The Arden Shakespeare Complete Works
Page 9
Making no summer of another’s green,
Robbing no old to dress his beauty new;
And him as for a map doth nature store
To show false art what beauty was of yore.
69
Those parts of thee that the world’s eye doth view
Want nothing that the thought of hearts can mend;
All tongues, the voice of souls, give thee that due,
Utt’ring bare truth, even so as foes commend:
Thy outward thus with outward praise is crowned.
But those same tongues that give thee so thine own
In other accents do this praise confound,
By seeing further than the eye hath shown;
They look into the beauty of thy mind,
And that in guess they measure by thy deeds;
Then churls their thoughts (although their eyes were kind)
To thy fair flower add the rank smell of weeds.
But why thy odour matcheth not thy show,
The soil is this, that thou dost common grow.
70
That thou art blamed shall not be thy defect,
For slander’s mark was ever yet the fair;
The ornament of beauty is suspect,
A crow that flies in heaven’s sweetest air.
So thou be good, slander doth but approve
Thy worth the greater, being wooed of time;
For canker vice the sweetest buds doth love,
And thou present’st a pure unstained prime.
Thou hast passed by the ambush of young days,
Either not assailed, or victor, being charged;
Yet this thy praise cannot be so thy praise,
To tie up envy, evermore enlarged:
If some suspect of ill masked not thy show
Then thou alone kingdoms of hearts shouldst owe.
71
No longer mourn for me when I am dead
Than you shall hear the surly sullen bell
Give warning to the world that I am fled
From this vile world, with vilest worms to dwell:
Nay, if you read this line, remember not
The hand that writ it, for I love you so
That I in your sweet thoughts would be forgot,
If thinking on me then should make you woe.
O if (I say) you look upon this verse,
When I, perhaps, compounded am with clay,
Do not so much as my poor name rehearse,
But let your love even with my life decay;
Lest the wise world should look into your moan,
And mock you with me after I am gone.
72
O, lest the world should task you to recite
What merit lived in me that you should love,
After my death (dear love) forget me quite,
For you in me can nothing worthy prove;
Unless you would devise some virtuous lie
To do more for me than mine own desert,
And hang more praise upon deceased I
Than niggard truth would willingly impart;
O, lest your true love may seem false in this,
That you for love speak well of me untrue,
My name be buried where my body is,
And live no more to shame nor me, nor you:
For I am shamed by that which I bring forth,
And so should you, to love things nothing worth.
73
That time of year thou mayst in me behold,
When yellow leaves, or none, or few do hang
Upon those boughs which shake against the cold,
Bare ruined choirs where late the sweet birds sang;
In me thou seest the twilight of such day
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death’s second self that seals up all in rest;
In me thou seest the glowing of such fire
That on the ashes of his youth doth lie,
As the deathbed, whereon it must expire,
Consumed with that which it was nourished by;
This thou perceiv’st, which makes thy love more strong,
To love that well, which thou must leave ere long.
74
But be contented when that fell arrest
Without all bail shall carry me away;
My life hath in this line some interest,
Which for memorial still with thee shall stay.
When thou reviewest this, thou dost review
The very part was consecrate to thee;
The earth can have but earth, which is his due,
My spirit is thine, the better part of me;
So then thou hast but lost the dregs of life,
The prey of worms, my body being dead,
The coward conquest of a wretch’s knife,
Too base of thee to be remembered:
The worth of that, is that which it contains,
And that is this, and this with thee remains.
75
So are you to my thoughts as food to life,
Or as sweet seasoned showers to the ground;
And for the peace of you I hold such strife
As ’twixt a miser and his wealth is found:
Now proud as an enjoyer, and anon
Doubting the filching age will steal his treasure;
Now counting best to be with you alone,
Then bettered that the world may see my pleasure;
Sometime all full with feasting on your sight,
And by and by clean starved for a look,
Possessing or pursuing no delight
Save what is had, or must from you be took.
Thus do I pine and surfeit day by day,
Or gluttoning on all, or all away.
76
Why is my verse so barren of new pride,
So far from variation or quick change?
Why with the time do I not glance aside
To new-found methods and to compounds strange?
Why write I still all one, ever the same,
And keep invention in a noted weed,
That every word almost doth tell my name,
Showing their birth, and where they did proceed?
O know, sweet love, I always write of you,
And you and love are still my argument:
So all my best is dressing old words new,
Spending again what is already spent:
For as the sun is daily new and old,
So is my love still telling what is told.
77
Thy glass will show thee how thy beauties wear,
Thy dial how thy precious minutes waste,
The vacant leaves thy mind’s imprint will bear,
And of this book, this learning mayst thou taste:
The wrinkles which thy glass will truly show
Of mouthed graves will give thee memory;
Thou by thy dial’s shady stealth mayst know
Time’s thievish progress to eternity;
Look what thy memory cannot contain,
Commit to these waste blanks, and thou shalt find
Those children nursed, delivered from thy brain,
To take a new acquaintance of thy mind.
These offices, so oft as thou wilt look,
Shall profit thee, and much enrich thy book.
