Valdez Is Coming

by Elmore Leonard

  Valdez Is Coming (1970)

  Leonard, Elmore

  Unknown publisher (2011)

  * * *

  Valdez Is Coming (1970)

  Elmore Leonard

  *

  SUMMARY: They laughed at Roberto Valdez and then ignored him. But when a dark-skinned man was holed up in a shack with a gun, they sent the part-time town constable to deal with the problem -- and made sure he had no choice but to gun the fugitive down. Trouble was, Valdez killed an innocent man. And when he asked for justice -- and some money for the dead man's woman -- they beat Valdez and tied him to a cross. They were still laughing when Valdez came back. And then they began to die...

  Synopsis:

  They laughed at Roberto Valdez and then ignored him. But when a dark-skinned man was holed up in a shack with a gun, they sent the part-time town constable to deal with the problem -- and made sure he had no choice but to gun the fugitive down. Trouble was, Valdez killed an innocent man. And when he asked for justice -- and some money for the dead man's woman -- they beat Valdez and tied him to a cross. They were still laughing when Valdez came back. And then they began to die...

  Chapter 1

  Picture the ground rising on the east side of the pasture with scrub trees thick on the slope and pines higher up. This is where everybody was. Not all in one place but scattered in small groups, about a dozen men in the scrub, the front line, the shooters who couldn't just stand around. They'd fire at the shack when they felt like it, or when Mr. Tanner passed the word, they would all fire at once.

  Others were up in the pines and on the road that ran along the crest of the hill, some three hundred yards from the shack across the pasture. Those watching made bets whether the man in the shack would give himself up or get shot first.

  It was Saturday and that's why everybody had the time. They would arrive in Lanoria, hear about what happened, and shortly after, head out to the cattle company pasture. Most of the men went out alone, leaving their families in town, though there were a few women who came. The other women waited. And the people who had business in town and couldn't leave waited. Now and then a few would come back from the pasture to have a drink or their dinner and would tell what was going on. No, they hadn't got him yet. Still inside the line shack and not showing his face. But they'd get him. A few more would go out from town when they heard this. Also a wagon from De Spain's went out with whiskey. That's how the saloon was set up in the pines overlooking the pasture. Somebody said it was like the goddam Fourth of July.

  Barely a mile from town those going out would hear the gunfire -- like a skirmish way over the other side of the woods, thin specks of sound -- and this would hurry them. They were careful though, topping the slope, looking across the pasture, getting their bearings, then peering around to see who was there. They would see a friend and ask about this Mr. Tanner, and the friend would point him out.

  The man there in the dark suit: thin and bony, not big especially, but looking like he was made of gristle and hard to kill, with a moustache and a thin nose and a dark dusty hat worn over his eyes. That was him. They had heard about Frank Tanner, but not many had ever seen him. He had a place south in the foothills of the Santa Ritas and almost to the border. They said he had an army riding for him, Americans and Mexicans, and that his place was like a barracks except for the women. They said he traded horses and cattle and guns across into Mexico to the revolutionary forces and he had all the riders in case the Federales came down on him; also in case his customers ever decided not to pay. Sure he had at least twenty-five men and he didn't graze a head of beef himself. Where were they? somebody wanted to know. Driving a herd south. That's what he had come here for, cattle; bought them from Maricopa.

  Somebody else said he had brought his wife along -- "Goddam, a good-looking young woman, I'll tell you, some years younger than he is" -- and she was waiting for him at the Republic Hotel right now, staying up in his room, and not many people had seen her.

  They would look at Mr. Tanner, then across the cattle pasture to the line shack three hundred yards away. It was a little bake-oven of a hut, wood framed and made of sod and built against a rise where there were pines so the hut would be in shade part of the day. There were no windows in the hut, no gear lying around to show anybody lived there. The hut stood in the sun now with its door closed, the door chipped and splintered by all the bullets that had poured into it and through it.

  Off to the right where the pine shapes against the sky rounded and became willows, there in the trees by the creek bed, was the man's wagon and team. In the wagon were the supplies he'd bought that morning in Lanoria before Mr. Tanner spotted him.

