left, a single slaverunner heads solo down a corridor. Logan and I exchange a knowing glance, and both wordlessly decide to go after the stray slaverunner.

  We run silently down the corridor, just yards behind him, waiting for our chance. He reaches a large iron door, pulls out a set of keys, and begins to unlock it. The metal clangs, reverberating in the empty corridors. Before I can react, Logan pulls out a knife, charges the slaverunner, grabs him by the back of his head, and slices his throat in one quick motion. Blood spurts everywhere as he collapses, a lifeless heap on the ground below.

  I grab his set of keys, still in the lock, turn it, and pull back the heavy iron door. I hold it open and Logan runs in, and I follow.

  We are in a cell block, long, narrow, semi-circular, filled with small cells. I run down it, looking left and right, scanning the haunted, hollow faces of the young girls. They stare back at me, hopeless, desperate. It looks like they’ve been here forever.

  My heart is thumping. I look desperately for any sign of my sister. I feel she is close. As I run through, the girls go to their cell doors and stick their hands through. They must realize we’re not slaverunners.

  “PLEASE!” one cries. “Help me!”

  “LET ME OUT OF HERE!” another cries.

  Soon, a chorus of shouts and pleas rises up. It is drawing too much attention, and it worries me. I want to help each one of these girls, but there’s no way I can. Not now. I need to find Bree first.

  “BREE!” I scream, desperate.

  I increase my pace to a jog, running cell to cell.

  “BREE? CAN YOU HEAR ME? IT’S ME! BROOKE! BREE? ARE YOU HERE!?”

  As I race by a cell, a girl reaches out and grabs my arm, pulling me to her.

  “I know where she is!” she says.

  I stop and stare at her. Her face is as frantic as the others.

  “Let me out of here, and I’ll tell you!” she says.

  If I set her free, she might draw unwanted attention to us. Then again, she is my best bet.

  I look at her cell number, then look down at the keys in my hand and find the number. I unlock it, and the girl comes running out.

  “LET ME OUT, TOO!” another girl yells.

  “ME TOO!”

  All the girls start screaming.

  I grab this girl by the shoulders.

  “Where is she!?” I demand.

  “She’s in the mansion. They took her this morning.”

  “The mansion?” I ask.

  “That’s where they take the new girls. To be broken in.”

  “Broken in?” I ask, horrified.

  “For sex,” she answers. “For the first time.”

  My heart plummets at her words.

  “Where?” I demand. “WHERE IS IT?”

  “Follow me,” she says, and begins to run.

  I am about to follow her out, but suddenly I stop.

  “Wait,” I say, grabbing her wrist.

  I know I shouldn’t do this. I know I should just run out of here, focus on saving Bree. I know there’s no time, and I know that helping the others can only cause unwanted attention and screw up my plans.

  But something inside me, a deep sense of indignation, stirs. I just can’t bring myself to leave them all here like this.

  So, against my better judgment, I stop and turn back, running cell to cell. As I reach each one, I find the key and unlock it. One by one, I free all of the girls. They all come running out, hysterical, running every which way. The noise is deafening.

  I run back to the first one I freed. Luckily, she is still waiting with Logan.

  She runs and we follow her, racing down corridor after corridor. Moments later, we burst out into the blinding light of day.

  As we run, I can hear the chorus of girls screaming behind us, bursting out to freedom. It won’t be long until all the soldiers catch onto us. I run faster.

  The girl stops and points across the courtyard.

  “There!” she says. “That building! The big old house. On the water. The Governor’s Mansion. That’s it! Good luck!” she cries, and turns and runs off in the other direction.

  I sprint for the building, Logan right beside me.

  We run across the massive field, thigh-deep in snow, on the lookout for slaverunners. Luckily, they aren’t on to us yet.

  The cold air burns my lungs. I think of Bree, being taken somewhere for sex, and I can’t possibly get there fast enough. I’m so close now. I can’t let her be hurt. Not now. Not after all this. Not when I’m only feet away.

  I force myself forward, never stopping to catch a breath. I reach the front door and am not even cautious. I don’t stop to check, but just run into it and kick it open.

  It bursts open and I continue running, right into the house. I don’t even know where I’m going, but I see a staircase and my instinct tells me to go up. I run right for it, sensing Logan right behind me.r />
  As I reach the landing at the top of the steps, a slaverunner bursts out of a room, his mask off. He looks at me, eyes open wide in shock, and reaches for a gun.

  I don’t hesitate. Mine is already drawn. I shoot him point blank in the head. He goes down, the gunshot deafening in this contained area.

  I continue to charge down the hallway and pick a random room. I kick the door open and am horrified to find a man on top of a young girl, who is chained to a bed. It’s not Bree, but still, the sight sickens me. The man—a slaverunner without his mask—jumps up, looks at me in fear, and scrambles for his gun. I shoot him between the eyes. The little girl screams as his blood splats over her. At least he is dead.

  I run back down the hall, kicking open doors as I go from room to room, each one containing another man having sex with a chained girl. I move on, searching frantically for Bree.

  I reach the end of the hall and there is one final door. I kick it open, Logan behind me, and charge inside. I freeze.

  A four-poster bed dominates the room. On it lies a large, fat, naked man having sex with a young girl, tied to his bed with rope. I can see that the girl is unconscious, and wonder if she’s been drugged. This man must be important, because beside him sits a slaverunner, standing guard.

  I aim for the fat man, and as he turns I shoot him once in the stomach. He crashes to the ground, grunting, and I shoot him a second time—this time, in the head.

  But I’m reckless. The guard aims his gun at me, and I can see out of the corner of my eye that he’s about to shoot. It was a stupid mistake. I should have taken him out first.

  I hear a gunshot and flinch.

  I am still alive. The guard is dead. Logan stands over him, gun drawn.

  Across the room sit two young girls, both chained to their chairs. They sit fully clothed, shaking with fear, clearly next in line to be brought to the bed. My heart soars. One of them is Bree.