78
So oft have I invoked thee for my Muse,
And found such fair assistance in my verse,
As every alien pen hath got my use,
And under thee their poesy disperse.
Thine eyes, that taught the dumb on high to sing,
And heavy ignorance aloft to fly,
Have added feathers to the learned’s wing,
And given grace a double majesty.
Yet be most proud of that which I compile,
Whose influence is thine, and born of thee:
In others’ works thou dost but mend the style,
And arts with thy sweet graces graced be;
But thou art all my art, and dost advance,
As high as learning, my rude ignorance.
79
Whilst I alone did call upon thy aid
My verse alone had all thy gentle grace;
But now my gracious numbers are decayed,
And my sick Muse doth give another place.
I grant, sweet love, thy lovely argument
Deserves the travail of a worthier pen;
Yet what of thee thy poet doth invent
He robs thee of, and pays it thee again;
He lends thee virtue, and he stole that word
From thy behaviour; beauty doth he give,
And found it in thy cheek; he can afford
No praise to thee, but what in thee doth live:
Then thank him not for that which he doth say,
Since what he owes thee, thou thyself dost pay.
80
O how I faint when I of you do write,
Knowing a better spirit doth use your name,
And in the praise thereof spends all his might,
To make me tongue-tied speaking of your fame.
But since your worth, wide as the ocean is,
The humble as the proudest sail doth bear,
My saucy bark, inferior far to his,
On your broad main doth wilfully appear.
Your shallowest help will hold me up afloat,
Whilst he upon your soundless deep doth ride;
Or, being wracked, I am a worthless boat,
He of tall building, and of goodly pride.
Then if he thrive, and I be cast away,
The worst was this: my love was my decay.
81
Or I shall live, your epitaph to make;
Or you survive, when I in earth am rotten;
From hence your memory death cannot take,
Although in me each part will be forgotten.
Your name from hence immortal life shall have,
Though I, once gone, to all the world must die;
The earth can yield me but a common grave,
When you entombed in men’s eyes shall lie.
Your monument shall be my gentle verse,
Which eyes not yet created shall o’er-read,
And tongues to be your being shall rehearse,
When all the breathers of this world are dead.
You still shall live, such virtue hath my pen,
Where breath most breathes, even in the mouths of men.
82
I grant thou wert not married to my Muse,
And therefore mayst without attaint o’erlook
The dedicated words which writers use
Of their fair subject, blessing every book.
Thou art as fair in knowledge as in hue,
Finding thy worth a limit past my praise,
And therefore art enforced to seek anew
Some fresher stamp of the time-bettering days,
And do so love; yet when they have devised
What strained touches rhetoric can lend,
Thou, truly fair, wert truly sympathized
In true plain words, by thy true-telling friend;
And their gross painting might be better used
Where cheeks need blood; in thee it is abused.
83
I never saw that you did painting need,
And therefore to your fair no painting set;
I found (or thought I found) you did exceed
The barren tender of a poet’s debt;
And therefore have I slept in your report,
That you yourself, being extant, well might show
How far a modern quill doth come too short,
Speaking of worth, what worth in you doth grow.
This silence for my sin you did impute,
Which shall be most my glory, being dumb;
For I impair not beauty, being mute,
When others would give life, and bring a tomb.
There lives more life in one of your fair eyes
Than both your poets can in praise devise.
84
Who is it that says most? Which can say more,
Than this rich praise: that you alone are you,
In whose confine immured is the store
Which should example where your equal grew?
Lean penury within that pen doth dwell
That to his subject lends not some small glory;
But he that writes of you, if he can tell
That you are you, so dignifies his story.
Let him but copy what in you is writ,
Not making worse what nature made so clear,
And such a counterpart shall fame his wit,
Making his style admired everywhere.
You to your beauteous blessings add a curse,
Being fond on praise, which makes your praises worse.
85
My tongue-tied Muse in manners holds her still,
While comments of your praise richly compiled
Reserve your character with golden quill,
And precious phrase by all the Muses filed;
I think good thoughts, whilst other write good words,
And like unlettered clerk still cry ‘Amen’
To every hymn that able spirit affords
In polished form of well-refined pen.
Hearing you praised, I say, ‘’Tis so, ’tis true’,
And to the most of praise add something more;
But that is in my thought, whose love to you
(Though words come hindmost) holds his rank before;
Then others for the breath of words respect,
Me for my dumb thoughts, speaking in effect.
86
Was it the proud full sail of his great verse,
Bound for the prize of all-too-precious you,
That did my ripe thoughts in my brain in-hearse,
Making their tomb the womb wherein they grew?
Was it his spirit, by spirits taught to write
Above a mortal pitch, that struck me dead?
No, neither he, nor his compeers by night,
Giving him aid, my verse astonished.
He, nor that affable familiar ghost
Which nightly gulls him with intelligence,
As victors of my silence cannot boast;
I was not sick of any fear from thence.
But when your countenance filled up his line,
Then lacked I matter, that enfeebled mine.
87
Farewell, thou art too dear for my possessing,
And like enough thou knowst thy estimate;
The charter of thy worth gives thee releasing;
My bonds in thee are all determinate.