  Out in front of the hut about ten or fifteen feet there was something on the ground. From the slope three hundred yards away nobody could tell what it was until a man came who had field glasses. He looked up and said, frowning, it was a doll: one made of cloth scraps, a stuffed doll with buttons for eyes.

  "The woman must have dropped it," somebody said.

  "The woman?" the man with the field glasses said.

  A Lipan Apache woman who was his wife or his woman or just with him. Mr. Tanner hadn't been clear about that. All they knew was that there was a woman in the hut with him and if the man wanted her to stay and get shot that was his business.

  A Mr. Beaudry, the government land agent for the county, was there. Also Mr. Malson, manager of the Maricopa Cattle Company, and a horsebreaker by the name of Diego Luz, who was big for a Mexican but never offensive and who drank pretty well.

  Mr. Beaudry, nodding and also squinting so he could picture the man inside the line shack, said, "There was something peculiar about him. I mean having a name like Orlando Rincon."

  "He worked for me," Mr. Malson said. He was looking at Mr. Tanner. "I mistrusted him and I believe that was part of it, his name being Orlando Rincon."

  "Johnson," Mr. Tanner said.

  "I hired him two, three times," Mr. Malson said. "For heavy work. When I had work you couldn't pay a white man to do."

  "His name is Johnson," Mr. Tanner said. "There is no fuzzhead by the name of Orlando Rincon. I'm telling you this fuzzhead is from the Fort Huachuca Tenth fuzzhead Cavalry and his name was Johnson when he killed James C. Erin six months ago and nothing else."

  He spoke as you might speak to young children to press something into their minds. This man seemed to have no feeling and he never smiled, but there was no reason to doubt him.

  Bob Valdez arrived at the Maricopa pasture about noon. He was riding shotgun on the Hatch and Hodges run from St. David. He swung down from the boot, holding his sawed-off shotgun in the air, as the stage edged past the whiskey wagon.

  Somebody standing at the tailgate with a glass in his hand said, "Hey, here's the town constable," and those nearby looked toward Bob Valdez in his dark suit and buttoned-up shirt, wearing a collar button but no tie or bandana; Valdez with his hat straight and slightly forward, the brim flat and the low crown undented.

  "We'll get that nigger out of there now," somebody said, and a couple of others gave a little laugh to show they knew the person who said it was kidding.

  Bob Valdez smiled, going along with it, though not knowing what they meant. "Out of where?" he said.

  They explained it to him and he nodded, listening, his gaze moving over the shooters in the scrub, out to the line shack across the pasture and back to the slope, to the group of men a little way down from him. He saw Mr. Beaudry and Mr. Malson and Diego Luz, and the one they said was Mr. Tanner, there, talking to an R. L. Davis, who rode for Maricopa when he was working.

  Bob Valdez watched the two men, both of them cut from the same stringy hide and looking like father and son: Mr. Tanner talking, never smiling, barely moving his mouth; R. L. Dav
is standing hip-cocked, posing with his revolver and rifle and a cartridge belt hanging over one shoulder, and the funneled, pointed brim of his sweaty hat nodding up and down as he listened to Mr. Tanner, grinning at what Mr. Tanner said, laughing out loud while Mr. Tanner did not show the twitch of a lip. Bob Valdez did not like R. L. Davis or any of the R. L. Davises in the world. He was civil, he listened to them, but God, there were a lot of them to listen to.

  Well, all right, Bob Valdez thought. He walked down the slope to the group of men, nodding to Mr. Beaudry and Mr. Malson as they looked up. He waited a moment, not looking directly at Tanner, waiting for one of them to introduce him. Finally he held out his hand. "I'm Bob Valdez," he said, smiling a little.

  Mr. Tanner looked at him, but did not shake hands. His gaze shifted as Mr. Malson said, "Bob's a town constable. He works a few nights a week in the Mexican part of town."

  "The nights I'm here," Bob Valdez said. "Not on a stage run. See, I work for Hatch and Hodges too."

  This time Mr. Tanner turned to say something to R. L. Davis, a couple of words that could have been about anything, and R. L. Davis laughed. Bob Valdez was a grown man; he was forty years old and as big as Mr. Tanner, but he stood there and didn't know what to do. He gripped the shotgun and was glad he had something to hold on to. He would have to stay near Mr. Tanner because he was the center of what was going on here. Soon they would discuss the situation and decide what to do. As the law-enforcement man he, Bob Valdez, should be in on the discussion and the decision. Of course. If someone was going to arrest Orlando Rincon or Johnson or whatever his name was, then he should be the one to do it; he was a town constable. They were out of town maybe, but where did the town end? The town had moved out here now; it was the same thing.

  He could wait for Rincon to give up. Then arrest him.

  If he wasn't dead already.

  "Mr. Malson." Bob Valdez stepped toward the cattle company manager, who glanced over but looked out across the pasture again, indifferent.

  "I wondered if maybe he's already dead," Valdez said.

  Mr. Malson said, "Why don't you find out?"

  "I was thinking," Valdez said, "if he was dead we could stand here a long time."

  R. L. Davis adjusted his hat, which he did often, grabbing the funneled brim, loosening it on his head and pulling it down close to his eyes again and shifting from one cocked hip to the other. "Valdez here's got better things to do," R. L. Davis said. "He's busy."

  "No," Bob Valdez said. "I was thinking of the one inside there, Rincon. He's dead or he's alive. He's alive, maybe he wants to give himself up. In there he has time to think, uh? Maybe--" He stopped. Not one of them was listening. Not even R. L. Davis.

  Mr. Malson was looking at the whiskey wagon; it was on the road above them and over a little ways, with men standing by it being served off the tailgate. "I think we could use something," Mr. Malson said. His gaze went to Diego Luz the horsebreaker and Diego straightened up; not much, but a little. He was heavy and very dark and his shirt was tight across the thickness of his body. They said that Diego Luz hit green horses on the muzzle with his fist and they minded him. He had the hands for it; they hung at his sides, not touching or fooling with anything. They turned open, gestured when Mr. Malson told him to get the whiskey, and as he moved off climbing the slope, one hand held his holstered revolver to his leg.

  Mr. Malson looked up at the sky, squinting and taking his hat off and putting it on again. He took off his coat and held it hooked over his shoulder by one finger, said something, gestured, and he and Mr. Beaudry and Mr. Tanner moved a few yards down the slope to a hollow where there was good shade. It was about two or two thirty then, hot, fairly still and quiet considering the number of people there. Only some of them in the pines and down in the scrub could be seen from where Bob Valdez stood wondering whether he should follow the three men down to the hollow or wait for Diego Luz, who was at the whiskey wagon now where most of the sounds that carried came from: a voice, a word or two that was suddenly clear, or laughter, and people would look up to see what was going on. Some of them by the whiskey wagon had lost interest in the line shack. Others were still watching though: those farther along the road sitting in wagons and buggies. This was a day people would remember and talk about. "Sure, I was there," the man in the buggy would be saying a year from now in a saloon over in Benson or St. David or somewhere. "The day they got that Army deserter, he had a Big-Fifty Sharps and an old dragoon pistol, and I'll tell you it was ticklish business."

  Down in that worn-out pasture, dusty and spotted with desert growth, prickly pear and brittlebush, there was just the sun. It showed the ground clearly all the way to just in front of the line shack where now, toward midafternoon, there was shadow coming out from the trees and from the mound the hut was set against.

  Somebody in the scrub must have seen the door open. The shout came from there, and Bob Valdez and everybody on the slope were looking by the time the Lipan Apache woman had reached the edge of the shade. She walked out from the hut toward the willow trees carrying a bucket, not hurrying or even looking toward the slope.

  Nobody fired at her, though this was not so strange. Putting the front sight on a sod hut and on a person are two different things. The men in the scrub and in the pines didn't know this woman. They weren't after her. She had just appeared. There she was; and no one was sure what to do about her.

  She was in the trees by the creek awhile, then she was in the open again, walking back toward the hut with the bucket and not hurrying at all, a small figure way across the pasture almost without shape or color, with only the long skirt reaching to the ground to tell it was the woman.

  So he's alive, Bob Valdez thought. And he wants to stay alive and he's not giving himself up.

  He thought about the woman's nerve and whether Orlando Rincon had sent her out or she had decided this herself. You couldn't tell about an Indian woman. Maybe this was expected of her. The woman didn't count; the man did. You could lose the woman and get another one.

  Mr. Tanner didn't look at R. L. Davis. His gaze held on the Lipan Apache woman, inched along with her toward the hut; but he must have known R. L. Davis was right next to him.

  "She's saying she didn't give a goddam about you and your rifle," Mr. Tanner said.

  R. L. Davis looked at him funny. Then he said, "Shoot her?" like he hoped that's what Mr. Tanner meant.

  "You could make her jump some," Mr. Tanner said.

  Now R. L. Davis was on stage and he knew it, and Bob Valdez could tell he knew it by the way he levered the Winchester, raised it, and fired all in one motion, and as the dust kicked behind the Indian woman, who kept walking and didn't look up, R. L. Davis fired and fired and fired as fast as he could lever and half aim and with everybody watching him, hurrying him, he put four good ones right behind the woman. His last bullet socked into the door just as she reached it, and now she did pause and look up at the slope, staring up like she was waiting for him to fire again and giving him a good target if he wanted it.

  Mr. Beaudry laughed out loud. "She don't give a goddam about your rifle."

  It stung R. L. Davis, which it was intended to do.

  "I wasn't aiming at her."

  "But she doesn't know that." Mr. Beaudry was grinning, twisting his moustache, turning then and reaching out a hand as Diego Luz approached them with the whiskey.

  "Hell, I wanted to hit her she'd be laying there, you know it."

  "Well now, you tell her that," Mr. Beaudry said, working the cork loose, "and she'll know it." He took a drink from the bottle and passed it to Mr. Malson, who offered the bottle to Mr. Tanner, who shook his head. Mr. Malson took a drink and saw R. L. Davis staring at him, so he handed the bottle to him. R. L. Davis jerked the bottle up, took a long swallow and that part was over.

  Mr. Malson said to Mr. Tanner, "You don't want any?"

  "Not right now," Mr. Tanner answered. He continued to stare out across the pasture.

  Mr. Malson watched him. "Y
ou feel strongly about this Army deserter."

  "I told you," Mr. Tanner said, "he killed a man was a friend of mine."

  "No, I don't believe you did."

  "James C. Erin, sutler at Fort Huachuca," Mr. Tanner said. "He came across a tulapai still this nigger soldier was working with some Indians. The nigger thought Erin would tell the Army people, so he shot him and ran off with a woman."

  "And you saw him this morning."

  "I had come in last night to see this gentleman," Mr. Tanner said, nodding toward Malson. "This morning I was getting ready to leave when I saw him, him and the woman."

  "I was right there," R. L. Davis said. "Right, Mr. Tanner? Him and I was on the porch by the Republic Hotel and Rincon goes by in the wagon. Mr. Tanner said, 'You know that man?' I said, 'Only that he's lived up north of town a few months. Him and his woman.' 'Well, I know him,' Mr. Tanner said. 'That man's an Army deserter wanted for murder.' I said, 'Well let's go get him.' He had a start on us and that's how he got to the hut before we could grab on to him. He's been holed up ever since."

  Mr. Malson said, "Then you didn't talk to him."

  "Listen," Mr. Tanner said, "I've kept that man's face before my eyes this past year."

  Bob Valdez, somewhat behind Mr. Tanner and to the side, moved in a little closer. "You know this is the same man?"

  Mr. Tanner looked around. He stared at Valdez. That's all he did, just stared.

  "I mean, we have to be sure," Bob Valdez said. "It's a serious thing."

  Now Mr. Malson and Mr. Beaudry were looking up at him. "We," Mr. Beaudry said. "I'll tell you what, Roberto. We need help we'll call you. All right?"

  "You hired me," Bob Valdez said, standing alone above them. He was serious, but he shrugged and smiled a little to take the edge off the words. "What did you hire me for?"

  "Well," Mr. Beaudry said, acting it out, looking up past Bob Valdez and along the road both ways. "I was to see some drunk Mexicans, I'd point them out."